Film Review: ZOMBIELAND DOUBLE TAP (USA 2019) ***

Zombieland: Double Tap Poster
Columbus, Tallahassee, Wichita, and Little Rock move to the American heartland as they face off against evolved zombies, fellow survivors, and the growing pains of the snarky makeshift family.

Director:

Ruben Fleischer

Writers:

Dave Callaham (screenplay), Rhett Reese (screenplay) | 1 more credit »

ZOMBIELAND begins with the Lady Statue of Liberty Sony Pictures Logo coming off her pedestal and whacking off two zombies, reminiscent of the time she drew guns from her cowboy belt way back when in 1965 at the start of the Jane Fonda western comedy hit CAT BALLOU.  Expect the same zaniness.

ZOMBIELAND takes half the film to pick up.  The first half is a little slow, boring and annoying wth little action, silly special effects, unfunny jokes and impromptu nonsense from the actors.  But be a little patient.  The film improves.  It calls for the narrator Columbus to bring the audience up to date with the state of affairs.  The audience is informed that there are three categories of zombies, the very slow, the stealthy and the new almost invincible breed.

ZOMBIELAND picks up, fortunately once a few comedic set ups set in.  It is clear that the single premise of human beings fighting zombies is insufficient material for an entire film.  One setup involves the meeting of Little Rock (Abigail Breslin) with a musician and their quest to find their Utopia, which in this case is Babylon.  The problem with this one is the really annoying musician boyfriend, (Avan Joglia’s Berkeley) who is as unfunny as he is unoriginal.  Babylon is a sort of hippie haven.   Another set-up, the film funniest and best has the two Columbus and Tallahassee meet their doppelgangers.  Each are unaware oftener own doubles, which make the situation even funnier.  Columbus’s double is as dorky as himself with his own rules which he calls commandments.

A little romance is provided.  One is the couple played by Emma Stone (as Wichita) and Jesse Eisenberg which is a little played out and manipulative.  The other between Harrelson and Rosario Dawson (as Madison) is the wilder but funnier one which is more in tone with the movie.

Performances-wise, Harrelson and Eissenberg deliver exactly what audiences would expect of them.  Harrelson overacts the way he normally does, screaming out his lines while jumping all over the place.  Eissenberg does his usual talky dorky bit.  The two opposites make the perfect unlikely buddies.

For a big budget zombie horror comedy, the special effects are excellent as is expected.  There are lots of gore and violence with some good vomit thrown in.  Chopped limbs, severed heads, gushing blood are plentiful whenever there is a zombie attack. 

The film’s climax is the big zombie attack on Babylon after the residents celebrate with fireworks thus attracting the monsters.  Special effects are turned on to the maximum with lots of pyrotechnics and explosions.

There is one last comedic set-up at the end so audiences that leave at the beginning of the closing credits.  Bill Murray plays himself being interviewed at some sort of comic con convention promoting what is his new GARFIELD 3 movie  When trying to churn out a fur ball with his interviewer, the interviewer strut spewing out vomit and while the convention is then attacked by zombies who are fought off by Murray.  

Is ZOMBIELAND DOUBLE TAP better than the original?  Hard to say as many will not remember the original (back in 2009) being quite some time back.

Trailer: https://www.youtube.com/watch?v=ZlW9yhUKlkQ

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Film Review: THE FAVOURITE (UK/USA 2018) ****

The Favourite Poster
Trailer

In early 18th century England, a frail Queen Anne (Colman) occupies the throne and her close friend Lady Sarah (Weisz) governs the country in her stead. When a new servant Abigail (Stone) arrives, her charm endears her to Sarah.

Director:

Yorgos Lanthimos

Lanthimos’s latest film after DOGTOOTH, THE LOBSTER and THE KILLING OF A SACRED DEER is his most extravagant, with a period setting in a castle with royalty as its subject.

It is the early 18th century when England is at war with the French though the film opens oddly enough with royalty involved with duck racing and pineapple eating.  The poor are taxed and the poor go to war.   A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah (Rachel Weisz) governs the country in her stead while tending to Anne’s ill health, temper and sexual desires .   When a new servant Abigail (Emma Stone) arrives, her charm endears her to Sarah.  Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots.   Abigail schemes to fill in as the Queen’s companion. Their burgeoning friendship gives her a chance to fulfil her ambitions and she will not let woman, man, politics or rabbit stand in her way.

THE FAVOURITE stands as a film that those familiar with Lanthimos will find quite similar to his last movie THE KILLNG OF A SACRED DEER.  As in both films, the status quo of a family is challenged (Farrell’s in DEER and Queen Anne’s in FAVOURITE).  Both sees the arrival of a stranger who is revealed to have closer connections with the family that will shake formalities and turn the family upside down for better or for worse.  Though Lanthimos’s favourite actor Colin Farrell is not in this film, one can see him inhabiting a similar character now taken on by Nicholas Hoult.  THE FAVOURITE also contains Lanthimos’s odd pounding soundtrack and his fade outs to black.  

Lanthimos sees that the audience takes the side of Emma Stone from the very start when she falls flat with her face onto the mud on arrival at the castle.  She can do no wrong, compared to Lady Sarah that the script by Deborah Davis and Tony McNamara ensures the audience dislikes from start to finish.

