Deadlines Today for Writing Festival: Stage Play, Comedy/Animation/Fan Fiction Screenplays, Romance Novels

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Deadline May 10th: STAGE PLAY #Festival. Get play performed by actors. FULL FEEDBACK
http://www.wildsound.ca/play_contest.html

WINNERS get their stageplay read at the Writing Festival.

WATCH the recent WINNING STAGEPLAY Readings –
http://www.wildsoundfestival.com/stageplay_readings.html

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DEADLINE May 10th: SAVE $10 COMEDY Screenplay Festival – FULL FEEDBACK. Get script performed at festival.
http://www.wildsound.ca/comedy_contest.html

Watch WINNING Screenplay Readings – Watch videos of past winners performed by professional actors
http://www.wildsoundfestival.com

READ 100s of testimonials for past submitters –
http://www.wildsoundfestival.com/wildsound_feature_screenplay_contest_festival_review.html

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Deadline May 10th: ROMANCE NOVEL FESTIVAL. Get full feedback! Get your book performed by professional actors.
http://www.wildsound.ca/romance_novel_festival.html

WATCH the Recent Winning Short Story/1st Chapter Readings:
http://www.wildsoundfestival.com/novel_and_short_story_readings.html

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DEADLINE May 10th: SAVE $10 ANIMATION Screenplay Festival – FULL FEEDBACK. Get script performed at festival.
http://www.wildsound.ca/animationcontest.html

Watch WINNING Screenplay Readings – Watch videos of past winners performed by professional actors
http://www.wildsoundfestival.com

READ 100s of testimonials for past submitters –
http://www.wildsoundfestival.com/wildsound_feature_screenplay_contest_festival_review.html

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FAN FICTION FESTIVAL. Deadline May 10th. Fan…

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Interview with Sarah Deakins, Filmmaker (Short Film GREECE)

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I loved hearing all the different interpretations from the different audience members. Everyone comes to a screening with different backgrounds and history, and that all informs the way in which they receive and perceive a film; it was fascinating to me, and I thought everyone had very valuable things to say.

– Filmmaker Sarah Deakins, on the WILDsound Film Festival Experience (Review)

GREECE was awarded Best Performances at the April 2015 Film Festival.

Watch the Audience FEEDBACK Video of GREECE:

Matthew Toffolo interviews Director/Actress Sarah Deakins:

Matthew: What motivated you to make this film?

Sarah: I’m interested in how people connect when their mutual pasts are fraught. I wanted to create a situation where only one person could communicate, but had no idea if they were affecting the other. I wanted to visit the last moment of shared connection between these two people, even though they didn’t know it was…

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Interview with Francisco Lorite, Filmmaker (Short Film MEDIATION)

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I always thought that once a film is finished (or abandoned, as someone said once…), it no longer belongs to the filmmakers – it belongs to the audience. The WILDsound festival is the perfect illustration of that. I very much appreciate the fact that your audience took the time to watch MEDIATION in the first place, and then chose to stay after the screening to discuss it. As a writer-director, I couldn’t ask for more – if there is an audience that cares enough to talk about a film I wrote and directed, then I’ve done my job.

– Filmmaker Francisco Lorite, on the WILDsound Experience (Review)

Mediation was awarded Best Cinematography at the April 2015 Film Festival

Watch the Audience FEEDBACK Video of MEDIATION:

Matthew Toffolo interviews director Francisco Lorite:

Matthew: What motivated you to make this film?

Francisco: The main goal behind making a short film was to…

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DIRECTING A FILM. Tips to Film Directing from some top Movie Directors

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Ideas to be a great Film Director!

Directing a film is the most intensely solitary and intensely collaborative experience you may ever have. On a psychological level, it’s about keeping your ego in perfect balance with your need for input, and your vision moving forward with your changing circumstances.

Whether you’re running your first independent-film casting call or into your millionth day of shooting, you may find some useful ideas here.

A great movie is about catching the audience on every level.

All the great film directors always say: Direct the stories that you know right now. Express yourself in the films. Put your personal vision in the films.

The main questions a Film Director must answer are:
1. Where do I put the camera?
2. What do I tell the actors?
3. What is the scene about?

