Film Reviews: CINEFRANCO 2017 (from October 6th)

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CINEFRANCO 2017 (from October 6th)

Now in its 20th year, Cinefranco is one of the longest running film festivals in Toronto.  One must give praise and credit to the ever cheerful and tireless directrice of the festival, Marcelle Lean who is always present to say ‘bonjour’ to Cinefranco fans.  It is hard to survive in this festival eats festival world, but Cinefranco has got a loyal base of sponsors that come back year after year not to mention a good selection of films from France, Quebec, Belgium and Africa.

Last Year’s Cinefranco was in a bit of trouble because of lack of sponsorship.  Things appear improved and the fete du film has now been pushed to the late part of the year/

The films are screened at the smaller Carlton Cinemas but the good news is that it is in a very central location, right in the City Centre.  The other difference is that ‘comedy’ is the subject for the year, so expect plenty of light entertainment.

For complete program information, ticket pricing and bookings, please check the Cinefranco website at:

http://2017.cinefranco.com/en/

This site is grateful to Cinefranco and Virginia Kelly Publicity for providing screeners for the capsule reviews below:-

And don’t forget to say ‘Bonjour’ to Marcelle.

Bon Cinema!

CAPSULE REVIEWS:

(Trailer links provided at the end of each review)

BIENVENUE AU GONDWANA (WELCOME TO GONDWANA) (France 2016) ***

Directed by Mamane

A comedy of manic proportions set in the fictitious African country of very, very democratic Gondwana.  Manic because it contains too many characters who all are half crazy most of the time.  There is the young French idealist plunged into African reality which are the controversial presidential elections, a dictator determined to remain in power by cheating, two sidekicks adept at geopolitics, a French congressman determined to sell asparagus to Africans and a young and pretty revolutionary.  The purpose of the landing of all these characters in Gondwana is to oversee the elections to make sure that they are unit rigged.  The film works well in the first third with superior laugh-out loud jokes but when it tries to get serious with a few messages and romance, the comedic momentum is lost.  One might quiver at the way black African governments are stereotyped and the way Africans act and dance (as in the Gondwana welcome ceremonies) but these jokes still pack quite the punch.

Trailer: https://www.youtube.com/watch?v=jjSDwiv9JuY

RAID DINGUE (France 2016) ****

Directed by Nicolas Benamou

After the Boston marathon bombing, the U.S. made PATRIOT  DAY about the hunting down of the bombers and STRONGER about the survival of a victim who lost his leg.  It takes the French to make a comedy after their terrorist attacks.  RAID DINGUE is an action comedy featuring two very funny actors. Alice Pol and Dany Boon (WELCOME TO THE STICKS).  The excuse to bring them together?  Johanna Pasquali (Pol) is a female cop unlike any other. Distracted, dreamy, and clumsy, from a purely policewoman point of view she is awfully nice but totally useless.  Although endowed with real skills (shooting, hand-to-hand combat, police intuition, etc.), her clumsiness makes her a danger for criminals, the greater public, and her colleagues.  Her father (Michel Blanc) wants her to be accepted for RAID training but kicked out.  So, she finds herself in the hands of officer Eugène Froissard (Boon), the most misogynist and vulgar of all the RAID officers.  Together they go after the Leopards.   The film is current with the recent terrorist attacks and also deals with issues like women in a male dominated work force.   Director Benamou and his two leads have perfect comedic timing.  Laugh-out loud humour all the way.  The impressive cast includes veteran actors like Michel Blanc, Sabine Azeman and Yvan Attal.

Trailer: https://www.youtube.com/watch?v=05qHBDBuxrY

 

UN PETIT BOULOT (France/Belgium 2016) ***
Directed by Pascal Chaumeil

Another comedy but a darker (and serious) one at that.  The setting is a small French town where jobs are slowly lost and the inhabitants get poorer.  The protagonist is Jacques (Romain Duris sporting a beard but still recognizable).  Dead broke with gambling debts, he reluctantly takes a job from a local gangster, Gardot (Michel Blanc) to kill his wife.  One killing is easy enough for Jacques and that leads him to do more.  Blanc wrote the dialogue and script for the film.  Gardot arranges for Jacques to do more killings for a 70-30 split.  One of these takes place in Brussels as the film is a Belge French co-production.  The awkward romance pops up with no warning at the 40 minute mark with Jacques suddenly meeting a girl he had not see for a while.  An all right comedy aided by the performances of its to lead veteran an actors Duris and Blanc.

