Interview with the KanivFest Kaniv International Film Festival

Festival  designed to create a powerful cultural – educational platform that aims to unite Ukrainian and foreign film makers and introduce viewers works with professionals and amateurs.

Contact

 
1. What is your Film Festival succeeding at doing for filmmakers?

Kaniv Film Festival succeeds for filmmaker at monetary awards and advertising especially for the Ukrainian State Film Agency and different film production studios.

2. What would you expect to experience if you attend your upcoming festival?

If you attend Kaniv Film Festival you will get:
– a lot of communication with actors, producers, cameramen and other persons, who involved to movie industry;
– different master-classes connecting the filmmaking processes:
– impressed by the beautiful landscapes and friendly treatment;
– a new friends.

3. What are the qualifications for the selected films?

The films of any genre direction and timekeeping are admitted for participation (Short 25 min., a full meter to 90 minutes.), the production not before 2 years of the festival conducting (not before 2016). For films in a foreign language, the subtitles in Ukrainian and English are the requirement.

4. Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Speaking about our festival, we hope that our jury finds quality films.

5. What motivates you and your team to do this festival?

Firstly we want to give a chance for filmmakers to get their names and their films known in movie industry. And we also want to do the powerful platform for communication between filmmakers.

6. How has your FilmFreeway submission process been?

Everything was ok. Thanks to FilmFreeway we got a lot of international participants.

7. Where do you see the festival by 2023?

We have a lot of plans. We are improving all the time and we are trying our best for the people who works in cinematography world. We want to see a lot of both Ukrainian and international participants present in our festivals. We also want to attract experts who will share their experience. And we also want to give our participants large monetary awards and world recognition. It’s not by chance our mission is- “If you want to get Cannes- let’s start from Kaniv”.

8. What film have you seen the most times in your life?

We can’t choose just one. Many films left a great impession.

9. In one sentence, what makes a great film?

To our mind the combination of idea, extraordinary and aftertaste makes a great film.

10. How is the film scene in your city?

In our city we have Movie Theater and outdoor screening.

 

 

kaniv 1

Advertisements

Interview with Festival Director Sasha Santiago (GRID EDGE FILM FESTIVAL)

Grid Edge Fest wants to live screen your short film in Brooklyn, NY. The festival is one part tech conference, two parts community workshops, and a grand finale live screening event as the centerpiece.

Contact

 
Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Sasha Santiago: People generally want connectivity and to be part of a community that feels creative, fresh and original. Grid Edge Fest wants to make an event out of the films it selects. To spotlight films that take on the complex subject of climate change and create a space that makes it accessible to a new audience.

2) What would you expect to experience if you attend your upcoming festival?

If you’re like me, you sometimes wonder why don’t people go to movies as much anymore? That last few times I’ve been to a theater, I found it odd how I’m one of maybe a dozen attendees present. Maybe it’s because of the content, maybe it’s the $18 matinee ticket price or maybe it’s the lack of a community.

Grid Edge Fest first and foremost is a film festival, with a series of interactive events that lead up to the live screening event. These include tech talks on innovative breakthrough solutions that look at data as the new fuel of the future (see exergy.energy) to fight back at climate change, as well as family-friendly community workshops that find the fun in educating people on what can be done about climate change at the local level.

3) What are the qualifications for the selected films?

Grid Edge Fest wants the best films yet on the topic of climate change or important environmental stories. The films can DIY stories shot on an iPhone or high caliber professionally produced gems, the sincere hope is that people who watch these films would be both united and inspired and that they will leave the festival with a new commitment in their hearts to combat climate change in a manner that truly resonates.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Film is an expensive and competitive art form. Organizing a sustainable film festival isn’t cheap nor easy. New film festivals like Grid Edge Fest have a proven failure rate after the first or second year because they don’t successfully find their audience. As far as giving films a fair shake, I can’t speak for other festivals but I’ll presume it has something to do with targeted demographics. Who will make the pilgrimage to the film festival? Usually, the films selected looks like the audience it’s trying to attract.

The film business has been historically ruled by white men from upper-middle-class socioeconomic backgrounds for a very long time, but the good news is that we’re seeing more evidence of that being reconciled as the old guard dies. I think we’re seeing some pretty good strides and small wins (Boomshakalaka!!!) in the last few years but a film festival that stands for just fairness or diversity sake isn’t enough to be sustainable or engaging. The films still need to be good and a festival’s most important job is to offer a well-curated experience.

6) How has your FilmFreeway submission process been?

We’re totally new to FilmFreeway. It’s a cool service, makes it super easy to submit a film. We’re still looking for more short films to be submitted. Each of the short films selected for the Spring 2019 live screening would be considered a winner and be awarded a $250 prize.

7) Where do you see the festival by 2023?

