Watch Today’s Film Festival: DOC SOCIETY Festival

Watch Festival HERE: https://www.wildsound.ca/videos/doc-society-festival-november

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

See the Full Lineup of Films:

SAPPHIRE GIRLS, 20min., China
Directed by Zhuoheng Liu
The left-behind girls in the mountains of Hunan province rely on basketball to get out of the mountains and change their fate.

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/sapphire-girls-review


Watch SAPPHIRE GIRLS audience feedback video:

THE LIGHT OF TRUTH: RICHARD HUNT’S MONUMENT TO IDA B. WELLS, 70min., USA
Directed by Rana Segal
This feature documentary weaves together sculptor Richard Hunt’s process and life story, with that of civil rights crusader, suffragist and antilynching activist, Ida B. Wells. Hunt creates the Light of Truth monument for the Bronzeville community at the former site of the Ida B. Wells Homes. Wells’ history and the sculptor’s history intersect in their mutual reaction and actions as they confront the injustices of racism with their work.

http://amonumentforidabfilm.com/
https://www.facebook.com/aMonumentForIdaB/
https://twitter.com/idafilm
https://www.instagram.com/lollyvangogo/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/the-light-of-truth-review

Watch THE LIGHT OF TRUTH audience feedback:

Today’s PODCAST: EP. 1346 – Filmmaker Alexander Miguel (THE BRIDES OF DRACULA)

LISTEN to the podcast: http://www.wildsoundpodcast.com/the-film-podcast-by-wildsound/2024/11/4/ep-1346-filmmaker-alexander-miguel-the-brides-of-dracula

THE BRIDES OF DRACULA, 5min,. UK

Directed by Alexander Miguel

Introducing a new breed of vampires – More alternative, more sensual, more dangerous. Loosely based on the legends of Draculas wives, the good, bad and the evil bride inhabit an old misty graveyard set in the high mountains, waiting for their beloved master to be resurrected once more. Inspired by original costumes and props by Derby-based designer Liam Brandon Murray, this is a unique film showcasing the finest in Wearable Art for the designer’s cinematic debut.

https://www.instagram.com/alezmigz/

Get to know the filmmaker:

What motivated you to make this film?

I had long wanted to do a fashion film based around vampires. I had initially envisioned a very dark classic victorian look, but when I found designer Liam Brandon Murray, a whole new world opened up to me. This was the most unconventional and bizarre kind of fashion I had ever seen the likes of. So intricate, so luxurious, yet so macabre and puzzling in it’s grandness. I knew that I had found something entirely unique and had access to a kind of innovative fashion that nobody else did. I thought to myself, I’ll be a real fool if I don’t jump on this opportunity! Liam and I clicked from the get-go, and it was clear that this would just be the start of many creative collaborations to come. I was able to pick and choose all my favourite pieces from his collection of work. We needed to piece together 4 complete looks and additionally threw in a few more items to showcase as much of Liam’s work as possible. His outfits carry heavy influences of otherworldly flair, his inspiration drawn from mythology, aliens and religious figures into a seamless blend.

What were your initial reactions when watching the audience talking about your film in the feedback video?

It is such an unreal feeling to have strangers speak about my work, they don’t know me or my team, so their perceptions and notions of the work are completely unbiased, raw and organic. People loved the surprising elements of lavish colour, which I think is rather unusual in the gothic genre. The fashion of course, gains a lot of wow-factor, and the fact it is put together like a music video, driven by sound and music rather than dialogue.

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Short Film Review: EXCEPTION. Directed by Rodrigue Hammal

When a leaked video of his lecture on the Psychology of Oppression goes viral and sparks accusations of anti-Semitism, tenured Palestinian-American professor Karim Hadawi finds himself at a crossroads with a harrowing ultimatum: issue a public apology to salvage his career or risk losing not only his job but also the custody of his beloved daughter. This unexpected challenge forces Karim to navigate a turbulent territory where principles clash with the pressures of public perception, plunging him into a distressing battle for integrity, family, and the preservation of freedom of speech.

Review by Andie Karvelis:

This was written prior to October 2023 and it was inspired by true events.


When a video is leaked of Palestinian-American professor Karim Hadawi’s lecture on the psychology of oppression it sparks accusations of Anti-Semitism and threatens not only the professor’s livelihood but his integrity, his family, and the preservation of freedom of speech.

