Film Review: LIFECHANGER (Canada 2018) ***

Lifechanger Poster
Trailer

A murderous shapeshifter sets out on a blood-soaked mission to make things right with the woman he loves.

Director:

Justin McConnell

The only film opening on the 28th of December makes one wonder the reason.  For one LIFECHANGER is a Christmas movie, the setting being the yuletide season.  But it is also a killing slasher movie, but quite an original one that Santa has brought in.

The film opens with a woman later known to by Emily Roberts (Elitsa Blko) in bed with a deformed corpse next to her.  The woman is not in a panic or anything.  It seems that she knows what is happening, perhaps maybe even being the one who committed this crime.  Writer/director plays with the audience curiosity by having a voiceover in first person, explaining what is going on.  But the voiceover is a male voice.  The woman, as cool as a cucumber, saws the body in the bathtub, stuffs the pieces in trash bags, and drives the trash bags to a place to burn them.  She visits a diner before returning to her own home, opening the door.  She smokes some pot she evidently knew where was hidden before her boyfriend James (Adam Buller) enters saying that he has called the police after she had not come home for 3 days.

She is next seen setting fire to the house and leaving when a cop enters to see to the matter of the missing person.  It becomes apparent that she has killed the boyfriend now the cop, taking over the cop’s body, thoughts, memories and all.

Director McConnell dishes out little doses of the mystery and story at a time .  It is clear that the voice belongs to the original person.  It turns to from the voice that there is love involved.  The voice confesses falling in love with a woman called Julia (Lora Burke).  The shapeshifter (wonder why the film is not just called that instead of lifechanger) visits Julia at the same bar many occasions in the various personalities he has inhabited.  The shapeshifter in one final desperate move decides to tell Julia the truth, hoping that she will understand.  But this is clearly not unrequited love.  This is what drives the film towards its climax and plot twist (not to be revealed in this review).

LIFECHANGER contains quite the original idea and McConnell plays with it to his benefit.  McConnell does not offer any raison d’être of the shapeshifter’s being and how he got to inherit the sad state of affairs.

The cast is made up of a variety of different actors since the shapeshifter inhabits many characters.  The main one is Julia, played credibly by Burke.  All the actors do well, basically portraying two different people, one before and one after the killing with the same body.  This keeps the performances interesting.

McConnell keeps the ending relatively simple and ‘happy’ while being credible at the same time.  Thus the story is brought to an effective conclusion.  LIFECHANGER is a well thought-of low budget horror mystery set in Toronto that is worth  a look.

Trailer: https://www.youtube.com/watch?v=KCqeJLvSqSI

Film Review: POOR AGNES (Canada 2016) ***

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Poor Agnes Poster
A serial killer and her next victim form an unexpected relationship.

Director:

Navin Ramaswaran

 

The synopsis of POOR AGNES on imdb goes “A serial killer and her next victim form an unexpected relationship”.  That description of the movie would be enough to scare away many an audience but writer James Gordon Ross and director Navin Ramaswaran have concocted quite the movie.

The film opens with a few incidents involving Agnes (Lora Burke).  She is shown suffocating a victim by placing a plastic bag over his head.  The audience sees her pawning the victim’s gold watch and silk tie.  When the pawnbroker uses the ‘f’ word at her, she retorts by throwing him an insult.  He reduces the price of the gold watch from $200 to $150 which she takes, as she is broke and has no choice.  The segments tell a lot about Agnes and the route the film is taking.

Credit should be given to director Ramaswaran for the feat of having his audience root for as unlikeable a character as a non-repentant  serial killer.  He achieves this (feat) by several means which are interesting to note:

all the characters around her are either seedier or nastier than her, not only her victims

she is all by herself and one usually respects an independent woman

she is funny and she cracks the best jokes

she is smart

she knows what she wants and does it

she is neither annoying nor irritating in any of her conduct

This might be the reason the film is called POOR AGNES (instead of say NASTY AGNES) which makes the audience want to root even more for someone needing sympathy.

The first half of the film establishes Agnes’ personality while introducing her love/sex relationship with Mike (Robert Notman).   Mike is the private detective hired to find out more about a missing person a year ago that Agnes did away with.  After Mike hits on her, she kidnaps him but lets him go free in an odd love relationship.

One might imagine the film going out of steam after the first half.  But the film’s pacing is good and new events keep the audience interested throughout the entire film.  Agnes draws the reluctant and unsuspecting Mike into her evil deeds.  She kidnaps a previous trick, Chris (Will Conlon) and forces Mike to do away with him.

Credit goes to Toronto actress Lora Burke for an excellent performance as the serial killer/madwoman.  Robert Notman is also convincing as her reluctant partner.  Everything else in the other departments from music, to sound to sets to cinematography are to be commended.

POOR AGNES doe not slag in any way.  Despite the rather outrageous plot, the story and characters are kept believable.  Humour (especially black) is also injected particularly in the segment where Agnes attends a tortured victims support group.

Director Ramaswaran and writer James Gordon Ross make an excellent team.  The film won the Best Canadian Film Prize at the 2017 Fantasia Film Festival.

Trailer: https://www.youtube.com/watch?v=0boeomU9anM

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