film festival reviews

Interview with Festival Director Marc D. Lyons (Variety International Film Festival)

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The First Annual Variety International Film Festival (June 1st & 2nd, 2018) will feature emerging filmmakers in various mediums.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Marc D. Lyons : Our festival is providing a platform of exposure for independent filmmakers, specifically targeting minority filmmakers with a unique approach to the craft and a fresh voice and vision to the industry as a whole.

2) What would you expect to experience if you attend the festival this year (2018)?

This year we couldn’t be happier with our submissions! Variety is definitely the word to describe this years festival. From the storylines, to the unique subject matters, our festival audience is sure to leave enlightened as well as entertained.

3) What are the qualifications for the selected films?

Our rules are simple. Entries must be no longer than 25 mins. That’s it!, other than that, we maintain a strict rule of never stifling anyone’s creativity, the sky’s the limit! If you can dream it, we can screen it! (cheesy yes!, but it’s true!)

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Absolutely!, it can be so hard just starting out in this industry!, all you want is a chance for your work to get seen and your voice to get heard, but the problem is, you have to start at the bottom, and unfortunately that means the quality of your work may not be up to certain festival standards. We try to look past budget issues and see the artists vision. That’s what makes us so different from other festivals.

5) What motivates you and your team to do this festival?

The children and young adults!, we have a huge adolescent following, seeing the hard work and dedication these young people have put into these films makes it all worth it. Seeing what they did on a shoestring budget and through pure hard work and determination is remarkable.

6) How has your FilmFreeway submission process been?

We love partnering with filmfreeway!, its literally a one stop shop for fillmakers and festivals!, we can screen and judge all in one place. It makes life so much easier not having to chase down the many different formats films today come in.

7) Where do you see the festival by 2023?

We hope to continue to be the launching pad for emerging filmamkers, our ultimate goal is to inspire the youth of today to think outside of the box and create the next multimedia phenomenon. Finding their voices through life’s most powerful medium. The cinema!

8) What film have you seen the most times in your life?

That’s a difficult questions Personally, there aren’t many films that I have NOT seen. I am a true film fanatic. But to answer your question, it’s a tie between “Giant” and “Good Will Hunting”. I’m a sucker for a great storyline and character ark.

9) In one sentence, what makes a great film?

A great film is a film that never gets old, no matter how many times you’ve seen it!

10) How is the film scene in your city?

Astoria is truly America’s melting pot. It’s a unique, very diverse city filled with character and creativity.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every single month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 3 times a month. Go to http://www.wildsoundfestival.com for more information and to submit your work to the festival.

Interview with Festival Director Frances-Anne Solomon (CaribbeanTales International Film Festival (CTFF))

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The CaribbeanTales International Film Festival (CTFF) celebrates the talents of established and emerging filmmakers of Caribbean heritage who practise their art across the Caribbean Diaspora worldwide – including Canada and the Caribbean, Europe, the Americas, Africa, China, India and the Middle East. CTFF presents a multi-ethnic mix of exciting and dynamic films that showcase diverse shared stories and cultures.

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    • Matthew Toffolo: What is your film festival succeeding at doing for filmmakers? 

    Frances-Anne Solomon: CaribbeanTales International Film Festival is the only annual Caribbean film festival in Canada. We focus on promoting filmmakers of colour and celebrating the talents of established and emerging filmmakers of Caribbean heritage worldwide. Over the past 13 years we have built an incredible community of filmmakers through not only our festival but our various support programs such as the CaribbeanTales Incubator that now has a 5 year production deal with Flow, our accelerators that take place around the world in places like south africa, belize and cuba , our short film challenges for emerging talent, our production slate, and our year-round screening series and partnerships. We love to watch our filmmaking community grow — and know that we have had a part in helping to build careers and talent.

    What would you expect to experience if you attend the festival this year (2018)? 

    Our festival theme this year is ‘Light It Up’. We are programming films that inspire change and push boundaries, films that are speaking to the changes we want to see in the world. It’s a call to action. A call to arms. A call that’s been ringing out for a long time and Caribbean filmmakers are answering that call in force. We’re asking them to focus their light on all the changes in the world, to showcase their vision of change and spread their message, to lead the way. The world can be a dark place, but we can look at that darkness and say ‘Light it Up.’ Our festival runs across 10 days and cinema-goers will have a chance to see a broad spectrum of films from around the region and the diaspora, with themes ranging from legacy and culture, women of colour creators, revolution, environment, LGBTQ plus many more.‬

    What are the qualifications for the selected films? 

    The director, producer, writer or lead character in the film needs to be be of Caribbean heritage. We accept feature-length films, short films or web-series and the project can be any genre, including documentary, fiction – drama, thriller, comedy, scifi/horror or animation. Filmmakers can submit through our website www.caribbeantalesfestival.com

    Do you think that some films really don’t get a fair shake from film festivals? And if so, why? 

