Submit to the Summershort Festival in Germany

SUBMIT via FILMFREEWAY

The Summershort Festival – Summer Edition – is the first international Open Air Film Festival in Munich, Germany.

Interesting Feature Films, Shorts, Drinks, Asian Food, and a nice atmosphere is guarranteed. You can buy Tickets here on Filmfreeway. We are accepting Submissions EXCLUSIVELY within Filmfreeway.com (Preferred Festival).

The Festival will suggest the winning films with a professional jury.
The OFFICAL Selections will be 35 films from all categories, shown in our open air festival days. There will be 1st, 2nd and 3rd prize winning in every category.

#PRIZES#
1st – Place (Gold Winning Award)
– 1000$ Coupon for Equipment Rental Service Partner
– free entry ticket for the next festival edition
– first place winning certificate, statue
– mentioned on website, social media
– interview on the next edition of SSFestival
– Q&A for the visitors at the festival
– contact for distribution of the film

2st – Place (Silver Winning Award)
– 500 $ Coupon for Equipment Rental Service Partner
– 50% off entry ticket for the next festival edition
– silver winning certificate
– mentioned on website, social media

3rd – Place (Winning Award)
– 250$ Coupon for Equipment Rental Service Partner
– 25% off entry ticket for the next festival edition
– winning certificate
– mentioned on website, social media

4th – SPECIAL MENTION PRIZE
(Chosen from all submissions)

– free ticket to next edition
– winning statue and certificate

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TIFF 2018 Review: LET ME FALL (Iceland/Finland/Germany 2018) ***1/2

Let Me Fall Poster
Drawing on true stories and interviews with the families of addicts, this harrowing portrait of addiction follows Stella and Magnea through the decades as precarious teenage years morph into perilous adulthoods.

LET ME FALL follows the downward spiral of Magnea through decades from teenager to adult through drug addiction.  The trouble with Magnea is that she never ever genuinely wishes to turn her life around.  

She is happy to give blow jobs in to fat, ugly blokes in order to earn a fix.  In the film, there is an almost unwatchable scene in which she is forced to give one even before she showers and after that, gets punched up instead of him keeping his promise.  “Nobody wants you, you are ugly,” he says to her at another point in the film before throwing her out into the street.  One cannot but still feel sorry of Magnea.  

Magnea’s parents have given up on her because she has constantly lied to them and has failed to show any gratitude for their care.  LET ME FALL is understandably a very difficult film to watch.  It is set in the Icelandic capital of  Reykjavik.  Diretcor Baldvin  Z (LIFE IN A FISHBOWL) draws his film on true stories and interviews with the families of addicts.  Magnea and her friend Stella are portrayed by two different sets of actresses for their teen and adult years.  

The film alternates between their teen and adulthood, which sometimes  get a bit confusing.

Trailer: https://www.youtube.com/watch?v=PO_-KcTMQnU

TOFF 2018 Review: ENDZEIT (Germany 2018)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Ever After Poster

Carolina Hellsgård’s occasionally chilling second feature is a zombie philosophical film that follows two women fighting for their lives in a post-apocalyptic world overrun by zombies.  

The voiceover informs the audience at the beginning that a plague has swept the world and that Weimar and Jura are the only surviving cities left.  The two women are Vivi (Gro Swantje Kohlhof), vulnerable and numb and Eva (Maja Lehrer), whose icy indifference make the two initial enemies that eventually bond because Vivi can repair cameras, having experience working on eBay.  It all sounds too silly. 

 The premise of the zombie-ed world is too far-fetched to be believable and who really cares about these two women anyway.  What about the rest of the surviving population?   The only thing going for the film is the cinematography by Leah Striker with nicely shot countryside landscapes.  

The zombie attack scenes are well done though.  The mix of horror and philosophy of friendship does not work.

