Movie Review: WALLY (USA, LGBT, Documentary)

Played at the August 2017 DOCUMENTARY Short Film Festival

by Kierston Drier

This bright, fresh and endearing short directed by Andy Galloway, follows the life and memories of Wally Linebarger- a renowned and beloved art teacher at a religious school who was let go because of his sexuality in the early 1990s. The story follows, not only Wally (as he discusses who he is and what lead him to his decision to come out) but also his three daughters and the effect the issue had on them.

 

Wally will captivate you from the first frame with his emotional openness, his humor, his charm and his endearing view of the world. One of the most effective parts of this documentary, however, is the accompaniment of his children. The documentary would stand on its own without them, but with them it truly raises above and beyond. Wally’s three daughters add a complex and resonant angle to a controversial and heartbreaking matter- that their loving and devoted father was let go from his job, and isolated from a community simply because of who he was. The lasting repercussions of that, in turn, affected them. Their points of view, and their varying experiences, added a critical layer of depth. The film is richer and more poignant for their appearances, confessions, anecdotes and honesty.

 

It is a hard thing to dig through layers of memory, especially when little paperwork or documentation exists. But in the case of Wally, it is done, and with spectacular effectiveness. An engaging story and one worth sharing, Wally is a excellent film.

 

WALLY, 24min, USA, LGBT, Documentary
Directed by Andy Galloway

Wally Linebarger: a man cught in the turbulence of truth. Plagued by a past that longs to define him and a future that remains unsure, Wally presses forward. Despite a life of gain and loss, three lights continue to guide him.

CLICK HERE – and see full info and more pics of the film!

Movie Review: UNTIL DEATH DO US PART, (USA, LGBT, Documentary)

Played at the August 2017 DOCUMENTARY Short Film Festival

by Kierston Drier

Directed by Kristine Kirchmeier, Until Death Do Us Part, is a remarkable short documentary hailing from the USA chronicling the harrowing story of newlyweds Megan and Danielle and their battle with cancer. Only two days before their wedding, Megan is diagnosed with stage four cancer.

What follows in story about two incredibly brave people- made brave by the power of love. Faced with a world of uncertainty, turmoil and potential tragedy, Megan and Danielle show startlingly level-headed composure. Perhaps nothing captures their spirits better than Danielle’s confession to Megan,  “I love you, you idiot. You’re my person.”

What makes Until Death Do Us Part a special piece, is that as a documentary film, it  acknowledges the struggle, concern and desperation of dealing with illness while still showcasing the remarkable resilience of both these women. We see examples of their humanism, their moments of weakness, their fear of the future- while also never once doubting their devotion to one another.

A remarkable film about the lengths we go for love, Until Death Do Us Part is worth the journey. It reminds us all of the things that are worth fighting for.

UNTIL DEATH DO US PART, 8min, USA, LGBT, Documentary
Directed by Kristine Kirchmeier

Young newlyweds Megan and Danielle Love immediately have their wedding vows put to the test after Megan is diagnosed with stage 4 liver cancer a few weeks after they’re married.

CLICK HERE – and see full info and more pics of the film!

TIFF 2017 Movie Review: MEDITATION PARK (Canada 2017) ***1/2

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

Meditation Park Poster

Director:

Mina Shum

Writer:

Mina Shum

Stars:

Sandra OhLiane BalabanTzi Ma

Mina Shum directs an all-star cast — including Cheng Pei Pei, Sandra Oh, Tzi Ma, and Don McKellar — in her latest feature, about a devoted wife and mother (Pei Pei) who is forced to reassess her reverence for her husband after she finds another woman’s thong in his laundry.

by Gilbert Seah

Hong Kong martial-arts superstar Cheng Pei Pei, now in her ageing years stars as Maria, a devoted wife and mother who is forced to reassess her reverence for her husband after she finds another woman’s thong in his laundry.

She discovers that her supposedly devout husband, Bing (Tzi Ma) is not the perfect husband she thought him to be. They are visited by their daughter (Sandra Oh) who wishes her mother attend the brother’s wedding.

The brother has been disowned by Bing. Maria starts tailing her husband to find out more of his affair. At the same time, Maria opens up her life and finds companionship through her assortment of friends as well as though a neighbour (Don McKellar).