    Programming is a complicated and difficult task, and yes often certain films may never be seen because they don’t fit into the program or the programmers aren’t in touch with the issues of various communities. However, the world is changing and we are thrilled to see more focus on filmmakers of colour, especially women. CaribbeanTales was founded and is run by women of color so this issue is close to our heart. We started the festival at a time when there was a need to focus on people of colour and we have been working steadily for 13 years to change the way festivals are programmed and what films get to be seen by a wide audience through not only our festival but our distribution platform www.caribbeantales-tv.com. 

    What motivates you and your team to do this festival? 

    It’s the absence of a platform for our work and realizing that the way to solve the problem was for us to create that platform ourselves and to show the work that we believe in. One year, someone approached me and suggested that since I had so much content they would work with us to set up a film festival. After that first festival experience, I thought, this could solve all of our problems – of visibility and access. We were making films and they were not being shown anywhere. So we created the platform and we solved our own problems. I like to think that we started a movement. It’s about being inspired by work that reflects different expressions of our reality.  

    How has your FilmFreeway submission process been? 

    As a programming team it has been wonderful, in that, our comments and thoughts are very visible and accessible. We aren’t necessarily finding an audience on Film Freeway but those who have submitted have noted that it has been a smooth process.

    Where do you see the festival by 2023? 

    Our festival has been blessed with an incredible, dedicated community of Caribbean diaspora, who attend regularly. What we’d like to see in the next few years is to expand our audience into the younger diaporia community both in Toronto and around the world. We are so inspired by the change that is occurring and we feel we have a voice in that. We’re hoping to partner with more top media and corporate sponsors who understand our mission. We’d also like to expand our Short Film Challenges so that we can provide enhanced funding and support to the film community and eventually create a feature-film fund for emerging filmmakers.

    What film have you seen the most times in your life? 

    The Piano by Jane Campion just blew my head right off. It’s an epic post-colonial female-driven story, just the kind of film I see myself making really. A heroic journey, in which the hero is a woman who traverses wild and challenging terrains and triumphs in the end. A mother daughter story in which each saves the life of the other. A complex tale. I loved how interior and quirky the story was. The only thing I’d change is of course the ethnicity of the central character – I seek to tells stories of women of color. But it was a great starting point for me in my own journey.

    In one sentence, what makes a great film? 

    For me a great film is one where  the audience can dive into the lush emotional world of memorable characters, and a central character who dreams and dares passionately. A great film is one that packs an unforgettable emotional punch. 

    How is the film scene in your city? 

    Toronto has a truly vibrant and engaged film community. There are so many outlets for filmmakers to connect with the film scene here, from screenings, workshops, panels and more year-round. In the last couple of years we have seen a dedication towards gender parity from the top down, which has really increased the amount of female filmmakers being seen and heard. There is a strong filmmaking community of colour as well, we have festivals dedicated to every country and ethnicity you can think of. We all interact with one another, creating a wonderful community of support. 

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    Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every single month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 3 times a month. Go to http://www.wildsoundfestival.com for more information and to submit your work to the festival.

Film Review: THE 15TH HUMAN RIGHTS WATCH FILM FESTIVAL 2018

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THE 15TH HUMAN RIGHTS WATCH FILM FESTIVAL 2018

The 15th annual Human Rights Watch Film Festival, co-presented by TIFF and Human Rights Watch, features a diverse lineup celebrating the power individuals can hold in complex social and political situations.

A total of 7 films will be screened.  Capsule reviews of 3 films are provided below.

The festival is an opportunity for both organizations to come together to recognize the essential role that compelling storytelling plays in helping shine a light on important issues, from citizen journalism in West Africa to the difference spoken-word can make in the Arab world. Of the seven exceptional features that make up this year’s edition, five were directed by women.

Most screenings will be accompanied by exciting discussions with filmmakers, Human Rights Watch researchers, or subject-matter experts to spark conversations around the challenging issues featured in the films.

For more festive information, please check the fsetival website at:

https://www.tiff.net/human-rights-watch/

The festival runs from April 18th – 25th.  Tickets are NOW on sale.

OPENING NIGHT FILM:

 

ON MY WAY OUT: THE SECRET LIFE OF NANI AND POPI (USA/Canada 2017)

Directed by Brandon Gross and Skyler Gross

 

The film opens with seniors Roman (Popi) and Ruth (Nani) in a senior home kissing each other affectionately.  The two have been married for 65 years.  Popi says: “If you have problems, you work it out!  These days people use divorce as a way out.”   But at age 95, Roman reveals a secret that tests their seemingly invincible union, in Brandon and Skyler Gross’ touching portrait of their grandparents.  Nani and Popi have gone through a lot, as Holocaust survivors who tragically lost family members, their lives have been filled with darkness. But somehow, their remarkable spirits allowed them to persevere and “succeed” in America. The film also shows a candid heated argument between the two showing that their long term marriage is not always smooth sailing.  The film is essentially a home movie, but extremely well presented.  The very moving film will definitely bring tears to the eyes of the audience which is likely the reason this doc had been selected as the opening night film.