David Mamet says that directing a film is about shooting a variety…

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THE DIRECTOR’S FIVE STAGES OF PRE-PRODUCTION

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THE DIRECTOR’S FIVE STAGES OF PRE-PRODUCTION

-Scriptwriting
-Production Design
-Script Analysis
-Cinematography
-Rehearsal

SCRIPTWRITING
-Dissect the script and come up with gameplan
-Write down ideas for images for each scene
-Look for connections to your own past experiences

PRODUCTION DESIGN
-Scriptwriting answers the WHAT questions of the story;
Production Design answers the WHERE AND HOW
-The Director begins the prep process by having conferences with his or her Production Designer, explaining each scene of the script as he or she sees it
-Break down the script, answering: How long will it take, and how much will it cost?
-TWO TYPES OF VISUAL DESIGNS – PICTORIAL AND SEQUENTIAL
—-PICTORIAL: Set design, costumes, props, make-up, and any elements that are layered on top of a location and must by built, manufactured or otherwise obtained
—-SEQUENTIAL: Skills of the writer, Production Designer, Director, DOP and Editor
-Once locations are secured, the Director develops…

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Interview with Christian Pouligo, director of AVIFF Cannes Art Film Festival

The AVIFF 2015 programme: http://art-film-festival.com/programme-2015/

Designed in 2008 as a contemporary art fair or all Art-galleries were only obliged to submit the works of Artists in visual art, “Art show Cannes” becomes the “AVIFF-Art Film Festival” in 2010 with an initial selection of movies authors assigned to Camillo Racana, “curator” for a “carte blanche” in Marrakech in 2010, during the 10th edition of the film festival in December and in 2011 in Cannes during the 64 edition of the film festival in May.

The “AVIFF-Art Film Festival” Cannes has since become one of the preferred places of promoting contemporary art in the field of video art film associated with a changing art market and a legendary film festival: the “Cannes Films Festival”

Artists such as Tracey Moffatt, Motomichi Nakamura, Rouzbeh Rashidi, Pacôme Thiellement & Thomas Bertay, André Senra, the Villemin brothers, Osorio Suarez, David Kagan, Majid Ma’soomi Rad, Shahar Marcus, Pascale Lafay, Lerato Shadi, Christy Walsh and recently Cayetana Vidal, David Law, Juan Carlos Zaldivar, Mahmood Nouraie , Simon Poole Andersson, Ines von Bonhorst, Hiresh Kheirabadi, Thomas Dorman § Ronnie Belcher………..have presented their art-video films in the AVIFF official selection at Cannes since 2011.

Matthew Toffolo interviews Christian Pouligo:

1) What is the goal of your film festival?

The AVIFF is promoting promoting video art internationally and around the world

The official selection of the AVIFF made in Cannes travel the world and is presented in contemporary arts centers, partner festivals and cultural institutions abroad (South Africa, China, Vietnam)
Every year new partners are envisaged (Lebanon, USA)

In 2014 the AVIFF has invited off official selection the Chinese artist Yang Zhenzhong videographer who came from Shanghai to present 7 video art works from his filmography and has received the “Special Jury Prize” for his career

This reinforces and legitimate the AVIFF in its international dimension

2) How has the festival changed since its inception until your upcoming 2015 festival?

The AVIFF became more specific over time more focused on the art cinema as the film.

The jury this year’s is composed of academics, researchers, writers and artists. The selection was this severe year with 27 films chosen from over 1800 films submitted

Also the AVIFF in partnership with the master office “Wepler Drouot” in Paris organizes each year an auction in Paris ( France ) of some films from the previous official selection of Cannes

From the promotion is now added the estimate of the works of authors and their estimation validated by an
auction

3) How many films are you showcasing at your Film Festival?

We have 27 films in competition and 22 films in a program “jury”

In fact the jury this year 2015 has decided to do more, taking the risky initiative to propose himself fifteen films, out of competition, showing for some of the milestones of what would fall from his point of view of another cinema. (Raymond Bellour)

Time will tell if the message has been received.

4) Can you give us a sneak peak of what to except for the 2015 Festival?

For this very selective year will be awarded 3 Prize AVIFF Cannes 2015 and a special “jury prize” awarded unanimously. The trophies are original creations and are given to the authors at the festival closing on May 20 at 15.00. The Prize “special jury” which, without revealing it, tells the story of a well-known group of women activists, will be the date of our festival in 2015

5) Is there going to be an overall theme for the 2015 festival?

NO

6) Where do you see your festival in 5 years?

We received the official support of the city of Cannes this year and those of the University of Paris Sorbonne, CNRS and the Institut ACT. Our AVIFF festival has become a festival for Research and creativity ..

We expect to open the next call to artists with specific categories. One of which will have a category of student trained in schools and universities ensuring high levels of video art training in France and abroad.
Then our festival shall evolve according to new partners which will joining us this year in the field of Culture & Art

We passed the five first year and we now begin an easier time, cause we are known and exposed, but meantime very difficult for the same reasons.

