Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.
Month: September 2018
TIFF 2018 Review: Most Beautiful Couple (Germany/Spain 2018) ***
Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.
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Young couple vacationing in Mallorca is attacked by three young men. One of the young men, Sascha (Leonard Kunz) rapes Liv (Luise Heryer). Writer/director Sven Taddicken takes his film two years later into the present setting where after therapy the couple, two teachers have recovered, after going through therapy, Almost!
Until Malte, the husband (Maximilian Bruckner) sees the rapist, by chance on the street. He accosts him, he retaliates, and things get worse ending with a full confrontational climax, together with Sascha’s girlfriend, Jenny (Jasna Fritz Bauer). The film is reminiscent of Michael Haneke’s FUNNY GAMES. Whereas FUNNY GAMES is more cinematic, Taddicken’s is more realistic dealing with how the couple felt and what will push them past their limits.
A well executed credible thriller from start to finish making the film one of the low-budget gems of the festival.
TIFF 2018 Review: L’HOMME FIDELE (A FAITHFUL MAN) (France 2018) ****
Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.
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TIFF 2018 Capsule Review: HELMET HEADS (Costa Rica/Chile 2018)
Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.
Directed by Neto Villalobos
HELMET HEADS is a comedy about a group of friends who ride motor-bikes for a living doing deliveries while also doing a bit on the side like collecting debts. The head of the group appears to be the one with a birthmark – an unfunny running joke.
One of them loses his job and ends up giving driving lessons while his friends sit cramped in the back seats. They throw a party which he does not show up for. That is the extent of the humour found in this sad excuse for a comedy. Think SUPERTROOPERS without the laugh-out loud humour.
The two SUPERTROOPERS films have got really bad reviews though they are really funny. So know what to expect from HELMET HEADS. The film is low budget with low production values.
The best camerawork appears to be the camera placed in front of the cyclists showing them riding their bikes. Shot in Costa Rica.
TIFF 2018 Review: DONNYBROOK (USA 2018) ***
Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.
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TIFF 2018 Review: CLIMAX (France 2018) ****
Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.
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Gaspar Noe (CARNE, SEUL CONTRE TOUS, ENTER THE VOID) shows what genius can be done with a troupe of dancers obsessed with their art. The film begins with interviews of individual members followed by an incredibly executed dance in synch to the amazement of the audience.
Third segment has the camera following the dancers as they interact with each other, speaking about their aims, fears or just plain flirtation. This is followed once again by dance, this time with the camera placed permanent,y overhead of the dancers as they now individually dance into the frame, showing their prowess. The dancers now drink the sangria which is spiked with LSD. They never find out the culprit though the suspected get violently attacked.
They last segment leading to the film’s CLIMAX has them indulging in sex and violent acts. The film’s dance sequences alone are more than worth the price of admission but the film delves more deeply into man’s tortured soul including the concept of death.
CLIMAX is not a film for everyone but is nothing one has seen before for those who can take it.
TIFF 2018 Review: CAPERNAUM (Lebanon 2018) *****Top 10
Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.
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Jihad Hojeily (screenwriter), Michelle Keserwany(screenwriter) | 2 more credits »
I did not think too much of Nadine Labaki’s 2011 TIFF People’s Choice Award winner WHERE DO WE GO NOW?, a female whimsical tale of sorts but in her latest film, she explores the lives of children living on the fringes of Lebanese society.
This is in contrast, a dead serious film with a male protagonist, though a 12- year old male boy who, when the film begins is suing his parents for bringing him into this unfriendly world. Zain (Zain Al Rafeea) is only 12, but he’s seen enough of this life to resent his very existence. His parents have sold his sister and he runs away from home, ending up in prison for stabling the man who bought his sister. Al Rafeea is sensational as the young rebel.
Labaki’s camera captures the dirt and poverty of the underbelly of Lebanese life where even hope is a luxury. That title comes from the name of the town on the Sea of Galilee where Jesus healed the sick in Biblical times.
Trailer: https://www.youtube.com/watch?v=iMTMdgNzIfA
FIlm Review: THE NUN (USA 2018)
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Gary Dauberman (screenplay by), James Wan (story by) | 1 more credit »
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THE NUN is a gothic horror film set in 1952 Romania after World War 2, where the bombs dropped on an abbey have uncovered a portal where evil can emerge from another world. It is a spin-off of 2016’s The Conjuring 2, (the nun is CONJURING 2 has a cameo in this film – not that anyone can remember or recall what she looks like) and the fifth instalment in The Conjuring Universe.
The film, believe it or not is English director Corin Hardy’s second film. It begins in 1952 with a character saying the demon in the painting is real. There is no reference to this painting or this demon in any other part of the movie, The film continues with a group of nuns in abbey in Romania (don’t ask why Romania) where they walk carrying kerosene lamps in dark corridors before encountering a sign saying ‘God ends here’. This follows by a nun committing suicide and the body found by a French Canadian called Frenchie (Jonas Bloquet) (his name is later revealed as Maurice – no kidding), though this character speaks with a distinct European and not a Quebec French accent. A Catholic priest, Father Burke (Demián Bichir) is dispatched from the vatican and together with a Catholic noviciate (Taissa Farmiga, younger sister of Vera Farminga) are sent to Romania to find out what is going on.
One segment has a scene in a graveyard where there are bells connected to the headstones. The reason given is that if someone is buried alive by mistake, they can ring the bell from their coffin and be saved. Without any warning, the Catholic priest is buried in a coffin and rings the bell to be rescued, which he is by the noviciate. But not before all the other bells begin ringing for no reason. Then the magic question asked by the noviciate; “How did you get brief in there?” It i the evil that is going on,’ is the hilarious answer given by the priest,
The film’s climatic 15 minutes need mention. This is the fight between good and evil. As the portal is being sealed by supposedly the blood of Christ, there is a snake creature that appears from the demon’s mouth. The demon that emits a force that pushes the nun to be dunked in water (where did this water suddenly come from?) and more high jinx that has no continuity or sense. The dialogues no better. When the blood of Christ is mentioned, the words ‘Holy Shit’ is heard. That the dialogue goes, “Yes, that is the holiest of shit.”
The folk’s funniest moment is Frenchie saving the movie nun’s life. “It is called the kiss of life,” he tells her after. “Thanks for saving my life, she replies.
The film cost $22 million to make, which is a lot considering that the film is such a mess. Judging from the last 15 minutes of the film’s climax, never has a film been so incoherent.
TIFF 2018 Review: WINTER FLIES (Czech Rep/Slovakia/Slovenia/Poland 2018)
Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.
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Petr Pýcha (screenplay)
Stars: Tomás Mrvík, Jan Frantisek Uher, Eliska Krenková
Two mischievous adolescent boys, Hedus and Mara embark on a journey of imaginative misadventures in the Audi Mara hardwired. Mara is questioned by the police regarding the theft just after Hedus has left the car. The questioning is the excuse for the flashbacks that tell the story up to this point.
The boys pick up a hitchhiker girl. She leaves the car after being fed up with the boys, though they do save her from another boy. The boys save Mara’s grandfather from a heart attack and have several other misadventures during this road trip that are supposed to show their coming-of-age while entertaining the audience with a few laughs.
Apart from a few scenes of pretty wintry Slovakian landscapes, Omerzu’s examination of youth is nothing out of the ordinary.
TIFF 2018 Review: THE CROSSING (China 2018) ***
Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.