Trailer: https://www.youtube.com/watch?v=YGQmL3o__w4

THE OTHER SIDE OF EVERYTHING (Serbia/France/Qatar, 2017) ***

Directed by Mila Turajlic

The film begins with a locked door inside a Belgrade apartment that has kept one family separated from their past for over 70 years. As director Mila Turajlic begins an intimate conversation with her mother, the political fault line running through their home reveals a house and a country haunted by history.  The chronicle of a family in Serbia turns into a searing portrait of an activist in times of great turmoil, questioning the responsibility of each generation to fight for their future.  The main character on display is the mother, who has received an award in University for being the professor most involved in protests.  Lots of old newsreel footage and archive home videos authenticate the proceedings.  The film unfolds like a history lesson (there is little spicing up of the details) and those who are aware or involved with the old Serbia and Yugoslavia might be in for a trip down nostalgic (though not always pleasant) lane.

Trailer: https://www.youtube.com/watch?v=OJvB6VgVlY4

WHAT WILL PEOPLE SAY (Norway/Germany Sweden 2017) ***1/2

Directed by Iram Haq

When Nisha (Maria Mozhdah) is caught with a boy in her bedroom, though nothing really happened between them, her concerned parents kidnap her and send her to Pakistan.  The film traces Nisha’s kidnap to her abode in Pakistan where she lives with her cruel aunt and uncle.  Things get even worse, after a failed escape attempt and her being caught by the police smooching with her cousin.  They call Nisha’s dad (Adil Hussain) to take her back to Oslo.  The father is madder than ever and at one point forces her to commit suicide, which she doesn’t.  Director Haq has the audience clearly on Nisha’s side.  Firstly, she is largely innocent, only guilty of wanting to have some fun any normal teenager seeks.  When she suffers, she is also shown to earnestly want to turn over a new leaf.  The film benefits from superior performances from both Mozhdah as Nisha and Hussain as Nisha’s dad.  It also helps that Haq has developed real characters, not just one dimensional cardboard ones.  The film is not devoid of humour (like the egg lady on the bus in Pakistan).  Haq also shows the different culture and lifestyle in Pakistan compared to Norway.  WHAT WILL PEOPLE SAY is an engaging film that makes its point, while sending a message at the same time.

Trailer: https://www.youtube.com/watch?v=b8_dBOzufWQ

Interview with Festival Director Eric Morgret (Crypticon Seattle Horror Film Festival))

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In 2017 Crypticon Seattle was picked as the Best Convention in Seattle by the readers of The Seattle Weekly. Crypticon Seattle, the convention is in its 11th year and Crypticon Seattle Film Festival is in its 7th year. Crypticon Seattle is the convention celebrating the Pacific Northwest’s Darker Side. Three days of your favorite actors, authors, and artists, along with tons of new people and things you never knew existed. But we are so much more than a tidal wave of blood, guts, and scares.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Eric Morgret: We provide a fun event with an amazing convention around it. It is a little different than most festivals. We are in a hotel and don’t have a full theater set-up. We do however love the films and are always adding things every year to make the event better for filmmakers. Adding, meet and greets and special events. We have a couple of big things being added this year that have not been announced yet.

Crypticon has stars in attendance some filmmaker have deals made at the convention. With shorts and features we show a year later, it’s been fun to watch.

2) What would you expect to experience if you attend the festival this year (2018)?

We are adding a few new elements that will enhance the experience substantially. Most are filmmakers only so I can’t announce them here. We are working hard to make the film room feel more like a theater and have some changes that should help that.

You will have your film shown with a post-screening Q&A; we have convention parties going over the weekend, with a huge vendors room, panels to attend, classes, contests, and huge events. We will have filmmaking training classes and more.

3) What are the qualifications for the selected films?

We are looking for the story and something a little different. We like quality filmmaking chops, but we do love to show low-budget shorts and some have low-value production values.

First and foremost is the story and something interesting to show.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Sure that does happen. I am sure we have been guilty of this as well, but we try very hard not to be. We view all submissions; this does not always happen at every festival. In the end, festivals are run by people, we do mistakes, and we have huge differences of opinion. What one festival thinks is the most brilliant thing they have other seen another festival with thinking it’s terrible and would never show it. This can feel like your not being treated fairly; I don’t think it’s done intentionally. Since I also am a filmmaker and work hard to get my films shown, I know how this can feel. In the end, it is still people running the event, and they aren’t ever perfect.

5) What motivates you and your team to do this festival?

We love horror movies! We love to represent the films and shorts you may not see otherwise. The world is stuffed with ways to watch movies, festivals like Crypticon Seattle and BoneBat Film Festival are here to help you dig through the noise.

6) How has your FilmFreeway submission process been?

It’s a great service! I think we were the 4th festival to sign up for them a few years back and since day one they have been responsive and helpful with any questions we have had. They also work hard to improve the service and are always adding useful services and tools.

7) Where do you see the festival by 2023?

