THE DEATH (AND LIFE) OF CARL NARRDLINGER is one of those quirky little films about quirky little characters that succeeds in a quirky sort of way. Consistent, meticulous and occasionally insightful, this was the kind of Canadian film that shot directors like Atom Egoyan and Ingrid Veninger to fame.
Carl Naardlinger (Matt Baram) has spent most of his life answering questions – on the telephone. When your computer does not work – he is the IT consultant you call. Patient, intelligent and kind he is a voice in the interconnected ether – touching the lives of thousands of people he will never see, or meet. The film opens with Carl Naardlinger in action, doing what he does best on the telephone, though the caller goes on and on (comically) about her life rather tan seeking the solution from him.
The next scene is set in the Naardlinger home where Carl celebrates his birthday with his wife, Pam (Grace Lynn Kung). Pam is a real estate agent, over meticulous over her work and also in maintaining the perfect relationship with her husband. They eat healthy, speed walk daily and tell each other everything that happens daily. Well, almost. After Carl blows out the candle on his cake, they are interrupted by a knock on the door by missing persons person, Detective Renton (Anand Rajaram). A man with the same name as his has gone missing and is presumed dead. Carl instinctively feels related to the stranger that bears his own name. Pam, his wife, is unnerved by a shocking coincidence of her own, when their annoying neighbour dies after she wishes it. It seems the Universe is playing a cruel joke on them both. Things get stranger when instead of finding the missing Carl Naardlinger, Carl finds his identical twin brother Don (Mark Forward) who happens to be in town for a conference.
If all these events sound implausible, director Schleemer resolves the puzzle neatly at the end. But her film is not to be enjoyed for the puzzle but by the odd behaviour of each character in her story. Two other characters, a couple Paula (Beatriz Yuste) and Larry (Ryan F. Hughes) a non so perfect couple, acquaintances of the missing Carl come into the picture. The one common trait among all of Schleemer’s characters is neediness.
Of all the actors creating all these oddballs, Grace Lynn Kung is terrific as the perfectionist Pam. Kung won the Best Actress ACTRA Award for her role in this film.
The film is shot around Toronto in the city area and in the ravines where there still are lots of green. The script make good use of Toronto and its surroundings with familiar names (to Torontonians) of areas and streets mentioned in the film.
Given the unknown names in the cast, the odd plot and the small budget, the film might no attract big enough a crowd to give this film the credit it deserves.