The unique short film, THE SLATE, is nothing that would be expected from the title. The setup is a woman, Molly Harris, in front of a camera as she’s about to record an audition for a potential role. The expectation is a film about how stressful it is to take the right take for the audition, the twist is that this film isn’t about the audition at all but the toxic relationship between Molly and Lucas as a fight begins to unfold.
The film, directed by Katherine Connor Duff, uses one long shot as Molly walks in and out of frame. Lucas is never seen, though he is definitely heard as the film continues throughout a stressful ride through the eyes of Molly. The subtext of the dialogue is what drives the story. This is not a happy couple. It begins with Molly turning off Lucas’s video game, causing her significant other to throw a temper tantrum as he is determined to bring her down and make her feel insecure in her acting. It’s also clear that the behavior was inherited from Lucas’s mother as he constantly brings her up and Molly quips she’s always having a “last birthday”.
This narrative short is an artful depiction of what emotional abuse sounds like behind closed doors, with a subtle notion that the behavior is inherited from a parent. Lucas is the stereotypical momma’s boy, using an isolated event and the threat of going to his mother in order to keep Molly in line. He belittles her to the point of tears and then orders her to apologize for simply wanting his support. Never seeing Lucas almost makes it seem like his words are directed at anyone that has ever been the victim of a narcissist. His abuse is so prevalent that it takes Molly a few seconds to even remember her name in order to slate her audition.
The lack of the score makes THE SLATE even more triggering as every word that Lucas utters feels like a personal stab. It’s clear he’s always been this way and Molly walks on glass around him, especially since something as simple as turning off a video game caused the emotional abuse to be inflicted. It makes the film almost a PSA for verbal abuse as the audience feels helpless to get Molly out of her venomous relationship, while also not wanting to cross Lucas.
Sign up for the free 7 day trial at http://www.wildsound.ca to watch this festival and a new film festival every single day. Generally there are two festivals a day.
WOULD’VE, COULD’VE, SHOULD’VE, 10min., USA Directed by Nick Sansone A young woman returns to her hometown in order to testify against the former teacher that groomed her. Inspired by true events.
STORK, 31min., USA Directed by Khiray Tyrell Richards A woman must navigate an anti-abortion America after her surrogate family reneges on their agreement.
MARION GRUBER: PREPAREDNESS IS PREVENTION, 30min. USA Directed by Donald Rayne Mitchell Dr. Marion Gruber is a world-renowned expert in vaccine development, regulation, and licensure. She worked at the U.S. Food and Drug Administration (FDA) for many years, serving as the director of the Office of Vaccines Research & Review (OVRR) from 2012-2021. In this short film, Dr. Gruber and several of her colleagues describe their efforts to ensure that life-saving vaccines were available during some of the most recent and well-known public health emergencies and why preparing for the next infectious disease threat is critical.
In collaboration with the Vaccine Education Center at Children’s Hospital of Philadelphia, I helped to create the educational initiative we call the Vaccine Makers Project (VMP). The VMP is made up of K-12 curricula which are supported by a variety of films and animations, the feature documentary, HILLEMAN among them. From the beginning, one of our goals with the project has been to put a human face to the science of vaccines. There’s a lot of noise out there around vaccine science but at the heart of the conversation are people that, in many cases, have dedicated their lives to protecting their fellow human beings through the prevention of disease. Marion Gruber is one of those people and her inspiring career is what motivated us to make this film.
2. From the idea to the finished product, how long did it take for you to make this film?
In the summer of 2022 we were exploring the idea of making a film about Operation Warp Speed, the government program that made the rapid development of the COVID-19 vaccines possible. But it didn’t take long to realize that we just didn’t have the budget or the people power to do justice to that subject. During the course of that research, however, we were fortunate enough to interview Dr. Gruber and the more we learned about her involvement in not just the COVID-19 pandemic, but the 2009 flu pandemic and the Ebola outbreaks in the mid-teens, the more we felt that her story was one the world should know about. My first interview with Dr. Gruber happened in mid-September, 2022 and we finished the film by mid-April, 2023.
3. How would you describe your film in two words!? “Tempered urgency.” Think about what’s at stake when an infectious disease strikes. Lives are being lost with every passing minute. To stop those lives being lost we must act with urgency, but not with haste, because if we’re not careful our actions could cause more harm. Dr. Gruber and her colleagues understood both the urgency of shielding the public from the COVID-19 pandemic and simultaneously protecting the public from unproven products. They met that massive responsibility by tempering their desire to act fast with their need to rigorously evaluate the science. And they did that admirably!
