Today’s Podcast: EP. 1567: Filmmaker Harry Roseman (HOLIDAY SPECIAL)

HOLIDAY SPECIAL, 91min., USA

Directed by Harry Roseman

Community, Celebration, Conversation, Chores; these are the key themes of this experimental documentary. Four days of shopping for Thanksgiving dinner as well as the meal itself are

the ostensible subject of this film. Community is reflected in the interaction with people while shopping as well as the camaraderie of the dinner quests. The quotidian nature of these tasks is subverted by the abstract camerawork and narrative structure, offering the viewer a new perspective on both. The vertical orientation of the film reaffirms looking ahead as we follow the trajectory and shape of the shopping cart moving down the narrow aisles, as well as following the gaze of the filmmaker as he walks forward.

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Watch the Best of SCI-FI/FANTASY Shorts Festival (in case you missed it)

Watch the festival NOW for the next 48 hours by signing up for the FREE 3-DAY trial using the link, or go to http://www.wildsound.ca

Watch today’s Festival: https://www.wildsound.ca/videos/best-of-sci-fi-fantasy-shorts-festival

Sumarsólstöður, 30min., France
Directed by Amélie Ravalec
In a world where art and reality collide, Miho’s vivid dreams reveal the cosmic force of the Architecture, uniting her with artists across the globe in a desperate battle to heal the universe.

https://www.circletimestudio.com/sumarsolstodur

https://www.wildsound.ca/videos/audience-feedback-sumarsolstoour

The Krystal Gene, 13min., USA
Directed by Stuart Michael Daly, Jobe Wolf
In 2024, A troubled young mother (Sophia) and her psychic son (Jacob) are desperately on the run from a super soldier unit, known as ‘Black Sun’. Such an elite and ancient order will stop at nothing in abducting her son for weaponizing his DNA to gene splice slave humans for a WW3 draft.

https://www.instagram.com/ascension.series

https://www.wildsound.ca/videos/audience-feedback-the-krystal-gene

Can’t Stop, A Star Trek Fan Production, 24min., Czech Republic
Directed by Radek Belina
The starship USS Greenwich Village, commanded by Captain Glenn Dirk, is sent to the Deneb system, historically known as the site of Captain Picard’s first contact with the mysterious and powerful being Q. The crew expects a peaceful scientific mission, full of exploration, discovery, and data collection. Newly appointed First Officer Felipe Scott, descendant of the famous Montgomery Scott, brings a fresh approach to planning and enthusiasm for space exploration.

https://startrekbridge.com/episode/cant-stop-star-trek-fan-production

https://www.wildsound.ca/videos/audience-feedback-cant-stop-a-star-trek-fan-production

THE GREY OWL, 1min., Mexico
Directed by Ramón Charbel Sánchez Márquez
In the remains of the once majestic “Danbo City”, two old friends colide.

https://www.wildsound.ca/videos/audience-feedback-the-grey-owl

Today’s FilmFreeway Deadline: HORROR Underground Film & Screenplay Festival

Deadline Today to Submit via FilmFreeway:

Various options to submit to the Festival. A HYBRID model. In-person screenings.

Cinema screenings for audience feedback video (this is NOT an online festival).

Blog and podcast interviews.

And bonus virtual screening (optional!) geared to create community over distance,

Also, option for 2nd in-person screening for filmmaking to attend to do audience Q&A and feedback session. Even is ALWAYS sold out.

PLUS, get your film seen by the right people.

Festival designed to expose and promote films and screenplays that work outside the system and break the boundaries in the horror genre. To bring a voice to the talented independent filmmakers & writers within the horror genre.

Submit your Horror films and screenplays today to the festival.

Our mission is to promote screenplays, films, and videos that dissent radically in form, technique, or content and challenge and transcend commercial and audience expectations using the audience FEEDBACK festival format that the flagship festivals use.

Each accepted film receives 2 festival screenings (and an optional 3rd). Private cinema screening where they will receive their audience feedback video. And the virtual screening (4-6 weeks later) that is an industry showcase of the best HORROR films from around the world today.

Screenplay festivals occur once a month. We perform a transcript script video of the winners in a studio using professional actors and post them online for the entire world to see. (Great proof of concept video to use to promote your script.)

NOTE: Accepted works also get the opportunity to do two interviews: a blog interview and an iTunes Film Festival podcast interview.

Turning 52 Today: Dave Chappelle

Watch the best of new films from around the world today by signing up for the FREE 3-DAY trial going to http://www.wildsound.ca (Also on Roku, FireStick, and your Itune (app))

You can become famous but you can’t become unfamous. You can become infamous but not unfamous.

I don’t normally talk about my religion publicly because I don’t want people to associate me and my flaws with this beautiful thing. And I believe it is beautiful if you learn it the right way.

[on living in Ohio] Turns out you don’t need $50 million to live around these parts, just a nice smile and a kind way about you. You guys are the best neighbors ever… That’s why I came back and that’s why I’m staying.

Turning 44 Today: Chad Michael Murray

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My ideal girl is someone who’s smart and pretty in an innocent way, and someone who listens and cares.

Writing inspires me. I couldn’t live without my journal.

The rumors – that’s the thing I hate. People assume way too much, and I can’t stand it. I know the truth; I don’t feel like I have to defend myself. I’m a pretty good guy. Yeah, I like to go out with my boys and have a good time – I’m 23 years old! But the next thing you know, there are 20 stories about me. It’s inappropriate on so many levels. I don’t know if it will ever stop. All I need to know is, I have faith in myself and I know what’s really going on.

I hated high school. I didn’t have any friends because I didn’t fit in, but I enjoyed the educational part of it. My teachers allowed me to be creative, so I thought past high school to what I wanted to do.

