Inside the Chaos: How to Eat Healthy on a Movie Set

movieset3.jpgby Kierston Drier

We’ve all been there.

You know what I am talking about the great divide that is your health and the workplace. It’s no different for the industry of film and television. Oh wait… yeah it is. Juggling health, cost and time is always a hassle. And let’s not forget those five to ten servings of fruits and veggies followed by that roughly 90 minutes of cardio at least once a week.

CONS:

Long working hours

You’re probably working a 12-hour day plus lunch and commuting. So lets round that up at a 15-hour day. (One hour lunch, plus approximately one hour in commuting each way.) Add an average eight hours for sleeping  (and yeah, who REALLY gets that much?!) and you have “drum roll please” one extra hour in your day! One whole hour to do everything else in your life like showering, checking emails, paying bills, answering personal calls, seeing your friends and/or family, maybe unwind with a glass of wine and somewhere in there maybe fit in some step aerobics.

High Stress- High Energy Job

Any job on set is usually specialized, and there’s normally a lot of pressure on set “get the right shot, meet a deadline, hit your mark, and do it all with a smile on your face.” Regardless, while life in production has a lot of hurry-up-and-wait, and standing around, it definitely makes up for it in the times when it is go-go-go and totally hectic.

PROS:

Almost constant access to food

Enough said. Between catered meals and craft tables, on any show above a student-level film, you will likely at least be fed.

The great debate is how to manage hunger, boredom and hectic lifestyles with the constant access to food of all kinds around you!

I’m not a nutritionist, a dietitian, or even someone who claims to be super healthy, but here’s how I break down a (fairly) guilt-free day of set-snacking. While set calls vary by show, I used a standard 12+1 hour daytime schedule.

4:40 a.m.– I’m up and out the door for a 6 a.m. call. I’ve showered the night before, check my emails on the streetcar, and grab a 1/2 a banana on my way out to jump start my metabolism, wake me up and follow my grandmothers’ advice (“never skip breakfast!”).

6 a.m.- My actual call time. Hopefully your crafty is on set and has the basics out, which hopefully includes the “hot and ready” breakfast. If you have this luxury, I advise to take advantage of it. I always vouch for a high-protein option to fill me up. Eggs and bacon are my go to if I have them, but for vegetarians and vegans look for oatmeal or a granola with non-dairy milk.

8:30-9 a.m.– Sometimes you miss breakfast, and sometimes you only get the tiniest bite before you have to run off! Regardless, three hours into call, craft services should at least have the two Big C’s: coffee and carbs. In my opinion, this is the time (if you have it) to grab something carb heavy. You have the whole day to work it off, and it will keep you from being super hungry later. I’m a morning person, so I usually skip the coffee and grab some more fruit: pineapple, cantaloupe, fresh berries with maybe a small yogurt, will keep me going. Note: Also, now would be a good time to grab a bottle (or two) of water!

11 a.m.- If I’ve missed my chance to grab food, this is when I’ll grab coffee number one. As a personal rule I don’t add sugar to any beverage; sugar wiggles its way into so much food on set, I do what I can to limit it when I have the option. I usually grab a coffee with a non-dairy option (almond, rice, or soy milk). If a sub is going out I ask myself this system of questions to decide if I take the AM sub or not: Am I hungry? Do I really want this sub? Is it better to have something smaller now (like a piece of fruit) knowing lunch is coming?

1 p.m.- Usually lunch time! I fill up my plate accordingly:

1/4 plate: Hot veggies (Steamed green veggies like green beans, broccoli, asparagus, etc.)

1/4 plate: Cold veggies (Raw veggies, salad greens, mixed salads, marinated veg salads, whatever they have)

1/4 plate: Starches (Baked yams, squash or rice. You can also do pasta or potatoes!)

1/4 plat: Protein. (There is usually a vegetarian protein option, but I often go for the leanest meat I have access to. Chicken or lamb are good options, as is fish!)

Note: Remember to grab a beverage! My recommendation: water.

