Movie Review: THE DRUNK: GETTING HOME, 6min, UK, Comedy (2016)

  MOVIE POSTERTHE DRUNK: GETTING HOME, 6min, UK, Comedy
Directed by Gabriel Foster Prior

Embark on a hilarious journey of a drunk trying to break into his own house. A slapstick comedy written by and starring Fosters Edinburgh Comedy Award nominee Seann Walsh

Seen at the July 2016 COMEDY FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

Take your best friends’ worst drunk story, then double it. We are on the path to The Drunk, written by Seann Walsh directed by Gabriel Foster Prior, a story about getting a little too intoxicated for your own good.

At first you think the story might be an animation as it opens with a charming animated title sequence, but not to be fooled- it is a full live action comedy. Like many under 5 minute short comedy films, it is one long set up. But it certainly doesn’t lack comedy along the way to the punchline. From losing your money in the cab to not finding any food in your fridge, The Drunk takes you step by step through the antics one might get into and the thoughts that flicker through one’s’ mind when they’ve had a few too many.

They say the the true things are the funniest, and The Drunk certainly follows that philosophy as our leading man trips, staggers and crawls his way home, only to be met with the unpleasant realization that he is in the wrong house.

Full of physical comedy, well suited sound and music design and comically developed characters, The Drunk is a great comedy-centric short with lots of offer, if you want to sit back and enjoy someone else’s crazy night- with none of the sober sitting.

Watch the Audience FEEDBACK Video of the short film:

Movie Review: DRAGON DREAMING, 5min, Australia, Documentary (2016)

  MOVIE POSTERDRAGON DREAMING, 5min, Australia, Documentary
Directed by Daniel Clarke & Amy Pysden

Meet Kushia Young. She can’t hear you. But she can draw you a mystical character in under 10 minutes. This profoundly deaf 20-year-old artist from the remote APY Lands is being recognised for her unique contemporary indigenous drawings.

Seen at the July 2016 Under 5min. FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

Dragon Dreaming is a biographical piece following 20 year old Kushia, an indigenous visual artist from Australia born profoundly deaf. While beautifully shot and with a wonderfully good intentions, Dragon Dreaming has some controversy in it that may be missed at first glance.

The film is undoubtedly meant to raise awareness about this talented young artist and her incredibly skills with the visual medium. And to its credit, Dragon Dreaming does an excellent job at showcasing Kushia’s clear ability. Much of her art is shown throughout the movie, which follows her present story and culminates the Art Exhibition the community organizes for her.

It is certainly a gesture of love that sparks the community to open an exhibition for Kushia, however, many areas of Kushia’s life and her art are glossed over. Very little attention is given to the fact that she is deaf (it is mentioned only once or twice in the movie) and there are less than a handful of shots without sound- which show the world as Kushia would experience it. There is no interpreter for Kushia, meaning she is virtually voiceless for the entire film. She has no way to express herself, except through her art and her own indigenous sign language, but even that is never translated for the audience. It is apparent that Kushia and her family come from a community and background that is marginalized, and her standard of living is well below those around her.

The underlying issue here- the elephant in the room, so to speak- is relationship Australia has with its indigenous people. Too big an issue for this small short film with a big heart.
What Dragon Dreaming reminds all audiences is that talent comes from all walks of life, and it can be nurtured if discovered and given a chance. In this way, all audiences of Dragon Dreaming must hope that the film makes it into the hands of Animators in our most illustrious studios, so that maybe Kushia’s future can be as bright and colorful as her personality.

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Movie Review: DREAMS OR DEMONS, 3min, Denmark, Drama/Life (2016)

  MOVIE POSTERDREAMS OR DEMONS, 3min, Denmark, Drama/Life
Directed by Lisa Svelmoe

A woman liberates herself from her strive for the perfect body.