4. What was the biggest obstacle you faced in completing this film? Imagine what happens on a daily basis at the FDA; maybe a meeting with your staff in the morning, a catch-up over lunch with a colleague, lots of phone calls and Zoom calls and then probably another meeting or two in the afternoon. Ebola is wreaking havoc in West Africa and you’re saving the world by having one meeting after the next. That’s not a very visually exciting story to tell. (And by the way, the FDA doesn’t video record all their meetings anyway so good luck finding archival footage of your subjects doing their jobs.) So as a filmmaker telling this story, the biggest obstacle was finding the visual language to convey the drama and the stakes that were at play in the work of Dr. Gruber and her team. We found that visual language primarily through news footage. And even though our protagonist wasn’t the subject of that news footage, our antagonists were, and that’s what drove our story forward.
5. What were your initial reactions when watching the audience talking about your film in the feedback video? Honestly, the audience reactions to the film were exactly what I would hope for; that realization that scientists working in public health are people just like us, and that they have families and they’re in this boat with us. If there’s one thing we need right now it’s more faith in each other. I think a film like this reminds you that institutions are made up of people, and that most people strive to be the best they can be and want to help where and when they can.
6. When did you realize that you wanted to make films? Like every filmmaker that grew up in the 1970s, I knew I wanted to make films when I saw Star Wars for the first time.
7. What film have you seen the most in your life? In high school I worked as an usher, then a projectionist at the local movie theater. The cinema had two screens so I spent a lot of time managing the various movies that were running. But in between shows I would stand in the back of the theaters and watch the films. Raiders of the Lost Ark was one of the movies we hosted during that time and so I’ve probably seen that movie more than any other during my lifetime.
8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career? The New York SCIENCE & NATURE FEEDBACK Film Festival is doing it right by bringing the festival experience into the virtual theater. It’s great to be able to experience a film with others in the same room but so often in today’s world creating that experience is really hard or even impossible. And that’s when this kind of experience is invaluable, not only to support filmmakers but to also create community around important subjects. Anything you can do to bridge that gap between the theater and our living rooms is so appreciated.
9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site? Nothing but good things to say about both FilmFreeway and the New York Science & Nature Feedback Film Festival!
10. What is your favorite meal? Chicken Korma w/ rice, Chana Masala and Naan 🙂
11. What is next for you? A new film? I’m just finishing a short illustrated animation about the History of Vaccine Science in Pennsylvania and continuing to develop a feature film project based on Bill Foege’s book, House on Fire: The Fight to Eradicate Smallpox.
The remarkable, dystopian film HOLE PUNCHED EAR, employs cinematic filmmaking techniques that make the audience long for more from this short narrative. The story begins strong, with heavy rain pouring over a skyscraper that is later revealed to be a prison. Something bad is about to happen, the score and graphics set the stage to the point that if everything turned out okay, it would be a surprise. Fortunately the filmmakers, Alan Yammin and Ben Tull, do not disappoint.
The futuristic setting is apparent within the first minute of the film, when Zorina’s arm displays a timer counting down that is imbedded into her skin. It’s not quite clear how this is possible, but it feels normal within this universe to the point that writing with a pencil and paper feels out of place. This gives the feeling that Zorina is very much out of her element within the prison as she awaits execution for a crime that in not revealed within the film.
This film could easily be turned into a feature film as the narration and visual cues leave the feeling of Faye desiring justice for her sister. It feels as if more is yet to come, while also being complete as a short film. It gives a cinematic feel with fantastic direction and acting. The beginning to the end makes this film intriguing, peaking curiosity with the desire to explore more of this particular universe.
Yammin and Tull were able to tackle the premise of leaving the audience wanting more of this story. The set up of the universe is almost at an expert level, with stellar graphics and wardrobe to contrast the old world that Zorina is from despite the fact that she is about to be executed in this futuristic, dystopian society that is hell-bent on controlling people.
Dante, the prisoner of the tower, is a movie about the human condition. It appears to be the story of two young vampires, Dante and Sol. Dante has concealed himself in a tower in complete isolation from the outside world. Sol is coming to help him to find out an exit and confront the world of the “humans”. This movie is something more than the story of two youngsters trying to find a place of their own. This film is about our own efforts to leave “the tower” we live in, our confort zone, in order to find a new meaning, a more friendly place in a world that is not made for vampires or humans. Like Dante you have to take a step forward even with the risk of being burned by the sunlight. In this context Sol, the girl, acts as a simbol of that challenge. She may be a girl friend, but also, using the words of master Jodorowski, she becomes your own inner strengh urging you to take a step into the void and make a change in your life.