She finds that life has more to offer than just tending to her husband, and to one who has been unfaithful at that. There are some magnificent performances on display here, Cheng Pei Pei’s being the most obvious.

Sandra Oh, who has been in Shun’s films in the past is always good and a pleasure to watch. Shun does not compromise her film for the typical Hollywood ending.

EDITATION PARK should be seen for it being Shun’s best work and for Cheng Pei Pei’s controlled yet powerful performance.

Trailer: https://www.youtube. com/watch?v=tMo7DdGdaq8

MEDITATION PARK 1

 

TIFF 2017 Movie Review: BATTLE OF THE SEXES (USA)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

Battle of the Sexes Poster
Trailer

2:23 | Trailer
2 VIDEOS | 37 IMAGES

The true story of the 1973 tennis match between World number one Billie Jean King and ex-champ and serial hustler Bobby Riggs.

Writer:

Simon Beaufoy

Stars:

Emma StoneSteve CarellElisabeth Shue |

by Gilbert Seah

BATTLE OF THE SEXES begins with Billie Jean King (Emma Stone) just winning the women’s singles tennis championship making her number one female player in the world.

King is outraged with the inequality of pay by the National Tennis League, especially with Jack, the chairman (Bill Pullman), who is shown to be the real villain of the story. Bobby Riggs (Steve Carell), arranges the battle of the sexes match, using his loud mouth and publicity to earn himself some cash to aid his failing marriage. To King, winning this match is more symbolic.

It is a milestone for women’s rights for equal pay, a point that is mentioned at the film’s end credits but not made clear throughout the film. The lazy script by Simon Beaufoy (SLUMDOG MILLIONAIRE) never bothers with important details of the story.

The film overdramatizes to the point of laughter. One scene has Billie’s lover in her hair salon shop hearing the news of Billie, realizing that she is needed and dramatically drops everything to leave the salon. The wardrobe of the 70’s has never looked so awful in any other film.The script contains lots of inane dialogue and unfunny jokes.

One line has Larry asking his wife if she was getting a blow dry, with full sexual innuendo. The film sheds no real light on the female rights movement, except what we already know.

Trailer: https://www.youtube.com/watch?v=o5ykcuAS1F4

BATTLE OF THE SEXES

TIFF 2017 Movie Review: SHEIKH JACKSON (Egypt 2017)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

Sheikh Jackson Poster
An Islamic cleric has a crisis of faith when he hears the news that his childhood idol, Michael Jackson, has died.

Director:

Amr Salama

Writers:

Amr SalamaOmar Khaled

Stars:

BasmaAmina KhalilAhmad El-Fishawi

Sheikh Jackson is the nickname given to Sheikh as a kid for loving the pop idol Michael Jackson.

The film concentrates on Sheikh as a grown man, now a devout imam (Ahmad Alfishawy) who tends to be praying all the time and demanding devout behaviour of his children, just as his father (Maged El Kedwany), shown in flashback demanded of him.

Didn’t Sheikh learn from his father’s mistakes? Sheikh is also upset that he cannot cry while praying and sees a female psychologist, the sex of which he objects to.

Salama’s film is all over the place, with no observable goal. He has put on centre a subject which western audiences are unfamiliar with and makes no attempt to make him likeable or connected to the audience. The influence of Jackson over Sheikh is also vague at best.

A few comical moments like watching the father pump weights in the gym like a world class bodybuilder helps elevate this otherwise sordid affair.

Trailer: https://www.youtube.com/watch?v=qsijix35ORE

sheikh jackson.jpg

TIFF 2017 Movie Review: A WORTHY COMPANION (Canada 2017) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

A Worthy Companion Poster
Plagued by the abuse of her past and the turmoil of failed intimate encounters, Laura struggles to find a lover and a sense of normalcy. Her beacon of hope comes in sixteen year-old Eva, a …See full summary »

Stars:

Evan Rachel WoodJulia Sarah StoneDenis O’Hare

Montreal-based fine arts photographers Carlos and Jason Sanchez’s debut feature is a hard psychological thriller which centres on a 30-year-old woman (Evan Rachel Wood) embarking on an intimate yet ultimately manipulative relationship with a 16-year-old runaway (Julia Sarah Stone).

But the woman, Laura begins getting really obsessive and prevents Eva from leaving the house. The relationship turns out to be something like the Stockholm Syndrome. Apparently, though no details are given, Laura has had the same type of ‘stalking’ problems before, as her dad, who employs her mentions in the film.