3 p.m.- This is when I get coffee. And I might take this opportunity to indulge with chocolate, a cookie or maybe even a handful of potato chips. If you’re really conscious about eating healthy, can those indulgences and reach for the trail mix, some raw veggies or fiber-filled fruits that will fill you up and keep you full!

5 p.m.- I’m usually not hungry around now, but if you are, grab a handful of one of the treats mentioned above! Try hummus and crackers, raw veggies or a banana/apple/pear, or even soup if the crafty has prepared some. Also, don’t forget to stay hydrated with maybe another glass of “dare I say water.”

7 p.m.- If all goes well, by now I am wrapped and on my way home. I try to use my time to my advantage “I check my emails on the bus”, and, if I catch craft in time before they leave, I’ve filled a thermos with a sugarless herbal tea to drink on the way home.

9 p.m.- Of course as it would have it, now I’m hungry, but trying to be good, I’m likely to grab something like cheese and crackers, hummus and crackers, soup I’ve made at home or even a bowl of popcorn. When I get home I usually make a snack, hop in the shower, call a friend or family for a brief chat, then put my feet up for 20 minutes and read or noodle around the internet until sleep time, at say 10:45 p.m.

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Inside The Chaos: When to Walk Away from a job.

When to Walk Away from a job.jpgby Kierston Drier

An adage in my family has long since been, “Some of the best jobs are the ones you don’t take.”

I can’t believe I am writing this, but for this first time since entering the world of film and television, I turned down work.

Not just turned it down, but walked away from a job that was handed to me. Walked out in the interview. And I firmly believe it was the right thing to do. I gathered enough information during the interview to understand that the show I was being offered a job in would be far more difficult than the reciprocation they were offering. I’m going to share with you some of the warning signs for what to look for and how to tell when it might be better to let a job pass you by.

KNOW HOW YOU GOT THE CALL

It’s important to start at the beginning here. There is a difference between getting an interview for a mass applied for job posting online, a call from a head hunter, and a personalized referral from a colleague or known source. Mass applied for jobs are likely to have a large pool of applicants, and head hunters can usually guarantee a certain amount of quality in their offers . Referrals are common and trusted in the film and television industry, but that doesn’t mean you shouldn’t consider the person who referred you, what your professional relationship with them is, and who they chose to send your information to.

KNOW THE COMPANY

Research the production company, the show, and, if possible, the team you’re with. Some shows are secretive and keep their information quiet, but that doesn’t mean that you can’t research the production company or tap your industry resources for reviews and references on working with the company or similar team. Listen to multiple viewpoints, and listen to everyone’s opinion. Don’t make an opinion on your own immediately, but listen to and tuck away what you hear from others and what you glean from your own personal research.

KNOW YOUR JOB

Know what job you’re going in for. Know it inside and out. Know what it takes to do your job correctly and what things you need the job to be able to provide you in order for you to perform your responsibilities. Need access to reliable transportation? Need to be promised a certain type of equipment? A specifically allocated budget? Know what you’d like to have, know what you need to have, and know what the happy medium would be between the two so that you can negotiate comfortably.

KNOW YOUR RATE

This is so so important. Know your rate! Know your personal rate, know the professional rate for that job in general, know what your worth is based on your experience and your craftsmanship. Make sure the people hiring you know what that rate is. Go in with knowing what you’d LIKE to make, what you SHOULD make and what rate is TOO LOW.

There is a strategy to working below rate and working for free. Sometimes it is done for experience, for a special credit, or for a passion project or for a friend. But remember when going in for a JOB, what is your relationship to the employer? If the job is one you have done before, and one you have experience in, then there is little reason you should accept any lower than the standard professional rate. Unless you are doing a favour for a friend or close contact, you should not be willing to negotiate that rate any lower than industry standard.

KNOW WHEN TO WALK

Walk away when:

-The company refuses to answer all your professional questions with clear, informative answers.

-The company or production makes unrealistic promises that they do not put in writing.

-The company  or production uses non-committal language while discussing details that are absolutely necessary for your job to be completed. (Ex. ” We’re pretty sure we’ll have enough money for that [insert absolutely necessary item].”)

