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One of the biggest docs to premiere at Toronto’s HOT DOS 2018 this year is Pedro Almodovar’s presentation of THE SILENCE OF OTHERS, a film about the evil of the Franco regime of 40 years. The film gets personal at the film’s start when a 90-ish old women places flowers at the side of the road.
She is still mourning the death of her mother, who was taken away by the townsfolk way back in the 30’s and left by the side of the road. Her body was not allowed to be taken to the cemetery. Footage taken in 1936 the shows Franco next to Hitler followed by massacre of rows of people and other injustices such as brutal beatings by Franco troops. All the above occurs within the first 5 minutes of the film so the audience is primed for a solid riveting historical documentary. This elderly woman is just one person seeking just for inhumanities done during the Franco regime. She and many others want their relatives’ graves exhumed for their remains. Others were tortured by officials in the regime. They,understandably want justice.
The film follows a select few of those who suffered under the Franco regime. Many want the torturers punished and go to jail while others want the bodies of their dead ones back for proper burial. The film centres on their emotions especially showing their joy and relief after the courts have passed sentence.
Trailer: http://www.critic.de/film/the-silence-of-others-11676/trailer/


Donkeys inhabit and communicate with each other – and the filmmakers – in a Sanctuary.
This observational documentary follows the men behind the Super-PACs that persuaded Dr Ben Carson to run for President. Believing Carson can save the Republican Party, they successfully draft him to run, raise millions of dollars and catapult him to the top of the polls. However, as Carson’s political inexperience begins to show, his constant media gaffes make fundraising increasingly difficult. Donors and voters abandon Carson’s campaign as wallets close, hearts open and faith is tested. As Trump inexplicably rises, the campaign descends into chaos and the PACmen begin to wonder – did they pick the wrong savior?
An unprecedented look at the iconic shower scene in Alfred Hitchcock’s Psycho, the “man behind the curtain”, and the screen murder that profoundly changed the course of world cinema.