In Mathew Rankin’s feature debut THE TWENTIETH CENTURY, he draws his inspiration from the old movies in terms of German impressionism and from more recent fellow Winnipeg filmmaker Guy Maddin’s gothic films. The film has a refreshing humour and it a laugh-out loud moment every minute or so, that one does not want the film to end.
In short, the film is a bizarre biopic of William Lyon Mackenzie King (David Beirne), which reimagines the former Canadian Prime Minister’s early life as a series of abject humiliations, both professional and sexual. Though cartoonish in its looks, beware as there are segments of S&M, violence, sex, humiliation and other assorted nasties that should all be taken with a grain of salt.
The film is set in Toronto and likely with too Torontonian references like the Baron of of Mississauga and Ossington Apartments that might be over the heads of audiences not living in Toronto. Still the film is a most original delight.