Movie Review: JULES AND JIM, 1962, Directed by Francois Truffaut

JULES AND JIM,   MOVIE POSTERJULES AND JIM, 1962
Movie Reviews

Directed by François Truffaut
Starring: Jeanne Moreau, Oskar Werner, Henri Serre, Vanna Urbino, Boris Bassiak, Anny Nelsen, Sabine Haudepin, Marie Dubois
Review by Silvana Jakich

SYNOPSIS:

Decades of a love triangle concerning two friends and an impulsive woman.

REVIEW:

Francois Truffaut’s third feature film, “Jules and Jim” has been touted as one of his most poignant masterpieces. Based on a semi autobiographical novel by Henri-Pierre Roche, Truffaut’s film begins just before WW1 in Paris.

Jules (Oskar Werner)- a shy German writer and Jim (Henri Serre)- a more extrovert French writer, meet and forge a friendship that is rooted in a deep respect for one another as both artists and human beings. Through the use of a narrator, Truffaut beautifully sets up the immense bond that forms between these two men as they share life experiences and the arts together. Their close friendship reminded me of the close knit friendships we weave when we are younger which are very much “in the moment”, spontaneous and full to the brim of utter devotion.

Into this tight knit connection explodes the free spirited, uninhibited Cartherine (Jeanne Moreau). In most films, the appearance of such a character would be used as a starting point for conflict between the two friends. There would be competition and the friendship would sour but instead of this typical route, the bond was now between three people instead of two.

The joy of Jim, Jules and Catherine’s relationship coupled with wonderful shots of a European summer holiday together will make any viewer envious. The carefree joyous time they share at the seaside makes the three characters inseparable. Even when Jules and Jim become completely enamored with Catherine, the typical competitiveness which would normally be highlighted in this situation is over ruled by each character’s love for the others.

Ultimately, Jim makes way for Jules to have a relationship with Catherine after Jules wards Jim off by saying: “not this one”. Catherine and Jules marry and move to Austria.

WW1 begins and both men are sent away to fight on opposing sides. The contrast between the visuals of war and previous images of countrysides and sunshine are extreme and violently bring home the drastic change in everyones’ circumstances. Yet, even in the war time moments, Jules and Jim express great humanity as their greatest concern is that they may end up killing one another.

Fortunately, both men survive the war and meet again but now the complexities of their various relationships with Catherine come to the surface and the element of self destruction begins.

Although the character of Catherine is often fickle, selfish,cruel, unstable and vengeful, Jeanne Moreau manages to play her with a bewitching effervescence and joie de vivre which prevents her from becoming a one dimensional villain. Here is an interesting exploration of a woman who requires many lovers during a period in history when women were restricted sexually and boxed into an identity of utter loyalty to one man.

This film is also tribute to the strength of friendship and all that is pure and innocent when it comes to a deep bond. The fact that even betrayal cannot taint feelings of love that human beings have for one another is a testament to the beautiful side of human nature.

 

Movie Review: LA MARIEE ETAIT EN NOIR (THE BRIDE WORE BLACK) (France 1967) *****

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the_bridge_wore_black.jpgLA MARIEE ETAIT EN NOIR (THE BRIDE WORE BLACK) (France 1967) *****
Directed by Francois Truffaut

Starring: Jeanne Moreau, Jean-Claude Brialy, Michel Bouquet

Review by Gilbert Seah

My personal favourite Truffaut movie and French film of all time sees sultry siren Jeanne Moreau do away with the 5 killers who accidentally shot her bridegroom on her wedding day. The Bride has 5 men to hunt, to lure and to kill. Julie Kohler (Moreau) methodically tracks them down one by one and does away with them without remorse. Truffaut gives her femme fatale more human feelings than necessary as she almost falls in love with one of them.

Five of France’s most popular actors of the time (Claude Rich, Charles Denner, Michel Bouquet, Daniel Bouloanger and Michel Lonsdale) play 4 of Julie’s victims, with Jean-Claude Brialy the common friend to two of them. It is a great delight to watch all of them on the screen again.
This film is Truffaut’s tribute to Hitchcock after he interviewed and the Master of Suspense wrote the book Hitchcock. Using Hitchcock’s frequent composer Bernard Herrmann, the film has the complete Hitchcock feel.

Truffaut includes the element of guilt, a key element in a Hitchcock film in the scene where Julie confesses her crimes to a priest in the confessional box. in the scene, she claims that she is dead after her groom, David was shot.

The most emotional scene is the one in which Julie realizes that she has fallen in love with one of her groom’s killer, Fergus (Denner). It is something she had not expected but she cooly brushes it away determined to complete her lifeline quest.

Truffaut has been described as the kindest of film directors and this film illustrates why. He does not let the innocent characters die. The cleaner who steals and drink from the bottle that holds the poisoned liquor is emptied by Julie. When the school teacher (Alexandra Stewart) Julie impersonates to do away with a victim is arrested, she calls the police to prove her innocence. The film’s best and most touching scene has the teacher enter the school gate after release only to be swarmed by all the children of the school offering their hugs and love.
The only thing missing in the story is how Julie managed to find the identity and whereabouts of the killers. Perhaps this is bet left out as it might damage the credibility of the story if too much is explained.

THE BRIDE WORE BLACK is unfortunately Truffaut’s least favourite film as he had a big argument with his cinematographer on the look of this movie, but to this critic the film is still perfection! I have not hailed more than 5 films in my lifetime as masterpieces but THE BRIDE WORE BLACK is surely a Masterpiece!

The film will open the Truffaut/Hitchcock tribute at the Bell Lightbox in July 2016.

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