I think it’s really important to be able to feel your own life, and I had felt so numbed by what had been a kind of surreal saturation of what was going on in the Middle East and what it was going to mean, particularly relative to my kids’ future and things like that.

Your life is what you bring to any story. This is a life craft. It’s “How do you feel? Who are you? What do you have to say?” The horror of the Academy Awards is what the press does leading up to it, to make it a popular TV show. Where they’ll actually make it like it’s an arm- wrestling event between two actors. That becomes very petty, and that’s something that’s embarrassing to follow up with accepting the invitation to the party.

I’ve always operated under the notion that audiences don’t always know when they’re being lied to, but that they always know when they’re being told the truth. If there are what I think are unsung truths to be talked about in a film, through a character, through a story, and that dominates the piece, that’s the key for me. I think the biggest thing is to not participate in the damaging, lying cinema.

I don’t consider myself specifically political, you know? I think of working as an actor as being a human thing. The concerns I have that fall into politics are human concerns.