This story was written by Nader Yousef and adapted into a screenplay by Khaled and Sami Sabawi. Regardless of where you stand on the conflict between Palestine and Israel, this is an incredibly powerful story. Within this technological age, we have a tendency to live in a “cancel culture”. Someone says or does something we don’t necessarily like and we have several online platforms to post on about it. Things can be taken out of context and quickly spiral out of control until someone is now the pariah of the world. Nader, Khaled and Sami were very smart in how this was written because it’s really about freedom of speech.

The cinematography in this was stunning, that is due to Gareth Taylor and his keen eye. Some marvelous camera shots make the look and feel of the entire film gorgeous. Personally, I was so impressed with the cast and Rodrigue Hammal’s directing. Everyone, and I do mean EVERYONE, was very organic, believable and perfectly cast. Waleed Zuaiter portrays Professor Karim Hadawi and you immediately like him, you feel empathy for him as he undergoes this journey and has some very difficult decisions to make. Each and every actor brought this story to life and Rodrigue knew exactly the performance to get from each of them.When a film is this good, you tend to get wrapped up in the story and the score seems to blend
into the world the writers created. I’m one of those individuals that pays attention to the music and James Vader did a sensational job on the score. The filmmakers really made a masterpiece with this film and I definitely look forward to what they will create next.

WILDsound Film & Screenplay Festival: Today’s FilmFreeway Deadline

Voted Top 100 Best Reviewed Festival in the world!

Entering it’s 18th year, WILDsound now gives filmmakers 5 tiers to showcase and promote their film. (all accepted films garner the audience feedback festival, the 2nd bonus screening, and the interviews)

Submit via FilmFreeway:

1) Screening #1 where you will also obtain your audience feedback video.
2) Screening #2 virtually on the streaming service WILDsound TV (optional)
3) Screening #3 at a sold out public screening at the Carlton Cinemas in Toronto, or the LA LVE Regal Theatre in Los Angeles.

4) Podcast interview at WILDsound Radio on ITunes
5) Blog interview promoting you and your film.

The first film festival screening gives you our award winning Audience FEEDBACK videos made for the short & feature films.

Festival is also known for it’s Screenplay portion of the festival. We do recorded script readings performed by professional actors. FULL Feedback no matter what on all submissions from industry professionals.

WILDsound Writing and Film Festival – Daily Deadlines

Today’s Podcast: EP. 1345 – Filmmaker David Kreech & Featured Cast Michael Klubock (KIDS OCEAN DAY / A LOVE PROJECT)

LISTEN to the podcast: http://www.wildsoundpodcast.com/the-film-podcast-by-wildsound/2024/11/3/ep-1345-filmmaker-david-kreech-amp-featured-cast-michael-klubock-kids-ocean-day-a-love-project

KIDS OCEAN DAY / A LOVE PROJECT, 9min., USA
Directed by David Creech

A behind the scenes look at the the educational philosophy of Kids Ocean Day founder, Michael Klubock.

https://www.kidsoceanday.org/

https://www.facebook.com/kidsoceanday

https://www.instagram.com/kidsoceanday/

Get to know filmmaker David Kreech & Featured Cast Michael Klubock

What motivated you to make this film?

David: I participated in several KOD events and I felt compelled to tell the story of Michael and the volunteers and kids

What were your initial reactions when watching the audience talking about your film in the feedback video?

David: I felt the comments were accurateMichael: I appreciated the time and effort to review the film and the kind words of support,

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Watch Today’s Film Festival: PIERRE PINONCELLI, THE ARTIST WHO CUT OFF HIS FINGER, 85min., France

PIERRE PINONCELLI, THE ARTIST WHO CUT OFF HIS FINGER, 85min., France
Directed by Virgile Novarina
Since his two hammer attacks on Marcel Duchamp’s Fountain urinal in 1993 and 2006, artist Pierre Pinoncelli has been known the world over for this iconoclastic and subversive act. This resounding artistic attack obscured the rest of his career in the eyes of the public. Stopping painting in 1966 to devote himself to happenings, Pinoncelli has never ceased to denounce the contradictions of our society. Pinoncelli is the man who sprayed André Malraux with red paint in 1969, who robbed a bank to protest against apartheid in 1975, who publicly mutilated himself in Colombia to free Ingrid Bétancourt and denounce the violence of the FARCS in 2002. Portrait of an extraordinary artist by Virgile Novarina.