-The production or company refuses to pay your kit fee, or supplement you for your own materials without prior discussed and written consent.

-The information you are basing your job around keeps changing.  (Ex. A craft person who constantly gets a different head count number than predicted; a location manager whose location requirements keep changing.)

-The job is physically more hours, labour or requirements than is legal.

Remember,  some jobs aren’t worth the headache!

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Movie Review: DEVIL WEARS A SUIT, (Australia) LGBT, Sci-Fi

Played at the June 2017 LGBT Toronto Film Festival

Directed by Eli Mak

A high-concept drama/scifi about a Jewish boy who must decide whether to ‘cure’ his homosexuality with an injection or be ostracised from his community forever.

CLICK HERE – and see full info and more pics of the film!

Review by Kierston Drier

 Some films make you laugh, some make you think. Some punch you in the gut and break your heart. Few do this so well as DEVIL WEARS A SUIT, coming to us from Australia by Director Eli Mak.

In this transcendent science-fiction piece, teenage Adam from an established Jewish household, must submit to a homosexulity test at his school. If he fails and is shown to be gay, he will be kicked out of school and likely disowned by his family and community. But sweeping the world is a new homosexuality “cure”- an injection that can “make your straight.”

Adam considers his options and goes to buy the cure, when he runs into an old friend from high school he hasn’t seen in years, Jarred. It turns out Jarred didn’t move to Israel as his family has said. Jarred didn’t pass the homosexuality test years before, and is now living in near squalor conditions, a social outcast from his community. Seeing what Jarred has, and what he gave up in order to live the life he wanted, Adam must question what his freedom is worth.

Academically speaking, science fiction is a medium of storytelling that addresses a current issues, softened through the lenses of the almost-unbelieveable. When we think of the areas in the world where people must hide and conceal their sexuality for fear of ostracization, it becomes terrifyingly easy to believe a “cure” like the one is this movie might be utilized, even in today’s society. But at what cost to human lives?

Not only is DEVIL WEARS A SUIT beautifully shot, superbly casted and performed and stunningly cinematic, it’s story will leave you breathless. It’s impact will resonate with anyone who has ever questioned what a life without love is worth. It will throw into sharp focus the lengths people can go to in order to conform. DEVIL WEARS A SUIT has an ominous undertone, that foreshadows the outcome of a world that puts conditions of love.

This is science fiction at it’s finest, and it is cinema at it’s most engaging. A special note must be made to the exceptionally well chosen and well executed score, for the music in the piece adds a rich emotional element.

Bravo, Eli Mak. DEVIL WEARS A SUIT is a multifaceted, deeply layered, dramatic, emotional, thought-provoking and fundamentally beautiful film. See it.

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Movie Review: MASC ONLY (USA) LGBT, Comedy

Played at the June 2017 LGBT Toronto Film Festival

Directed by Drew Droege

Gay best friends, Tommy and Wesley, unwittingly venture to an intimidating party hosted by the gay elite. 

CLICK HERE – and see full info and more pics of the film!

Review by Kierston Drier

This racus American Comic short is a delight to the senses. Tommy is a young gay man living in New York and frustrated with his life. Why? Because he lives in the classic cliche of his community. His friends, even his best friend Wesley, are vain, superficial, sassy and larger-than-life. Acquaintances and potential lovers distill him down to a walking stereotype and it’s getting on his nerves.

Yet when Wesley invites Tommy to a party hosted by upper class gay elite, Wesley goes- looking for love, lust, a good time? He’s not sure, but something fun has to happen, right?

What is brilliant about MASC ONLY is that our character it butting against the bubble he’s been put in, while still having to actively engage in it. And this deeper social commentary is hidden within the piece, covered over by layers and layers of raucous, laugh-a-minute comedy. The piece has no bad lines, no dead air and no dull moments. It escalates higher and higher with physical and visual comedy, while still sparkling with wit. The performances are fantastic! You will laugh at every turn, but you will leave the theatre thinking.

This piece looks like a comedy and acts like a comedy, but within it beats the heart of deep social satire. A worthy watch indeed. To director Drew Droege, well done.

