TIFF 2018 Capsule Review: NEKROTRONIC (Australia 2018)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Nekrotronic Poster
A man who discovers that he is part of a secret sect of magical beings who hunt down and destroy demons in the internet.
From down under comes a zombie movie with zombie fighters against zombies.  The film begins with an introduction of the history of what has occurred, animated style.  This brings the story to the present where a group of hunters known as Nekromancers do battle with evil forces that use social media apps to demonically possess the masses.
  It is the brother team of  Kiah and Tristan Roache-Turner with Kian directing.  The film plays like the typical horror comedy gore fest where anything goes.   The humour is occasionally laugh-out loud as in the case of a male nurse showing up at the hospital, with the lea character (Ben O’Toole) quipping: “What happened to all the pretty female nurses?  All I get is hair slapped on a penis, referring to an ugly male nurse that shows up.  Nothing really new but lots of blood and limbs splattered around for those who like this kind of stuff.  
The film updates the story to the ghosts begin able to travel through the internet.

TIFF 2018 Review: Most Beautiful Couple (Germany/Spain 2018) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

The Most Beautiful Couple Poster

Young couple vacationing in Mallorca is attacked by three young men.  One of the young men, Sascha (Leonard Kunz) rapes Liv (Luise Heryer).  Writer/director Sven Taddicken takes his film two years later into the present setting where after therapy the couple, two teachers have recovered, after going through therapy,  Almost! 

 Until Malte, the husband (Maximilian Bruckner) sees the rapist, by chance on the street.  He accosts him, he retaliates, and things get worse ending with a full confrontational climax, together with Sascha’s girlfriend, Jenny (Jasna Fritz Bauer).  The film is reminiscent of Michael Haneke’s FUNNY GAMES.  Whereas FUNNY GAMES is more cinematic, Taddicken’s is more realistic dealing with how the couple felt and what will push them past their limits.  

A well executed credible thriller from start to finish making the film one of the low-budget gems of the festival.

Trailer: https://www.youtube.com/watch?v=pYokr-eDMSI

TIFF 2018 Review: L’HOMME FIDELE (A FAITHFUL MAN) (France 2018) ****

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

A Faithful Man Poster
A couple’s relationship becomes complicated when she leaves him for his best friend, and returns after he dies.

Director:

Louis Garrel

Louis Garrel is the son of Philip Garrel who broke into fame as an actor in Bertolucci’s THE DREAMERS and the recent GODARD MON A’MOUR.  Louis proves his directing chops in this light hearted romantic comedy in the adventures of as the title implies, of one faithful man played by Garrel himself..  
He loves Marianne who leaves him for his best friend who after passing away moves in with her.  But her son with Tom breaks up the romance and has him now live with Eve who has always longed for him.  The voiceovers change between him, Eve and Marianne.  
The film reminds one immediately of Truffaut’s heavier LES DEUX ANGLAISES ET LE CONTINENT where voiceover rules the layered menage-a-trios love story.  Thought not as elegant, Garrel’s film is still smart, insightful while still maintaining its playfulness.  The film bursts in youth and romance.  Thoroughly enjoyable and entertaining and yes, funny!

TIFF 2018 Capsule Review: HELMET HEADS (Costa Rica/Chile 2018)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Directed by Neto Villalobos

 

HELMET HEADS is a comedy about a group of friends who ride motor-bikes for a living doing deliveries while also doing a bit on the side like collecting debts.  The head of the group appears to be the one with a birthmark – an unfunny running joke.

  One of them loses his job and ends up giving driving lessons while his friends sit cramped in the back seats.  They throw a party which he does not show up for.  That is the extent of the humour found in this sad excuse for a comedy.   Think SUPERTROOPERS without the laugh-out loud humour.

  The two SUPERTROOPERS films have got really bad reviews though they are really funny.  So know what to expect from HELMET HEADS.  The film is low budget with low production values. 

 The best camerawork appears to be the camera placed in front of the cyclists showing them riding their bikes.  Shot in Costa Rica.

Trailer: https://www.youtube.com/watch?v=wjgpIny0Dec

TIFF 2018 Review: DONNYBROOK (USA 2018) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Donnybrook Poster
Two men prepare to compete in a legendary bare-knuckle fight where the winner gets a $100,000 prize.

