Movie Review: SHOOT GRANNY (Short Film) 2015

SHOOT GRANNY played to rave reviews at the November 2015 FEEDBACK Film Festival

Watch the Audience FEEDBACK Video from the Festival:

  MOVIE POSTERSHOOT GRANNY, 5min, Spain, Comedy/Musical
Directed by Olivier Kowalczyk

Shoot Granny or when an ordinary tea time between three friends turns into an improvised Gymkhana. On a music of Todd Terje.

Review of the Short Film by Amanda Lomonaco:

Shoot Granny garnered a really good laugh from the audience, with great reason. It’s common to hear complaints about loud, partying teenagers, but what happens when those loud partiers are actually your grandparents?

The director Olivier Kowalczyck says he was inspired by his work as a doctor; disappointed by how they seemed to perscribe anti-depressants to help seniors sleep rather than provide them with any real psychological support. He claims to have felt like more of a drug dealer than a doctor, and this thought led him to create the storyline for Shoot Granny.

Thankfully Kowalczyck has managed to turn this upsetting subject matter into quite a hilarious repartie. With the background knowledge of this film in mind it might be easy to reprimand Kowalczyck for his comedic approach, but in actual fact what he has done by injecting comedy into this topic is open it up to a much wider public that might otherwise want to ignore the issue. Kowalczyck also manages to add a stronger element of agency to the elderly, allowing us to relate to them as people who like to enjoy themselves, just as we all do, rather than as victims with no control over their ailments.

Some members of the audience seemed a little put off by the loud music, or by the fact that the film didn’t carry subtitles, but Shoot Granny could very well be played on mute and still get its message across. Someone once told me that a film is only truly good if it is able to be played in black and white, and silently while still achieving the same level of emotional impact. Despite the fact that its bright, psychodelic patterns and blaring music adds greatly to the story, I still believe this film would achieve the same purpose without these elements. I think anyone would benefit from watching Shoot Granny, who knows, it might help you approach and understand again, or your elderly loved ones, with just a little more affection and care.

Today’s Instagram Photos: Monday January 4 2016

Movie Review: POINT BREAK (2015)

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

point_break_posterPOINT BREAK (USA/China/Germany 2015) *1/2
Directed by Ericson Core

Review by Gilbert Seah

POINT BREAK is a remake of the Kathryn Bigelow 1991 hit film starring Patrick Swayze and Keanu Reeves. Bigelow is a female director able to create big hits with strong male content action films like THE HURT LOCKER, ZERO DARK THIRTY, STRANGE DAYS and my favourite and her first film, NEAR DARK. Director Ericson Core has tough shoes to fill.

The surfing definition of POINT BREAK refers to the type of long-lasting wave found off a coast with a headland or point. A point break is formed when a swell moves around the land almost at a right angle to the beach and a break which begins near the point gradually progresses along the wave. Bigelow’s film involves a FBI agent going undercover to infiltrate a gang of bank robbers disguising themselves as surfers.

The difference in the new POINT BREAK is a series of robberies done by not surfers but extreme sport specialists. They do the big surf in the last climatic scene but engage too, in other sports such as snowboarding, rock climbing and wingsuit flying.

The story of the new POINT BREAK involves a young FBI agent, Utah (Luke Bracey) infiltrating a team of extreme sports athletes he suspects of masterminding a string of unprecedented, sophisticated corporate heists. He engages in this quest as redemption after losing his brother in an extreme sport accident. Deep undercover, and with his life in danger, he strives to prove these athletes are the architects of the mind-boggling crimes that are devastating the world’s financial markets.

Newcomer Luke Bracey delivers a weak performance. With his blond hair and chiseled body, he looks like a model in many scenes with his perfect blond hair flung across his face. Delroy Lindo playing Utah’s boss fairs worse. All he does is bitch about Utah’s job. Utah takes the risks and fights the bad guys but his boss keeps complaining and giving Utah a hard time. Edgar Ramirez (an up and coming star, his last film JOY), who plays bad guy Bodhi, cannot help much either.
The film contains some good scenes involving extreme sports. The rock climbing, surfing and motorbike segments are well shot. But the action and fight sequences lack any excitement.

The plot lacks credibility. The eight ordeals that Bodhi seeks make little sense. He ends up completing seven with the last one left in limbo. Utah somehow manages to figure out all the ordeals Bodhi has completed, something hardly believable.

