FEEDBACK Animation Film & Screenplay Festival
Submit your Animation Screenplay to the Festival: https://feedbackanimationfestival.com/
CLICK THE LINKS AND READ THE MOVIE PITCHES:
FEEDBACK Animation Film & Screenplay Festival
Submit your Animation Screenplay to the Festival: https://feedbackanimationfestival.com/
CLICK THE LINKS AND READ THE MOVIE PITCHES:
FEEDBACK Animation Film & Screenplay Festival
Submit your Animation Screenplay to the Festival: https://feedbackanimationfestival.com/
CLICK THE LINKS AND READ THE TV SHOW PITCHES:
SHAMAN OF THE NORTH, by Amuna Tsertsvadze
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THE AMBITIOUS LIFE OF APPLE, by Lucky Mabdar
DREAM KEEPERS, by Leodis Smith
GILLIGANS ISLAND OF THE DEAD, by Jerry Kokich
THE GREATEST BIBLICAL ADVENTURE EVER TOLD, by Michelle Houle
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Read the best of NEW Poems from poets from all over the world:
EVERYONE’S FINE, by Marie Catalan
http://wildsoundfestivalreview.com/2016/08/24/everyones-fine-poetry-by-marie-catalan/
TO TIMOTHY, by Axane Sand
https://wildsoundfestivalreview.com/2016/08/24/to-timothy-poetry-by-axane-sand/
LIFETIME, by Catherine Hsu
http://wildsoundfestivalreview.com/2016/08/24/lifetime-poetry-by-catherine-hsu/
TO THOU OF YESTERYEARS, by Sunday James
https://festivalforpoetry.com/2016/08/26/to-thou-of-yesteryears-poetry-by-sunday-james/
KHWAJAH PIRUZ, by Renkian Barrymore
https://festivalforpoetry.com/2016/08/26/khwajah-piruz-poetry-by-renkian-barrymore/
BURNT BRIDGES, by Monica H. Thomas
https://festivalforpoetry.com/2016/08/26/burnt-bridges-poetry-by-monica-h-thomas/
CURIOUSITY GET LOST WITH ME, by Lizzie Heart
https://festivalforpoetry.com/2016/08/26/curiosity-get-lost-with-me-poetry-by-lizzie-heart/
POLITICO 2016, by Farzana Moon
https://festivalforpoetry.com/2016/08/26/politico-2016-poetry-by-farzana-moon/
APRIL PAST, by Slowmoto
https://festivalforpoetry.com/2016/08/26/april-past-poetry-by-slowmoto/
Deadline: FREE POETRY Festival – Get your poem made into a MOVIE and seen by 1000s. Three options to submit:
http://www.wildsound.ca/poetrycontest.html
Watch Poetry performance readings:
Watch Poetry made into Movies:
SHORT SCRIPT CONTEST
Submit your short film screenplay!
FULL FEEDBACK on your screenplay from our committee of Professional Screenwriters, Filmmakers, Production Heads and Script Consultants. Get your script performed by professional actors at the Writing Festival.
Submit your Short Screenplay: http://www.wildsound.ca/shortscriptcontest.html
ALL SUBMITTED SCRIPTS and FILMS GET FULL FEEDBACK – The goal of the WILDsound Film Festivals is to help everyone involved grow as an artist, so we will offer some kind of constructive criticism whether or not we accept your entry for the formal festival.
There is no film festival like this!
Festival Review – Read testimonials of past submitters feedback on their work.
WATCH RECENT SHORT SCREENPLAY FESTIVAL READINGS
Short Screenplay – TURN ON DESIREFebruary 2016 Reading Written by Lauren Hoekstra | Short Screenplay – FOR HOPEFebruary 2016 Reading Written by Cindy Lee | Short Screenplay – COMPLICITFebruary 2016 Reading Written by Andrew L. Schwartz |
Short Screenplay… |
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Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.
PLANETARIUM (France/Belgium 2016) **
Directed by Rebecca Zlotowski
Starring: Natalie Portman, Lily-Rose Depp, Emmanuel Salinger
Review by Gilbert Seah
PLANETARIUM is beautifully shot period piece on the lives of two sisters who care too much for each other.
The setting is Paris in the 1930s, where two sisters, American spiritualists Laura (Natalie Portman) and Kate Barlow (Lily-Rose Depp), are winding up a world tour. Seemingly adept at communicating with the dead, the women are somewhat less experienced with the business of the living.
Nevertheless, their astonishing exhibit of apparently supernatural powers piques the interest of powerful French film producer André Korben (Emmanuel Salinger), who retains their strange talents for his wildly ambitious new film project. Laura and Kate are soon swept up in a scheme that, fusing art and the occult, portends a dark shadow soon to be cast over all of Europe.
The film is better than it sounds.
Portman inhabits her role similar to the one she did in her directorial debut A TALE OF LOVE AND DARKNESS. But director Zlotoskski’s film feels very detached and one can hardly feel sympathetic for the sisters or even for the film producer. All pretty things aside, the film is quite the bore.
Trailer: https://www.youtube.com/watch?v=yV3k-L10A2M
Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html
Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca
Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com
Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.
CARRIE PILBY (USA 2016) ***
Directed by Susan Johnson
Starring: Bel Powley, Nathan Lane, Gabriel Byrne
Review by Gilbert Seah
Being too smart might be detrimental to ones life. Based on Caren Lissner’s best-selling 2003 novel, CARRIE PILBY is a story of a awkward teen who graduated Harvard at the age of 19 and lives in a small NYC apartment paid for by her London-based father (Gabriel Byrne).
Carrie (Bel Powley) has no job, no purpose and no friends because she actively dislikes just about everyone (rating them “morally and intellectually unacceptable”) as only a teenager can.
Her one regular contact is her dad’s therapist friend, Dr. Petrov (Nathan Lane in rare role of an unfaithful straight man), who after a fruitless series of weekly visits finally sets Carrie some homework: a five-point plan to get her life together. As they say, nothing goes as planned. The plan results in her life turned more upside down. Johnson’s film takes half the film to get its footing.
The first half is really annoying with Carrie spurting out too much clever dialogue and the script getting too smug for tis own good. It treats its audience as simple folk that need a twist in every segment or needing a punch line after a dialogue.
The film gets more tolerable in the second half even turning to winning when Carrie finally gives up on the plan.
Part coming-of-age, part father/daughter relationship and part romance, CARRIE PILBY is a chick flick that finally rises, like is character at the end.
Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html
Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca
Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com