Director:

Tim Sutton

Writer:

Tim Sutton

FIGHT CLUB meets BILLY ELLIOT.
  Jamie Bell is all pumped up in the role of an ex-marine trying to get out of drugs.  Drugs are bad!  His wife is addicted and he has to escape the wrath of a meth cook/dealer.  The story eventually ends with the two men — the ex-marine, Earl who struggles to provide for his family and that violent drug dealer with an undefeated fighting record — competing in the Donnybrook, a legendary, bare-knuckle brawl with a cash prize of $100,000.  
 Sutton’s film is not perfect, choppy and paints an unflattering look of America – best envisioned by a woman singing of the U.S. National amidst having a drag of her cigarette.  It is an America of clandestine drug deals, shady motel rooms, alcohol-fuelled brawls, and abandoned dreams.  
The film depends largely on Bell, who thankfully is believable as a tough guy though not believable to be tough enough to fight his opponent.

TIFF 2018 Review: CLIMAX (France 2018) ****

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Climax Poster
Trailer

French dancers gather in a remote, empty school building to rehearse on a wintry night. The all-night celebration morphs into a hallucinatory nightmare when they learn their sangria is laced with LSD.

Director:

Gaspar Noé

Writer:

Gaspar Noé

Gaspar Noe (CARNE, SEUL CONTRE TOUS, ENTER THE VOID) shows what genius can be done with a troupe of dancers obsessed with their art.  The film begins with interviews of individual members followed by an incredibly executed dance in synch to the amazement of the audience. 

 Third segment has the camera following the dancers as they interact with each other, speaking about their aims, fears or just plain flirtation.  This is followed once again by dance, this time with the camera placed permanent,y overhead of the dancers as they now individually dance into the frame, showing their prowess.  The dancers now drink the sangria which is spiked with LSD.  They never find out the culprit though the suspected get violently attacked.  

They last segment leading to the film’s CLIMAX has them indulging in sex and violent acts.  The film’s dance sequences alone are more than worth the price of admission but the film delves more deeply into man’s tortured soul including the concept of death.  

CLIMAX is not a film for everyone but is nothing one has seen before for those who can take it.

Trailer: https://www.youtube.com/watch?v=Hi69nL_VrTE

TIFF 2018 Review: CAPERNAUM (Lebanon 2018) *****Top 10

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Capernaum Poster
A politically-charged fable, featuring mostly non-professional actors, about a child who launches a lawsuit against his parents.

Director:

Nadine Labaki

Writers:

Jihad Hojeily (screenwriter), Michelle Keserwany(screenwriter) | 2 more credits »

I did not think too much of Nadine Labaki’s 2011 TIFF People’s Choice Award winner WHERE DO WE GO NOW?,  a female whimsical tale of sorts but in her latest film, she explores the lives of children living on the fringes of Lebanese society.

  This is in contrast, a dead serious film with a male protagonist, though a 12- year old male boy who, when the film begins is suing his parents for bringing him into this unfriendly world.   Zain (Zain Al Rafeea) is only 12, but he’s seen enough of this life to resent his very existence.  His parents have sold his sister and he runs away from home, ending up in prison for stabling the man who bought his sister.  Al Rafeea is sensational as the young rebel. 

 Labaki’s camera captures the dirt and poverty of the underbelly of Lebanese life where even hope is a luxury.  That title comes from the name of the town on the Sea of Galilee where Jesus healed the sick in Biblical times.

Trailer: https://www.youtube.com/watch?v=iMTMdgNzIfA

 

FIlm Review: THE NUN (USA 2018)

The Nun Poster

Trailer

A priest with a haunted past and a novice on the threshold of her final vows are sent by the Vatican to investigate the death of a young nun in Romania and confront a malevolent force in the form of a demonic nun.

Director:

Corin Hardy

Writers:

Gary Dauberman (screenplay by), James Wan (story by) | 1 more credit »

THE NUN is a gothic horror film set in 1952 Romania after World War 2, where the bombs dropped on an abbey have uncovered a portal where evil can emerge from another world.   It is a spin-off of 2016’s The Conjuring 2, (the nun is CONJURING 2 has a cameo in this film – not that anyone can remember or recall what she looks like) and the fifth instalment in The Conjuring Universe.

