Movie Review: A SHADOW OF DARA (2016)

  MOVIE POSTERA SHADOW OF DARA, 14min., Bulgaria, Sci-Fi
Directed by Kirill Proskura

A leader of a rebellion risks everything to find a powerful commander of an alien world who’s been captured by enemies and put into a fabricated reality for the extraction of valuable information.

Shown at the September 2016 Sci-Fi/Fantasy FEEDBACK Film Festival

Movie Review by Kierston Drier

Science Fiction lovers are a tough crowd. Pleasing them requires so many things; a knock-out, often high-concept story, with an unbeatable twist, compelling and thematic world building and epic stakes. This is on top of the already compulsory requirements of good production value, solid performances and strong story elements.

Enter A Shadow Of Dara, directed by Kirill Proskura, an edge of your seat science fiction that boasts intensity, polish and turns to keep you guessing until the every last frame. Quickly paced and excellently performed, this is the tale of the chosen leader of an alien world who must fight against being trapped in an artificial reality, in order to not reveal important information to his enemies. Once he is able to break free from his false-reality changes, however, he must team up with members of another planet (coming to him from the future) to avoid loosing both worlds as they know it.

If there is any flaw to be had in this otherwise very well composed piece of sci-fi cinema, it is that it’s highly condensed manner can muddle the details and make it hard to follow. Conversely, the piece is strong enough to warrant a second watch. Full of details and gripping good versus evil, the piece has multiple twists and turns. The final moment in the film provides a great ending, and leaves the audience wanting more.

Hailing from Bulgaria, A Shadow Of Dara could be a proof on concept for an excellent feature, where its’ themes will make nods to well loved films like Inception and the entire evil-alien genre. Regardless anyone with an appetite for a good science fiction film would enjoy this film. It will keep you wanting more.

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Movie Review: LUCY (2016)

  MOVIE POSTERLUCY, 16min, Greece, Family/Drama
Directed by Stamatis Giannoulis

Myrto and Kimonas, an elderly childless couple have just lost their pet dog Lucy of natural causes. The events that will unfold the day they take their beloved pet to the vet will make them reconsider their relations and give them the opportunity to realise that nothing can substitute their love which, they now put to the test for whatever they have left…

Seen at the August 2016 FAMILY FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

This story of a childless elderly couple who loses their family pet may seem like a simple concept, but the beauty in this piece is how much more in communicates than losing the family dog. From writer and director pair Stamatis and Alex Giannoulis, Lucy begins with our elderly couple discussing taking the pet into the vet.

The conversation seems tense, as though the couple have a history of not seeing eye-to-eye. Yet the husband rushes to his wife’s’ side when she breaks down over the animal. Of course, the pet has passed away, and it marks far more to the two of them than simply losing an animal.

Later, as the couple walks home, they pass a puppy in a local shop window, which bewitches the heart of the elderly woman. Good short films leave the audience with a sense that they are feeling something deeper, greater and larger than the sum of the films’ parts. In this case, the last scene in Lucy ties everything together, when we realize the couple’s’ pet of 18 years represented the children they could never conceive.

This animal was the focus in their lives and belonged to the world they built together. Lucy may take some viewers a little while to get into, but it is more than a story about losing a pet- it is a story about the capacity human beings have to love. A beautiful piece about the human heart and what keeps it beating.

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Movie Review: 101 CUPCAKES (2016)

  MOVIE POSTER101 CUPCAKES, 13min, Australia, Family/Drama
Directed by Jane Eakin

Healing comes in many flavours. An uplifting story about love, death and the healing power of cooking.

Seen at the August 2016 FAMILY FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

Grief is by far one the most complex and compelling emotions of the human experience. 101 Cupcakes, written and directed by Jane Eakin, dissects the emotion with an expertly spun tale combining the raw sorrow and comforting simplicity. Grieving daughter Amy, while cleaning out her late mother’s’ home, discovers evidence that her mother knew long before her death that she was ill and did not seek treatment. Amy spins quickly through several stages of grief (such as disbelief and anger) before stumbling across her mother’s cupcake recipe.

One of the wonderful things about this film is how efficiently it distills the themes of grief, loss, love and memory. Beyond the themes of the show, it is wonderfully edited and a special nod must be given to the Director of Photography. The memories, based flash backs, have a unique brightness and subtly that establishes the compassion and human connection Amy shares with her deceased mother.