More fun, more expansive, crazier, and all around full of awesome filmmakers and film fans!

8) What film have you seen the most times in your life?

One? Hmmm, how about a few. Horror is my favorite genre but I love all films. The movie that changed the way I watch movies was Amadeus. No idea how many times I’ve seen that movie. A few heavy hitters in horror that I’ve watched a ton: Carpenter’s The Thing, Hellraiser, Re-animiter, Hammer’s Dracula. Recent films: Blade Runner 2049, It Follows, The Autopsy of Jane Doe, and so many more…

9) In one sentence, what makes a great film?

Tell a good story, and tell it in your original creative voice.

10) How is the film scene in your city?

Growing! I started my first festival almost ten years ago, and the local submissions were few and far between. In 2017 we had enough quality NW shorts to have a Northwest Filmmakers showcase. It lasted an hour. This year we have 2 hours of shorts and two features for our NW Filmmakers Showcase. It’s exciting to see what is going on around here from Seattle to Portland to Boise our NW filmmakers are stepping up and making great movies!

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every single month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 3 times a month. Go to http://www.wildsoundfestival.com for more information and to submit your work to the festival.

Interview with Festival Director Terra Renee (African American Women In Cinema)

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Each year African American Women In Cinema host one of the most celebrated female film events in the country that shines its luminous spotlight onto ambitious women filmmakers from all over the country and the world!

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Terra Renee: Bringing awareness of women filmmakers of color

2) What would you expect to experience if you attend the festival this year (2018)?

An interesting variety of film entertainment programs as well as special keynote panels on social issues such as the metoo movement and the importance of voting.

3) What are the qualifications for the selected films?

The film have to be written or directed or produced by a woman of color.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Interesting question, I have not thought about looking at festivals in that light.

5) What motivates you and your team to do this festival?

The lack of opportunities for women of color, although we are starting to see some breakthroughs now.

6) How has your FilmFreeway submission process been?

It’s really simple and to the point, not much of an issue.

7) Where do you see the festival by 2023?

Global

8) What film have you seen the most times in your life?

A hard question because there were so many. I will give you one, Stone Mansion.

9) In one sentence, what makes a great film?

A good story with excellent acting talent great production, fabulous directing with superb editing.

10) How is the film scene in your city?

Pretty active!

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every single month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 3 times a month. Go to http://www.wildsoundfestival.com for more information and to submit your work to the festival.

Interview with Festival Director Amanda Drewniak (Ardor Creative Media)

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 Ardor Creative Media is a “NO BULLSHIT” Non Profit for film and filmmakers. They strive to bring forth the best in Seattle Independent Film making.

http://ardorcreativemedia.com/

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Amanda Drewniak: Cine City is curated by our non-profit Ardor Creative Media. Cine City is only the piece of the puzzle for local Washington State Filmmakers. This monthly Screening encourages our local filmmakers not only to create but exposes their film(s) to audiences that may have not seen it or known about local made films in our community. Especially since Cine-City has no submission fees, we reach out to more local participants who both can and cannot afford the steepening fees of other festivals. We also have very basic rules to encourage “unknown” filmmakers to create: 1. The film overall must be playable 2. You must show up to the screening (filmmakers get 2 free tickets) and support your film otherwise you do not qualify for the “Best Of” final competition of the Year. 3. You must live in Washington State to participate.

What would you expect to experience if you attend the festival this year (2018)?

We hold our monthly screenings at Naked City Brewery and Taphouse in their screening room, it’s a small space (75 max occupancy) so it can fill up fast. During all screenings you get full food and bar service. In addition to our film screening, Jeffrey Robert (aka The Gay Uncle) a wonderful local comedian and host works the crowd, conducts trivia (with prizes) at the beginning of the event, leads the Q & A session with the filmmakers at the end of the event and enforces the rules on voting for audience favorite films. At our end of year festival or “Best Of” in November we take all the films that were voted best during the year and have them compete against one another for prizes. Films are voted on by the audience and we announce the winners at the end of the night. At this event, we have harder trivia questions (with better prizes) and a silent auction.

Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

As someone who has screened for local festivals, I really think that most festivals are revenue driven. I understand the need to cover overhead and pay your employees but I do feel more could be done to encourage our local filmmaker scene. I mean of course I have turned downed films at Cine City, you have to have a quality standard. I usually send an email explaining why the film was not accepted. Few times I have had a filmmaker comeback with a better film. I do not think there is enough encouragement of talent and cultivating a supportive scene that will ensure quality films are made locally.

What motivates you and your team to do this festival?

Over all, we love film. We love watching films, making films. We want to see more of what Seattle has to offer. It’s hard at times and we feel we want to quit because some screenings have a tough crowd or you get your share of egos thrown at you but every month we comeback to it. We push through and cultivate the type of screenings we want to see more of. We want our neighborhoods and communities to see we have strong talent and quality local entertainment.

How has your FilmFreeway submission process been?