 

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Movie Review: HOW TO BE ALONE (Israel), LGBT, Drama

Played at the June 2017 LGBT Toronto Film Festival

Directed by Erez Eisenstein

Relying on “How To Be Alone” – a self-improvement audio book – a heartbroken woman, struggling with her lonesome existence, decides to embrace solitude and to learn how to survive without love. 

CLICK HERE – and see full info and more pics of the film!

Review by Kierston Drier

 HOW TO BE ALONE is a pensive film. Coming to us from Israel from director Erez Eisentein, this is a piece that makes you question introversion and healing from a broken heart. Our heroine, a newly single woman gets a self-help audio book about solitude, and following its’ advice, beings to live a life alone.

Regardless of the stoic, yet occasionally humorous advice the audio-book gives her, our protagonist can not seem to shake the image of her lover from her mind. Can her life be lead to it’s fullest without love in it? Will this book with it’s lonely advice deliver her to happiness and self-sufficiency, or will it drive her crazy?

This piece is a thinking piece. It takes us in, and engulfs us in our hero’s world so completely, that by the emotionally packed final scenes we are left to wonder if the book is real, or if it is all in her head.

A testament to good filmmaking, by the end of this film, we watch our hero take a plunge to get her lover back, and we are filled with the overwhelming urge to tell her to stop. Only a well crafted film could make a viewer feel so strongly for the hero’s well being.

Eisenstein has done an excellent job on examining love and human relationships through the lenses of solitude, while crafting emotion with a character that rarely speaks in the film. Silence and space are characters as much as our hero and her lover are. An introspective and poignant cinematic short.

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Movie Review: WAJOOD (SELFHOOD) (India) LGBT, Drama/Romance

Played at the June 2017 LGBT Toronto Film Festival

Directed by Vishal Srivastava

Revolves around a young hijra’s (trans-woman) life, who seems to fancy herself with an auto-rickshaw driver. When confronted by the elders of her community about her unrealistic expectations, she goes on a quest to know if somebody will ever fall in love with her or is this thought as naive as told by everyone around her? 

CLICK HERE – and see full info and more pics of the film!

Review by Kierston Drier

WAJOOD, or Selfhood, is a powerful short coming to us from Indian by director Vishal Srivastava. Bright with colors and boasting gorgeous cinematography, this piece sheds light on a little known part of Indian culture. The Hijra, known as the Third Gender, are a community of transwomen who are often misunderstood and shunned in society.

Yet WAJOOD takes a look at this section of society kind, compassionate and sensitive eyes. We follow our heroine through her emotional journey of dissecting her sense of self. She pines for the attractive rickshaw driver near her community, and wakes every morning to watch him. But her community members remind her that there is no future for people like herself. Her fate has been determined- she is not to be understood, and not to find conventional love. Her life, will be a lonely one. Yet a kind stranger will change her mind about what it means to be who she is.

What make WAJOOD special is it’s bravery. It tackles a topic worthy of discussion, about a group deserving of attention. More than that, it stands before adversity and shouts for recognition. But it will charm you as it does so. It will charm you with its stunning images, it’s entrancing music and it’s’ undeniably lovable and sympathetic main character.

If you watch WAJOOD, you may not identify with my main character right away, but you will love her. WAJOOD reminds us that we are far more similar that we are different.

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Movie Review: SHAPING SCARS (UK) LGBT, Dance

Played at the June 2017 LGBT Toronto Film Festival

Directed by Zsolti Szabo

A dance journey about two girls who once loved each other, but while one is able to embrace herself openly (and therefore their relationship), the other is struggling to step into the light and shake off her demons.

CLICK HERE – and see full info and more pics of the film!

Review by Kierston Drier

This 7 minute UK experimental Dance piece is a gorgeous intimate dance piece set to a riveting and sparkling slam poem. Director Zsolti Szabo must be commended on the vision behind the work, for not only is a stunning visual dance performance, but film captures its intricacies and puts the performers talents under a microscope.

Two dancer go through the motions (both symbolically and literally) of a relationship gone wrong. Beautifully choreographed and light, a special nod must be given to the performers who engage in the incredibly intricate dance and the spoken word artist who performs the piece.

