2019 TIFF Movie Review: AFRICA (Israel 2019) *** Directed by Oren Gerner

Africa Poster
AFRICA is a cinematic MRI of an aging parent from the hands of his son, Blurring the lines between fact and fiction.

Director:

Oren Gerner

AFRICA is set in the village of Beirut near the border of the West Bank where director Oren Gerner films his father, Meir (Meir Gerner), a 68-year old engineer retiree who is coming to terms with the problem of old age.  

He passes his time with his Alsatian dog and his wife, in his daily routines.  Life becomes especially meaningless when he is denied organizing the village ceremony which he has done in the past 30 years.  Why is the film called Africa?  Reason is that he and his wife visited the continent in the past and memories are now taking effect.  Africa brings back pleasant memories.  

The film provides a candid look at what it means growing old and making meaning out of what is left in life.  Gerner’s film moves at a leisurely pace allowing the audience to ponder at the film’s material.  Mildly funny but occasionally melancholy in its outlook on life.

Trailer:  (unavailable)

Film Review: TIGERS ARE NOT AFRAID (Mexico 2016) ***

Tigers Are Not Afraid Poster
A dark fairy tale about a gang of five children trying to survive the horrific violence of the cartels and the ghosts created every day by the drug war.

Director:

Issa López

Writer:

Issa López

TIGERS ARE NOT AFRAID is a Mexican supernatural fairy tale horror fantasy thriller that comes with the stamp of approval of Mexican horror Master Guillermo del Toro.  It is easy to figure the reason.  TIGERS ARE NOT AFRAID bears many traits and look of his early films like PAN’S LABYRINTH, CRONOS, THE DEVIL’S BACKONE and THE SHAPE OF WATER.   Besides the look of CRONOS, TIGERS bears a young female protagonist as in PAN’S LABYRINTH stuck in a horror fantasy.  Again the protagonist has to outsmart the authorities as in THE SHAPE OF WATER to escape certain danger.

TIGERS ARE NOT AFRAID has a beautifully dark setting of a coastal Mexican town where drug cartels battle that results in many orphaned children. As Mexico is famous for its many festivals of the dead, the orphaned children rise from the dead seeking revenge from the bad drug people who caused their deaths.  One of the dead happens to the the protagonist’s mother, who Estrella wants to be re-untied with.  But as they say, be careful of what you wish for.  The mother materializes as a ghastly corpse commanding her daughter, Estrella to bring the dreaded corrupt official to the labyrinth of tunnels where the dead are buried so that they can kill him in revenge.

Poor Estrella.  Not only is she orphaned but is ostracized by the largely male group of boys who run around her old residence like a gang.  It is in a male world that the filmmakers and the female director Issa Lopez weave a tale where the female gender rises above the males.  The protagonist is female who has to prove her worth to the boys.  The ghost is female too, the mother who has a big impact on the story.  The story could also be told with he genders switched but the story this way has more dynamic impact.

The story also serves as a coming-of-age tale of Estrella who grows up to be a fine woman.  Her character is also not perfect, she having to lie in order to get ahead.

Director Lopez’s script cleverly blends the fairy tale element into the story.  Estrella is doing an exercise in school of writing ones own fairy tale when a shootout occurs.  Her teacher gives her 3 pieces of chalk granting her 3 fairy tale wishes, which she uses.  As most fairy tales have a dark element, so does the Estrella’s tale, taking an especially dark side she never imagined.

Director Lopez’s film is rich in period atmosphere (2006) and she creates a sold horror piece.  But this being her first feature, TIGERS ARE NOT AFRAID is linear – one straight story told in a grim setting.  With experience, her films will be more layered (as in the del Toro films) with more unexpected turns and twists with the setting playing a greater impact and influence on the story.

TIGERS ARE NOT AFRAID is currently playing at the TIFF Bell Lightbox.

Trailer: https://www.youtube.com/watch?v=tLKT0gML-oc

2019 TIFF Film Review: THE MONEYCHANGER

The Moneychanger Poster
Trailer

THE MONEYCHANGER, based on the novel of the same name by Juan Enrique Gruber begins with a scene of Jesus in Biblical times overturning the tables of the moneychangers at the market place with the voiceover underscoring the evil of men be derived from the deed of moneychangers.  

The film setting is 1970s Uruguay (beautifully shot) centred on Humberto Brause (Daniel Hendler), who furiously throws himself into the buying and selling of currency, a rapacious endeavour supported by his father-in-law, a veteran in the business of capital flight.  He learns and become expert at this business, controlling everything except his unflappable, tough-as-nails wife, Gudrun (Dolores Fonzi). 