The film is both disturbing and engaging though one can hardly look forward to a satisfactory or happy ending. Both actresses Wood and Stone bring compassion to their roles and show their need for normalcy.

Unfortunately, as can be seen in the film, this normalcy is not easily to come about and the state of affairs come about from their own personal behavioural flaws.

The film suffers from an open ended ending, which for a film like this, one expects some satisfactory closure.

Trailer: https://www.youtube.com/watch?v=pI1bAF6tOdE

TIFF 2017 Movie Review: EUTHANIZER (Finland 2017) ***1/2

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

tiff.jpgThe carefully balanced (albeit deranged) life of a freelance, black-market pet euthanizer begins to come apart at the seams in this loopy exploitation-movie throwback from Finland, which evokes the brazen psychological insights and aesthetic brio of such grungy genre classics as Monte Hellman’s Cockfighter and Larry Cohen’s God Told Me To.

Director: Teemu Nikki
Writer: Teemu Nikki
Stars: Alina Tomnikov, Santtu Karvonen, Jari Virman

Review by Gilbert Seah

The EUTHANIZER is Veijo, (Matti Onnismaa), an older man with glasses always smoking a pipe who runs a black-market operation euthanizing people’s ailing pets.

The people who go to Veijo either cannot afford having their pet put down by the local vet or have no guts to perform the killing themselves. Each commission also comes with a brutal lecture, as Veijo spills over with Old Testament–style indignation about what shoddy and appalling people his patrons are and how their pets have been mistreated.

Veijo is in reality an animal lover. When his father is hospitalized, he meets the young nurse caring for him. They begin a strange affair, a bit too uncomfortable, I bet to many an audience’s liking.

He also encounters a seedy garage mechanic, Petri (who’s mixed up with a vicious gang of neo-Nazis) who call themselves ‘Soldiers of Finland’ which provide most of the film’s suspense and thrills.

Veijp’s insight and theory of life is intriguing and serves to propel the difficult to fathom plot. But the film works, as director Nikki has the audience constantly rooting for Veijo in this black comedy of manners.

Trailer: https://www.youtube.com/watch?v=bUr9XQxc2gU

TIFF 2017 Movie Review: MIRACLE (Lithuania/Bulgaria/Poland 2017) ****

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

Miracle Poster
Close to bankruptcy, Irena, the owner of a struggling pig farm in tiny post-Communist town finds a surprising benefactor in a handsome American man who appears to be the answer to all her prayers.

Director:

Egle Vertelyte

Writer:

Egle Vertelyte

Edgy, strange and completely engaging, MIRACLE is the kind of small film from a small place like Lithuania (the country’s first film at TIFF in 15 years) that never gets distribution and should be a pick at TIFF.

The story centres on the owner of a struggling post-Soviet pig farm, Irena whose husband is always drunk and is sort of a pig himself. The farm is failing and Irena’s workers make fun of her behind her back. It is all dark and gloomy till an American suddenly appears and brings the so-called MIRACLE into place.

There is another MIRACLE (a plot twist) at the end of the film as well. But not without a price. The American, Bernardas buys and takes over the farm and gives the workers and Irena money for their shares. Irena ends up sleeping with him too.

Vertelyte’s film, especially its dead-pan humour immediately reminds one of the films of Aki Kaurismaki just like the actress who plays Irena looks remarkably alike Kati Outinen, Kaurismaki’s regular actress.

The only problem of the film is a satisfactory ending. But the weird one is good enough for me.

Trailer: https://vimeo.com/231418027

Film Review: HUNTING PIGNUT (Canada 2016)

Hunting Pignut Poster

Bernice, a 15 year old misfit runs away from her rural Newfoundland community in search of Pignut, a tormented and violent gutter punk, after he steals her father’s ashes right out of his urn.

Director:

Martine Blue

Writer:

Martine Blue

Stars:

Taylor HicksonJoel Thomas HynesBridget Wareham

HUNTING PIGNUT can be considered a true female project (from Newfoundland, Canada) with a female writer and director Martine Blue and two strong female protagonists. It is also Blue’s first feature and an autobiographical one at that. It is therefore not surprising that the film won Best First Feature at the Arizona International Film Festival and Best Canadian Feature at the Female Eye Film Festival.

