Interview with Festival Director John LaBonney (DAM SHORT FILM FESTIVAL)

Recognized as one of the Top 100 Best Reviewed Festivals on FilmFreeway, The Dam Short Film Festival is the largest film festival in Nevada. Entering its 15th season, the event attracts filmmakers and fans alike to Boulder City each February to celebrate the art of independent short film. With parties, events, awards, and a lineup of over 120 films in four days, it’s an experience that enlightens, entertains, and inspires year after year.

Festival Director John LaBonney is an award-winning filmmaker and has a B.S. in Broadcasting and Film from Boston University. He was appointed Director of the festival in 2011 and oversees all festival operations. He maintains a strong connection to the arts community and lectures on film topics to college students.

www.damshortfilm.org

The Dam Short Film Festival is currently accepting submissions for the 2019 season. Visit the festival’s page on FilmFreeway here: https://filmfreeway.com/DamShortFilm

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1) What is your Film Festival succeeding at doing for filmmakers?

While we try to take great care of filmmakers at Dam Short through the entire process from submission to screening, I think what we really succeed at is providing them with an audience for their films. We work hard to promote the festival in the press and on social media to attract an audience and we’ve been successful in drawing crowds. There’s nothing worse than getting accepted to a festival and making the trip there to represent your film, only to discover a near-empty theater when the film screens. When you walk into your screening here, there’s a good-sized audience in the theater to watch your film.

2) What would you expect to experience if you attend the festival this year (2019)? 

In addition to a carefully-programmed lineup of over 120 films in all styles and genres, awards, parties, and events, you’ll experience the historic 400-seat Boulder Theatre. Built in 1933, the theater is listed on the National Register of Historic Places and was the first air-conditioned building in town. After years of serving as Boulder City’s movie house for many years, it shuttered its doors for some time and was subsequently purchased by actor/musician Desi Arnaz, Jr. and his wife Amy in 1997 who restored the building to its former glory. It’s the permanent home to the Dam Short Film Festival and many people walking into the theater for the first time are amazed by the venue.

3) What are the qualifications for the selected films?

We accept films for submission in any style or genre with any year of production and any premiere status. Our only real qualification is length. The Dam Short Film Festival screens short films, so entries must have a running-time of forty minutes or less. The films we program are entertaining and thought-provoking, offer our audience a wide range of viewpoints and styles, and always represent quality storytelling. Given the choice, I pick engaging storytelling over technical proficiency.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Possibly. What’s a fair shake?

Programming a festival schedule is a lot harder than people might think, especially when you’ve got more quality films to choose from than you can run on the screen in an allotted time. There are many reasons a festival can’t always run all the product it would like. Even with a large selection committee watching and rating the films, I struggle to put together the final program. I’m not naïve enough to think the selection process is completely fair in every single case, and sometimes political considerations are involved. And programmers, myself included, make mistakes. But for the most part, I think programmers are doing their best to put together the best schedule of films for their particular festivals.

Some films might not get a “fair shake” but I think filmmakers should keep on making the films they want to make and keep on telling the stories they want to tell regardless.

5) What motivates you and your team to do this festival?

It’s a love of short films. Short films are so cool! You can do things in a short film that simply won’t work in a feature length format. Features almost always have a commercial goal, but short films are usually financed by the filmmaker himself with little or no hope of earning a return on investment. With no studio or financier to appease, he can do whatever he wants with his film. With no restrictions, creativity runs wild. We’re amazed at what filmmakers are doing in short films, and we’re excited to share them on our screen.

And as we’re entering our 15th season, The Dam Short Film Festival has become an institution. It grows each year and is a huge event for Boulder City. It must go on! We simply can’t not do it.
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6) How has your FilmFreeway submission process been? 

Are you kidding? FilmFreeway is a quantum leap in the submission process! It’s what film festival submissions should have been like. I look back and wonder how any of us ever managed before. It’s a thousand times easier for filmmakers and film festivals. It’s like we’ve all been saved. Everyone who is familiar with the stone age technology we were forced to use in the past no longer wants to kill themselves.

We’ve experienced a much stronger rate of growth since we’ve started using FilmFreeway.

7) Where do you see the festival by 2023? 

