Set in 1890, the Greens (the leftist) vs Reds (Right Wing Faction) fighting for control of the government. Lucretia, daugher of a Red falls inlove with Mariano a stage actor who also happens to be a green. Her father forbids her to see him, and orders him to be killed while she is sent to a convent. However, things don’t go as planned and they both end up running for their lives to Spain away from Columbia.

Get to know the writer;

1. What is your screenplay about?
The Dwarf’s Tale explores a difficult theme. It’s about a man in love with a girl who does not see him as a suitor. Painful as that is to him, he is still willing to help her connect with another man, the one she loves, even at the cost of his own life.

2. Why should this screenplay be made into a movie?
Mostly because The Dwarf’s Tale is a fun movie to watch. There is a circus underlying the whole story. The bearded lady, the strongman and the other performers add a fun side to the story. And of course the setting itself in Colonial Colombia, the jungle, the sea are also visually appealing. It also seems to me to provide a breakthrough role for a talented young actress to play Lucretia. I think the film would have strong appeal to filmmakers and through them to audiences in the four quadrants. This is a classic tale in the vein of pictures like the Hunchback, Pirates of the Caribbean, the Indiana Jones pictures – movies that benefit from exotic settings as well as human interest stories of adventure and romance.

3. How would you describe this script in two words?
Fun Screenplay

4. What movie have you seen the most times in your life?
Tough question. There are movies I’ve seen repeatedly but haven’t kept score. The Blues Brothers, Pirates of the Caribbean, Casablanca, The God Father, Cabaret, One Flew Over The Cuckoo’s Nest, Patton, West Side Story, So many favorites. These are movies I have and continue to watch.

5. How long have you been working on this screenplay?
Not a long time, I would guess four or five months from start to end. I first drafted a treatment of several pages which I broke into scenes. So it was a fill in the blanks process. I presented select scenes to a small group of novelists and poets I’m in as I went. As long as they continued to think the work was good, I continued until it was written. Since completing the script this past January (typing “the end’) I’ve already written another screenplay.

6. How many stories have you written?
Many. Probably two dozen short plays, five or six feature length stage plays and perhaps a dozen screen plays. Also a novel and two more at various stages. Unfortunately, I’m always into the next project without much effort marketing the last one.

7. What motivated you to write this screenplay?
I’ve traveled to Panama and Colombia and was fascinated by the jungle and the canal. My novel, Culebra Cut, was set during the building of the canal. An actor friend of mine, a Colombian actor who has played in two of my stage plays, had a story about the civil war in Colombia he asked me to read. The Calabacillas character, a dwarf, was in that story. I became interested in the dwarf as it reminded me of the Dumas character. As in the Hunchback of Notre Dame, the girl in my story doesn’t see the dwarf as a man she can love. This was so compelling I drafted the story.

8. What obstacles did you face to finish this screenplay?
There was never a question in my mind that I would finish “a” story because I had the whole story in mind when I started to write. In fact, I wrote the last scene first so I knew where it was going. The difficulty was I wanted the last scene at the beginning and the end of the film without giving away the end-end. Even now, I’m not sure that was a good idea.

9. Apart from writing, what else are you passionate about?
I have a wide range of changing interests. It’s easier to say what I am not passionate about. (Marketing is certainly one of those). I’m an animal lover, a flaming political liberal, an amateur historian, a lover of music from Nessun Dorma to Iggy Pop and of Brit Box detective stories. Writing and directing for the stage was a real passion but a degenerative disease of the lower back has put the brakes on that. I did most of the black box work in NYC but travelling there has become a real challenge so I’ve stopped, or at least, paused.

10. What influenced you to enter the festival? What were your on the initial feedback you received?

I was encouraged by a reviewer’s comment to the effect The Dwarf’s Tale had an 18th Century classical literature feel. Who doesn’t want to write a classic? Even before writing I had the feeling a love story about a dwarf in love with a beautiful girl would be a really good tale to tell. When I read “Romance competition” I felt compelled to submit even with the intuition this was not a contemporary story to be received with open arms by TikTok oriented readers. But the postage was cheap.

