Film Review: GOD’S OWN COUNTRY (UK 2017) ****

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Trailer

Spring. Yorkshire. Young farmer Johnny Saxby numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker for lambing season ignites an intense relationship that sets Johnny on a new path.

Director:

Francis Lee

Writer:

Francis Lee

2017 sees the arrival of three critically acclaimed gay films .  BPM from France, this one from the U.K. (at point of writing with a 99% rotten tomatoes rating) about a young Yorkshire sheep farmer and from Italy, CALL ME BY YOUR NAME.  While the latter also deals with first love, unlike that sugar-covered unreal gay love story, GOD’S OWN COUNTRY is a hard look at gay life – acceptance and reality, the way it happens in real life.

The film is set in Yorkshire, around Johnny Saxby (Josh O’Connor) who lives on the family farm with his father, Martin (Ian Hart) and grandmother, Deirdre (Gemma Jones).  Due to his father having suffered from a stroke, and his grandmother’s age, much of the day to day running of the farm falls to Johnny.   As his friends have left for university, there is little time for socializing.  What time there is, he fills drinking excessively on his own at the pub. With the lambing season fast approaching, Johnny’s father tells him that they have advertised for extra help for the farm that arrives in the form of a Romanian worker, Gheorghe (Alec Secareanu).  When the two are sent out into an isolated place to look after the sheep (shades of Ang Lee’s BROKEBACK MOUNTAIN), the two form a relationship after some initial rough sex and hostility.

When the two return to the farm, both Derdre and Martin discover what the two have been unto resulting in Gheorghe leaving the farm.  Whether Johnny will make a stand and go out to get him back takes up the rest of the film.

What makes the film work for both the gay and hetro-sexual audiences is the honesty of the portrayal of the couple’s love.  The film also serves as a coming-of-age rite of passage journey for Johnny who before just engages in casual encounters.  This is aided by the film’s sheep farming setting, which unlike many pictures with a farm setting, just cater to one or token farm scenes.  In GOD’S OWN COUNTRY, the sheep, landscape, Yorkshire scenery and farming are in the forefront.  There are many eye-opening facts that can be learnt about sheep farming from the film like a lamb dying from a breech birth. 

The rough macho life of men are on display – as in the rough sex practised by Johnny.  Sexual gratification can be obtained without the fuss of a second hook-up or a budding relationship.  The land is just as rough, but tenderness is also present, as witnessed by Gheorghe as he takes care of a weak lamb that almost dies.

The film contains one perfect scene somewhere in the middle when Johnny and Ghoerghe sit together overlooking the beautiful yet somewhat barren Yorkshire landscape.  It is a rare moment, a turning point in the life of both, when the two lovers appreciate the beauty of GOD’S OWN COUNTRY and nothing else in the world but that and their love matters.

GOD’S OWN COUNTRY is in many ways just as perfect a gay love story.

Trailer: https://www.youtube.com/watch?v=q1YAhyU6-tA&vl=en

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Movie Review: BRIDGEND (UK/Denmark 2015) ***

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bridgendBRIDGEND (UK/Denmark 2015) ***

Directed by Jeppe Ronde

Starring: Hannah Murray, Josh O’Connor, Adrian Rawlins

Review by Gilbert Seah

BRIDGEND is the name of a Welsh town in Bridgend County in south west Wales. It is a beautiful town and the setting of the new English language Danish film photographed by Magnus Nordenhof Jønck and directed by Jeppe Ronde. If I knew how stunning the area was, I would have visited the place when I vacationed in Wales two years. ago.

But it is not the beauty of the town that is on display here. The beauty contrasts with dark goings-on that cannot be explained. Between December 2007 and January 2012 seventy-nine suicides were officially committed in the area. Most of the victims were teenagers, they hanged themselves and left no suicide notes. Danish documentary filmmaker Jeppe Rønde followed the teenagers from the area for six years and wrote the script based on their life stories.

Is it the water? What was the intent? Is it a mass murderer? Is there a cult at work? And why is it that it is always the parents who discover the suicides. The suicides take place in the woods. These are a few of the questions that spring to mind as Ronde’s film opens. But as the film progresses, it becomes clear that he wants the audience to focus on the people of the village, and how ordinary folk can turn angry and unpredictable.

When the film opens, teen Sara (Hannah Murray from GAME OF THRONES) follows her dad, Dave (Steven Waddington) as they arrive in the small town in Bridgend County. The town is haunted by suicides amongst its young inhabitants. As Sara starts hanging around teens her age, she eventually falls dangerously in love with one of the teenagers, Jamie (Josh O’Connor from THE RIOT CLUB) while Dave as the town’s new policeman tries to stop the mysterious chain of suicides.

The teens are shown by Ronde as teens are. They hang around their own, get drunk, have sex and the occasional high, from swimming naked in a cold stream or doing dangerous stunts with a speeding train. Ronde also show how irresponsible they are, often forcing his audience to take the side of the adults. The local vicar (Adrian Rawlins) has good intentions but the teens mock him. When it comes time to really help, he is at a loss what to do. “Go home,” is the best advice he can give to Sara when she is in time of need.

BRIDGEND is an accomplished debut about the mystery of the suicides. It reminds one of the classic Australian film. Peter Weir’s PICNIC AT HANGING ROCK. Like that film, there are certain mysteries in life that can never be explained. Both films do not offer closure on the mysteries, but provide clues in helping the audience interpret the happenings. BRIDGEND finishes with a dreamy sequence that spoils the authentic feel Ronde had created. That is the main flaw of the film.

Jeppe is a director to watch. In 2013, he won a Gold Lion for Best Direction, plus a bronze for cinematography for Come4 ‘The Lover’, a seemingly seedy look at one man’s obsession with sex and prostitution, with a twist. The film also won the Craft Grand Prix at Eurobest.

BRIDGEND does not open in Canada this weekend but in NYC at Cinema Village on May 6th. However, the film can be viewed on the SVOD platform as it is released as a Fandor Exclusive Digital SVOD release on the same day. Fandor is available in Canada and North America only.

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