With any luck, we’ll be right here in Boulder City, taking care of filmmakers and providing them with the audience they deserve.

We’ll keep up with the technology as it evolves (in our infancy we screened films on videotape, now we have a Virtual Reality category), we’ll stay current with the short film landscape, and we’ll try new things. But our core values will remain the same.

8) What film have you seen the most times in your life? 

Star Wars.

9) In one sentence, what makes a great film?

A great film is one that has a great story told with engaging storytelling.

10) How is the film scene in your city?

The Dam Short Film Festival is the biggest film event that Boulder City experiences. It’s a bit of a quiet town to have much of a film scene. It’s a heck of a place to go antiquing though! In neighboring Las Vegas, the film scene is constantly growing and there are always new opportunities, especially since we’re within driving range of Los Angeles.

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Film Review: LOVE, GILDA (USA 2018)

Love Gilda Poster
Trailer

In her own words, comedienne Gilda Radner looks back and reflects on her life and career. Weaving together recently discovered audiotapes, interviews with her friends, rare home movies and … See full summary »

Director:

Lisa Dapolito

LOVE, GILDA is a documentary which as its title implies, a loving tribute to the late comedian Gilda Radner who passed away a decade or so ago from ovarian cancer,

D’Aplolito’s documentary is exactly what one would expect of what homages do – interviews from close firms and family, detail of the subject’s youth and influence, the rise to fame, the subject’s talent and perhaps some faults may it be alcohol or drug use.  This is the reason the doc is so unimpressive. There are no surprises.  In fact, none of Gilda’s flaws are mentioned.  One can either assume she did not use any or she did and the point left out.  It should be noted that Gilda hung around John Belushi in SNL, a heavy drug and alcohol user.  Belushi died from a drug concoction of heroine and cocaine.

The film traces Gilda’s influence coming from being inspired by Charles Chaplin and Lucille Ball (the doc includes a few short clips of Chaplin and Ball).  Gilda grew up with naturally born talent, first amusing her father when he came home from work.  Sadly he left her at the tender age of 14.  D’Aplolito provides a glimpse of her dad coming out of a swimming pool.

The multi-talented writer, singer and performer first shone at the Second City comedy club in Toronto.  She was an original cast member of Saturday Night Live (SNL), creating characters like personal advice expert Roseanne Roseannadanna and reporter Baba Wawa.  She performed her one woman Broadway show to rapturous audiences and left a modest mark on the movies with roles opposite her second husband Gene Wilder in the likes of Hanky Panky (1982) and The Woman In Red (1984).  The doc also mentioned her big flop comedy directed by starring her and Wilder, HAUNTED HONEYMOON.

The interviewees in the doc include her brother and other close friends.  Current SNL performers like Bill Hader, Melissa McCarthy and Amy Poehler also have they say.  There is quite a bit of archive footage with Gene Wilder, who the doc is quick to mention is not a comic but an actor in comedies.

But for a doc about such a lively artist, the doc does not match her spirit.  Her comedic routines on display are not her best and do not elicit laugh-out laughs.  They are mildly humorous at best.  This is best described to be similar to an SNL episode – a ht or miss, as in the case of many of the SNL’s skits.

So what did Radner contribute to the human race?  The doc is quick to point out that Radner made jokes out of her cancer.  There is a funny bit with her and Gary Shandling on the topic. Radner was unafraid of pushing the limits of her humour.

It is hard to fault D’Aplolito’s doc on Gilda Radner.  But one would have expected something more biting and funnier.  In the end, the doc creates a sadder cloud over the talented comedienne.  Death was always her enemy – taking away her loving after at the age of 14 and also taking her away at the early age of only 43.

Trailer: https://www.youtube.com/watch?v=1B44XRFotuo

Film Review: THE WIFE (USA 2018) ***1/2

The Wife Poster
Trailer

A wife questions her life choices as she travels to Stockholm with her husband, where he is slated to receive the Nobel Prize for Literature.

Director:

Björn Runge

Writers:

Jane Anderson (screenplay by), Meg Wolitzer (based on the novel “The Wife” by)

THE WIFE is the story of the neglected long-suffering wife, Joan (Glenn Close) who when he film opens learns that her husband Joe Castleman (Jonathan Pryce) is to be awarded the Nobel Prize in Literature for his body of work.  