I personal feel the FilmFreeway process has definitely made receiving submissions easier. It helps me organize submitted films into subcategories and helps me stay organized for the Best Of at the end of the year.

Where do you see the festival by 2023?

We are so low budget, I really just take it a year at a time. I hope by 2023, our screenings will become more popular and we can have several a month in different areas of the city and create a really nice Best Of that attracts audiences from out of state to come just to see what Seattle and Washington State has to offer. In general I think Seattle should be the film epicenter of the Pacific Northwest.

What film have you seen the most times in your life?

What a tough question. I am constantly looking for something new. Hmm.

In one sentence, what makes a great film?

For me, the ride. It doesn’t have to be the greatest fim created, I just have to enjoy myself. Sorry that was two sentences and this one makes three.

How is the film scene in your city?

Are you asking me to ruffle some feathers? I mean that’s what I do, in my city with film, I ruffle feathers. I love the filmmakers, I love the talent, I think it’s disorganized. I think we need a big wig or two to come through and encourage filmmakers to be proud of their work and encourage our communities to stand behind them. I am originally from Miami and it was a culture shock to see how many filmmakers rush to finish a record amount of films a year and do not slow down and cultivate a project, market a project, and support a project. It’s been a bit of an uphill battle but I am slowly winning people over. I really truly believe there is more to the Seattle film scene and Seattleites just haven’t discovered it in themselves yet. I am hopefully that by 2023 Seattle’s filmmakers will have more courage under their belt to pour their hearts into their projects. I have hope for all the talented people here.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every single month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 3 times a month. Go to http://www.wildsoundfestival.com for more information and to submit your work to the festival.

Interview with Festival Director Lari Teräs (Toronto Int’l Spring of Horror & Fantasy Film Festival (TISH))

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Toronto Int’l Spring of Horror & Fantasy Film Festival (TISH) had its first event in 2016. The festival was launched by filmmakers and genre film aficionados Lari Teräs and Jonathan Lewis in order to give people of Toronto access to quality genre films throughout the year.

Our aim is to showcase the best genre films from around the World from new filmmakers and seasoned veterans. We focus on new voices and prefer creativity over big budgets. In addition to dedicated short film blocks, we aim to schedule each feature with one short and a genre appropriate music video at the beginning to set the mood. We also run Toronto’s first and only annual Scream Queen/King Competition along with other social events.

Our lineup will be announced March 10, 2018 and the festival will be held April 6-8, 2018 at the Carlton Cinema.

http://www.springofhorror.com/
https://www.facebook.com/SpringOfHorror/
https://filmfreeway.com/TorontoSpringOfHorrorFantasy

 
Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Lari Teräs: We offer a fun environment to screen their work in downtown Toronto. We promote the films before and over the course of the festival; buying Facebook ads, blasting the trailers out not only promote us, but also the filmmakers and their films. We then continue promoting their films after the festival while visiting conventions such as Horror-Rama and on our social media.

If wanted, we give feedback to anyone who asks regardless of whether their film was accepted to screen or not. Toronto is also home to plenty of reviewers and distribution companies to whom we have been making our presence known more as we have grown.

After we ended up on FilmFreeway’s Top-100 Best Reviewed festivals list, we were then contacted by a very notable production company asking for insights on upcoming filmmakers and we were more than happy to drop a few names from our Alumni, hopefully aiding them further in their careers.

To top it off, in keeping with the fun nature of the festival, we award the best films with our coveted Cleaver the Beaver bobblehead(!) statue.

2) What would you expect to experience if you attend the festival this year (2018)?

We think genre films and festivals should be fun and the atmosphere relaxed. In addition to the screenings and Q&A’s, the venue (Carlton Cinema) is fully licensed and we hold two bar nights as well as Toronto’s first and only annual Scream Queen/King competition. That is an experience by itself both to viewers and participants. All that combined makes it a very fun and social atmosphere.

3) What are the qualifications for the selected films?

We appreciate creativity and new ideas. The main criteria is that they are genre films (horror, fantasy, sci-fi, etc.) or something genre film fans would like to see. Assuming the film fits our categories, we rate how much we enjoyed watching the film, whether we would want to go see it ourselves and whether it had elements we had never seen before.

Part of the selection process is keeping a good variety and balance of different types of movies. Late night, we like to schedule something more gory and outrageous while daytime might be better suited for more contemplative films.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

I do believe that nowadays there is a good variety of festivals out there catering to most types of films. Genre films like horror and fantasy might be underrepresented at the very high profile festivals, but horror fans are pretty good at finding their way to the genre film festivals.

5) What motivates you and your team to do this festival?

Basically our love of movies. I’ve always enjoyed watching movies and hosting movie nights for friends at my house. After doing a festival tour with my film Blood Riders and experiencing a wide variety of festivals (good and not so good), we wanted to expand those movie nights to a festival of our own. We also realized that there was a large gap in horror film festivals in the spring in Toronto, so we decided to fill the void since we believe good genre films should be available all year long!

6) How has your FilmFreeway submission process been?