11. What genres does your screenplay fall under?
I think it crosses into more than one genre. Certainly, it’s a romance. In a larger sense, it’s a multifaceted drama about family conflict, civil war, social injustice, and friendship themes. It’s also an adventure as the lovers and the dwarf flee through the forests from the villainous police chief.

Logline: A young woman struggles with maintaining her relationship with her grandfather as she prepares to go to college.

Get to know the writer:

1. What is your screenplay about?

It’s about an elderly man’s loving relationship with his adult granddaughter that is threatened by life’s priorities and their conflicting views about Jewish identity.

2. What genres does your screenplay fall under?

Dramedy (by I’d say it’s primarily a comedy).

3. Why should this screenplay be made into a movie?

Even though I began writing this close to five years ago – before the recent and horrifying surge in antisemitism in our country — I think an uplifting, heartwarming, heart-breaking, and (I hope) funny story – replete with universal themes of family, love, forgiveness, and death – might, in some small way, mitigate the rancor and division that we are all currently experiencing.

4. How would you describe this script in two words?

Intergenerational dramedy.

5. What movie have you seen the most times in your life?

Superbad.

6. How long have you been working on this screenplay?

Close to five years!

7. What is your favorite song?

These Are Days (10,000 Maniacs)

8. How many stories have you written?

One!

9. What motivated you to write this screenplay?

My father-in-law was, simply put, one-of-kind – and perhaps the sweetest, gentlest person I have ever known. He and my daughter had an unusually close bond that transcended the typical grandfather-granddaughter relationship and grew stronger as she became an adult. An illness required him and his wife to move in with us, and that experience offered plenty of material for a screenplay. About five years ago our extended family gathered together on the anniversary of his death, and the wonderful and funny memories started flowing. I knew then I had the story for my script.

10. What obstacles did you face to finish this screenplay?

I’d say two: (1) I have a busy solo law practice, so it was just hard to find solid blocks of time to focus on it; and (2) while I have two wonderful friends who have provided invaluable and thoughtful feedback throughout the process, I don’t have any contacts in the industry who could provide guidance.

11. Apart from writing, what else are you passionate about?

My family. And I’m working on my golf game!

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I really liked the positive and encouraging feel to it and the emphasis on feedback. I thought the feedback was thorough, honest, and supportive. I am very grateful for this opportunity!

BUY Book: https://www.amazon.ca/Spidersilk-Akutra-Ramses-Atenosis-Cea/dp/1990695183

With an imaginative technical view on the mechanics of time and space, Akutra weaves a schematic of logic that explores the fringes of reality in ways that are within the realm of the possibility and reality. Creating a rich story where one can reach out and touch the possibilities.

Get to know the writer:

1. What is your screenplay about?

Spidersilk tells the story of a tech developer whose father has recently passed away, leaving him on a quest for answers. Mark’s deep engagement with quantum mechanics is part of his everyday existence, and while exploring into his abilities of interconnected dreams and distant realms, the stylishly slick Mark Kheops encounters thieving shadowy beings from a realm teetering on the brink of a black hole that poses a threat to everything and everyone he cherishes. Now, Mark must avoid being kidnapped, thwart the unknown agendas of aliens, discover Earth, and uncover the clues hidden within a video game.

2. What genres does your screenplay fall under?

It is Science-Fiction, Adventure, and Mystery where another world seems oddly both alternative and familiar at the same time.

This is real authentic mind-bending sci-fi, it’s not just a setting.

On a scale of 1-10, 10 being soft Science Fiction and 1 being hard Science Fiction, it is probably a 6.
– The story has many scientific principles built into it, and some real events are the basis for various elements. However, for the sake of the story, these are not explained in detail. Additionally, it is told in a fantastical manner.

3. How would you describe this script in two words?

Mind-blowing Dreamscape

4. What movie have you seen the most times in your life?

Bladerunner

5. How long have you been working on this screenplay?

Off and on for the past three years, about one year was spent on iterations.

6. How many stories have you written?

This is the second story I have completed, but I have several others in the works.