This piece has a tear-worthy ending, and it comes from a place of honesty and compassion, not cliché. It has strong, human, layered characters and a wonderful sense of community. It is story that is simple, and yet rich. It is about the memories we keep, the lives we build, and the sweetness in even the most bitter moments of life.

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Movie Review: TIME SMASH (2016)

  MOVIE POSTERTIME SMASH, 2min., USA, Animation/Sci-Fi
Directed by Benjamin Reicher

A time traveler goes back 2 weeks to stop himself from going to Cynthia’s new years party. Unfortunately, he brings his cat along and forgets to let him back into the machine when he returns to the present. The cat grabs onto the machine last second, becomes radioactive, and ends up in ancient Egypt. What the time traveler finds when he returns to the present is pretty messed up….

Seen at the August 2016 ANIMATION FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

Time Smash by USA director Benjamin Reicher, is frankly, hilarious. This is due to simple cinematic mathematics. The plot is clear, simple and concise, the visuals are strong and punchy, the story is strong and the punchline is fantastic.

The result is quick, effective comedy.

Our story opens on a young man bent on time traveling into the past by two weeks to tell his past self to avoid going to a party. Yet on his way back he has an unexpected guest in his travel machine his pet cat.

The cat stumbles out of the craft halfway through the journey getting hurled somewhere into the depths of space and time. When our hero returns to the present the future has been utterly altered.

It’s “an Oldie but a Goodie” plot line that nevertheless relies on a killer pay off to make the story really sing. And Oh Boy, does Time Smash deliver. The only line in the entire film, is well worth the wait.

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Movie Review: 1916 (2016)

  MOVIE POSTER1916, 4min, UK, Animation/Drama
Directed by Oscar Lewis

An old man remembers the last time he saw his father, walking with him to the train station in rural England. This short film was made to mark the centenary of men with families being conscripted to the army in 1916 during WW1.

Seen at the August 2016 ANIMATION FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

Oscar Lewis, director of UK film 1 916 has chosen a story that is poetic and heartbreaking and it is visually interesting. The story appears to be the retold memory of that last time a boy sees his father.

The writing is poetic, thoughtful, abstract and heart wrenching as it slowly dawns on the viewer that the charcoal flip book style drawings we are seeing, are the worn and smudged memories of these final moments the child can recall with his father.

This piece is compelling, although slow moving. It is not a laugh a minute, raucous comedy, nor a bright whimsical romp through imagination.

It is a farewell letter from a son to his father, arriving a lifetime later. We know the narrator recognizes now what he did not recognize then that this one moment as his father walks him towards a the train that will carry the father off to war will be their final moments together.

Despite this mournful undertone the piece is not outrightly sad. It is reflective, pensive, and thought provoking.

Perhaps it is meant to remind us that memories can fade, like sketches in a book, and only with careful keeping, can we recall them and keep them close to us.

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Movie Review: BOTTOMLESS (2016)

  MOVIE POSTERBOTTOMLESS, 2min, USA, Animation/Biography
Directed by Veronique Vanblaere

A Belgian woman seeks citizenship in the United States, and finds that her experiences are bottomless.

Seen at the August 2016 SCI-FI/FANTASY FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

This comical inversion on the classic fish out of water story is brought to us by Veronique Vanderlaere of the USA. An unapologetic and endearing story of immigration and assimilation, this piece will appeal to anyone who has ever felt the “otherness” of living what they know and becoming engulfed in someplace new.

Bottomless is refreshing! The artistic tastes are unique, the story is charming and most engaging perhaps is that the central story revolves around a tiny detail the nature of North American drinking glasses. It is not always the obvious change in scenery that gives a traveler culture shock it is the small things that remind us how far from home we are.

But our Heroine embraces her new home, and not only accepts the changes but loves them. A delightful story with some upbeat humor that will make you smile and long for an extra large soft drink.

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Movie Review: SPARROW DUET (2016)

  MOVIE POSTERSPARROW DUET, 4min, USA, Animation/Experimental
Directed by Steve Socki

Animated abstract shapes and gestures dance together playfully with bird-like motion. The original music score was composed and performed by Gary Chang .

Seen at the August 2016 SCI-FI/FANTASY FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

This disarmingly simple and yet stunningly beautiful avantgarde
film comes to us from the USA by director Steve Stock. It tells no clear story, has no clear characters, makes no clear message and yet its’ composition is so well put together, and it’s facets so richly tuned that it cannot help but engage and delight its’ viewers.