7) What’s the current status of the Film Scene in your city?

Cannes is primarily a city of festivals and professional meetings. Over 17 per year

Cannes is also the place where takes place the most legendary film festival: the “Cannes Film Festival”
Maybe Cannes will become in 10 years as the privileged place of Video Art in France. We are working on this dream with the people of the City of Cannes and their representatives

8) What film have you seen the most in your life?

I love the cinema of Lynch, Wenders, Jarmusch ..

So as I look over 2,000 video art films by year I have to admit my love for this kind ..lucky me!

    * * * * *

Matthew Toffolo, Interviewer BIO

Filmmaker of over 20 short films and TV episodes, Matthew Toffolo is the current CEO of the WILDsound Film and Writing Festival. He had worked for the organization since its inception in 2007 serving as the Short Film Festival’s moderator during the Audience Feedback sessions.

Go to http://www.wildsound.ca and submit your film, script, or story to the festival.

Go to http://www.wildsoundfestival.com and watch recent and past winning writing festival readings.

Watch Poetry Turned into Movie: ADDICTION SAYS…, by Lorelie Rozzano

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I wrote the poem for our youth who are experimenting with drugs. One person is dying from a drug overdose every 13 to 19 minutes, in North America. It’s my hope that those viewing Addiction Says … will see the ugly truth. Addiction isn’t fun or glamorous. It’s tragic.

– Lorelie Rozzano, Poet

Watch ADDICTION SAYS….. Poetry Turned into a Moive

Over 1100 views in 48 hours!

Poem by Lorelie Rozzano

Narration by Becky Shrimpton

Visual Design by Yujin Song

Produced by Matthew Toffolo

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Twitter (140 Characters) Short Story Contest Winners. Read all 25 winning stories

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Enclosed are the 25 winners for our inaugural “very short story” festival contest.

All 25 winners will now have their stories made into a movie using a professional voice over artist:

Submit your own Very Short Story to the Festival:
http://www.wildsoundfestival.com/140_characters.html

Title: Where is the ‘Good’ in ‘Goodbye’?

by W. T. Paterson

At the airport gate she kissed him, and she cried, and he said “I clogged your toilet,” and she cried some more.

Title: A New Home For You, Dear

by Ida Ayu Lestari

A woman in red gave a book to a little boy, before he’s gone missing. Later, the mother finds him inside a book in his room, with the woman.

Title: The gentle sunset

by B.W.Shearer

A palm tree small but tall
Against the deepening sky
Sits at the centre of
The gentle sunset of
Subtle pink and rusty red
Slowly diminishing around

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Watch Best Scene Script Reading of LEGACY (plus interview)

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I got a lot out of the feedback I received from WILDsound. It was thoughtful, and intelligent. I didn’t always agree, but then after a few days of sleeping on it, it sinks in, and you think “Okay, maybe they’re right, let me try this to get there.” Then, after I added it, I could tell it was better.

– Writer Marc W. Johnson

    Watch Best Scene Reading of LEGACY by Marc W. Johnson

    CAST LIST:

    NARRATOR – Susan Wilson
    Virginia – Krista Morin
    Rose – Christina Aceto
    John – Allan Michael Brunet
    Diane – Pip Dwyer
    Julio – Dan Fox
    Vince/Damon/Carl – Ryan Anning
    Gary/Giles – Dan Cristofori

Matthew Toffolo interviews writer Marc W. Johnson:

1. What is your screenplay about?

How the secrets that are kept from us, and the betrayals we encounter have the ability to destroy who we are and remold us into something dangerous.

2…

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Watch 1st Scene Screenplay Reading of FLAT PENNIES (plus interview)

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I have to admit, when “Flat Pennies” performs well in some of the huge competitions this year, I will have to give WILDsound much credit for making my script stronger and far better.

– Writer Robert Ward

    Watch FLAT PENNIES First Scene Reading by Robert Ward:

    CAST LIST:

    NARRATOR – Susan Wilson
    Ian – Dan Fox
    Mrs. Guth – Pip Dwyer
    Matt/Tyler – Ryan Anning
    Antoinette- Christina Aceto

Matthew Toffolo interviews writer Robert Ward:

1. What is your screenplay about?

“Flat Pennies” follows a paraplegic man’s internal and outer struggles — from a lonely existence in a dark apartment filled with a sprawling model railroad all the way to finding love, happiness, and sunshine with the next-door neighbor who’s raising a young child and saddled with an abusive ex-husband. I have worked on this story for almost eight years, refining it over and over again. “Flat Pennies” is the toughest…

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