7. What motivated you to write this screenplay?

The story. It is a really good and authentic Science Fiction story, and I feel it would create a very edgy, exciting, mind-expanding, and visual movie.

8. What obstacles did you face to finish this screenplay?

– As a writer, I spent months learning the nuances of screenplay writing.
– Often, when I paid for reviews, the reviewer seemed to have poor comprehension skills, and I did not get constructive criticism.

9. Apart from writing, what else are you passionate about?

Technology, all forms of technology but mostly computer technology

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Initially, it seemed possibly another case of poor comprehension, but after closer review, I found some minor details that the reviewer brought to light, allowing me to make the particular elements in question clearer to the reader/audience. Thus, in the end, I was very happy with the feedback since it was constructive.

11. Why should this screenplay be made into a movie?

This is a mind-bending, mind-expanding, modern, science fiction adventure that has all the elements to make a great movie intertwined with concepts our society is currently exploring like quantum mechanics and planets around other stars. The scenes and characters present many twists and turns.

Some snippets from readers:

“The author’s ability to create credible characters – borderline or not – and colorful prose make this a novel that is completely immersive.”
“Offering obvious technical knowledge and endless creativity, this is both surreal and oddly grounded in a recognizable world.”
“And from here, you will find yourself on a rollercoaster ride full of adventure.”
“This is the most fascinating sci-fi and imaginary novel that I’ve ever read…There are many turns and twists that made me feel at the edge of my seat all the time.”
“The book opens up our minds to a different understanding of reality.”
“The plot is fascinating and keeps you on the edge of your seat all the time. The author created well-developed characters”
“The author through their remarkable skills has portrayed a world where reality meets fantasy”
“The main character in the story, Mark, is well-developed and presented with an intelligence that is appreciated.”
“the characters. I enjoyed the diverse representation, opposed motivations and the unique voice of each character which give an extra point to the whole work”
“this fast-flowing tale of otherworldly exploration through unspoken powers exists right on the edge of magic and technology”

In the dilapidated streets of Brooklyn, Josh runs a failing employment agency that’s haunted by three ghosts. Josh is reluctantly recruited by them to help solve a series of murders. Of Course, Death’s AKA-Al curiosity is piqued and decides he’s in too.

Get to know the writer:

What’s the screenplay about?

It”s about a guy by the name of Josh, who runs or attempts to run an employment agency in the rough side of Booklyn. Josh’s demeanor on the outside is mild mannered, however, there is another side to him that is better left buried. He is able to see ghosts, for whatever reason, and there are 3 living upstairs who are his friends. Mary, his secretary, likes Josh and although Josh doesn’t show it, he likes her too. The three ghosts, Jazmine, George and Detective O’Shaughnessy, frustrated with their ghost boredom ask Josh’s if they can help somehow solve the crime of the young girls who have gone missing or have been murdered. Reluctantly Josh agrees . As it turns out, Mary can also see ghosts as well to her surprise when she stumble unpon Josh and the ghosts upstairs. To make a long story short, they all embark on plan to save the missing girls, and death, AKA, Al, catches wind and decides to help them as a change of pace. Their adventures begin, Mary winds up getting kidnapped and almost dying, death takes a liking to Jazmine, the Columbian rebels, living under immigrations radar in the area come to help them as well as the Brooklyn Police department. Does everyone live happily ever after? Maybe not, as it turns out Mary works for hell, let me rephrase that, she is the queen of hell, and it’s her job not to let the dogooders do too much good and upset the balance of good and evil. But no one knows Mary’s ulterior motives expect maybe death, AKA, Al.

2. Why should this screenplay be made into a movie?

I think if would be fun, feel good movie that everyone could get behind. It’s got laughs, scares, bad guys, good guys, a hero and the girl.

3. How would you describe this script in two words?

Wild ride!

4. What movie have you seen the most times in your life?

That would be Fright Night, the original with Christopher Sarandon

5. How long have you been working on this screenplay?

About 6 months

6. How many stories have you written?

So far the ones that I have written in the past year and half, The Dream, (Most recent), Josh’s Employement Agency, The Solomon Project and 6 minutes.