The story centres on 15-year-old Bernice Kilfoy (rising star Taylor Hickson, fresh from her debut DEADPOOL). She hates her life in tiny, isolated Black Gut, Newfoundland. She believes that she will never live down a traumatic childhood that left her body and psyche deeply scarred. Bean (Amelia Manuel), her mother, tries to be a friend but is too busy struggling to get ahead. Self-centred, lonely, starved for attention and shunned by her peers, Bernice, who is bullied and constantly being beaten up, makes up stories about hanging out with her dad, of whom she hasn’t seen in 10 years. Her dejected spirit takes a strange turn when her dad dies of a heroin overdose and Pignut (Joel Thomas Hynes), a nihilistic gutter punk, shows up for his wake.

The death and funeral service occurs at the start of the film. The service is crashed by Pignuts punk friends who are thrown out of the funeral hall. It is discovered that they have stolen the father’s ashes.

Bernice stumbles upon Pignut’s writing journal and becomes obsessed with discovering more about her father, his mysterious facial tattoo, his best friend Pignut and their clan of nomadic gutter punks. Bernice embarks on an odyssey to hunt down her father’s ashes and to discover her place in his heart and in the world.

The best thing of the film is the depiction of the punk gutter scene. Director Blue drew on her previous experiences when she herself was in this scene. These people, squatted, panhandled and ate food from garbage dumpsters.

Bernice is shown in the film as a rebel who dives into the group, which initially rejects her due to her age.

The trouble with the film is that the story is not credible and filled with too may coincidences. The mother, Bean is genuinely trying to make an effort to connect with her daughter and it is hard to believe that Bernice still shuns her. When Bean travels to the city to find Bernice, she finds her out of the blue in a building doing drugs. The chances of this happening is close to negligible. In another scene after Bernice is beaten up by a punk ember, the cops happen to be right there.

At least Hickson and Manuel deliver winning performances as daughter and mother. Comedienne Mary Walsh, who happens to be appearing in anything Newfoundland has a cameo in the film.

Despite the film’s well intentions, like attempting to show love within the punk group, the film fails from its careless writing. The film benefits from a strong female presence but HUNTING PIGNUT deserves much better.

Trailer: https://www.youtube.com/watch?v=XKSGAmuBTN8

MOVIE REVIEW: KAJAL (KOHL) (Drama)

Played at the August 2017 FEMALE FEEDBACK Film Festival to rave reviews.

by Kierston Drier

Most cinema aims to make the audience feel something- laughter or joy, terror and thrill, anticipation and satisfaction. Excellent films achieve this, while also making you think. Spectacular films do all these things while also leaving one with an empowering message. Enter Kajal, which has transcended all these requirements and more. This twenty minute short from Indian directed by Paakhi A Tryewala, is a cinematic masterpiece of beautiful, terror and empowerment. A statement on society through one woman’s solitary tale of domination and resistance. Our heroine, a submissive and cautious woman, disrespected by strangers, ignored by her boss, and berated by her husband, stumbles into a mysterious package on her way home- containing a gun. Empowered by a weapon that finally gives her an element of protection, defense and choice, our hero sets about making changes the the world around her that treats life as though she is less than those around her.

 

It is never the gun that creates the changes- it is our heroine, empowered by the realization that she can wield power- and she does so without ever uttering a word.

 

Kajal is beautifully shot, with gorgeous cinematography. It is exceptionally well cast on every level. The performance of leading actress Salony Luthra is nothing short of awe-inspiring, as she captivates the screen with strength, poise and undeniable grit and determination. This is a rare gem of a film that is composed in near-perfection as it takes the viewer slowly into the life of one woman, prepared to change her world by any means necessary. Yet, the gun that empowers her is a beautiful metaphor for her own power. A gun is only as dangerous as the person who holds it.

Kajal is a must-see film. It resonates with tension, sparkles with anticipation and burns hot with a deep message of empowerment. A breakthrough film with razer-edge execution, it is a riveting cinematic piece to watch. Bravo Paakhi A Tyrewala. Bravo!

KOHL, 20min, India, Drama
Directed by Paakhi A Tyrewala

Like all elements, humans have a saturation point. What happens when a woman — constantly bullied by a boss, harassed by strangers and abused by husband — finds an abandoned package one night?

CLICK HERE – and see full info and more pics of the film!