POINT BREAK which costs close to $100 million only made $10 million domestic the first weekend. However, being a Chinese and German co-production, it opened elsewhere a week before North America grossing a remarkable $50 million, which helps the poor domestic numbers. Still, POINT BREAK is far from being a satisfying action flick. The film sags after the first 15 minutes and picks up just a little towards the end. The open ending does not help either. Action fans prefer closure. Open endings are more suited to artsy films which POINT BREAK definitely isn’t.

POINT BREAK ends up the most boring action film of 2015.

Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month:http://www.wildsoundfestival.com

Movie Review: FAMILY ON BOARD (Award Winning Short Film) 2015

Family on Board played to rave reviews at the November 2015 FEEDBACK Film Festival. 

Watch the Audience FEEDBACK Video from the Festival:

  MOVIE POSTERFAMILY ON BOARD, 15min, USA, Drama
Poetry by George Pogatsia

On his way to report to prison, Mike Petito reflects on his life and anticipates what lies ahead … that’s when catastrophe strikes.

Review of the Short Film by Amanda Lomonaco:

Family on Board encompasses so many different elements and genres that it seems almost impossible to put it all into a few reductive paragraphs. In fact I find it difficult to even fit it into one single genre. Despite all this confusion, or perhaps exactly because of it, most of the audience seemed to really enjoy it. Considering the ominous title and the manner in which the film ends I have a feeling that the mish-mash of genres was very much intentional to make the twist ending even sharper.

People’s reactions to this film seem to be largely dependent on how they interpreted the ending. Like many of the films shown at WILDSound, Family on Board ends quite ambiguously, leaving viewers to imagine for themselves how they believe the story ended. This became all the more evident during the  feedback session, where several audience members voiced a plethora of opinions about the end, that I would have never even considered.

Many people also seemed a bit taken aback by how the film begins. Some were put off by the intense violence depicted, others seemed to find the beginning weak, and the performance of the thieves to be unconvincing. I have the feeling this beginning also weighed heavily on how people imagined the films’ ending. With a film that has so many turns and shifts it’s hard to say which points actually influenced the audience’s reaction the most.

Although George Pogatsia goes through a lot of effort to convince us that the main character is a positive member of the community with nothing but good intentions, at times his benevolence seems a little forced or exaggerated. Despite the crime he committed and his ownership of a gun, the main character seems like the kindest and most caring person in the world, going out of his way to help every stranger that crosses his path. The need for this juxtaposition is understandable in order to attract audience sympathy, but it perhaps could have been carried out a little more subtly and had the same, if not a greater, impact. Nevertheless, the familiar famous faces scattered throughout the main character’s “benevolent” sequence do help distract from this exaggeration, if only a little.

Family on Board is definitely a film for lovers of crime dramas and unsolved mysteries. Certainly Tony Sirico’s presence is bound to bring a smile to many a lover of The Sopranos or Goodfellas. There’s a lot to absorb in this film, and it will take you through a bit of a roller-coaster, but who doesn’t love a good old fashioned roller-coaster ride?

Movie Review: TWISTED (Award Winning Short Film) 2015

TWISTER was awarded best cinematography at the November 2015 FEEDBACK Film Festival

Watch the Audience FEEDBACK Video from the Festival:

  MOVIE POSTERTWISTED, 14min, Australia, Drama/Thriller
Directed by James Hartley and James Shepherd

After a night with the girl of his dreams, Michael has a story to tell. And a favour to ask…

Review of the Short Film by Amanda Lomonaco:

Wow! Is any Australian film at the WILDSound Festival ever going to be bad? I never thought I would have a bias for flicks from the land down under, but I may have to reasses. I promise my preference for these films is in no way intentional. I’ll do my best to keep this one as balanced as possible.

To begin with, the title itself is the perfect definition of the film. The story is, in fact, incredibly twisted. From the very start you can feel something is a little bit off about the film. The shaky camera angle, the slightly unkempt boy in a school uniform coaxing you to do something you clearly don’t want to do. In fact, the very position of the camera is offputting; throughout the film the main character, Michael, addresses the camera directly as his school mate. This allows Jame Shepherd & James Hartley, the directors of Twisted to throw audience members directly into the world of the film, and creates a sense of complicity with Michael’s acts.

Despite all my bias and admiration, Twisted is obviously far from perfect. Since the film is carried almost entirely by the monologue and perspective of a single character, there are some inevitable points of monotony, which I’m not sure whether to blame on the writing, or on the acting. Neither element was poor, which is why it’s so difficult to pinpoint where exactly the film goes wrong at the few moment where it does.