Trailer: https://www.youtube.com/watch?v=d_nPQ4Inzbw

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TIFF 2018 Review: DONBASS (Germany, Ukraine, France, Netherlands, Romania, 2018) **

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Donbass Poster
In eastern Ukraine, society begins to degrade as the effects of propaganda and manipulation begin to surface in this post-truth era.

Director:

Sergey Loznitsa

DONBASS is a series of highly charged vignettes set in various locations (command post; community centre) in occupied Ukraine directed by Sergei Loznitsa’s (The Trial).   It is an often scathing political commentary following the ugly war that has been raging in Eastern Ukraine for years, wielding both artillery and propaganda as weapons.  

Not all the vignettes make sense and they are loosely connected – a sort of interpretation of events by Loznitza.  They are very well acted and with conviction by unknown actors that are repeatedly seen in more than one vignette.  The best segment is the first one with two ladies arguing fiercely after one of them pure a bucket of shot over an official during a community conference. 

 The film would have been more effective if it made more sense and the audience could see what the director is aiming for.  Still, DONBASS won the director Best Director at Cannes’ Un Certain Regard Section.

Trailer: https://www.youtube.com/watch?v=ndKO_2tPfLI

 

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Film Review: TULIPANI – LOVE, HONOUR AND A BICYCLE (Netherlands/Italy/Canada 2017) ***

Tulipani: Love, Honour and a Bicycle Poster
Trailer

After losing his farm during the floods of 1953, a romantic Dutch farmer is tired of getting his socks wet. He cycles to Italy and decides to grow tulips in the sweltering heat of Puglia.

Director:

Mike van Diem

 

If the title of the new Dutch, Canadian and Italian co-production TULIPANI – LOVE, HONOUR AND A BICYCLE (written by Dutch-Canadian writer Peter Van Wijk) sounds whimsical, it is appropriate – for the film is a whimsical tall-tale of romance and  comedy.  The film begins with the Dutch catastrophic flood of 1953 where farmers lost their lands.  

Gauke (Gijs Naber), a one of hose unfortunate Dutch farmers.  He vows he will never have wet feet again.  Armed with a satchel full of tulips bulbs, he cycles south, where fate leads him to the sweltering heat of Italy, and he settles (after collapsing on his bike) on the outskirts of a small village in Puglia.  Against all odds, he plies his fairylike and miraculous tulip trade, lives his passionate love-life.

The film alternates between the present and the past.  The present sees Italian inspector (Giancarlo Giannini) questioning three suspects that includes Anna (Ksenia Solo) on a murder.  Anna relate the story oh how she had left Montreal, Canada after her mother dies in hospital to disperse of her ashes in Italy.  Her story is the film’s story.  The film goes back to where Anna first goes back to Puglia, Italy where she meets Vito and his mother.  The mother is the one who took Gauke in.  The tale goes on to how the Dutchman helps the village stand up against the local Mafia.  

TULIPANI is a beautifully shot film, a sort of fairy tale that does not necessarily have a happy ending.  But it has a message of standing up against oppressors.  The fact that Gauke sells hundreds of tulips to every single one of the villagers who have them displayed on their windows  is quite the fairy tale.  The story involves all three countries, the Netherlands, Italy and Canada with the most respect given to Dutch culture and the love of tulips.  The Italians are portrayed as loud-mouthed feisty people but the film shows the beauty of Italy.

One has to take some of the scenes in stride.  The audience is to believe that all the tulips sprout up one day in multiple colours to the delight of the Italians which no one notices the day before.  The excuse given however, is that the story as told by Anna to the inspector is exaggerated,  At one point, the inspector claims that he loves a good story, implying the director Van Diem giving himself a pat on the shoulder for being a good story teller.

Director Van Diem might be a familiar name as he was the director way back when in 1997 responsible for the Best Foreign Film Oscar winner CHARACTER.  That was a different kind of film – a harsh film on a father and son relationship in a law setting, compared to this tulip fairy tale romantic comedy.  TULIPANI is the kind of film that will delight the commercial public but will have critics shrugging. (The film has a 100% audience approval rating on Rotten Tomatoes with many critics panning the film.)