Grid Edge Fest intends to constantly reinvent itself in order to maintain agility and flexibility while it keeps its eyes peeled for the oncoming 3° freight train, that’s threatening our planet.

In 2023, we see GEF being a seasonal roadshow style film festival. It’ll be outstanding if GEF would have a structure or mechanisms in place to increase the liquidity of film investment and distribution for filmmakers around the world that might not have easy access to resources to tell their environmental stories.

8) What film have you seen the most times in your life?

That’s a personal question I’m not ready to answer here but I’ll give you a hint, he may wear a yellow hat and trench coat.

9) In one sentence, what makes a great film?

A great film is one that you can return to time and time again, like when your hanging with a good ole bud who is aging gracefully with you.

10) How is the film scene in your city?

Rent is too damn high and we’ve been losing too many indie theaters because of it. New York City is a constant hustle. When I asked the same question to my GEF film advisor, Joel Fendelman, he told me that this challenge of high rent is what drives half the city to constantly push through anyway. It’s a melting pot of idealists and artists on the cutting edge filled with ambition. Maybe this is why NYC is the perfect place to launch the festival.

To answer your question, I think the film scene in my city is the company you keep and the projects you put your life into and take over the finish line no matter what.

grid edge 1

Interview with Festival Director Iris Gonzalez (THROUGH MY EYES FILM FESTIVAL)

Through My Eyes is an international and Indigenous short film festival that seeks to showcase the stories of Indigenous peoples from all over the world. The festival aims to redefine the word Indigenous, originally meaning “of the land”, and in doing so, create community through the understanding that we are all indigenous to somewhere. It doesn’t matter if you’re native to the United States, the aboriginal lands of Australia, Europe, Asia, or Africa.

Contact

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Iris Gonzalez: Providing a platform for underrepresented, Indigenous, and international independent filmmakers. In addition to providing this essential platform for filmmakers, we are providing that same platform for visual artists, live performers, and dancers.

2) What would you expect to experience if you attend your upcoming festival?

A window into the various cultures of the planet that I am not fully aware of or engaging with. To expand my view on ritual and storytelling.

3) What are the qualifications for the selected films?

We accept shorts, 30 mins and under in all genres who identify as Indigenous or stars as an Indigenous person or whose film’s content is based on Indigenous culture.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

I’m starting to see more platforms for Indigenous stories in the larger festivals like Sundance and such. This is a good thing but I do feel it’s still harder for Indigneous filmmakers to get a fair shake. This is where we come in. We try to reduce the barriers that some other festivals have.

5) What motivates you and your team to do this festival?

Being Indigenous myself as the executive director and an experienced filmmaker, I’ve seen these barriers firsthand. We also know that we greatly learn through the power of story. These filmmakers have extraordinary things to say and the more festivals like us the better.

6) How has your FilmFreeway submission process been?

It’s been an incredible process. Very friendly to a busy team. We are so grateful for the content that has come through it’s portal. Several of our selections have come through FilmFreeway.

7) Where do you see the festival by 2023?

We hope to partner with great like-minded organizations to bring this festival to it’s fullest potential and hope to guide others wishing to do the same.

8) What film have you seen the most times in your life?

Funnily enough, we see such potential in some of our film submission that have many many problems but are fixable. Through working together, we end up watching these films more often than any other films in our lives.

9) In one sentence, what makes a great film?

The power of the story and the ability to transform our reality.

10) How is the film scene in your city?

We live in the mecca of Los Angeles with great great competition. Which makes it an honor when we see our attendants and the desire for people to want to expand their knowledge about the world around them.
 

through my eyes 1.jpg

Interview with Festival Producers Christine Cannavo & Eafat Newton (WOMEN IN COMEDY FESTIVAL)

Women in Comedy Festival is thrilled to partner with HBO, NBC and Showtime’s Frankie Shaw to work towards closing the gender gap in the film and television industry. The festival will feature original comedic content created by filmmakers and screenwriters from all over the world.

March 2019 Screenwriter Interviews

Read interviews with top screenwriters from around the world.

Interviews conducted by Matthew Toffolo

Interview with Screenwriter David Sabbath (Dancing in the White Room)
https://matthewtoffolo.com/2019/02/25/interview-with-screenwriter-david-sabbath-dancing-in-the-white-room/
 

Interview with Screenwriter Ian White (AMARIS)
https://matthewtoffolo.com/2019/02/25/interview-with-screenwriter-ian-white-amaris/
 

Interview with Screenwriter Kristina Rezek (YOUR ROARING TWENTIES)
https://matthewtoffolo.com/2019/02/25/interview-with-screenwriter-kristina-rezek-your-roaring-twenties/
 

Interview with Screenwriter Ray Cecire (The Prophecies)
https://matthewtoffolo.com/2019/02/25/interview-with-screenwriter-ray-cecire-the-prophecies/
 