Trailer: https://www.youtube.com/watch?v=Z_W4PPldtkw

cinefranco

Interview with Kami Asgar, Oscar Nominated Sound Editor

matthewtoffolo's avatarMatthew Toffolo's Summary

A sound editor is a creative professional responsible for selecting and assembling sound recordings in preparation for the final sound mixing or mastering of a motion picture.

I was fortunate enough to sit down with the brilliant Sound Designer Kami Asgar. He has been the Supervising Sound Editor on over 100 films including, “Ride Along 1 and 2”, “Sisters”, “Pitch Perfect 1 and 2”, “The Muppets”, “Country Strong”, “Secretariat”, “Obsessed”, “Passion of the Christ” and “Apocalypto” which earned him an Oscar nomination.

kami_asgarMatthew Toffolo: In a typical studio film, how many post-production sound crew members are there? Do you usually work with the same team?

Kami Asgar: As far as the first part, that really depends on the budget the schedule and type of project. Typically you have Supervising Sound Editor/s, ADR supervisor, Dialog editor/s, Sound FX editor/s, Assistant/s, Foley artists, Foley mixer, ADR Mixer/s and Re-Recording mixers. The number…

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Interview with Sound Effects Editor Matt Snedecor (Revolutionary Road, The Jinx)

matthewtoffolo's avatarMatthew Toffolo's Summary

Starting off as an Engineer in the music industry, Matt Snedecor worked with Beyonce, Kelly Clarkson, Faith Hill, and Luther Vandross, to name a few. Since 2005, he’s one of the top  movie sound effects designers working today. It was an honor to chat with Matt about his job and career.

Matthew Toffolo: What is the main job being a sound effects editor?

Matt Snedecor: Effects editors are responsible for building the entire sonic environment for a film, everything from backgrounds to the sync effects we see on screen. The majority (90% and up) of the sounds heard in film are added by editors. But it’s more than just see car, hear car. We also need to come up with sounds that identify with characters or moods or that tell stories without the audience having to see something on screen to know what’s happening. There’s also sound design moments we…

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Interview with Emmy Winning Sound Designer Andy Kennedy (Band of Brothers, Generation Kill)

matthewtoffolo's avatarMatthew Toffolo's Summary

Andy Kennedy is easily one of the most skilled Sound Designers working today. He has worked on many landmark productions besides his two Emmy winning shows for Best Sound in “Band of Brothers” and “Generation Kill”. He has worked on “Game of Thrones”, “Batman Begins”, the recent “War & Peace” series, 5 of the “Harry Potter” films, and “The Imitation Game” to name a few.

Go to his website: www.resonancesoundesign.com

It was a pleasure to chat with Andy about the art of Sound Design in film and his career.

Matthew Toffolo: You’ve worked on over 90 productions in the sound department in the last 35 years. Is there a job you’ve done that you’re most proud of?

Andy Kennedy: Some of the early projects – It was a time of mixed technology and a challenge creatively. ‘The Secret Adventures of Tom Thumb’ was made in Bristol by animators who worked with…

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Interview with Music Editor/Composer John M. Davis (Pride and Prejudice and Zombies)

matthewtoffolo's avatarMatthew Toffolo's Summary

The music editor is a type of sound editor in film responsible for compiling, editing, and syncing music during the production of a soundtrack. Among the music editor’s roles is creating a “temp track”, which is a “mock-up” of the film’s soundtrack using pre-existing elements to use for editing, audience previews, and other purposes while the film’s commissioned score is being composed.

John M. Davis is one of the most talented people I have had the pleasure to interview. Just go to this website http://www.johnmdavis.com and explore his world of music.

Matthew Toffolo: I love the photo of you on your website. It describes who you are in one picture. Composing attire. The dog you obviously love. Cup of coffee. Piano. A rocking chair for thinking. Art Work. And a relaxed but determined look on your face. As they say, a picture says a 1000 words, or in your case a 1,000,000 words! 

