For those unfamiliar, GAUGUIN is a famous talented French painter of the 19th century. But Paul GAUGUIN (Vincent Cassel) was a dissatisfied painter tired of the so-called civilized world and its political, moral and artistic conventions. So he leaves his wife and children to travel to Tahiti, Polynesia on the other side of the world with little money.
For those not well versed in Geography, Tahiti is right in the middle of the Pacific Ocean, plunked right in the middle of lots and lots of water, far away from nowhere. It is a beautiful place with white sandy beaches (check your Google map) but the country is large enough to nurse a huge jungle. The cinematography is never too shy to show the beauty of the island. There are lots of gorgeous landscapes on display with shots of green, rivers, mountains an beaches. Indeed, it would be a worthwhile place to visit for a naturalistic vacation. Tahiti is where Gauguin is headed, consumed with a yearning for original purity, and ready to sacrifice everything for his quest.
Those who criticize me know nothing of an artist’s nature. These are the words of Gauguin s he rides his horse into the jungle with barely enough provisions for a few days. Impoverished with diabetes, and solitary, Gauguin pushes deep into the Tahitian jungle, where he meets the Maoris and Tehura, his muse, who will inspire his most iconic works of art. Tehura becomes Gauguin’s wife. In real life, Tehura was only 13, which means that Gauguin would be stamped a pedophile in today’s standards.
The film traces the two years of Gauguin’s life in Tahiti, which is inspired by Noa Noa (meaning Fragrance) , the travel diary Gauguin wrote after his first trip to Tahiti in 1893.
Deluc’s biography is even in its pacing with no high points with a few dramatized events – the only one or two involving Gauguin’s painting like the difficulty of finding a canvas and the confrontation with his wife Tehura on hi suspicion of her being unfaithful. Still this charged scene is conducted with restraint. Deluc trivializes Gauguin’s sickness. Gauguin is never shown really sick only perhaps a bit of coughing and grumbling about his energy. But in real life, he did live till he ripe age of 54.
Vincent Cassel inhabits the role of Gauguin, delivering a steering performance showing the artist at his ugliest, unkempt, often sick and tired. Cassel used to be a hunk and heartthrob in his younger days with his stunning good-looks and great body as in films like BROTHERHOOD OF THE WOLF and READ MY LIPS. His age is showing in recent films like MESRINE and GAUGUIN but he continually to do outstanding work, staring out as one of France’s greatest and most under-rated actors. His chiseled body is still observable many a film’s scene where he has his top off.
GAUGUIN is a no-nonsense biography, told straight forward from start to finish, but praising the artist for more than his worth as a human being. Nothing is also mentioned with his relationship with his wife and kids when he returned to France.