Trailer: https://www.youtube.com/watch?v=fUw0Wsuba_s

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Film Review: MA VIE AVEC JAMES DEAN (My Life With James Dean) (France 2017) ***

 

My Life with James Dean Poster
Invited to present his first feature film “My life with James Dean” in Normandy, the young director Géraud Champreux has no idea this film tour is about to change his life. From wild …See full summary »

Director:

Dominique Choisy

 

The first thing to note about MY LIFE ABOUT JAMES DEAN is that there is no James Dean in this movie.  He does no appear in the film (except in a poster and a cut up figure in a dream sequence) or is this an American film.  MA VIE AVEC JAMES DEAN is the title of the fictitious French film that the director brings to a small town in picturesque Normandy.

When soft-spoken film director Géraud Champreux (Johnny Rasse) arrives on France’s Normandy coast for screenings of his latest art-house movie, there’s nobody there to greet him.  But he somehow manages to attract a motley crew of locals who bring their own drama along on his little tour.

There is the cinema projectionist (Mickaël Pelissier) who falls besides coming out for 

Géraud.  Nathalie Richard plays a lovelorn cineaste who is supped to organize the event but falls apart when her fame lover god with a man instead.

The film contains some quirky insights common to French films.  “Love is a burden, I hate being in love,” says the woman who organizes the film event.  But that makes life exciting, is Géraud’s retort.  She likens love to getting gum stuck on the sole of ones shoe and continues that there are hundred of gums on the street.  One scene later on shows a woman walking along the street trying to get the gum off her shoe.

Choisy’s film is also typical of the old gay films that teases with promising gay love or gay sex.  The audience gets a first glimpse of Géraud without his shirt on – displaying a nice chiseled upper body.  Later when he is drunk, the female hotel receptionist and male projectionist take off his clothes to let him sleep (as he is dead drunk) in his underwear.  Thee is also a nice shot of the projectionist and Géraud in one frame as they watch his film through the projectionist’s window, a gay film where two naked men indulge in the act of sex.

Choisy plays his film with Kafka-ish touches.   Géraud asks a resident where the Hotel de Calais is, right outside the hotel.  The hotel receptionist tells him that there is no working telephone in room 5 in which he is put in.  She then gives him the hotel telephone from under the counter.  A resident Géraud first meets when he enters a bar speaks with fish metaphors.

Choisy’s film is a small production, very much like the film Géraud has brought to Normandy.  It is well made and well-though through and immensely entertaining in its own odd way.  It still shows the freshness of first love and coming-out.

One segment that occurs out of nowhere has a band in the night outdoors performing a song with spectators all sporting sunglasses.  The scene is reminiscent of Aki Kaurismaki’s films where bands often perform and his characters often wear shades.  One wonders if Choisy is paying a bit of homage to Kaurismaki considering that quite a bit of the humour is deadpan.  The film could also be considered a nod to the Woody Allen classic PLAY IT AGAIN SAM  where Humphrey Bogart nudges Allen’s character towards romance, in which case it is James Dean 

nudging the projectionist on with his love or Géraud.

MA VIE AVEC JAMES DEAN is an entertaining sweet little quirky gay comedy with likeable characters with sufficient inventiveness to make it a good watch.

Trailer: https://www.youtube.com/watch?v=Oc7zun7Ft6I

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TIFF 2018 Review: SHARKWATER EXTINCTION (Canada 2018) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Sharkwater Extinction Poster
Trailer

Discovering that sharks are being hunted to extinction, and with them the destruction of our life support system – activist and filmmaker Rob Stewart embarks on a dangerous quest to stop … See full summary »

Director:

Rob Stewart

Writer:

Rob Stewart

 

SHARKWATER EXTINCTION is the follow-up of the 2006 documentary SHARKWATER that filmmaker, marine biologist and shark lover championed to convince the world not to eat sharksfin soup.  Sharks have been killed just for their fins.  

According to this new doc, sharks are now killed for a variety of other reasons, thus diminishing the shark population to dangerous extinction levels.  Writer/director Stewart takes his film to Costa Rica, Cape Verde, the Bahamas, Panama, and the US to explore the myriad of ways sharks continue to be in peril.  

Stewart’s aim in the film is clearly twofold: to shock the audience and also to educate them to want to be a fighter for the environment.  The film is not as good as the first but is still moving in its effectiveness.  As most of the world knows by now, the Toronto filmmaker was missing in January 2017 during a dive, making this film his sweet swan song. 

 One can admire the hero for his dedication to the preservation of sharks that eventually took his life.

Trailer: https://www.youtube.com/watch?v=d7iNoSNejSM

 

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Film Review: THE LITTLE STRANGER (UK/ France 2018)

 

The Little Stranger Poster
Trailer

After a doctor is called to visit a crumbling manor, strange things begin to occur.

Director:

Lenny Abrahamson

Writers:

Lucinda CoxonSarah Waters (novel)

THE LITTLE STRANGER is a gothic supernatural horror drama directed by Lenny Abrahamson (best known for the sleeper-hit HOUSE) and written by Lucinda Coxon, based on the novel of same name by Sarah Waters.   THE LITTLE STRANGER is a different type of sleeper – one of the slowest moving films of the year a sort of THE SLOW AND THE FURIOUS.

The subject of the film is Dr. Faraday,  As a small boy, he was fascinated by Hundreds Hall, even stooping so low then, to stealing while entering the grounds.  Grown up now, Dr. Faraday (Domhnall Gleeson) is a country doctor.   During the summer of 1947, he tends to a patient at Hundreds Hall, where his mother once worked as a housemaid.   The Hall, which has fallen into decline, is home to Mrs. Ayres (Charlotte Rampling) and her two children, Caroline (Ruth Wilson) and Roddy.   After taking on the new patient, Dr. Faraday finds the Ayres family’s story will soon become entwined with his own.  ‘The house does not like us.’

Director Abrahamson appears fascinated with the English countryside, thus making it his priority to create atmosphere instead of gothic mood.  The scenes are often dimly lit with natural light, and he is fond of scenes set during dawn when the sun first begins to appear.  If there is light in the house, it is usually in the background, so that the figures in his images are only often silhouetted.  All this is fine as the film looks great, thanks to his cinematographer.  But with atmosphere, the film is stuck in the mire of looks, as if unable to burst it out of the story it so wishes to tell.

The film feels at many times wanting to burst back into the past through flashback but only seldom does.  Most of the part is revealed through dialogue and musings.

Characters come and go as fleeting as the morning dew.  The film could see more of the story’s most interesting character, Roderick (Will Poulter), the facially disfigured war veteran being treated by Faraday for PTSD symptoms.  Not much is revealed of Carolyn’s sister or the origins of the dark forces that could be inhabiting Hundreds Halls.   Roderick mysteriously disappears after a third through the film.  Though set two years after World War II, nothing is ever mentioned of the war, safe for the Roderick character.

The feeling of ‘it could be or it could not be supernatural” is always sustained.  In many films, this tactic creates more mystery but in this film, it creates more annoyance with the feeling of indecision as to where the film is heading to.

Gleeson as Dr.Faraday appears stoic and sleeping walking through his role.  Rampling does her usual ‘there is something odd about this woman’ character.  The romance between Faraday and Carolyn unfolds so slowly, it feels non-existent, though one might argue that that was the purpose in mind.

For the few scary or death scenes, the audience is always warned that something is  going to go wrong from the dialogue.  “What can happen in the nursery?”  or “There is something in the house that frightens me.”

THE LITTLE STRANGER ends up with more period gothic atmosphere than genuine scares.

Trailer: https://www.youtube.com/watch?v=ASR04zW4K8w

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Submit to the AUTHOR’S INTERNATIONAL FILM FESTIVAL

Go to the website at: http://www.ficautor.com

Submit via FilmFreeway: https://filmfreeway.com/ficautor

Get a 40% off discount when you submit via FilmFreeway by using the code: FESTREV

 The FIC AUTOR (Author’s International Film Festival) is interested in unique and artistic films that exceed the limits of traditional storytelling. We look for Feature and Short Films that reflect the director’s personal creative vision, and a style that is distinct enough to shine through the collective process.

We don’t care if your films have recognized stars or unknown names; we are against the politics and bureaucracy that floods the film industry. We want to be recognized as an objective festival. We don’t want to build our reputation based on how many superstars are in attendance; what we want is the truly best world cinema in our theaters!

The 2nd edition of the FIC AUTOR will take place from November 13 to 17, 2018 in Guadalajara, Jalisco, México and Tequila Jalisco. We will present the very best films from around the world, and workshops and Master class for filmmakers and students who want to perfect their craft. FIC AUTOR will strive to be one of the most important cultural events in the city. We aspire to become an international spotlight for new directors!

Our first edition included the world premieres of “Brooklyn Roses” and “Nowhere Mind,” as well as the start of a tight-knit and talented filmmaking community. We held our closing festivities and a well-received outdoor screening of “Brooklyn Roses” in Tequila, about an hour outside of Guadalajara. The filmmakers enjoyed a few of the town’s tequila distillery tours, which includes more than a few tastings…

-The 13 winning Authors will receive the WINNER LAUREL, plus FIC AUTOR trophy or rings and sponsor’s prizes.
-WINNERS will be announced one month before the award ceremony, so all the nominated filmmakers can decide beforehand whether they want to travel to the festival.
-The award ceremony will take place in the CINEFORO the Saturday 15 November, 2018. The Cineforo is one of the biggest cinema theaters in the city with 440 seats, and is the most prestigious.

We are not like other bulls**t festivals, YOU DONT have to pay for your prize. IT’S A PRIZE, NOT A DEBT! And we don’t give metal or glass trophies… Our trophies are 100% made from silver and semi-precious stones! As independent filmmakers we know the things we love and hate about film festivals, so we want to avoid all the negative things we have found the in past years, such as exorbitant, unnecessary fees, teenage judges and of course.. trophies you would rather hide in the closet.

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Submit to the Thunderdance Film Festival

Thunderdance film festival is a bi-annual event set in the heart of East London and the Dalston area. Winning films will be screened in local cinemas and followed by meet and greets/afterparties. Thunderdance is a festival for the ultimate in new wave London film culture.

  • ALL SUBMISSIONS ARE TAKEN THROUGH FILM FREEWAY
  • PLEASE CLICK ONE OF THE TWO BUTTONS BELOW TO SUBMIT YOUR FILM

  • THUNDERDANCE DARK FILM FESTIVAL (NOVEMBER 2018)
  • THUNDERDANCE FILM FESTIVAL (SUMMER 2019)
  • JUDGES:

    RUTGER HAUER
    Actor – Blade Runner, Hobo with a Shotgun.

    DAVID NUTTER
    Director – Game of Thrones, Band Of Brothers.

    BARRY WALDMAN
    Producer – ‘Pirates of the Caribbean: On Stranger Tides’ ‘The Taking of Pelham 123’ ‘Armageddon’ ‘Bad Boys II’.

    COLIN SALMON
    Actor – ‘James Bond’ ‘Resident Evil’ ‘Alien vs. Predator’.

    KATHY PHILLIPS
    Beauty Director of Conde Nast International.

    LEE HICKMAN
    Owner of Wizzo DOP representatives.

    ANDY MOROHAN
    Director – ‘Goal III’ ‘Highlander III’ ‘Guns N’ Roses: Bad Apples’ ‘Murder In Mind’.

    SUE TILLY
    Fashion and art world influencer.

    SHERIDEN THOMAS
    Global Executive Producer of Great Guns.