What sets this piece apart from the usual, is the camera work! The shots in this piece give the feeling that you are standing right beside the dancers. Turely, as much choreography was needed for the camera person as for the dancers themselves. If the film is the eye through which we see this art, then SHAPING SCARS invites you to join the dance.

The film itself has a deeper symbolic meaning as well. Our dancers are partners, but their love is not meant to be. Perhaps what is so touching about this piece is that underneath the vibrant poetics and stunning visuals is a message: that it is better to have loved and lost, than never to have loved at all. A film worth seeing, if for nothing else than that.

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Movie Review: THE 3RD TRY (USA) LGBT, Drama

Played at the June 2017 LGBT Toronto Film Festival

Directed by Alfonso Rodriguez

An emotionally unstable lesbian couple tries to find solace after experiencing a traumatic loss.

CLICK HERE – and see full info and more pics of the film!

Review by Kierston Drier

In 5 short minutes, this USA film directed by Alfonso Rodriguez will pull you in, break your heart and fill you with hope. Efficient, cutting and a packing a home-run in right in the “feels” The 3rd Try is nothing short of breath taking in its simplicity.

We barely know our main characters, except that they are couple desperate to turn their loving union into a bigger family, but for whatever reason they are never able to have a child.

Part of what is excellent about this piece, is that is not weighed down with expositional, and unnecessary dialogue. It doesn’t tell you what is exactly causing the couple’s’ pain- just that, once again, they are not having the baby they were hoping for.

It is a pain not exclusive to the LGTB community, but a pain certainly not foreign to the community either. The hope, joy, anxiety, disappointment and pain associated with expectation and loss of a child is universal. That is one of the strongest parts of this piece- anyone who has ever contemplated the love and loss of anticipated parenthood is included in this couples tragedy.

But what sets this film above others is its unquestioning resilience. Every tragedy must include hope. And this piece does not fail to deliver that either.

If you have a heart, The 3rd Try will move you. Exceptionally well acted and exquisitely cast, beautifully simply and utterly impactful, this is a film not to miss.

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Film Review: LOVE AT FIRST CHILD (ANGE ET GABRIELLE) (France 2015) ***

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

LOVE AT FIRST CHILD.jpgGabriell is a single mother, her 17-year-old daughter Claire is pregnant, however the child’s father Simon has no desire to be involved with his future baby.

Director: Anne Giafferi
Writers: Anne Giafferi (dialogue), Anne Giafferi (screenplay)
Stars: Isabelle Carré, Patrick Bruel, Alice de Lencquesaing

Review by Gilbert Seah
 
The English title tells it all. LOVE AT FIRST CHILD is a French romantic comedy of a couple that falls in love as a result of a baby. But the baby are not theirs but their kids’. This film seems ideal for a Hollywood remake as follows the line of many French comedies. The screenplay by Anne Giafferi and Anne Le Niy is based on a play by Murielle Magellan.

The film begins with a semi-hysterical woman, Gabrielle (Isabelle Carre) barging into the office of Womanizer Ange (singer and actor Patrice Brunel). He is accused of having an uncaring son, Simon (Thomas Soliveres) who has impregnated her daughter, Claire (Alice de Lencquesaing) now studying in school. All this is a lame excuse for Ange and Gabrielle to argue and eventually fall in love.
But writer/director Giaferri’s film is not without its charm. It is difficult to dislike a film that has charm and nice human touches spread throughout the movie, despite the fact that this is a typical Harlequin romance complete with obstacles to the romance and an obvious happy ending. This fact might be the reason the film is going straight to vod in North America after doing only so-so at the box-office.

Director Giafferi takes the play out into the open so that the audience is never aware of the film’s source. There is a neat scene where Angie and Gabrielle kiss in a playground surrounded by children and another showing two loving pigeons on a rooftop. The film also updates the story to include political correctness of a gay marriage of one of Ange’s colleagues.