Both films contain odd dialogue that are funny because they can occur at the least likely moment.  THE FAVOURITE’s best line is when Queen Anne rebutting Lady Sarah when asked to dismiss Abigail: “I will not, I enjoy having her tongue inside me.”  Those unfamiliar with Lanthimos previous films (and better still if the trailer is not seen beforehand) will likely find THE FAVOURITE more amusing, shocking and refreshing while those who are will find him doing the same tricks in a different setting.  All the main actors  Weisz, Stone and Colman have been in Lanthimos past films.  Surprises  are no more surprises if they are expected to occur.  One can say the same for a Lanthimos film – to expect surprise after surprise.  It would be a surprise if his films did not shock or surprise. Still. Lanthimos’s The FAVOURITE succeeds well in its ambitions.  But the dialogue (in literally the Queen’s English) – except one would imagine the words ‘cunt’ and ‘fuck’ were not used in those times – is sped up several notches compared to the slow dialogue in Lanthimos’s other entries.

THE FAVOURITE arrives after the Venice International Film Festival with favourable reviews.

Trailer:  https://www.youtube.com/watch?v=SYb-wkehT1g

Full Review: BATTLE OF THE SEXES (USA 2017)

 

Battle of the Sexes Poster
Trailer

The true story of the 1973 tennis match between World number one Billie Jean King and ex-champ and serial hustler Bobby Riggs.

Writer:

Simon Beaufoy

Stars:

Emma StoneAndrea RiseboroughSteve Carell

BATTLE OF THE SEXES begins with Billie Jean King (Emma Stone) just winning the women’s singles tennis championship making her number one female player in the world. King is outraged with the inequality of pay by the National Tennis League, especially with Jack, the chairman (Bill Pullman), who is shown to be the real villain of the story.

Bobby Riggs (Steve Carell), arranges the battle of the sexes match, using his loud mouth and publicity to earn himself some cash to aid his failing marriage. To King, winning this match is more symbolic. It is a milestone for women’s rights for equal pay, a point that is mentioned at the film’s end credits but not made clear throughout the film.

The lazy script by Simon Beaufoy (SLUMDOG MILLIONAIRE) never bothers with important details of the story. How, for example did King’s husband Larry, learn of his wife’s sexuality. In the film, King tells her hairdresser lover that this is her first time with women, but apparently the husband knows King has has same sex relationships before.
The film overdramatizes to the point of laughter. One scene has Billie’s lover in her hair salon shop hearing the news of Billie, realizing that she is needed and dramatically drops everything to leave the salon.

The wardrobe of the 70’s has never looked so awful in any other film. Did we, in the 70’s really look that bad thinking we were looking so cool? Billie’s husband, Larry ‘s clothes are the worst. Perhaps that might be one reason she later left him. The hair of everyone is just as bad, including Billie’s even after a hairdo from her girlfriend.

The script contains lots of inane dialogue and unfunny jokes. One line has Larry asking his wife if she was getting a blow dry, with full sexual innuendo. The film sheds no real light on the female rights movement, except what we already know. The dialogue contains lot of cheap jokes on women like Riggs saying that he believes women should be on the tennis court, but for picking up balls. These jokes are predictable, told many times before and if they meant to offend women, they still might. Two anti-female remarks are also voiced by two stars Llyod Bridges and Ricardo Montalban shown on old TV footage.

The crucial tennis match between King and Riggs can hardly be called exciting. For one, history already dictates who had won and the audience is in for no surprise. The camera is also placed mainly in one spot, showing the overhead shot of the players. The directors appear more concerned to show the match in long takes than any thing else.

Oscar Winner Emma Stone is too skinny to look like a tennis player. Carell looks remarkably like Bobby Fisher as they are right around the same age in the story. The nude picture of Carell resembles the one taken by Riggs. The rest of the cast of Sarah Silverman, Elisabeth Shue are largely wasted by the script that are unbothered with these characters.

BATTLE OF THE SEXES ends up a boring film on an exciting sport.

Trailer: https://www.youtube.com/watch?v=o5ykcuAS1F4

BATTLE OF THE SEXES 1

TIFF 2017 Movie Review: BATTLE OF THE SEXES (USA)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

Battle of the Sexes Poster
Trailer

2:23 | Trailer
2 VIDEOS | 37 IMAGES

The true story of the 1973 tennis match between World number one Billie Jean King and ex-champ and serial hustler Bobby Riggs.

Writer:

Simon Beaufoy

Stars:

Emma StoneSteve CarellElisabeth Shue |

by Gilbert Seah

BATTLE OF THE SEXES begins with Billie Jean King (Emma Stone) just winning the women’s singles tennis championship making her number one female player in the world.

King is outraged with the inequality of pay by the National Tennis League, especially with Jack, the chairman (Bill Pullman), who is shown to be the real villain of the story. Bobby Riggs (Steve Carell), arranges the battle of the sexes match, using his loud mouth and publicity to earn himself some cash to aid his failing marriage. To King, winning this match is more symbolic.

It is a milestone for women’s rights for equal pay, a point that is mentioned at the film’s end credits but not made clear throughout the film. The lazy script by Simon Beaufoy (SLUMDOG MILLIONAIRE) never bothers with important details of the story.

The film overdramatizes to the point of laughter. One scene has Billie’s lover in her hair salon shop hearing the news of Billie, realizing that she is needed and dramatically drops everything to leave the salon. The wardrobe of the 70’s has never looked so awful in any other film.The script contains lots of inane dialogue and unfunny jokes.

One line has Larry asking his wife if she was getting a blow dry, with full sexual innuendo. The film sheds no real light on the female rights movement, except what we already know.

Trailer: https://www.youtube.com/watch?v=o5ykcuAS1F4

BATTLE OF THE SEXES