Turning 35 Today: Elizabeth Debicki 

Watch the best of new films from around the world today by signing up for the FREE 3-DAY trial going to http://www.wildsound.ca (Also on Roku, FireStick, and your Itune (app))

If I’ve missed out on a part because I’m tall, that’s not the excuse my agent is going to use, whether or not that’s happened in the past. There’s nothing I can do about that. You are the way you are, and you have to embrace that and love that about yourself.

[on her audition for Widows (2018)] I put myself on tape while I was in Australia in my friend’s garage, ’cause I am all about the glamour. I remember putting a lot of eyeliner on, and picking out some hoops. A few days later, I flew over to L.A. and read for Steve McQueen in person. I was completely terrified. Good terror, though.

I think it’s only in hindsight that you understand what was a turning point. If you actually felt the penny drop, you should probably check yourself, like, “Whoa, you’re doing OK, but you’re not that great.” It’s an interesting schism between knowing quietly inside yourself that you’re worth being heard, but challenging yourself so you don’t plateau. I look back at certain moments that empowered me and it’s always about the people I worked with.

Turning 65 Today: Jared Harris 

Watch the best of new films from around the world today by signing up for the FREE 3-DAY trial going to http://www.wildsound.ca (Also on Roku, FireStick, and your Itune (app))

There were a few times where I could have worked with my father (Richard Harris) at the beginning. One of them was in The Field (1990)– they couldn’t find someone to play the son and they offered the part to me. But my father and I didn’t think it was a good idea and looking back I think we made the right decision.

I’ve auditioned for normal characters. But I never get cast.

[on Daniel Day-Lewis‘ work ethic] His attention to detail and commitment is truly impressive, but people refer to it as being an imposition or intimidating. It isn’t. Actors do that stuff all the time. He just likes to “stay in it”, and he asks that you respect that, by not talking about bullshit.

Watch MISS TAKEN, 8min., USA, Experimental/LGBTQ+

Watch the festival NOW for the next 48 hours by signing up for the FREE 3-DAY trial using the link, or go to http://www.wildsound.ca

Watch the festival here: https://www.wildsound.ca/videos/watch-miss-taken

Trapped in a questionable medical facility, a trans woman undergoes attempted forced conversion therapy. This is her fight to maintain her true identity, fighting against being mistaken for someone she’s not.

Directed by Nathan Thompson

Written by Chilli Kellaway

Cast: Lola Battle, Mckenna Bird, Sean Michael Cummings, Alexis Rea

Director Statement
What is it about our culture, our definition of what it means to be human, that relies so heavily upon our fear of “the other”? Why do we feel the need to dehumanize those we don’t understand or whose identity diverges from our own?

This is a story. A story of difference. A story of how a narrow group of medical “professionals” has chosen to try to “fix,” or convert that difference of identity into what they consider normal. A story also of resistance to being defined by this limited conceit of identity. A story of survival, of fighting for a true identity, of combating isolation with an imagined, soulful, hopeful ideal.

This is also a story of trauma. A story of prolonged separation and isolation from loving support that wears away at what it means for Audrey to be truly Audrey. A story that is repeated all too often.

I grew up during social protests about homosexuals being allowed to teach in public elementary schools. I grew up hearing claims that homosexuality is contagious. While medical science has repeatedly disproved this as a complete denial of scientific truth, we are still trying to find our scapegoats.

I am a straight, white man who receives the privileged societal benefits of that identity. Both of my children identify as queer. Neither of them has had to face the specific trauma of this story, but they have had to face many others. I want the world and our society to be a safer space for them, and an accepting space for who they truly are.

This story was brought to me four years ago as a student script worthy of production. No one in my classes felt capable of telling the story adequately so I took it on. It was shot in the Spring of 2019 then shelved due to other commitments. I was hopeful that our society would have grown and developed so that this story wouldn’t need to be finished. I was wrong. This is perhaps more pertinent now with the rekindled hate-speech targeting the transgender community.

When can we release our scapegoats, our fears of otherness? When can we celebrate our own true identities and identities different than our own?

Watch WHERE TO PISS, 8min., UK, Comedy/LGBTQ+

Watch the festival NOW for the next 48 hours by signing up for the FREE 3-DAY trial using the link, or go to http://www.wildsound.ca

Watch the festival here: https://www.wildsound.ca/videos/watch-where-to-piss

A trans man wants to use the men’s bathroom for the first time, however, he’s hindered by his own fears and insecurities. He shares these fears to his friend shown through imaginary scenarios.

Written and Directed by Karter Masuhara

Produced by Tyler Gaucheron-Land and Daniel Joseph

Cast: Alex Thomas, Lotta Boo Wild

https://www.instagram.com/masukarter/

Director Statement

This is a story that explores trans identity and some of the overlooked day-to-day struggles that trans people face. Using kind-hearted and bittersweet humour to gut punch with a stark and troubling reality, I wanted to create an experience that isn’t afraid to fully delve into very real fears of violence and exclusion, while remaining hopeful for positive change.

The purpose of this film is to demonstrate both the real fears and dangers that trans people face when using the washroom, but to also show the ridiculous side of it all and invite cis audiences to step into the shoes of trans people and understand the struggles we face in day-to-day life.

In this political landscape everyday it seems another state or country is passing laws that impede on trans rights and news headlines covering trans stories are predominantly negative. The purpose of this film is to offer a positive narrative for trans people and help destigmatize trans’ experiences. I feel it’s a very relevant story that aims to promote discussion and support around these areas.

I do hope this film reaches audiences who are less informed about trans experiences. I want people watching the film to empathize with the main character. It may not be an experience you can relate to, but through the telling of this story, I hope you’ll be able to understand Ben’s fears and see where he is coming from.