 Trouble arrives when he launders the largest sum of money he has ever seen.  Director Veiroj tells his tale in a deadpan style emphasizing each incident with increasing oddness.   At the end of it all, Brause questions his wife if she loves him when she offers a reply that is equally deadpan.  An intriguing and gripping tale.

Trailer: https://www.youtube.com/watch?v=pN0uTlynHYI

2019 TIFF Film Review: 37 SECONDS (USA/Japan 2019)

37 Seconds Poster
Trailer

Yuma is a young Japanese woman who suffers from cerebral palsy. Torn between her obligations towards her family and her dream to become a manga artist, she struggles to lead a self-determined life.

Director:

Hikari

Writer:

Hikari

37 SECONDS without breathing at birth has caused the now 23 year old Yuma (Mei Kayama) to have developed cerebral palsy.  Now, the physically restricted 23-year-old, wheelchair bound Yuma is over-pampered by her mother (Misuzu Kanno) while working drawing manga for Sayaka (Minori Hagiwara), who passes Yuma’s work as her own. 

 Director Hikaru traces the steps taken by Yuma, with the help of an assortment of friends in the sex industry, gain her independence from her mother and work while discovering sex and other pleasures (like getting pissed).  Yuma also discovers through her uncle that she has a missing twin sister teaching in Thailand.  

Director Hikaru’s film on harsh reality is given the fantasy treatment while blending manga and pop which just does not work.  The audience is to believe that this wheelchair bound girl can fly to Thailand on a whim to meet up with her twin sister with her Japanese friend who suddenly is able to speak Thai.

Trailer: https://www.youtube.com/watch?v=-jyOHL_zgu4

2019 TIFF Film Review: INCITEMENT (Israel 2019) ***1/2

Incitement Poster
Details the year leading to the assassination of Israel’s Prime Minister, Yitzhak Rabin (1922-1995), from the point of view of the assassin.

Director:

Yaron Zilberman

INCITEMENT is a rigorous psychological thriller by American-Israeli director Yaron Zilberman that leads up to the 1995 assassination of Israeli Prime Minister Yitzhak Rabin through the worldview of his assassin, Yigal Amir (Yehuda Nahari Halevi).  Yigal is an ultranationalist, right-wing Zionist who opposed the leader’s signing of the Oslo Accords.  Zilberman includes lots of newsreel footage to add authenticity to the story.   

Rabin’s murder is held to be a definitive — and infamous — moment in the struggling peace process with Palestinians and also in Israel’s charged history.   The film is entitled INCITEMENT because the film concentrates on Yigal’s motivations (arising from family, friends and protestors) that led to Rabin’s death.  Unlike other films about assassins like THE DAY OF THE JACKAL, INCITEMENT is based on true facts. 

 Director Zilberman has crafted a truly disturbing and chilling period piece while emphasizing the fact that there is no easy solution to the Israel/Palestinian conflict.

Trailer: https://www.filmaffinity.com/es/evideos.php?movie_id=543486

2019 TIFF Film Review: THE AUDITION (Das Vorspiel) (GERMANY/FRANCE 2019) ****

The Audition Poster

Director:

Ina Weisse

Writer:

Daphne Charizani (screenplay)

An intense study of how obsession can not only destroy the person concerned but those around the person.  A stern, particular violin teacher, Anna (Nina Hoss) becomes fixated on the success of one of her pupils at the expense of her family life,  from acclaimed German actor Ina Weisse who co-wrote the script with Daphné Charizan.  

 It all starts at the school’s annual entrance exam, and despite the opposition of the other teachers, Anna promotes the admission of Alexander (Ilja Monti), a boy in whom she detects a remarkable talent.  Her relationship with Philippe (Simon Abkarian), her charming, violinmaking French husband, with whom she has a 10-year-old son Jonas (Serafin Mishiev), is in slow decline.  

Besides the brilliantly acted drama, the violin concertos are extremely well orchestrated.  Hoss carries the film just as well as a violin virtuoso captures an audience.  Director Weisse steers the intensity a terrifying climax.

Trailer: https://www.youtube.com/watch?v=SCGuMKbrASw

2019 TIFF Film Review: BLOW THE MAN DOWN (USA 2019) ****

While grieving for the loss of their mother, the Connolly Sisters suddenly find they have a crime to cover up, leading them deep into the underbelly of their salty Maine fishing village.