Seen at the July 2016 Under 5min. FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

Written by Lisa Svelmoe and starring Karoline Bruun-Sorensen, Dreams or Demons is a cinematic piece that highlights our pursuit of the beautiful. A jogger (Bruun-Sorensen) is the relatable character for the audience, running on a treadmill alone to shed, what we must assume, is unwanted pounds. Beside the images of her running, are images of a beautiful lingerie wearing model (Ekatrina Krarup Andersen) as well as unclothed mannequins. As the running intensifies, it is further intercut with our leading ladies’ naked body, with the tell tale blue-marker lines of impending plastic surgery. The mannequins appear as well, but begin to be distorted, with only partial body parts being seen. Finally, a close up of our hero’s head appears wrapped in bandages and silent scream cuts the frantic flurry of images to a halt.

The audience has no dialogue to use as a frame of reference to understand the mind of the hero, but the final images produce closure. In the second last image, our hero is running, naked all for running shoes. She is not on a treadmill but outside on a street at night. Unlike the early images, here she is smiling.

What really must be noted here is the editing. Without the specific choices the editor made, the mind of the character may not have been as clear as it was. Editing it often an overlooked part of the Cinema process. The editing in this piece gave Dreams or Demons a distinct level of clarity.

This piece is clear in it’s goal- what can be altered on the surface is never worth running after. But brings you joy is worth running for. In this way Dream or Demons has an important message to send. To aspire to an unrealistic goal is unfair to yourself- but own your body and it’s appearance is something to be proud of.

Watch the Audience FEEDBACK Video of the short film:

Movie Review: WALK, 1min, Netherlands, Dance/Experimental (2016)

  MOVIE POSTERWALK, 1min, Netherlands, Dance/Experimental
Directed by Nicola Balhuizen Hepp

“The day of my birth, my death began its walk. It is walking toward me, without hurrying.” Jean Cocteau

Seen at the July 2016 Under 5min. FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

Clear your mind of any conventional cinema and open it to the world of experiential and interactive dance and you have a foundation for WALK by Nicola Balhuizon Hepp. The sound design is reminiscent of the low-hum of industrial white noise, and the lighting is highly stylistic, the ultimately affect being something almost other-worldly. This is appropriate for a film like WALK because it offers no clear questions, and no easy answers.

It showcases two unnamed men, dancers Aimar Perez Gali and Rolf Hepp, who may actually be portraying the same character at different stages in life. Both performers, clearly skilled in modern dance, artistically move themselves through a dark void space using what appears to be every creative movement except walking. A metaphor it seems for fluid, but often aimless, movement through life.

If you enjoy the interpretive and the avant-garde, then WALK will be an enjoyable experience. It has interesting imagery, powerful spectacle and indeed, beautiful movement of the human body. Perhaps one way WALK is more powerful as a piece of cinema than it would be a live dance performance, is that the audience is privileged by the means of the camera to look more intimately on the performer. One frame in particular is a close up on the dancer’s bare foot, a detail given emphasis that may have been missed in a live performance.

WALK is an intimate experience, and yet it leaves you with no real answers as to how it wants you to feel. Some may argue in this way it is a perfect metaphor for life itself- captivating, intriguing and coming to an end in what seems like far to short a time.

Watch the Audience FEEDBACK Video of the short film:

Movie Review: CRE-AZIONI, 5min, USA, Drama/Experimental (2016)

  MOVIE POSTERCRE-AZIONI, 5min, USA, Drama/Experimental
Directed by Elena Vannoni

A film about women and time.

Seen at the July 2016 Under 5min. FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

In many ways, theatre gave birth to Cinema. The two share many elements of spectacle and form, although their medium is substantially different. What happens then, when the two mediums converge? Cre-Azioni written and directed by Elena Vannoni is one such product. Avant Garde, theatrical and wholly unconventional for a short film (if there is such a thing) is an artistic interpretation of women in the confines of society.

The film is simply shot, with one shot and set up panning into a woman looking out of a window. The background is stark- black and white. All that seems to exist in this world is the woman, the window and the world beyond it we can hear, but not see. As she stares out, presumably at children laughing and playing, the woman closes the window and begins to touch her face. The music of the piece becomes frantic and panicky, and our heroine is swept up into a corset, a wig put on her and large fake lips placed in her mouth. Hands appear out of nowhere with syringes and appear to inject her body. The woman grapples with her corset, frees herself from her confines, her wig and her accessories. She begins to dance in the apparent void of space behind her window, until she goes to the now open window- this time with ample light hitting her face.