Both travel to Stockholm with son in tow.  But secrets soon surface.  As they say, behind the success of every man is a woman.  It turns out that Joan is the secret of Joe’s success.  She is the one actually writing all the books with the husband Joe claiming all the victory.  When Joe gets all smug about it, and worst still begins making advances to a female photographer, Joan finally loses it – with the husband’s pride, insincerely and dishonesty.

The story also flashes back to the 1950s when Joan (played by Close’s real-life daughter Annie Starke) was an eager student and Joe (Harry Lloyd) was a then married creative writing professor – and to the 1960s when Joan got a job at a publishing house.  Although Joan herself had writing ambitions in those days, a caustic encounter with a failed novelist (Elizabeth McGovern in an extremely effective and amusing cameo) warned of the obscurity awaiting the “lady writer” no matter how talented.  Her words determine Joan’s ultimate fate in life.  It is not that a writer needs to write.  A writer needs to be read.  A woman’s work, no matter how good will never be read.

A film about writers and this one about a Nobel Prize winner for Literature at that is expected to have exceptional writing.  Jane Anderson’s script achieves this but blows it in one unfortunate scene.  At best, the script reveals only bits of the wife’s secrets at a time, whetting the audience’s appetite for more in terms of anticipation.  Some of the best script involve unwritten dialogue.  When a tragic event occurs in the film (not  to be revealed as a spoiler), Joan’s sad face is shown but with no tears, the only water shown in images on each side of the frame.  But Anderson’s script blows it in the introduction speech when Joe is given the Noble Prize during the ceremony.  The phrase “most importantly,” is used.  Not only is this phrase considered incorrect grammar  by many, this phrase was only used in the last 5 years or so in North America and therefor never in the 1990’s (the film’s setting) and certainly not in a European city like Stockholm.

The script’s best line is uttered by Joe: “There is nothing worse than a writer with feelings that have been hurt.”  Yet Joe does not realize the truth in his words.  He has committed the offence twice in not acknowledging his son’s work and more important, his wife’s literary contribution.  The husband and wife’s final confrontation is also well written and well acted out.

Glenn Close is an exceptional actress who has been nominated six times for an Oscar.  She delivers a brilliantly understated performance a kind of reversal FATAL ATTRACTION that should finally garnish her the Oscar she deserves.  If her character, Joan never won any award, lets hope that this would be an example of life not imitating art.

Trailer: https://www.youtube.com/watch?v=d81IM0loH7o

TIFF 2018 Review: RETROSPEKT (Netherlands/Belgium 2018) ***1/2

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Retrospekt Poster
Puzzle-like psychological drama about a domestic violence support worker .

Director:

Esther Rots

Writer:

Esther Rots

Retrospeckt by definition is the Dutch word meaning the series of events that occurred in the past.  Director Ether Rot’s RETROSPEKT cleverly puzzles together a timeline-jumping narrative of protagonist Mette’s relationship to work, life, and motherhood culminating in catastrophic events.  

In many films, a non-chronological narrative is chosen at the director’s whimsy but in this film there is a reason for it.  Mette (Circé Lethem) has undergone an accident that has jolted her memory and psychical condition.  The story unfolds just as she is fitting her past together.  It is an intricate puzzle narrative where the stakes only escalate with every new shard of revelation.  Mette is happily married and works in an abuse shelter.  They have a new baby added to the family.

  When she takes in an abused victim into their home, disaster occurs.  Rots has created a scary suspensor made even more tense from her jump-timeline tactic coupled with the perfectly eerie soundtrack of operatic screeching songs by composer Dan Geesin.

Trailer: https://www.youtube.com/watch?v=IyLjZc1qgu8

THRILLER Best Scene Reading of THE PLAYLISTS, by by Michael Kotsiros

thrillersuspense's avatarThriller/Suspense Film and Writing Festival

Genre: Thriller, Drama

A married couple are separately lured to a remote location by a gifted but troubled composer, who uses music to reveal his hidden agenda.