Set against a black void, whimsical bright geometric colors move, flow, and intertwine themselves in an unearthly dance to music. The concept seems very simple but is also incredibly hard to execute well.

Sparrow Duet however, creates something wonderful in its’ style, as its’ lack of form creates endless abilities for interpretation. Instead of the director pressing their story onto the viewer, the viewer projects their version of the story onto what they are experiencing. The result? A film of cinematic pleasure that can be exactly what you want it to be. Are these colors the personification of humans? Of emotions? Of animals? Of life itself?

The viewer gets’ to choose.

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Movie Review: INSIDE (2016)

  MOVIE POSTERINSIDE, 3min., Belguim, Animation/Comedy
Directed by Pepijn Claus

A story about a worm, a beetle and a very hungry bird…

Seen at the August 2016 SCI-FI/FANTASY FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

Belgium director Pepijn Claus invites us into the world of insects with his delightful short Inside, which follows a terrified worm and an anger prone beetle as they run from, and our devoured by, a pesky bird. Humorous and charming with its’ classic schtick humor, the piece has a saturday morning cartoon feel, that is nostalgic for adults and enjoyable for kids.

The premise of the piece is simple and effective a classic tale of not giving up, in this case, even when you’ve been swallowed by a predator. Humor arises from our unlikely (and unlucky) duo who must join forces to escape certain demise.

Clear, fun ny, well executed Inside is a perfect family animation that will have you considering what life is like for the little critters of this world. It also teaches a valuable lesson about the early bird catching the worm.

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Movie Review: AWESOME BEETLES COLORS

  MOVIE POSTERAWESOME BEETLE’S COLORS, 3min, Latvia, Animation/Musical
Directed by Indra Sproge

“Awesome Beetle’s Colors” is a 2:57 minutes long, fun and educative plasticine animation.

Seen at the August 2016 SCI-FI/FANTASY FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

Hailing from Latvia, and directed by Indra Sproge, Awesome Beetles Colors has a musical, colorful, educational tone. Highly reminiscent of the famous Sesame Street in its whimsy, this short film brings the alphabet to life with bright, highly stylized interactive words.

The brightness of the piece is dazzling to the senses and brimming with the type of creative imagination that appeals to viewers of all ages. It is instantly enjoyable by younger members of an average audience although it may leave adult viewers scratching their heads.

At first glance, it is not clear that the musical film is about the alphabet; until the end, when all the musical words are strung together with their corresponding letters.

Magically, the discovery that the wild colorful animated adventure is really teaching us our ABC’s is no less enjoyable, whether we are 8 months old, or 80.

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Movie Review: FOOTPRINTS (2016)

  MOVIE POSTERFOOTPRINTS, 13min, Canada, Horror/Family
Directed by Kevin Saycharuen

Deep in the forest, Cahng, an injured hunter searches for his family who are being haunted by a supernatural force.

Seen at the August 2016 HORROR/THRILLER FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

Footprints, a Canadian film by Kevin Saycharuen, will surprise an audience at first with its’ exceptional attention to cinematic details and a level of luminous colour and brightness that is not characteristic of a traditional Horror. Cahng, an injured hunter lost in the forest, seems compelled to track down the monstrous beast that has ruthlessly murdered his wife and child. He is tortured by their absence, plagued by visions and nightmares of them, and appears to be constantly falling in and out of delusions including them.

One tradition that is held onto with stunning effectiveness is that the audience never sees the monster. It can be heard, and often palpably felt- but we are only once ever shown anything remotely supernatural, in the form of a sort of demon ghost who briefly appears in lieu of Cahng’s missing son.

There are cinematic moments in this piece that are no less than stunning. There are breath-taking moments of utter natural beauty that capture of the setting of the forest that truly make us feel that monster in this film lurks somewhere within the disconnect humans have put between themselves and nature. However the demon that is responsible for Cahng’s tragedy is not within the forest- it is within himself.

Footprints is not a clear film. It is debatable if the plot is linear. The pay-off, while impressive, does not answer all the questions the audience is bound to have by the end of the film. Yet, Saycharuen’s work has a poignancy to it that stirs deep, primal emotions in those who watch. It is a true piece of cinema, a true piece of art, in the sense that is leave us with more questions than answers.

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