The submission process has been great. Last year we got on the Top-100 Best Reviewed Festivals list for quite a while, which definitely boosted our submissions significantly. Furthermore, we have noticed filmmakers whose works we have previously screened resubmitting to us, which is always nice to see. The only downside is that the amount of quality submissions we receive makes the selection process very hard.

7) Where do you see the festival by 2023?

As mentioned before, our submissions have increased significantly, and our attendance also hiked last year, so we’re looking to extend our festival by a few days very soon and hopefully have a weeklong event by 2023. We’ve always played music videos in front of our screenings and we’re looking into introducing live music at our parties in the coming years.

However, our main goal is to always keep the fun and social atmosphere going. Bigger, Better and Bloodier!

8) What film have you seen the most times in your life?

Donnie Darko. It is an extremely well written and beautifully shot film that really captivated me when I first saw it. The absolutely hilarious “Tucker and Dale vs. Evil” is a close second.

9) In one sentence, what makes a great film?

Interesting story supported by witty dialogue with complex characters drenched in blood. (Blood may or may not be optional depending on the genre…)

10) How is the film scene in your city?

The film scene in Toronto is very active both on the independent and studio film side. It is without a doubt one of the top markets in North America. The horror film scene should also get a special mention as it is very supportive of each other and a delightful group to be a part of.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every single month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 3 times a month. Go to http://www.wildsoundfestival.com for more information and to submit your work to the festival.

Interview with Festival Director Banks Helfrich (LIFE SCREENINGS Festival)

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This 80 minute event goes beyond movie night and into a shared experience which includes films, filmmakers, lovers of film and engaging conversation. International filmmakers are Skyped in to partake in an encouraged, relaxed exchange of ideas.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Banks Helfrich: Life Screenings exposes filmmakers to inquisitive audiences. Through Skyping, it also fosters direct feedback for the filmmaker.

2) What would you expect to experience if you attend the festival this year (2018)?

Life Screenings is an exploration of life through film. Audiences receive direct contact with the filmmaker’s minds through a thorough talkback.

3) What are the qualifications for the selected films?

Life Screenings criteria encompasses two qualifications: 1. All films must be under 15 minutes; 2. All films must show a world that we want to live in.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

I can only speak for Life Screenings and we specifically search out films which meet our criteria.

5) What motivates you and your team to do this festival?

Life Screenings sole purpose is to share a world that we want to live in through film; to connect filmmakers and film lovers in a conversation to better understand each other.

6) How has your FilmFreeway submission process been?

The FilmFreeway submission process has been thoroughly helpful in connecting filmmakers from around the world to us.

7) Where do you see the festival by 2023?

Life Screenings 2023 will be in every major city in the world; it will be invited to the top attended film festivals in the world to curate at least one two hour block; it will be invited into people’s living rooms to share with others in a communal intimate atmosphere.

8) What film have you seen the most times in your life?

Amelie

9) In one sentence, what makes a great film?

A great film is one that has a connective quality of specificity in telling a story based on the human condition. In other words, it’s story.

10) How is the film scene in your city?

Orlando has a thriving educational film scene with three colleges. It is exploding with students learning to tell a story with moving pictures.
 

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every single month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 3 times a month. Go to http://www.wildsoundfestival.com for more information and to submit your work to the festival.

Interview with Festival Director Larry Rosen (Northeast Film Festival Horror Fest)

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Northeast Film Festival Horror Fest showcases top independent films in the genres of horror and thriller, from established filmmakers as well as new talent. The high quality films, selected by a committee, includes features and shorts as well as screenplays. The festival is hosted in Teaneck New Jersey at the historic Teaneck Cinemas; with an after party to relax and network during the festival in style and spirit.

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Get to know the Festival:

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Larry Rosen: We are offering a showcase of quality films and creating an atmosphere of networking and discussion among filmmakers, actors and film enthusiasts. This helps in bringing about collaboration for the filmmakers. Many of those who attend, meet actors they wish to work with, people they want to collaborate with, or are getting a good springboard as they continue on the festival circuit. We also have a very good record of [feature] films going on to getting distribution and [short] films continuing with success on the festival circuit.

2) What would you expect to experience if you attend the festival this year (2018)?

To see quality films and meet a lot of great people who are excited by indie films and the genre. Plus everyone is treated like a celebrity, so they feel included in the red carpet and after party.

3) What are the qualifications for the selected films?

For NEFF Horror Fest, we search for films in the horror or thriller genre that still tell a story and captivate the audience.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Most festivals, films with a $500 budget are competing against films with a $500,000 budget. So sometimes people get caught up in the fx and celebrities. But the core is still good storytelling.

5) What motivates you and your team to do this festival?

The team are all people who work in the film industry. Whether as directors, writers, actors, or any other position. So we all have a passion for independent film and giving filmmakers the opportunity to showcase their work [in a beautiful theater].

How has your FilmFreeway submission process been?

Some people like the FilmFreeway platform better, so it offers an additional submission platform. Many still like Withoutabox, so we utilize both.