Watch Film Here: https://www.wildsound.ca/videos/pierre-pinoncelli-the-artist-who-cut-off-his-finger

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/


http://www.pinoncelli-lefilm.com/
https://www.facebook.com/FilmPierrePinoncelli/
https://twitter.com/VirgileNovarina/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/pierrre-pinoncelli-review

Today’s FilmFreeway Deadline: NEW YORK Feedback Film Festival

This is a HYBRID film festival with live screenings for the audience feedback video you will receive, plus an optional virtual 2nd showcase to enhance the film’s exposure (optional). Festival also conducts blog and podcast interviews with the filmmaker. We have also started a filmmaker’s WhatsApp group with over 150 joined to date to chat about next project and make contacts etc….

Submit via FilmFreeway:

FILM FESTIVAL:

We are proud to announce a FOUR tier festival set up of your accepted film at the festival. Two screenings of your film at our festival, plus two separate interviews.

Screening #1 will take place in NYC and will be a private screening for a select group of people. They will then go home after the festival and record their comments of your film. Then we turn those comments into our regular FEEDBACK Festival Video.

For context, here is an example of a video from a recent festival: https://www.youtube.com/watch?v=EviO64sSbrA

Screening #2 takes place one time only (for FREE) VIRTUALLY for all to see on our online feed every single day. 365 festivals in 2022. Already these screenings are garnering an audience of 1000s each day.

So in the end you will have TWO showcases of your film and you’ll receive your audience feedback video a week before the Virtual Festival.

Then (Tier #3) we will send you a list of questions to answer for our blog interview that will promote you and your film. Then after that (Tier #4) we will set up a podcast interview on our popular ITunes show where will we chat with you about the process of how the film was made.

SCREENPLAY FESTIVAL:

Winning screenplays performed by professional actors and made into a video each month. Film festival also occurs each month.

FULL FEEDBACK on all screenplay submissions. Film submissions can also request the committee’s feedback notes on their film.

WILDsound Podcast EP. 1344 – Filmmaker Marlea van Grinsven (RED)

LISTEN to the podcast: http://www.wildsoundpodcast.com/the-film-podcast-by-wildsound/2024/11/2/ep-1344-filmmaker-marlea-van-grinsven-red

RED, 5min., Canada
Directed by Marlea van Grinsven
Red depicts the story of a romance gone wrong, where paint is used to show the side revenge and how it slowly passes through everyone until revenge has taken over. It follows our couple as they work through their budding romance slowly getting more and more torn on the outcome as they go, until at the end, revenge wins and takes over.

http://www.movementwithmarlea.com/

https://instagram.com/_movementwithmarlea

Get to know the filmmaker:

What motivated you to make this film?
They always say that the best art comes from the worst trauma, and I was hoping it was right. I went through a very traumatic breakup and I wanted to turn a dark time in my life into something beautiful. Dance has always been how I’ve expressed myself and creating this film allowed me to process my trauma in a beautiful and creative way.

What were your initial reactions when watching the audience talking about your film in the feedback video?
I was overjoyed with emotion. It was an amazing experience to hear people talking about my film and loving it. I always fear that the audience won’t get my story but to hear that they understood the story behind it and appreciated the difficulty of execution to create this film was delightful.

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Watch Today’s Film Festival: AFTER ORANGE. Documentary Festival. November 2nd & 3rd

AFTER ORANGE, 81min., USA
Directed by Jennifer Ducker
AFTER ORANGE explores the stigma of being an ex-con. The day to day struggle, both external, in trying to do the essentials of everyday life: find a job, care for their family, pay the bills, and the internal: Increasing their self-worth, the guilt of betraying their loyalties and finding the confidence to strive for a better future. Following the lives of ex-gang leader Jeffrey Padilla and fellow cell mate and gang member Jeremiah Otero, we follow the first five years after their release. Can they beat the recidivism statistics and remain free?

Watch film here: https://www.wildsound.ca/videos/after-orange

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/


https://www.afterorangefilm.com/
https://www.facebook.com/Afterorangefilm
https://www.instagram.com/afterorangefilm

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/after-orange-review

Today’s Podcast: EP. 1343 – Filmmaker/Animator Kenja Chen (WHEN I’M WITH YOU)

LISTEN to the podcast: http://www.wildsoundpodcast.com/the-film-podcast-by-wildsound/2024/11/1/ep-1343-filmmakeranimator-kenja-chen-when-im-with-you

WHEN I’M WITH YOU, 4min., CanadaDirected by Kanja ChenAn emotional tale of how the enduring love between a young boy and his grandfather bridges the gap between generations.

https://www.instagram.com/kanjachen/

Kanja has directed several award-winning short films that have been showcased at numerous film festivals. This animated short marks his directorial debut in the genre, allowing him to focus on a deeply personal story.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

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https://www.facebook.com/wildsoundpod