One particular moment that pulled me out of the story abruptly was  when the film’s title was inserted into Michael’s monologue. I’ve never been a fan of playing with film titles inside the actual story, precisely because it removes me from the story world. In this instance the disruption is even more jarring as Michael’s repeated enunciation of the word “Twisted” gradually appears more forced and unnatural. This might have been more appropriately treated with some more complimentary camera movement, perhaps, but as it stands on its own I can’t say I appreciated it.

Regardless of this one instance, I loved this film, even with all its flaws. Some of my reason for this bias towards the Aussies may just be their propensity towards making slightly disturbing and… well… twisted films, which I have already been vocal about preferring. With that said, it would probably be advisable to stay away from this film if horror and suspense aren’t really your genre of choice. For all the rest of you, add this to your bucket list, for sure.

Movie Review: EXIT RIGHT (Award Winning Short Film) 2015

EXIT RIGHT was awarded best film at the November 2015 FEEDBACK Film Festival.

Watch the Audience FEEDBACK Video from the Festival:

  MOVIE POSTEREXIT RIGHT, 5min, Germany, Drama
Directed by Bernhard Wenger & Rupert Holler

Look away or intervene? When a black man is victim of unfounded, racial abuse in a packed bus, there is only one passenger who won’t ignore the situation like everyone else.

Review of the Short Film by Amanda Lomonaco:

In Exit Right Bernhard Wenger & Rupert Holler take a light hearted approach to an unfortunately all too common situation. With the current discussion about Syrian refugees, as well as the Paris bombings, this film is incredibly relevant to the issues we face today, and yet still manages to permeate through time with it’s gentle, comedic approach to the topic. It’s comforting to see that even tragic and disturbing issues can be given a lighter tone.

Those of us who use public transport frequently are well accustomed to witnessing awkward, messy, and at times even violent situations while riding the bus, or sitting in the subway car. On these occasions most of us will look away and pretend we don’t hear or see anything, however every once in a while a brave samaritan will stand up and do something about it. Wenger and Holler decided precisely to portray one such situation in their short film, and with it demonstrate that standing up to bullies doesn’t always need to result in aggression, or negativity.

It’s a lesson that we all learned in school, but often needs to be repeated throughout our lives. Many different cultures have similar stories that you may have heard before in different manners, but no matter how many times it is told or portrayed, the result is always heartwarming. By bringing this anecdotal tale to life within modern day Europe, Wenger and Holler also emphasize how this lesson persists through time periods, cultures, and locations.

Exit Right is definitely a great film to watch when you feel like you’re starting to lose your faith in humanity a little, but it’s also a fun short to enjoy on any day of the week. The directors did miss a slight opportunity for a fun extended ending that could have shown what happens to the man after he has been kicked off the bus, but that itself did not leave the film lacking in anything. This one is worth a few repeated watches, whenever you feel like you need a reminder that standing up to bullies and racists is always the right thing to do, so long as you don’t stoop to their level and respond with equal aggression.

 

 

Movie Review: THE BIRDS (1963) Directed by Alfred Hitchcock

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

the_birds_posterTHE BIRDS, 1963
Horror/Thriller Movie Review
Directed by Alfred Hitchcock
Starring Rod Taylor, Jessica Tandy, Suzanne Pleshette, Tippi Hedren, Melanie Daniels, Veronica Cartwright
Review by Steven Painter

SYNOPSIS:

A wealthy San Francisco playgirl pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.

REVIEW:

In 1960 Alfred Hitchcock revolutionized the way movies were watched with Psycho. Three years later he would pioneer special effects techniques that were ahead of their time in The Birds (1963). Although the special effects look dated now, at the time they sent chills down audiences.

Daphne Du Maurier wrote a short story about a ton of birds attacking and eliminating human kind. Seems pretty unbelievable right? Actually while making the movie, Hitchcock spoke with farmers in California who complained that some of their cows had their eyes gouged by birds. So there had been instances of bird attacks in the area where Hitchcock’s movie takes place.

Although apocalyptic birds are interesting and what most people focus on, they are only the MacGuffin. They are the biggest MacGuffin Hitchcock developed. A MacGuffin is the same thing as a red herring. Ironically, Hitchcock frequently used birds as his MacGuffins. Like the Crane who steals $20,000 in Psycho. What The Birds is really about is the family.

The story begins in San Francisco. Socialite Melanie Daniels, played by Tippi Hedren, is walking down the street and gets whistled at before walking into a pet store. This is a little joke Hitch included because he discovered Hedren while watching the “Today Show.” Hedren appeared in a commercial in which she was walking down the street and got whistled at.