7. What motivated you to write this screenplay?

The truth? I was kinda real! I have a type of employment agency, in a large, old blue building. No one uses the upstaris. We have window cleaners come down every so often. One day they literally came running downstairs and said, they weren’t coming back. That there was something not right upstairs and that they felt a unseen presence. We all laughed it off after they left, but then just for the heck of it, I asked it the unseen presence could shut off the coffee pot if I forget. Guess what, they did. That’s when the story began:)

8. What obstacles did you face to finish this screenplay?

I had some professional screenwriter take a look at it. One told me that the title was too long! lol Then of course, I took advice from Wildsound. I have always learned to listen to those who know more.

9. Apart from writing, what else are you passionate about?

Medicine, nursing, helping people, education, teaching, dancing, paiting, and the Actor Lee Dong Wook. (Let’s pretend I didn’t say that.)

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Wildsound has clout, respect and has been around for 18 years. That is some serious show business laurels to brag about.I felt if I could impress Wildsound, I had a good chance of impressing others in the industry. Wildsound helped me by giving me some pointers on script revisions which I took seriously and went back to the drawing board in hopes of getting recognized. Looks like it worked.

11. What genres does your screenplay fall under?

Mystery, comedy, supernatural

Newly widowed father, Daniel Lambert, grapples with his skepticism of the supernatural as he moves into a charming old house with his four children, seeking a fresh start after the untimely passing of his wife. The family struggles to adapt to their new life, each of them finding their own way to cope with their grief. However, his teenage daughter, Leila, longing for a connection to her late mother, turns to a séance, hoping to bridge the gap between the living and the dead. Unbeknownst to her, the séance inadvertently opens a portal to a sinister realm, inviting a malevolent spirit into their home. As inexplicable events begin to unfold, David’s disbelief in the paranormal is tested, forcing him to confront his deepest fears to protect his children and reclaim their home.

http://www.instagram.com/echoesfromtheveilmovie

Get to know the writer;

1. What is your screenplay about?

My screenplay, “Echoes from the Veil” is about a newly single father, Daniel Lambert, who moves his 4 children into a new house after his wife dies suddenly and tragically while at work. His second oldest daughter, Leila, wants to try to connect to her mom one more time but she ends up opening a portal and causing havoc on her entire family. The bigger problem is Daniel is basically the definition of a skeptic, so there’s a logical explanation for everything, so everything that goes on not only tests his beliefs but it tests his relationship with his children.

2. What genres does your screenplay fall under?

It’s a drama/horror film.

3. Why should this screenplay be made into a movie?

It’s not your usual “bump in the night” scary story. It has heart, it deals with not just the paranormal aspect, but it goes through everyone’s way of coping with a sudden loss. You want to see this family succeed at staying together, but at the same time you’re terrified at what’s actually trying to tear them apart.

4. How would you describe this script in two words?

Terrifying and emotional.

5. What movie have you seen the most times in your life?

“The Watcher in the Woods”, came out in 1980 starring Bette Davis and Lynn Holly Johnson.

6. How long have you been working on this screenplay?

5 months now, I’m still consistently fixing and rewriting.

7. What motivated you to write this screenplay?

I watch a lot of shows like “A Haunting” “The Haunted” “Paranormal Witness” and hearing the subtle changes in everyone’s lives inspired the paranormal part. The family side of the story was inspired by actual sudden losses in my own family and how we all dealt with that grief. Daniel, the main character, was inspired by an actor I admire and hope to work with.

8. What obstacles did you face to finish this screenplay?

The biggest obstacle was actually the ending. How exactly did I want this to end and how can I make sure everything has reached it’s full circle?

9. Apart from writing, what else are you passionate about?

I’m passionate about directing, I’ve been working on becoming a director. I don’t perform music but I love music and every project I deal with, I listen to a specific playlist every time I write.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I love the passion everyone has about showcasing people’s work. that you’re not just about “hey we read this, this is our feedback” and go on your merry way. You actually care about the screenplays and projects presented to you. The feedback I received for “Echoes from the Veil”, my first thoughts were you gave me advice on what I should fix were thoughts I already had and actually working on fixing now.