The piece is unapologetically clear about its intent- the constraints of women in society to look a certain way, and they suppression and oppression that occurs within those confines. The way the message is framed, however, is what makes this film really interesting. It is a very theatrical piece, in the sense that the exact same actions could be played out on a stage to a live audience with as equally strong effect. Perhaps the medium of film allows a wider reach to audience, perhaps it translates a different type of solitude for our heroine, as she is not behind simply one pane of glass (the window) we see but also the camera lenses, which we don’t.
The audience can interpret the works’ medium from many angles, but the message, no matter how avant garde, is a good one- happiness is dancing unencumbered. Whether is it on stage or screen, the spectacle of Cre-Azioni is emotional, strong and mindful with clear intent.

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Movie Review: SILENCE, 5min, UK, Romance (2016)

  MOVIE POSTERSILENCE, 5min, UK, Romance
Directed by Elena Brodach

The story of love that everyone dreams.

Seen at the July 2016 Under 5min. FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

Music may well be the language of love. Perhaps that is the thesis of the charming, poignant piece short Silence by director Elena Brodach. Shot in one frame, with no cuts, no dialogue and only two characters, Brodach proves that less really is more. The emotional mastery of the piece is that it is able to produce such strong feelings with seemingly such little effort.

For a film with little in the way of story set-up, the story is very clear. An elderly couple sit in a completely empty theater, watching some sort of performance the viewer cannot see. They can however hear the beautiful orchestra music playing, interrupted only by the occasional squeal of one of the couple’s’ hearing aids going out. After a few moments of uncomfortable adjusting, the two simply lean their heads together and hear the music equally well out of a shared aid. Together, the music swells.

A film that encapsulates one beautiful moment shared between two people who love each other. The wonderment in this short film is that it strips away the youth from beauty. So often our society shows love in the hands of the young, the innocent, the beautiful. Yet Silence reminds us that love is not often falling to our knees in front of the object of our affection, grand romantic gestures or bouquets of flowers. Love is a series of simple gestures that translate to “you matter, I care, these moments are shared.” And Silence pays tribute to love after 30, after 40, after 80.

Silence is colorfully shot, the sound is gorgeously designed and the moment is simple and sweet. It may not win and Oscar, but it can win your heart.

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Movie Review: I LIKE YOU, 2min, Italy, Drama/Romance (2016)

  MOVIE POSTERI LIKE YOU, 2min, Italy, Drama/Romance
Directed by Vito D’Agostino

A child falls in love with a girl, he is at an age where he does not know what love is, but he tries to explain what he feels with his heart.

Seen at the July 2016 Under 5min. FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

Directed by  Vito D’Agostino with music by Chad Lewis I Like You is a childhood love story, a vivid imaginative account of the classic boy-meets-girl trope. Set against the poetic backdrop of winter, filled with mittens, ice skates, and winter nights set aglow with thousands of lights, a montage of loving moments are played out between boy and girl. The whole film, (save for the last scene) is enacted over the boy reading aloud his love letter to his love- words that are charming in the youthful innocence, yet poetically deep despite their simplicity.

I Like You is cinematic transportation to a world of romantic dreams. It exists in a place out of time- its space is inhabited by a world where we have not yet been touched by technology, not yet distorted by the bumps and scraps of life. It is the confidence of love when children are loving and in this way, deeply moving.

The film is beautifully executed with keen attention to detail. The casting was excellent. While the final image poses questions and leaves the viewer to answer them, the film is a study in beauty and the elusive love we all dream of knowing.

Critics of this piece may point to its resemblance to a Hallmark commercial, may comment on its singular male voice (for the female love interest has no lines) or even comment on its lack of diversity in casting. All of these things have accuracy in their own right. However, I will credit the production with this: from the initial image onward, I lived in the world of love the hero made. I was encapsulated and transported to a place where I believed love could conquer the impossible, and follow two people through their entire lives and beyond. In this way, despite its criticism, I Like You, holds the elements our dreams are made of.

Watch the Audience FEEDBACK Video of the short film: