Interview with Festival Director Aleksander Sakowski (THE VISION FEAST)

The Vision Feast has returned with a vendetta; to showcase the world’s finest visual media. Their third year features all new awards with a lineup of world renowned Judges.

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1) What is your Film Festival succeeding at doing for filmmakers?

Our main objective is to celebrate and promote visually stunning and experimental films, and to acknowledge the hard work and talent behind those projects.

2) What would you expect to experience if you attend your upcoming festival?

We are currently an online based festival, our goal within the next 2 years will be to expand into a physical screening festival that will follow our philosophy of making the experience visually interesting. As for now viewers can visit our website which we have endeavor to make it a visual experience.

3) What are the qualifications for the selected films?

Our qualifications range but in particular we look for films that make your eyes go pop, this does not mean we over look story, quite the opposite, we want the visuals to match the stories and display the film makers understanding of how the 2 complement each other.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

I my self am a film maker and have gone to the festival market with multiple projects. I founded The Vision Feast out of frustration with other festival not really meeting my expectations, that and at the time, New Zealand did not really have anything like this. As a film maker, I felt that I was entering festivals like I was gambling. I might pay exorbitant amounts to enter a festival only to receive a email saying “thanks but no thanks” and even if I won sometimes in the festivals I entered, I wouldn’t really get anything accept a digital laurel. We are striving to move away from this culture. Having run the festival for 3 years now it is clear that programming is not easy. This year we have made it a priority to give a prize for most award. The prizes vary from Cash Prizes to Rental Prizes and others. Our entry fees are low so when you enter its like buying into a prize pool worth $10’000 nzd.

5) What motivates you and your team to do this festival?

My original goal was to promote New Zealand projects around the world, and that still is one of my priorities but since most of our entries are from over seas Its inspiring to be inspired by the amazing artistry of the Vision Feast Submissions and celebrate the blood sweat and tears that go into each and every project.

6) How has your FilmFreeway submission process been?

Quite smooth, film freeways platform makes it easy to manage entries from all over the planet.

7) Where do you see the festival by 2023?

In the top 50 festivals, screening in LA & NZ, showcasing the best of the best brain melting visuals, I would like to expand into categories that are not usually celebrated like concept art and poster design.

8) What film have you seen the most times in your life?

I’m a animation geek, I also work in animation, so Id say Ghost in the Shell (1995) that movie blew my mind in more ways than one.

9) In one sentence, what makes a great film?

The rubix cube of arts, science, engineering and nature and how the film makers has woven those ingredients together.

10) How is the film scene in your city?

Its great, the Film crews here are world class and the infrastructure gets stronger every year.

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Interview with Festival Director Sally Bloom (LONGLEAF FILM FESTIVAL)

A free-to-attend film festival that highlights the best short- and feature-length documentary and narrative films in a place that recognizes that filmmakers and film fans DO make history—this is Longleaf. This weekend festival screens films that demonstrate a Tar Heel State connection, through the people involved in making them or through their subject. Of course, we hold near and dear all (current and former) Longleaf Official Selection filmmakers.

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 What is your Film Festival succeeding at doing for filmmakers?

Longleaf offers filmmakers the opportunity to screen at a free-to-attend festival, which allows them access to audiences who might be new to independent film. We also host panels and workshops for filmmakers that are free to attend. Finally, we work to support filmmakers throughout the year—with events, gatherings, and more, like providing meeting and collaboration space!

What would you expect to experience if you attend your upcoming festival?

Folks attending Longleaf have choices! We screen in three spaces, so folks can review the program and select what films they want to see—for Longleaf 2018, our 73 options included narrative and documentary shorts and features, animated films, music videos, and student-made films. Attendees will also meet friendly staff and volunteers, they’ll have opportunities to talk with filmmakers, and they’ll always enjoy free popcorn.

What are the qualifications for the selected films?

Longleaf has eight categories for entries, including narrative and documentary shorts and features, animated films, music videos, a history-related theme, and middle and high school student-made films. Films must have a North Carolina connection of some sort, through the people who make them, their location, or their subject matter.

Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Because of scheduling constraints, perhaps it is harder for feature-length films at some festivals? We’re glad we have the space and time to include feature-length works.

What motivates you and your team to do this festival?

Longleaf Film Festival is a program of the North Carolina Museum of History, a free-to-attend public museum. We know that making films is making history; in fact, films have been made here since at least 1912 with The Heart of Esmerelda, and they have been made in all of the state’s 100 counties. The art and craft of filmmaking is part of North Carolina’s past, present, and future.

How has your FilmFreeway submission process been?

Submitting to Longleaf has changed over our five years. We began accepting submissions on WithoutABox and FilmFreeway and have moved to using FilmFreeway exclusively. We have rolling submission deadlines until March 1; we opened for this year’s festival in July 2018. Official Selections will be announced on April 12, 2019, and the 2019 festival will be held at the museum on May 10–11, 2019.

Where do you see the festival by 2023?

Nice question! By 2023, Longleaf will have outgrown the Museum of History (although it will always be our home base) and we’ll have expanded to other venues that are within walking distance. We’re located in the heart of downtown Raleigh and are fortunate to have terrific spaces nearby.

What film have you seen the most times in your life?

Hmmm . . . well, I have four children, so, probably, I’ve watched all the Toy Story films more times than I can count. Otherwise, I watch Harold and Maude (1971) and The Princess Bride (1987) on a regularly rotating basis!

In one sentence, what makes a great film?

A great film has a compelling story—whatever the type of film—and allows us to experience something more than the story, without knowing it until it’s over.

How is the film scene in your city?

Raleigh-—and by extension, the state of North Carolina—has a HAPPENING film scene. From the 1980s through 2014, many commercial films and television shows were made in the area. When the tax incentives changed, however, the state lost much of that industry; but, at the same time, the growth of independent film has been explosive. With film schools at our public universities and community colleges, varied and beautiful settings, and an experienced population of filmmakers and folks with film-related talents, North Carolina is a great place to make movies.

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Sally Bloom bio: Sally is a co-organizer of Longleaf Film Festival and believes in the power of independent film to make connections, to entertain, and to form community. Sally finds many connections between her “other” work for the North Carolina Museum of History and her work with Longleaf because “everything has history!” Her other work includes writing and producing videos for the museum’s website and YouTube channel, reaching students through live-streaming classes, and, oh, you know, making history cool. A native North Carolinian, Sally attended UNC and has an MA in history, along with a husband, four kids, and a lot of laundry.
 

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Interview with Festival Director Avery Cohen (Macoproject Film Festival)

The Macoproject Film Festival is a New York City based festival open internationally to all filmmakers and screenwriters who understand that film is much more than expensive equipment with impractical budgets.

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1) What is your Film Festival succeeding at doing for filmmakers?

The Macoproject Film Festival has had the pleasure of awarding over 200 Filmmakers & Screening over 50 short films from all across the world, as well as being recognized by HBO, Backstage, FilmDaily and many others. Our objective is to deduct adversities that many film festivals place on their artists. Our films and screenplays are judged based on the factors that make them come to life. If a student or first time filmmaker releases something truly special, who’s to say they don’t deserve a chance to be acknowledged?

2) What would you expect to experience if you attend the festival this year (2018)?

Expect to be treated like a professional. Whether your work has been selected by us, or If you’re a film lover exploring the heart of what we do, or if you’re in New York and want to try something different, here you will be treated with the utmost respect and proficiency. Guest’s are able to come, relax, and forget about the world for a few hours. Our audience is also joined with special guests including HBO producers, news outlets, and other filmmakers. Our selections are able to watch a live audience perceive their message, while our screenwriters are able see us breakdown their work to the crowd. The top 3 Filmmakers and Screenwriters will both receive official Macoproject plaques.

3) What are the qualifications for the selected films?

Our judges are checking for many factors. This includes direction, cinematography (for films), the chemistry between characters, inclusive dialogue, etcetera. We leave the creativity to you, however, we do ask that our submitters considers that this will be in front of a live audience in New York City. If you show us professionalism you will receive it in return.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

One of the very reasons I created The Macoproject Film Festival was due to the negligence that many filmmakers are subject to in our industry. If you take a look at the grand scheme of things, Hollywood is doing everything in their power to keep corporate multiplexes afloat. Due to the success of Netflix, Amazon, and HBO, recognition for quality works have practically been overlooked. With theaters releasing A-list actors with D- minus story telling, of course indie films won’t get their fair shake! We must remember that filmmaking is also a business, not just an art. With that being said, film festivals must remember that filmmaking is an art, not just a business.

5) What motivates you and your team to do this festival?

My judges have a vast background and interest in film which places them perfectly in the position they’re in. I feel that (career speaking) there comes a point in everyone’s life where they ask themselves what they’d like to do, not only themselves, but for the community. Some venture into medicine, because they want to help people. Others become politicians do try and help their community. I run The Macoproject Film Festival because I’d like to turn an artist’s passion into something more than just a fantasy.

6) How has your FilmFreeway submission process been?

FilmFreeway has been a great help in the success of Macoproject. I began the festival on FilmFreeway, so I don’t have any intentions on leaving them, However, what I do plan on is having two seperate submission platforms, either on filmfreeway or through our website.

7) Where do you see the festival by 2023?

Two close friend of mine (who also happens to be judges) joined me at FestForums, a convention for Film Festivals to meet and connect with one another. We were happily greeted by several notable faces and were introduced to some of the most notable men and women of our industry. While introducing ourselves to people, we sparked a conversation with a gentleman representing The Sierra Nevada brewing company. I had asked him what his expectations were for Sierra Nevada when it first began its journey. He said to me that Ken Grossman (the current CEO of Sierra Nevada) would commonly say that Sierra Nevada would grow as large as it needed to. At first you might believe this mindset to be selfish. The Sierra Nevada Brewing Company has a current net worth of 2.6 billion dollars. In 5 years I believe The Macoproject Film Festival will grow as large as it needs to, and I have no intentions of stopping.

8) What film have you seen the most times in your life?

That’s a real tough one…I’m split between The Shawshank Redemption and Forrest Gump. These were always very easy films to catch my interest. Not to mention that before the Netflix-era, we were lucky to find our favorite films airing. Something that I enjoy about these films is the more you watch it, the more smaller details you’ll begin to notice.

9) In one sentence, what makes a great film?

A great film is the ability to rewatch as if it were your first time.

10) How is the film scene in your city?

Anyone who has been to New York City knows there is no other place like it. Creativity and acceptance is practically airborne, giving filmmakers and other artists a breath of fresh air. The big apple is an absolute goldmine for people looking to show themselves, and express themselves. Every single person you ask will have a different way to describe this wonderful place, and I wish these sentences could do it justice. If you’re willing to push your dreams into a reality, come find us in the center of the universe.

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Interview with Festival Director Gia Frino (Wollongong Film Festival)

Wollongong Film festival is about celebrating Women in Film both on and off the screen with all proceeds going to One Girl http://www.onegirl.org.au and giving a voice to Women Filmmakers and their stories.

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1) What is your Film Festival succeeding at doing for filmmakers?

WFF provides a platform for Women in Film with all profits going to support Girl’s Education.

2) What would you expect to experience if you attend your upcoming festival?

We are a small festival, so it would be an enjoyable, intimate experience watching short films from around the world.

3) What are the qualifications for the selected films?

We except all film genres as long as a woman is in two of the following key positions on the film:
* Director
* Producer
* Writer
* Lead female Protagonist
* Cinematographer
* Editor
* Composer

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

There are definitely films that get overlooked and probably not always on purpose but much like broadcasters who don’t take risks on what they commission, there are times I feel some film festivals only back well-known filmmakers or actors. That said there are so many film festivals out there, an emerging filmmaker should find niche festivals, there are options.

5) What motivates you and your team to do this festival?

It originally started as a one-off give back to raise money for Girl’s Education, even though we are small, we will grow and it is a great way to help representation in the industry.

6) How has your FilmFreeway submission process been?

FilmFreeway has always been really simple and easy, I haven’t used any of the extra services they have on offer.

7) Where do you see the festival by 2023?

I’m currently working and researching on moving the festival to an SVOD service using blockchain technology which will move towards distributing short films for women in film and build the platform to expand to long form and other media.

8) What film have you seen the most times in your life?

This is hard as I’ve seen multiple films, multiple times. I’m a sucker for a good film but some would be: Remember the Titans, Glory Road, A Separation, Frida, All About My Mother, The Help, Fargo, I’ll stop now otherwise the list will get too long.

9) In one sentence, what makes a great film?

Another hard one, for me, a film that transforms me, that makes me look at the world through a different lens, and I’m a different person than I was before.

10) How is the film scene in your city?

It is an emerging market, there are a lot of people who enjoy films but only are aware of the commercial releases and they don’t realise how large the industry is unless they work in it.

 

 

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Submit to the Avalonia Film Festival

SUBMIT via FILMFREEWAY

Want to give Avalonia Festival a shot? Use our exclusive  Promo Code “MATT” for 33% off ALL your entry fees!

“Honor. Celebrate. Promote.” This is the mantra of Avalonia Festival: A film festival you can trust ! Low entry fees and a website that actually HONORS, CELEBRATES and PROMOTES you and your work as a filmmaker, photographer and actor!

They are a FilmFreeway Top 100 Best Reviewed Film Festival and proud of it!

Avalonia Festival III is now accepting submissions of short films, teasers, trailers, film photography and film posters for our hugely popular website and our third live festival on Friday night, December 7, at 6pm at the historic Courthouse Center for the Arts at 3481 Kingstown Rd, West Kingston, RI 02892

In addition to many traditional and unique genres to enter your film in; including Drama, Comedy, Doc, Feline, Canine, Vampire, and Romantic Comedy. Our ThoughtCrime category has proven to be very resonant with today’s edgier filmmakers. Special Award Recognition has also been given to films which stand out.

Here is their Youtube page with videos from Avalonia Festival I and II.

Submit to the AUTHOR’S INTERNATIONAL FILM FESTIVAL

Go to the website at: http://www.ficautor.com

Submit via FilmFreeway: https://filmfreeway.com/ficautor

Get a 40% off discount when you submit via FilmFreeway by using the code: FESTREV

 The FIC AUTOR (Author’s International Film Festival) is interested in unique and artistic films that exceed the limits of traditional storytelling. We look for Feature and Short Films that reflect the director’s personal creative vision, and a style that is distinct enough to shine through the collective process.

We don’t care if your films have recognized stars or unknown names; we are against the politics and bureaucracy that floods the film industry. We want to be recognized as an objective festival. We don’t want to build our reputation based on how many superstars are in attendance; what we want is the truly best world cinema in our theaters!

The 2nd edition of the FIC AUTOR will take place from November 13 to 17, 2018 in Guadalajara, Jalisco, México and Tequila Jalisco. We will present the very best films from around the world, and workshops and Master class for filmmakers and students who want to perfect their craft. FIC AUTOR will strive to be one of the most important cultural events in the city. We aspire to become an international spotlight for new directors!

Our first edition included the world premieres of “Brooklyn Roses” and “Nowhere Mind,” as well as the start of a tight-knit and talented filmmaking community. We held our closing festivities and a well-received outdoor screening of “Brooklyn Roses” in Tequila, about an hour outside of Guadalajara. The filmmakers enjoyed a few of the town’s tequila distillery tours, which includes more than a few tastings…

-The 13 winning Authors will receive the WINNER LAUREL, plus FIC AUTOR trophy or rings and sponsor’s prizes.
-WINNERS will be announced one month before the award ceremony, so all the nominated filmmakers can decide beforehand whether they want to travel to the festival.
-The award ceremony will take place in the CINEFORO the Saturday 15 November, 2018. The Cineforo is one of the biggest cinema theaters in the city with 440 seats, and is the most prestigious.

We are not like other bulls**t festivals, YOU DONT have to pay for your prize. IT’S A PRIZE, NOT A DEBT! And we don’t give metal or glass trophies… Our trophies are 100% made from silver and semi-precious stones! As independent filmmakers we know the things we love and hate about film festivals, so we want to avoid all the negative things we have found the in past years, such as exorbitant, unnecessary fees, teenage judges and of course.. trophies you would rather hide in the closet.

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Submit to the Thunderdance Film Festival

Thunderdance film festival is a bi-annual event set in the heart of East London and the Dalston area. Winning films will be screened in local cinemas and followed by meet and greets/afterparties. Thunderdance is a festival for the ultimate in new wave London film culture.

  • ALL SUBMISSIONS ARE TAKEN THROUGH FILM FREEWAY
  • PLEASE CLICK ONE OF THE TWO BUTTONS BELOW TO SUBMIT YOUR FILM

  • THUNDERDANCE DARK FILM FESTIVAL (NOVEMBER 2018)
  • THUNDERDANCE FILM FESTIVAL (SUMMER 2019)
  • JUDGES:

    RUTGER HAUER
    Actor – Blade Runner, Hobo with a Shotgun.

    DAVID NUTTER
    Director – Game of Thrones, Band Of Brothers.

    BARRY WALDMAN
    Producer – ‘Pirates of the Caribbean: On Stranger Tides’ ‘The Taking of Pelham 123’ ‘Armageddon’ ‘Bad Boys II’.

    COLIN SALMON
    Actor – ‘James Bond’ ‘Resident Evil’ ‘Alien vs. Predator’.

    KATHY PHILLIPS
    Beauty Director of Conde Nast International.

    LEE HICKMAN
    Owner of Wizzo DOP representatives.

    ANDY MOROHAN
    Director – ‘Goal III’ ‘Highlander III’ ‘Guns N’ Roses: Bad Apples’ ‘Murder In Mind’.

    SUE TILLY
    Fashion and art world influencer.

    SHERIDEN THOMAS
    Global Executive Producer of Great Guns.