40 minute short film. Written & Directed by Frank Reyes
There’s something so fascinating about Vampires, or perhaps that’s just me. To my delight, the genre has grown in popularity with films like Underworld, Blade, The Lost Boys, Interview with a Vampire, Castlevania and of course Bram Stoker’s Dracula. Even Twilight has found a place in pop culture.
Writer, Director and Producer Frank Reyes has found a new twist on the Vampire tale. As a young boy, Dante finds refuge from humans killing his kind in an abandoned tower. His sanctuary turns into a prison after centuries of fear and isolation. He will have to face his fears when Sol stumbles onto his hiding place.
The visual landscape is absolutely stunning, and Cristobal Reyes did an amazing job with the cinematography. The music, in-camera special effects, makeup and wardrobe all immersed you into Dante’s world. What’s incredibly unique is this is a story about stepping outside of your comfort zone, taking a risk in spite of your fears and growing as a person…or vampire.
A showcase of the best new movies and their respective trailers from around the world today.
AUDIENCE AWARD WINNERS:
MOVIE TRAILER: Red Dog & Bates
EDITED TRAILER: Wallie’s Gals
FEATURE FILM TRAILER: Dante
DOCUMENTARY TRAILER: Water
COMEDY TRAILER: Attack of the Killer Refridgerator 2
EXPERIMENTAL TRAILER: Q 1
ACTION TRAILER: Hard Ride
LGBTQ+ TRAILER: Skin Show / Live
SCI-FI TRAILER: Celeste
MOCK TRAILER: The End of Days
HORROR TRAILER: Goodbye God, I’ve Gone to Bodie
STUDENT FILM TRAILER: Wrong Girl
DRAMA TRAILER: Son-Of-A-Preacher-Man
ANIMATION TRAILER: The Scarlet Knight: Defender of the Block
See the Full Lineup of Films:
WATER TRAILER, 10min., USA
Directed by Gary Beeber
“WATER” is a feature documentary film by Gary Beeber that focuses on Ohio’s source of water and what’s being done to protect it for future generations.
DANTE, 1min.
Directed by Frank Reyes
This is the trailer of this middle lengh film. In here you will find a hint of the story and some of the awards and selections the movie has collected so far.
ATTACK OF THE KILLER REFRIGERATOR 2, 1min., USA
Directed by Michael Savino
During a high school house party, the refrigerator is plugged in and turns the students into sliced meats. A group of survivors battle to save their lives and stop the wrath of the Killer Refrigerator.
Q 1, 1min,. Croatia
Directed by Silvano Perozic
Moving mandala what I started with a simple circle .
HARD RIDE, 3min., Australia
Directed by Rod Power
Three ex-military men set off on a motorcycle Ride .. their journey gets caught up in a Biker Gangster War all over a sexy pole dancer and will see the bikers who want their girl back and gangsters their drugs however the three riders are unaware .. this leads to the final battle Bikers & Gangsters against trained WAR vets
SKIN SHOW / LIVE, 2min,. USA
Directed by Richard Daniels
This is a short trailer for the film SKIN SHOW / LIVE, the paintings of Dan Romer by Richard Daniels.
PSAs, 2min., USA
Directed by Lisa Spencer
Midle school students make two minute long PSAs against drinking alcohol.
CELESTE, 3min., China
Directed by ?? ?
In the fifth century of human interstellar colonization, an artist traversed across galaxies in exploration of the true colors of human civilization and emotions – the Celeste. Even though ultimately discovering the profound mystery of civilization’s essence, there was no power to save humanity.
INVADER FROM PLANET X, 1min.
Directed by Jonathan Christopher Martin-Ives
THE END OF DAYS, 1min., USA
Directed by Jonathan Christopher Martin-Ives
In this mock trailer, a British teenager, gifted with clairvoyancy seeks to warn anyone who will listen to her about an imbedding alien attack. She falls on deaf ears.
GOODBYE GOD, I’VE GONE TO BODIE, 30 seconds, USA
Directed by Kirby Wright
Teaser Trailer for Animated Series set in a Wild West ghost town in California. Here we have our Ghost Gurl narrator providing an overview of the concept.
LOVE DON’T BULLY, 1min., USA
Directed by Ilysa Spencer
SEE HOW THAT JIGGLES, 1min., USA
Directed by Ilysa Spencer
Just a lil ride around the farm on this old fashioned bike.
WRONG GIRL, 1min., USA
Directed by Caitlyn Melton
Steven, a human trafficker is looking for his next victim. He comes across Heather, your average waitress, but soon finds out she isn’t as innocent as she seems.
RED DOG & BATES, 3min., USA
Directed by Xochi Blymyer
In 1958, Red Dog & Bates decided to walk from Los Angeles to Mexico City. 2300 miles, 12 pairs of shoes, 7 months and 1 extraordinary adventure!