John…

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Interview with Composer/Vocalist Dominic Lewis (Money Monster, Batman v Superman)

matthewtoffolo's avatarMatthew Toffolo's Summary

Dominic Lewis is a pure talent in the industry. He is a master vocalist, and composer of the new film “Money Monster”, directed by Jodie Foster and starring George Clooney & Julia Roberts. I had the privilege to interview him and talk about his career and the art of music in film.

dominic_lewis_3.jpgInterview with Dominic Lewis:

Matthew Toffolo: You were credited at “Featured Vocalist” on Batman v Superman: Dawn of Justice. What did you do on that assignment for the film?

Dominic Lewis: A lot of vocals!!! Hans had created this incredible texture of a very distressed voice (in harmony sliding up to a single pitch and sliding back down to the chord) It was a long process and I couldn’t talk for a week after.

MT: How many instruments do you play? Do you have a favorite? And/or an instrument you’re most skilled at?

DL: I play a few…

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Interview with Composer David Buckley (The Good Wife, The Town)

matthewtoffolo's avatarMatthew Toffolo's Summary

What a joy it was to chat with the extremely talented composer David Buckley. You can hear his music every Sunday on the hit TV series “The Good Wife”. He was also the composer on the upcoming film “The Nice Guys”, directed by Shane Black.

To learn more about David, you can go to his website: http://davidbuckleymusic.net/

davidbuckley_good_wifeMatthew Toffolo: The action/comedy “Grimsby” is out in theaters. What can we expect to see? How was your working experience composing music on that film?

David Buckley: Well, the truth is now out! It’s a total flop. Shame really, as a lot of people spent a lot of time working on the film. Maybe the problem was that too much time was spent on it and it started to lose focus. I’ve always been a fan of Sacha’s work. I can see it’s harder for him to make movies like Borat and Ali…

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Interview with Composer/Musician Michael Abels (GET OUT)

matthewtoffolo's avatarMatthew Toffolo's Summary

michaelabels.jpgMichael Abels is an African-American composer known for his orchestra works Global Warming, Delights & Dances, and Urban Legend, and choral pieces such as Be The Change and Limitless. “GET OUT” was his first foray as a composer in the film industry, and it definitely won’t be his last. It was great interviewing this extremely talented musician.

Matthew Toffolo: Where were you born and raised? Was music something you always wanted to do as your career?

Michael Abels: I was born in Phoenix AZ, although I lived on a farm outside Aberdeen, SD with my grandparents from infancy through age 6. My earliest memories are of music — seriously, I can remember my grandmother’s recording of Edvard Grieg’s In The Hall Of The Mountain King terrifying me in the crib. Ironically, that’s now my job.

MT: How did you get the job composing the film “Get Out”?

MA: Writer/director Jordan…

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1997 Movie Review: SCREAM 2, 1997 (dir. Wes Craven)

 

AWAY WE GO MOVIE POSTER
SCREAM 2, 1997
Movie Reviews

Directed by Wes Craven
Starring: Neve Campbell, David Arquette, Courteney Cox, Jada Pinkett Smith, Omar Epps, Liev Schreiber, Sarah Michelle Gellar, Jamie Kennedy, Jerry O’Connell, Laurie Metcalf
Review by Matthew Toffolo

SYNOPSIS:

It has been two years since the tragic events at Woodsboro. Sidney Prescott and Randy Meeks are trying to get on with their lives, and are currently both students at Windsor College. Cotton Weary is out of prison, and is trying to cash in on his unfortunate incarceration. Gale Weathers has written a bestseller, “The Woodsboro Murders,” which has been turned into the film, “Stab,” starring Tori Spelling as Sidney. As the film’s play date approaches, the cycle of death begins anew. Dewey Riley immediately flies out of Woodsboro to try to protect Sidney, his “surrogate sister.” But in this sequel to the 1996 horror film, the number of suspects only goes down as the body count slowly goes up!

 

REVIEW:

TRIVIA: Scream 2 actually beat Titanic at the weekend box office when it opened in December 1997. Titanic then went on to go #1 at the box office everyday for straight 5 months and eventually became the biggest grossing film of all-time. But, Scream 2 can say that it topped it when it went head to head.