7) Where do you see the festival by 2023?

The NEFF Horror Fest is already a genre festival created by the overflow of our main festival, Northeast Film Festival. By 2023, I see NEFF Horror Fest growing in size to accommodate the increase in submissions and quality of those submissions; as well as another genre festival of some sorts, developing from Northeast Film Festival.

8) What film have you seen the most times in your life?

Either The Usual Suspects, because of the twist and pieces that are hidden throughout, or The Fugitive, because of the focus on the characters within an action-drama.

9) In one sentence, what makes a great film?

A film that can draw the audience into the reality of the film through strong storytelling and compelling acting.

10) How is the film scene in your city?

Teaneck, NJ is technically a suburb of NYC. NYC has a very strong independent film scene and Teaneck offers a supportive atmosphere for the arts and film.

Toronto Irish Film Festival

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The 8th Toronto Irish Film Festival (TIRFF) runs from March 2nd to the 4th.  The festival opens with  “Best Film” winner (A DATE WITH MAD MARY – capsule reviewed below) at the 2017 Irish Film & Television Awards with a gala presentation.  Venue is the TIFF Bell Lightbox, with highlights of a wide range of films from award-winning features, documentaries and family-friendly animated films.  The weekend is jam packed with Irish cinematic treasures, including North American and Canadian premieres, short film and documentary showcases and very special guests.

The Opening Night Gala on Friday, March 2nd features the Toronto premiere of A Date for Mad Mary by director Darren Thornton. Starring Bingham Ray New Talent Award winner Seána Kerslake (Can’t Cope, Won’t Cope), Carolyn Bracken and Charleigh Bailey, A Date for Mad Mary is a heartfelt dramedy about a woman recently released from prison seeking a date for her best friend Charlene’s wedding. When Charlene refuses Mary a “plus one” on the grounds that she probably couldn’t find a date, Mary becomes determined to prove her wrong. But her attempts at dating are a disaster and she winds up feeling more alone… until she meets Jess, a lesbian wedding photographer, and everything changes.

“This year, showcased films directly address the pertinent issues of today’s world, including same-sex relationships, mental health and delicate political negotiation.  Framed within the unique Irish perspective, Ireland is shown here to be a nation rich in the art of compelling storytelling”, states Michael Barry, Co-founder & Director of Marketing and Communications.

The full program is outlined below with 3 of the films capsule reviewed:

TIRFF 2018 Film Program

Opening Night Gala Presentation

A DATE FOR MAD MARY (Toronto Premiere)

Friday, March 2nd | 7:00 pm

Director: Darren Thornton

Run time: 72 mins

Winner of the Best Film at the 2017 Irish Film and Television Awards, A Date for Mad Mary is a heartfelt dramedy about a woman recently released from prison seeking a date for her best friend Charlene’s wedding. When Charlene refuses Mary a plus one on the grounds that she probably couldn’t find a date, Mary becomes determined to prove her wrong. But her attempts at dating are a disaster and she winds up feeling more alone… until she meets Jess, a lesbian wedding photographer, and everything changes.

Capsule Review:

A DATE FOR MAD MARY (Ireland 2016) ***1/2

Directed by Darren Thornton

 

A DATE FOR MAD MARY plays like Australia’s MURIEL’S WEDDING, a comedy about an outsider and a wedding to be attended.  Mary has just been released from prison (the reason never mentioned in the film) just in time to attend her best friend, Charlene’s wedding as the maid of honour.  But Mary does not have a date.  Based on the play “6 dates for Mary”, Mary attempts to get a date using various means including dating sites.  She almost lands one but the ‘camp’ hopeful storms out at the last moment.  She finally winds up having feelings for a lesbian photographer which results in chaos when she decides to bring her as her wedding date.  Mad Mary is the perfect film about the underdog who finally makes good.  The film is funny, dramatic and totally winning and believable.  Like Stephen Frears’ classic THE SNAPPER the film shows the spirit of the Irish lasses. 

Trailer: https://www.youtube.com/watch?v=PgAkhspus8A

THE BREADWINNER (Toronto Encore Presentation)

Saturday, March 3rd | 2:00 pm

Director: Nora Twomey

Run time: 94 mins

Nominated for Best Animated Feature at the 2018 Oscars, The Breadwinner features the beautiful animated work by Kilkenny’s Cartoon Saloon (The Secret of Kells, Song of the Sea). This wonderful Ireland/Canada co-production tells the extraordinary story of an 11-year-old Afghan girl who finds strength in the love of her family and the power of storytelling. Co-presented by the Ontario Media Development Centre.