Interview with Screenwriter ML De La Garza (Indigenous)
https://matthewtoffolo.com/2019/02/25/interview-with-screenwriter-ml-de-la-garza-indigenous/
 

Interview with Screenwriter Gustavo Freitas (Lies, Hamburgers, and Cufflinks)
https://matthewtoffolo.com/2019/02/25/interview-with-screenwriter-gustavo-freitas-lies-hamburgers-and-cufflinks/
 

Interview with Screenwriter Gregory Allen (HE IS GONE)
https://matthewtoffolo.com/2019/02/25/interview-with-screenwriter-gregory-allen-he-is-gone/

February 2019 Film Festival Interviews

Best of the new festival interviews for Feb. 2019. And what they link about FilmFreeway:

Interview with Operations Manager Auregan (Paris Art and Movie Awards PAMA)
https://festivalreviews.org/2019/02/08/interview-with-operations-manager-auregan-paris-art-and-movie-awards-pama/

Amazing : Off to the biggest start we had since the creation of the festival. It’s like people were somehow expecting us to accept entries and… Here we are !

Interview with Festival Director Brent Kado (Chicago Independent Film +TV Festival)
https://festivalreviews.org/2019/02/08/interview-with-festival-director-brent-kado-chicago-independent-film-tv-festival/

Good overall. The main issues with them is, again, this gluttony of festivals and awards “contests” and needing to do better weeding out the scams and misleading events.

Interview with the Festival team of FILMSAAZ
https://festivalreviews.org/2019/02/08/interview-with-the-festival-team-of-filmsaaz/

A great service. Have done wonders for us.

Interview with Festival Director Anastasia Cazabon (GRRL HAUS CINEMA)

https://festivalreviews.org/2019/01/18/interview-with-festival-director-anastasia-cazabon-grrl-haus-cinema/

The FilmFreeway process as been great. It’s a really great platform to view films and super user friendly.

Interview with the Festival team of FILMSAAZ

Filmsaaz is an annual celebrated international Film Festival organised by the University Film Club of Aligarh Muslim University (AMU). The festival is one of the largest multi-disciplinary art and cultural festivals in India dedicated to the exhibition of short film, documentaries, music, art and cultural advocacy programs. This 4 days festival hosts the screening of upto 50 differently categorised movies and on the eve of 4th day holds an award fiesta. Thus asserting a down shift in the isolophiliac nature of today’s mind, by uniting them to crave for such hearty gathering.

A legacy of 11 long years, and enormous heart warming memories to cherish with, Filmsaaz has witnessed the presence eminent Indian Cenematic intelligentsia. The 12th edition is all set to deliver, an awe inspiring selection of movies from across the globe. For the past 11 years, Filmsaaz has been one of the ideal events in Aligarh achieving new milestone with every passing year.

Contact

 
Matthew Toffolo: How did you get involved with the festival?

FILMSAAZ: For the aspiring filmmakers, who submit their work at our festival. We specially screen their work at our Kennedy Auditorium, built in our University. With a seating of over 12,000, the work of these Filmmakers is spread all over the city. Moreover, at the last day of our event. We hold a special felicitation ceremony for the films that has been adjudged as the winner in different categories. In the felicitation, the filmmakers are awarded an exclusive FILMSAAZ trophy along with a certificate specially given by our chief guest which is usually a renowned personality from Bollywood.

2) What are the qualifications for the selected films?

FILMSAAZ has always been a festival of movie and drama. Filmy vibes can be felt throughout the 4-day event. From film screenings to photo booths. From musical evenings to eye-catchy decorations. These is nothing that won’t make you stay for a while longer.

3) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

No, we never think that. All the deserving movies gets a fair chance in competing in the competition. That’s the only reason we’re now getting some good and meaningful movies at international level

4) Where do you see the festival by 2023?

In the next 5 years, we definitely see our event as one the prominent Film Festivals around the world. Like the number of International stuff we’re getting. We’ll soon might have more number of International movies competing at our festival than the national ones.

5) What film have you seen the most times in your life?

6) In one sentence, what makes a great film?

A great script and team makes a great movie.

7) How is the film scene in your city?

We didn’t had much support for filmmaking in our city. But for the past 4-5 years, alot number of great and enthusiastic filmmakers are coming up with some great content.

8) What are the qualities a programmer needs to select the best films for a festival?

Well, since we all know. Nothing in this world comes easily. We’ve been on a rollercoaster ride everytime. Sometimes, we do get a lot of movie and sometimes, we don’t. But thanks to filmfreeway for making us a lot easier to reach some great filmmakers around the globe. Now, we just need to register our festival and all the other work is done by them.

9) How has your FilmFreeway experience been so far?

A great service. Have done wonders for us.

filmsaaz 2