Going back and watching this Scream sequel really got me very nostalgic. I remember sitting in the theater with my friends and really giving live play by play commentary of the film while it was happening. This is just one of those films. Of course now I hate it when others do this at it happened to me during a screening of My Bloody Valentine as people were talking so much, I couldn’t pay attention to the movie. But when you’re in your early 20s, you tend to be a little selfish. So I apologize to all the people who were sitting around us during the screening. We were jerks.

Scream 2 is one of those films that is probably more suited for a home viewing than watching it in the theater. It’s a campy film and you really can’t take it all that seriously. That said, the storytelling and characters are done well so you are definitely into the ‘what’s going to happen next’ feeling. You are definitely emotionally involved while you also get many of the wink-wink jokes during the climatic moments. The original Superman films are like this too. One moment of action leads to another moment campy comedy. Someone getting killed leads to people sitting around and chatting about horror films and their cliches. This is a film that is many things to many people. It’s a horror, a thriller, a crime movie, a mystery and most definitely a comedy. A hard thing to pull off but director Wes Craven really found the original tone that was in the script and put it on screen. Him and writer Kevin Williamson created a new movie recipe and they succeeded all the way to the bank.

When watching this film I was also surprised of all the actors who are household names or actors I respect that I completely forgot was in the film. Jada Pinkett Smith and Omar Epps play the two characters that ‘open’ the film like Drew Barrymore did in the first film. They play up how Horror films are a white man’s genre and you never see black people in the movie. As soon as you see then on screen, you know they are doomed. Craven and Williamson were pointing out to the world that they are not prejustice and even blacks can get killed in the movies. And they aren’t the killers.

Heather Graham, Luke Wilson and Tori Spelling play the ‘movie’ versions of the characters in Scream. A great campy plot as we jump into a film within a film. Luke Wilson especially was hilarious to see as at the time he was just an actor starting out and had only one credit on his resume.

Sarah Michelle Gellar, who was just getting going in her Buffy TV show, appears as well in a great ‘stab’ scene. So does pre-Dawson Creek’s Joshua Jackson who was also just starting out in the biz. Portia de Rossi and Rebecca Gayheart play the sexy sorority sisters. Jerry O’Connell plays Sidney’s boyfriend (who has an extremely awkward Top Gunish music scene in the school cafeteria) who could be the killer. And Liev Schreiber, who really only had a cameo role in the first Scream film, plays the obnoxious but charming Cotton Weary. You can tell in this role that Schreiber had something unique as he could change from sexy to scary in one emotional beat. And was an actor who definitely had a big future ahead of him.

And then there’s Timothy Olyphant. An actor I had no idea was in the film. I loved Olyphant in his role in the HBO series Deadwood. When he’s not donning a mustache, he’s a very creepy looking character. And because of that he sort of tips the hat of the film’s conclusion. Or perhaps not because he seems to be the obvious killer.

Of course this again is Sidney’s (Neve Campbell), Dewey’s (David Arquette) and Gale’s (Courteney Cox) film. Sidney is you classic main character. Strong, determined, vulnerable and haunted by past events. Arquette and Cox have fantastic on-screen chemistry (and off-screen too as they are married) and seeing that in the first film, the creators I’m sure made sure they had a lot of screen time together in the 2nd film. They are almost like a comedy team with a little romance mixed in. The geek and the princess.

Courteney Cox’s roles in these films should be pointed out as she is remarkable. If her performance doesn’t work, then the film doesn’t. We have to view Gale as a bitch with an agenda but also like her a great deal too. Her character too in Scream 2 also has the biggest emotional arcs happening. She’s the one who’s changing the most from the beginning to end.

Campbell’s role could be categorized as almost boring as it’s hard to find a storyline for her that wasn’t done in the first film. She delivers an almost thankless performance because she has after all the only ‘non sexy’ role in the film. She’s sexy but the role she plays is the role of the straightman. She must act in a thriller genre to keep the overall tone of the movie intact while all the other roles get to play it up and be campy. Sidney is the straw the stirs the drink of the movie and these type of roles can get forgotten. But if you don’t have it played well, then you don’t have a film.

Scream 2 also plays up on the sequel film. It asks the question of what sequel was better than the original in movie history. And ‘wink-wink’, is Scream 2 better than the original? Not really but it’s not bad.

SCREAM 2, 1997