Melanie enters the pet store and asks for some birds. They haven’t arrived yet, but the owner says she’ll look in the back just to make sure. When the owner leaves, lawyer Mitch Brenner strolls in and asks Melanie if she could help him find some lovebirds. He acts like he believes she works there, but he really knows who she is. He enjoys watching Melanie make a fool of herself because she doesn’t know what lovebirds look like. When the pet store’s owner returns, it is learned that store has no lovebirds. So Mitch leaves.

Having left some sort of impression on her, Melanie decides to order lovebirds as well and deliver them to Mitch for his sister’s birthday. Melanie doesn’t have much of a family. Her father is too busy running his newspaper to bother with her and she never really had a mother.

After purchasing the birds, Melanie learns that Mitch has left San Francisco for Bodega Bay, where his mother and sister live. So Melanie makes the drive up the coast. While there she and some of the locals have a problem with Mitch’s sister’s name. Melanie has to ask the school teacher, Annie Hayworth, what the little girl’s name is. Annie happens to have dated Mitch while the two were in San Francisco. She moved to Bodega Bay to be with him, but was never accepted by his mother.

You can probably see where this is all going. Cold mother eventually warms up to heroine leaving hero’s former girlfriend as a bitter rival. It almost works out this way, but there is a complication with some birds that start to act funny.The birds begin doing weird things once Melanie drops off the lovebirds in the Brenner home. While on the bay, she is attacked by a bird. Mitch happens to have seen her get injured and comes to her aid. Melanie and Mitch fight, but it is easy to tell that the two are in love.

From here, the birds increase in number and get bolder with their attacks. Eventually there seems to be nothing more Hitch can do except show that the whole world has been dominated by birds. But Hitch doesn’t do this because the true story of The Birds has concluded. Despite the reasons for the birds attacks never being explained, and there being no end in sight for their attacks, Hitch ends the movie once Mitch’s mother accepts Melanie into the Brenner family. Of course this point about the family is typically missed by a lot of people. It will almost surely be lost in the proposed remake of the movie coming out in 2009. Apparently Michael Bay has been signed on to produce. Judging by his work, the special effects will be improved, but the story will be ripped to shreds. This is sad because although the special effects seem dated, the story and suspense created are still top notch today. The Birds is the last of Hitchcock’s big four (Vertigo, North by Northwest and Psycho), it is the most technical one of the series.

Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com

January 3 2016: Writing Festival Details

WILDsound Festival's avatarWILDsound Festival

The writing festival will be presenting 2 1st Scene Screenplays, 2 Short Screenplays, and a Feature Screenplay at the upcoming January 3 2016 event.

Here are the details of the winning scripts we’ll be performing:

#1 – CRIME EXTRAORDINAIRE – Feature Script Reading
by Howard Fridkin

Genres: Action, Adventure, Thriller, Crime

SYNOPSIS:

For the ultimate revenge, an internationally renowned mystery writer uses his latest novel as a blueprint to steal the Eiffel Tower.

#2 – PURGATORY – 1st Scene Reading
by Alex A. Kecskes

Genres: Crime, Fantasy

SYNOPSIS:

Two small time ex-cons run into two angels on probation who must save their souls or be dammed forever.

#3 – GUNNISON – 1st Scene Reading
by Daniel Duane

Genres: Sci-Fi, Thriller, Supernatural

SYNOPSIS:

A sniper who hunts an Air Force colonel for humiliating her on a botched cover up discovers he’s masterminding one himself when a man hunt for two gunman leads to…

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WILDsound Performer Jan. 3rd Event: LORNE HIRO

WILDsound Festival's avatarWILDsound Festival

Actor LORNE HIRO will be performing at the January 3 2016 Writing Festival event.

See the winning screenplays that will be performed:
http://wildsoundfestivalreview.com/2016/01/01/january-3-2016-writing-festival-details/

lorne_hiroHeight: 6’2

Hair: Black

Eyes: Brown

Currently represented by Hines Management

This will be the first time Lorne will performing at the festival.

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WILDsound Performer Jan. 3rd Event: KATELYN VANIER

WILDsound Festival's avatarWILDsound Festival

Actor KATELYN VANIER will be performing at the January 3 2016 Writing Festival event.

See the winning screenplays that will be performed:
http://wildsoundfestivalreview.com/2016/01/01/january-3-2016-writing-festival-details/

katelyn_vanierHeight: 5’4

Hair: Blond

Eyes: Blue

This will be the 2nd time Katelyn will be performing at the festival. Watch her perform in the Mad Men TV Spec screenplay.

ACTOR

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