Like the French comedy THREE MEN AND A BABY, LOVE AT FIRST CHILD contains lots of shots of a cute baby. The baby featured in this film is really cute, impossible to dislike and director Giafferi has captured and exploited (in a good way) all the best baby moments.

Heart throb singer star Patrick Bruno is now 58 and his age shows. But his charm is not lost and his womanizing character and romanced comes across convincingly enough. Cesar winner Isabelle Carrie is also charming enough, looking so much like Diane Keaton with her glasses, But the two young a actors, Thomas Soliveres and Alice de Lencquesaing give he film a fresh look. It is a pity that they only deliver supporting performances. A full movie could have been made on young love, of their characters, perhaps a young adult romantic drama similar to the ones Mia Hansen-love makes.

LOVE AT FIRST CHILD makes its debut on vod (video on demand) Nationwide on Tuesday, July 11 on all major platforms including iTunes, Google Play, Amazon,
Microsoft, Vudu, Comcast, Charter, Cox, Vimeo, and various other cable operators. The film makes a good romantic evening home with a loved one for an alternate night at the movies.

Trailer: https://m.youtube.com/watch?v=SrhGDhu9IzM

Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month:http://www.wildsoundfestival.com

Full Review: INTEGRAL MAN (Canada 2016) ***

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

integral man.jpgHe chose two young architects that would come to change contemporary architecture. Jim Stewart is the most published mathematician since Euclid, a concert level violinist, calculus professor, philanthropist, and gay rights activist. He is a true polymath, a modern day renaissance man. He had a bold vision and the conviction to follow through. It took almost ten years to realize his dream, Integral House, which was completed in 2009.

Director: Joseph Clement

Review by Gilbert Seah

 The human subject of INTEGRAL MAN is Jim Stewart, the most published mathematician since Euclid, a man of unparalleled ambition. The film introduces the man, through voiceover for a full 10 minutes describing his two sides. The first is the classical, exact side where the Mathematics part lies and the second the modern dreamer and dynamic designer.

The film can be divided into 3 segments though the segments are overlapped. One is devoted to Jim Stewart the man. He is shown as a Mathematician, an architect and a music lover. The second shows the design of the house, before, during and after its construction – a magnificent piece of work. The third integrates his love of music (Stewart plays the violin) into the two segments.

Stewart’s books on Calculus (a branch of Mathematics lots of students shudder from) are sold the world over. Stewart goes on books tours around the world including China, signing his books for student and professors alike. Stewart also sets out to create one of the most renowned pieces of residential architecture in North America and succeeded, demonstrating the perfect match between client and architect. Director Clement charts the bond between architect and client with long meetings held between the two. Stewart interviewed many architects before settling with the chosen one. Using time lapse photography, Clement details the landscape of the plot from demolition of the old house, to the barren land to the outer shell to the completion of the house. This residence, overlooking a ravine in Rosedale, Toronto is grand and exhibits decadence beyond comprehension. Clement uses his camera to take the audience on an extended tour of the home, from the top to below. The most fascinating piece of structure is the central staircase, made of metal, and which took a full 3 months on install. The material to be shipped from Europe to Nova Scotia to be moulded in Toronto before installation. The residence is appropriately named Integral House.

An important point in the film, that is mentioned by Stewart himself is that all the wealth is not from luck but from hard, dedicated work. Stewart spent 7 years, working 15 hour full days only taking half a day off at Christmas to write his Calculus books.

Besides Calculus and Architecture, Stewart is a man of music – a true music lover. His house was designed to exhibit concerts, which were conducted time and again for his own benefit and for charity foundations. The film showcases a few of these with music playing while the guests in evening cocktail dress applaud and drink wine.

Clement omits Stewart’s background (it would be good to know where he inherited his artistic and mathematical genes from) but does mention his sexual orientation.

Unbeknownst to Jim however, an unexpected turn of events is set to unfold. The film takes this turn (which will not be revealed in this review) during the last 10 minutes. and brings the film neatly to its conclusion.

(INTEGRAL MAN premiered at Hot Docs and opens this week in Toronto.)

Trailer: https://vimeo.com/209647946

 

Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month:http://www.wildsoundfestival.com