FULL THROTTLE, 6min., France
Directed by Gabriel Boyer
A young man gets into a gleaming Porsche and rushes at breakneck speed through the streets of Toulouse.
SON-OF-A-PREACHER MAN, 2min., USA
Directed by Brandon M Glover
A promising young executive involuntarily falls in love with a young gambler who ultimately ruins her career, and finds himself looking for redemption, while she has to start over.
THE SCARLET KNIGHT: DEFENDER OF THE BLOCK, 2min,. USA
Directed by Juaquan Herron
Scarlet Knight: Defender of the Block” unfolds a mesmerizing tale of two cousins, raised by their grandparents and aspiring to become emergency room doctors in their hometown. Their lives take an extraordinary turn when they stumble upon Merlin’s magical gem, thrusting them into the roles of modern-day knights. As the gem triggers medieval chaos, transforming others into creatures, the cousins find themselves in a heated family feud, torn between using force or alternative methods to save their community. This thrilling fantasy adventure explores the intersection of magic, family ties, and the struggle to protect what matters most.
WALLIE’S GALS, 3min., USA
Directed by Mary C. Ferrara
The official trailer for the upcoming feature comedy, “Wallie’s Gals.” About a group of women who worked at a clothing store back in the ’80s. 30 years later they reunite, wackier than ever.
WORDLOTTO, 2min., USA
Written by Tom Lop
As ‘alternative facts’ began to overrun every corner of free speech, Western Civilization found itself divided like never before. Shouting replaced listening. Each side was utterly convinced of its rightness. Spoken words gushed forth, regardless of law or propriety. Citizens saw a verbal Civil War on the horizon and demanded something be done. Welcome to the world of the WordMeter, where every utterance is not only counted but also granted at the discretion of the higher powers. Everyone agrees this is a generous system because allotments of words can be replenished simply by scratching a winning ticket in the WordLotto.
We enter the story where two close friends, Fern and Marcie get together at a local coffee shop to celebrate a birthday. Fern has been going through two years of cycles of In Vitro, desperately trying to get pregnant but with no success. Her husband, Nick’s coping mechanism has been dressing up with the family Cat and taking silly pictures. Marcie jokingly suggests that Fern just book a vacation for herself and leave hubby with the cat. All this to help soften the reality that the birthday Fern celebrates today is that of a child she miscarried two years before.
Directed by Grace Samson, Barry Samson
Review by Andie Karvelis:
One of the most impressive things about this film is that off-screen it’s a family affair. Written by Grace Samson, directed by Grace and Barry Samson with a flawless score by Chanel Samson.
The premise of the film surrounds Fern, played by Rae Cofsky, who is currently going through In vitro to get pregnant after having a miscarriage two years before. This is incredibly well acted by both Rae Cofsky and Vanessa Simon, who portrays Marcie. However it’s the server, Yelizaveta Sorkin, who absolutely steals the show with her endearingly awkward rendition of Happy Birthday.
Giancarlo Diaz did an amazing job with the cinematography and I have to commend Grace Samson for writing such a poignant script. This Samson family did a wonderful job making such an emotional and moving film.
With a title like “Eat Your Young” anyone would be a little skeptical at first, but then you hear these glorious harmonies. I’m such a sucker for A Cappella harmonies that have a smidge of dissonance and then it resolves. You might as well have told me I won a trip to Disney World, that’s how excited I get. Eat Your Young did not disappoint me. As the vocalists continued to impress me, as well as make me a little jealous if I am honest, the camera pans to a stunning room with dancers all decked in white dresses.
Since I was so entranced by the music I almost missed how the filmmakers used one continuous shot for the first minute. One. Continuous. Shot. I immediately started the film again and yep, there it was! They did this so seamlessly and the camera work was beyond incredible that my eargasm had to wait. The fluidity of the dancers was a sight to behold and the choreography was sheer perfection. The dancers’ movements accented areas of the music and vice versa, it was bliss.
Without having such fantastic cinematography, that harmony between A Cappella music and dancers would have been lost, but the filmmakers made sure that would never happen. I’m very grateful to them because this entire film was powerful, emotional and just gorgeous. Every moment of this film was done with such precision and it totally pays off with how sensational it is.
By the end, we are left with only these words “Inlight – 10”. Wha??? That’s it? But, but, but…I want to be able to gush about how incredible each individual is. I can’t do that if you leave me with a mystery. I feel I know more about Banksy that I do about the illusive Inlight – 10. All I can say is, you all have outdone yourselves on such an amazing film.
Festival Reviews 