The setting of this absorbing thriller drama is a fishing village in Easter Cove, Maine.  The film opens in what appears to be a man’s word.  Men are singing in chorus the song “Blow the Man Down”.  But this female directed feature by Danielle Krudy and Bridget Savage Cole switches to female mode where the story takes a 180 degree turn.  And more likely for the better.  

Two sisters in a small Maine fishing village try to cover up a violent crime and avoid running afoul of the suspicious and threatening proprietor of the local brothel (Margo Martindale).  One of the sisters murder a low level scumbag while escaping a sexual assault.  She leaves her family knife behind which is picked up by the proprietor who blackmails them to return the money they stole from her.   

The directors create a dark, moody and scary atmosphere which is the reason the film works so well.  Nothing is what is seems in the story where women take the upper hand and men are at their mercy in this deliciously wicked and entertaining fable.

2019 TIFF Film Review: KNUCKLE CITY (South Africa 2019) ***

Knuckle City Poster

KNUCKLE CITY takes place in the the reputed birth place of world champion boxers, in the director’s home township of Mdantsane in the Eastern Cape province of South Africa where crime and drugs are rampant.  

The film centres on Dudu (Bongile Mantsai), a local who has become a womanizing professional boxer and his brother Duke (Thembekile Komani), now a career criminal, chasing money and thrills at every turn.  With Duke set to be released after a three-year stint in prison, Dudu enlists the help of his brother’s criminal connections to try to get himself one last shot — but both end up with a much bigger fight than they bargained for.  Qubeka’s fast paced family boxing family drama is all action accompanied by a wild soundtrack of rap music.  

Qubeka does not judge his characters and they act and behave the way they do because they do not know any better.  Such a dangerous lifestyle leads to trouble.  But as their father told then boys when they were young: “It is all about family”.  

KNUCKLE CITY also reveals the poverty of the township while keeping the audience entertained with lots of boxing action.

Trailer: https://www.youtube.com/watch?v=iqLice1D7Pc

2019 TIFF Film Review: EASY LAND (Canada 2019) ***

Easy Land Poster
Jasna, a Serbian architect and mother, wants to create a better future for her daughter but her mental illness proves to be a problem in their relationship.

Director:

Sanja Zivkovic

A single mother bringing up a child is a dauntless task.  Director Zivkovic adds on to the protagonist’s problems by adding on two extra ailments.  Jasna (Mirjana Jokovic) is a single mother who with her daughter, Nina (Nina Kiri) are Serbian refugees trying to settle in a new country – Canada. 
 Jasna, a previous architect is currently suffering from mental problems and takes meditation so that she can keep her work and hence life straight.  The film is a two-handler with the story intercutting between the two protagonists.  Both protagonists, mother and daughter, Nina are also at loggerheads with each other.  When the two come together in certain scenes, the film gathers greater strength.  Both actresses Nina Kiri and Mirjana Jokovic  deliver strong and convincing performances.  
The film’s setting is Toronto.  The neighbourhood where the mother and daughter reside is not stated, but from the view of the Toronto subway whizzing by, one can guess roughly where it is set. 

2019 TIFF Film Review: MARIA’S PARADISE (Marian paratiisi)(Finland/Estonia 2019) ****

Maria's Paradise Poster
The orphan Salome is the servant and devout follower of Maria Åkerblom, a charismatic sect leader. But as Salome befriends a rebellious outsider and starts to have doubts, Maria turns dangerous.

Director:

Zaida Bergroth

Forget Avi Aster’s Scandinavian religious sect horror MIDSOMMAR.  MARIA’S PARADISE is the real thing – based on the real events that took place with a religious sect in Finland in the 1920’s.  Where Aster has instilled his odd humour and imprint on MIDSOMMAR making it more terrifying but less believable, director Bergroth lets the real horror as seen by one of the sect members reflect the terror without resorting to any theatrics.  

Salome, a teenage follower begins to question the teachings (and actions) of the fringe religious sect in which she has been raised.  Salome eventually discovers that her mother was murdered by the sect and that she is being led into the same dilemma by the cult’s leader, Maria.  When Salome leans that her best friend is also murdered, she decides to take matters in her own hands with an escape plan.  Director Bergroth has her own style and it is one that underscores the credibility of the events. 

 The film is slow moving but the horror unfolding is even more lasting.  Chilling and captivating!  Shot in Finnish.

Trailer: https://www.youtube.com/watch?v=smFtoYp5QUo