Capsule Review:

THE BREADWINNER (USA 2017) ***1/2

Directed by Nora Twomey

THE BREADWINNER is animated feature created from an innovative mix of 2-D animation with acrylic and digitally painted environments, as well as digital paper cut–out segments.  It is Nora Twomey’s first solo directorial debut after making two other animated features SONG OF THE SEA (2014) and THE STORY OF KELLS (2009).  The story is a current one centred on woman’s rights in a male dominated country.  Based on Deborah Ellis’ award-winning novel, the story centres on an 11-year-old Afghan girl Parvana, born into an ever-changing world of conflict and oppression in Kabul, who finds strength in the love of her family and the power of storytelling.  Kabul is Taliban controlled and Parvana sees her father suddenly whisked to prison for no reason.  Her family – mother, older sister and baby brother are unable to fend for themselves.  Parvana dresses up as a boy in order to go around town to buy food and to work as the family breadwinner.  As in most animation, magic plays a big part in the film’s enchantment.  In THE BREADWINNER, the magic comes from the story she tells her little brother.   The story involves a village that had the village’s seeds for the next year stolen by the jaguars of the evil Elephant King.  The animation is beautifully done as the film’s story is one that matters that needs be told.

Trailer: https://www.youtube.com/watch?v=yQBQw-Bh1pg

TIRFF 2018 Short Film Showcase

Saturday, March 3rd | 5:00 pm

Run time: 82 mins

In keeping with tradition, the Irish Short Film Showcase features the work of Ireland’s up-and-coming directors. Showcasing a mix of documentary, drama and animated short films, this year’s showcase highlights the powerful visions of Irish female directors with six exceptional short films.

DEPARTURE | Directed by Aoife Doyle | 10 mins | Canadian Premiere

THE CLIMB | Directed by Lynne Davison | 10 mins | Canadian Premiere

HOMECOMING | Directed by Sinéad O’Loughlin | 14 mins | Canadian Premiere

THROWLINE | Directed by Mia Mullarkey | 14 mins | Canadian Premiere

THE DATE | Directed by Selina Cartmell | 16 mins | Canadian Premiere

THE WIDOW’S LAST | Directed by Vanessa Perdriau | 28 mins | Canadian Premiere

MAZE (Canadian Premiere)

Saturday, March 3rd | 8:00 pm

Director: Stephen Burke

Run time: 92 mins

Inspired by the true events of the historic 1983 prison breakout of 38 IRA prisoners from the infamous Maze prison in Northern Ireland. With an excellent lead performance by “Peaky Blinders” star, Tom Vaughan-Lawlor, this powerful drama captures the quiet tension behind what would become the biggest prison escape in Europe since World War II.

ZOO (Canadian Premiere)

Sunday, March 4th | 1:30 pm

Director: Colin McIver

Run time: 97 mins

Based on a true story, this heartwarming drama follows the story of 12-year-old Tom and his misfit friends as they fight to save Buster the baby elephant during the air raids on Belfast during World War II. With “Game of Thrones” star, Art Parkinson. Co-presented with TIFF Kids International Film Festival.

GEORGE BEST: ALL BY HIMSELF (Theatrical Premiere)

Sunday, March 4th | 4:00 pm

Director: Daniel Gordon

Run time: 92 mins

He was the Beatles of soccer – a handsome, charismatic lad from Belfast, Northern Ireland who worked wonders with the ball and thrilled Great Britain. But George Best was also the lead in a Shakespearean tragedy fueled by drink and excess. With never-before-seen footage and interviews, this captivating documentary traces the life of a true Belfast hero.

GEORGE BEST: ALL BY HIMSELF (Ireland 2017) ***1/2

Directed by Daniel Gordon

 

The film opens with a woman driving her sick baby in her car during pouring rain.  She passes a hunched man soaking wet crossing the road.  She pities him before realizing that the man is George Best, her husband, drunk as a skunk.  The film documents the rise and fall of one of Great Britain’s greatest footballers.  Arriving as a kid to Manchester for an audition, this Belfast lad proved to be the world’s best footballer.  But this handsome lad’s drinking to excess led to his downfall.  At his best, George let Manchester United to win the European cup.  At his worst, he got suspended two months for slinging mud at a referee.  Director Gordon has assembled an impressive cast of interviewees that include his best friend, the Manchester United Manager Matt Busby, his mum and past girlfriends whose words paint a true picture of the man in detail.  Lots of archive football footage adds to the excitement of the game and the glory of the man.  Very, very entertaining even though on might not be interested in the sport, as this is a very human story.

Trailer: https://www.youtube.com/watch?v=BvU3xW1QjCY

Closing Night Film 

IN THE NAME OF PEACE: JOHN HUME IN AMERICA (Canadian Premiere)

Sunday March 4th | 7:00 pm

Director: Maurice Fitzpatrick

Run time: 90 mins

Narrated by Liam Neeson, In the Name of Peace: John Hume in America is a compelling feature documentary about one of the most historic times in Irish politics. Dramatic, archival footage from The Troubles is paired with insightful interviews by Presidents Bill Clinton, Jimmy Carter, Bono and Tony Blair, to capture the brave moment when Derry politician, John Hume, united both sides of the political landscape to carve out a lasting Peace for the people of Northern Ireland. Co-presented by the Irish Embassy of Canada.