The film, believe it or not is English director Corin Hardy’s second film.  It begins in 1952 with a character saying the demon in the painting is real.  There is no reference to this painting or this demon in any other part of the movie,  The film continues with a group of nuns in abbey in Romania (don’t ask why Romania) where they walk carrying kerosene lamps in dark corridors before encountering a sign saying ‘God ends here’.  This follows by a nun committing suicide and the body found by a French Canadian called Frenchie (Jonas Bloquet) (his name is later revealed as Maurice – no kidding), though this character speaks with a distinct European and not a Quebec French accent. A Catholic priest, Father Burke (Demián Bichir) is dispatched from the vatican and together with a Catholic noviciate (Taissa Farmiga, younger sister of Vera Farminga) are sent to Romania to find out what is going on.

One segment has a scene in a graveyard where there are bells connected to the headstones.  The reason given is that if someone is buried alive by mistake, they can ring the bell from their coffin and be saved.  Without any warning, the Catholic priest is buried in a coffin and rings the bell to be rescued, which he is by the noviciate.  But not before all the other bells begin ringing for no reason.  Then the magic question asked by the noviciate; “How did you get brief in there?”   It i the evil that is going on,’ is the hilarious answer given by the priest,

The film’s climatic 15 minutes need mention.  This is the fight between good and evil.   As the portal is being sealed by supposedly the blood of Christ, there is a snake creature that appears from the demon’s mouth.  The demon that emits a force that pushes the nun to be dunked in water (where did this water suddenly come from?) and more high jinx that has no continuity or sense.   The dialogues no better.  When the blood of Christ is mentioned, the words ‘Holy Shit’ is heard.  That the dialogue goes, “Yes, that is the holiest of shit.”

The folk’s funniest moment is Frenchie saving the movie nun’s life.  “It is called the kiss of life,” he tells her after.  “Thanks for saving my life, she replies.

The film cost $22 million to make, which is a lot considering that the film is such a mess.  Judging from the last 15 minutes of the film’s climax, never has a film been so incoherent.

Trailer: https://www.youtube.com/watch?v=pzD9zGcUNrw

TIFF 2018 Review: WINTER FLIES (Czech Rep/Slovakia/Slovenia/Poland 2018)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Winter Flies Poster
Two mischievous adolescent boys embark on a journey of imaginative misadventure and coming-of-age self-discovery, in Olmo Omerzu’s road-trip comedy celebrating the need to indulge the … See full summary »

Director:

Olmo Omerzu

Writer:

Petr Pýcha (screenplay)

Two mischievous adolescent boys, Hedus and Mara embark on a journey of imaginative misadventures in the Audi Mara hardwired.  Mara is questioned by the police regarding the theft just after Hedus has left the car.  The questioning is the excuse for the flashbacks that tell the story up to this point.  

The boys pick up a hitchhiker girl.  She leaves the car after being fed up with the boys, though they do save her from another boy.  The boys save Mara’s grandfather from a heart attack and have several other misadventures during this road trip that are supposed to show their coming-of-age while entertaining the audience with a few laughs. 

 Apart from a few scenes of pretty wintry Slovakian landscapes, Omerzu’s examination of youth is nothing out of the ordinary.

Trailer: https://www.youtube.com/watch?v=HVeehZwgm9Y

TIFF 2018 Review: THE CROSSING (China 2018) ***

 Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

The Crossing Poster
Studying in Hong Kong but living in Shenzhen (the port city of Mainland China), Peipei has spent 16 years in her life travelling between these two cities. To realize the dream of seeing …See full summary »

Director:

Bai Xue

A film somewhat similar to the Argentinean film EL ANGEL, the subject is again a thief with no morals.  Whereas the they in EL ANGEL indulges because he loves it, the their in THE CROSSING does it because se cannot help it, with society and smily circumstances not helping her much either. 

 She lives with her (assumed) separated mother who is more interested in playing mahjong than in her daughter and her father who does not know how to care for her.  THE CROSSING refers to the divide between Hong Kong and China where she mostly sells her stolen good.  She comes across a den of thieves through a boat party where she meets a boy who she cannot love either.  Her only aim in life appears to be wanting to see snow and to experience cold, a metaphor for something she cannot attain.  

She meets the gang boss ‘Sister Hao’ who se cannot accept as another mother figure.  There seems no road to redemption for her and the film does not care to give her one either.

Trailer: https://www.tiff.net/tiff/the-crossing/  (click on trailer)