CAST LIST:

Joel: Russell Batcher
Lewis: Peter Nelson
Narrator: Carina Cojeen
Rachel: Elizabeth Owens Skidmore
Archibald: David Straus
Chiara: Ariel Booker

Get to know the writer:

 1. What is your screenplay about?

THE PLAYLISTS is about a married couple who are separately lured to remote cottage by Lewis, a troubled but gifted musician. Lewis has links to the couple from his past and wants closure for wrongs that occurred. Lewis has serious psychological problems and has befriended three imaginary muses, two of which help him compose music. The dark muse, Archibald, has influenced Lewis to devise the sinister plan, whist Clara, the good muse, tries to dissuade him to surrender his disturbing plan.

2. What genres does your screenplay fall under?

THE…

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HIGHLIGHT & VIDEOS: June 2018 THRILLER Film Festival

thrillersuspense's avatarThriller/Suspense Film and Writing Festival

AUDIENCE AWARD WINNERS:

BEST FILM: THE DOLLMAKER

SCARIEST FILM: IT BEGAN WITHOUT WARNING

BEST PERFORMANCES: ADDICT

BEST CINEMATOGRAPHY: BEAST

BEST MUSIC: THE LETTERS

Watch the Audience FEEDBACK Videos:

festival posterBEAST, 20min., Australia, Thriller/Film Noirfestival posterTHE LETTERS, 18min., UK, Thriller/Drama
festival posterSTALKER, 7min., Czech. Republic, Horror/Thrillerfestival posterGORGE, 3min., USA, Horror
festival posterABOVE THE MIST, 8min, Canada/South Korea, Horrorfestival posterTHE DOLLMAKER, 10min, USA, Horror/Fantasy
festival posterADDICT, 15min, Israel, Horror/Comedyfestival posterIT BEGAN WITHOUT WARNING, 6min., USA, Horror

The theme of the June 2018 HORROR/THRILLER FEEDBACK Film Festival in Los Angeles was “Sins”. Every single film was about a world and/or characters dealing with sins and conflicts of the past.

This is the festival that I’ll always remember because I consider it the turning point of the Los Angeles FEEDBACK Film Festival. It wasn’t the easiest event to get through for the crew, but they grinded it out and produced the best night we’ve had so far in…

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HIGHLIGHT & VIDEOS: May 2018 THRILLER Film Festival

thrillersuspense's avatarThriller/Suspense Film and Writing Festival

AUDIENCE AWARD WINNERS:

BEST FILM: BREAK ROOM

BEST PERFORMANCES: CROSSROADS

BEST CINEMATOGRAPHY: CONSURGO

BEST MUSIC: 9 SECONDS

Watch the Audience FEEDBACK Videos:

festival posterBREAK ROOM, 15min., Canada, Action/Dramafestival poster9 SECONDS, 18min., USA, Action/Sci-Fi
festival posterTUESDAY 10:08AM, 13min., Canada, Crime/Mysteryfestival posterPREY, 13min., UK, Thriller/Horror
festival posterCHERI, 6min., France, Thriller/Suspensefestival posterCONSURGO, 12min., USA, Thriller/Suspense
festival posterCROSSROADS, 12min, USA, Thriller/Drama

The theme of the May 2018 Action/Crime/Thriller FEEDBACK Film Festival was “Hidden Truths”. Every single film was about a world or characters dealing with underlying truths that are always playing conflict to the surface of the story.

I love when we showcase these genres at the festival. What filmmakers are coming up these days with when using these genres are their template tone is truly remarkable. Our audiences in Los Angeles and Toronto love when we show them too as you can see in the FEEDBACK Videos that there isn’t an empty seat inside the cinema.

One…

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THRILLER Best Scene Reading of SPY HIGH by Jeff Woodward

thrillersuspense's avatarThriller/Suspense Film and Writing Festival

A hopelessly romantic young teacher is on the verge of settling for a safe but unexciting job at Langley High School – just a mile from the CIA – when he is accused of assisting the Russians in an impending nuclear attack plot; after he is coerced into being an undercover agent, the teacher must suspect everyone he knows, including the girl he loves, if he is going to unmask his deadly but unlikely opponent, and thus prevent Armageddon

Monarch – Omar Aufi
Narration – Salma Dharsee
Mitch – Sean Ballantyne
Prof. Conigliaro – Shawn Devlin

*****

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox

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