Pick It Up America: Life is a Beach, 10min., USA
Directed by Kimber Leigh
Filmed at Hawai‘i’s Hapuna Beach, one of the most beautiful and dangerous shorelines in the islands, Pick It Up, America: Life Is a Beach is a heartfelt call for stewardship, ocean safety, and respect. Through interviews with lifeguards, keiki, locals, and dive experts, this short documentary reminds us that caring for our oceans means more than picking up your trash it means picking up awareness, responsibility, and love for the ʻāina. A vital message for families, tourists, and communities everywhere.

Get to know the filmmaker:

1. What motivated you to make this film?

As an avid daily beach walker, I witnessed countless dangerous situations involving unprepared visitors, from first-time beachgoers to confident swimmers who underestimated the power of nature. I would come home and share these alarming experiences with my husband, and one day he said, “Kimber, you’re a filmmaker — do something about it.” That was the turning point. I created Pick It Up America! to educate, raise awareness, promote beach stewardship, and showcase the beauty of this incredible island while offering forward-thinking guidance for beaches around the world.

2. From the idea to the finished project, how long did it take you to make this film?

Approximately a year to a year and a half. Once filming was complete, the editing process required additional time to ensure the film was crafted thoughtfully and responsibly. I also intentionally waited for the right moment to release it.

3. How would you describe your film in two words?

Aesthetically educational.

4. What was the biggest obstacle you faced in completing this film?

Encouraging people to feel comfortable being interviewed was a significant challenge. Many were unsure of their expertise or nervous about being on camera. I reassured them that we were simply having a heartfelt conversation. Filming underwater also presented unique challenges. Maintaining safety while capturing marine life in motion required patience, skill, and deep respect for the environment.

5. What is your favorite stage of the filmmaking process?

Pre-production is my favorite because it’s where creativity is born and the idea takes its first breath. I also love post-production, where the project is prepared to meet the world and the marketing journey begins. Distribution is the one stage I have yet to fully experience, and I look forward to embracing it in the future.

6. When did you realize you wanted to make films?

Around 2009–2010. I initially enjoyed acting, but I realized how fleeting teams and opportunities could be. That was the moment I decided to become self-reliant — to write, direct, and produce my own work. Once you find the right editor, the entire creative process becomes even more powerful.

7. What film have you seen the most times in your life?

Goodfellas. Everything about it remains timeless — the performances, music, storytelling, and characters. It’s endlessly compelling.

8. In a perfect world, who would you like to collaborate with?

I already feel grateful for the collaborators in my world. I believe great work comes from passion and alignment rather than name recognition alone. Everyone begins somewhere, and meaningful collaboration can happen at any stage.

9. How was your experience using FilmFreeway?

FilmFreeway has been an extraordinary platform for me. It has helped build credibility, connect my work with festivals worldwide, and serve as a central home for my films. I’ve proudly been a member since 2015 and hope it continues to support filmmakers for years to come.

10. What is your favorite meal?

I tend to eat lightly throughout the day — fresh fruits, vegetables, and protein drinks. Living on an island encourages a fresh, natural way of eating, often sourced from local farms and trees rather than formal meals.

11. What is next for you?

I have two upcoming documentary projects I hope to complete by 2026–2027. One will focus on the Maui fires through the lens of a family’s experience, a story I deeply hope to tell. The second, The Sound of the Soul, explores healing through crystal singing bowls and sound therapy, a practice I’ve personally experienced and believe in, supported by growing scientific interest.