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He likes skiing, snowboarding, sailing and pole-vault.
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[on the differences between him and his character Stringer Bell from The Wire (2002)] Stringer is very calculating and he has to be for so many reasons. He will calculate the next steps, shipments, inventory, pays workers… all that. But the wicked part is that he can plan murders because that’s a part of his business. I’ll tell you, if I, Idris, had to contract for murders as part of my job, I couldn’t do it because I have a heart. I have no stomach for ordering other people’s deaths. Stringer just gets in there, orders the deed and bam… that’s it… it’s done and he doesn’t think twice about it. There’s no way I could be that cold. I’m also a more lively kid out there, doing stuff and I can’t just do one thing forever. Stringer is committed to his job and business so much so he doesn’t have much of a personal life so he’s more one dimensional. As for me I have a child, a life, thirst for travel, you know I’m curious… whereas Stringer is more interested in being the best business person and his interests don’t go further than that.
A showcase of the best Female Films from around the world today!
AUDIENCE AWARD WINNERS: Best Feature Film: METHOD TO MY MADNESS Best Short Film: LISTEN TO THE UNIVERSE Best Micro-Short: MISMATCH
METHOD TO MY MADNESS, 78min. Directed by Behrang Mortazavian, Hoda Hamzehali Kamand, a young videographer, is invited to a remote villa for a mysterious 24-hour film project. There, she meets two enigmatic women, Tina and Nazy, whose behavior grows increasingly manipulative and disturbing. As reality blurs with performance, Kamand is pulled into a psychological game with no clear way out.
MISMATCH, 2min., USA Directed by Luna Lee A seemingly ordinary matchstick, repeatedly dismissed and denied recognition as a military veteran, slowly ignites with emotion—until it finally flames up, revealing the true weight of the micro aggressions it endured.
LISTEN TO THE UNIVERSE, 27min., USA Directed by Elizabeth Rosa Landau, Kimberly Arcand NASA is famous for beautiful space images, but did you know you can listen to them? Go behind the scenes with the team that creates “sonifications,” translations of data into sound, and learn how meaningful they are to people who are blind or low-vision.
A showcase of the best COMEDY shorts in the world today.
AUDIENCE AWARDS: Best Short Film: SUPPORT Best Story: DETECTIVES & DRAGONS
Detectives & Dragons, 8min., Canada Directed by Lucas Candelino, Benjamin Kostecki, Evan McDowell A know-it-all detective is tasked with incriminating a murder suspect through a fantasy role-playing game by recreating the scenario of the killing. Tensions escalate when he goes off-script.
A showcase of the best LGBTQ+ films from around the world today.
AUDIENCE AWARDS: Best Feature Film: SUGAR BEACH Best Short Film: STEALING ASH Best Direction: AT ARM’S LENGTH Best Student Film: SILENT PULL Best Documentary: CLOSE TO HOME Best Story: HOUSEHOLD Best Performances: REVENGE Best Micro-Short: JIMBO: BIG TOP
SUGAR BEACH, 90min., USA Directed by Noely Mendoza Rosalyn, a wealthy and talented high school senior, grapples with immense grief after the loss of her brother in a surfing accident. The void left behind by his absence consumes her, and she begins a descent into addiction—alcohol becoming her solace as she numbs the pain and confusion. Amidst her downward spiral, she finds herself in a complex relationship with two other people, Isaac, and Emma. Drawn to the comfort and sweetness of their affection, the throuple provides a fleeting sense of escape, but Rosalyn’s internal struggle with grief and substance abuse complicates her search for self-love, growth, healing and identity.
SILENT PULL, 11min., USA Directed by Lamont Nathaniel Gibson A Black queer man navigates unreciprocated intimacy and the emotional cost of longing, as systemic pressures push his vulnerabilities into transactional spaces.
Close to Home, 32min., USA Directed by Whitney Skauge Through the exploration of their personal and shared experiences, four young advocates imagine a world where access to safe, affordable, and reliable housing is not a privilege but an undeniable human right.
Revenge, 19min., Brazil Directed by Mari Penteado, Eduardo Campos Virginia is a 43-year-old transgender woman who works as a community health agent in Guarulhos, Brazil. The film follows a day in her life, marked by the exhaustion of work, but also by meaningful encounters, dreams, and, above all, the need to live – and resist.
AT ARM’S LENGTH, 5min. USA Directed by August Broussard When a neurotic teen asks his best friend to break his arm for prescription meds, what starts as a twisted favor spirals into an absurd test of loyalty — with consequences neither of them is quite prepared for.
STEALING ASH, 13min., USA Directed by Frances Capel After their best friend dies, four best friends plan a heist to steal their ashes and take them on a final joyride for the send off they deserve.
A paranormal story is a work of fiction that explores phenomena and beings that are beyond the scope of scientific understanding. They include elements like ghosts, vampires, werewolves, witches, and other entities that cannot be explained by the laws of nature. They can be set in the real world, but generally includes elements that defy scientific explanation.
Submit your Short Story to the Festival and we will automatically have it performed by a professional actor and turned into a promotional video for yourself.
A showcase of the best of new films in the world today.
AUDIENCE AWARDS: Feature Film: The Dark Following: Fragments of the Past Short Film: Fare Share Thriller Film: Dilemma Direction: The Briefcase Story: Emily’s Mountain Sci-Fi Film: Justin T Nick of Time!
The Briefcase, 6min., USA Directed by Valdis Pelenitsyn What begins as a typical criminal job between old friends takes an unexpected twist, leading them into an unpredictable situation.
DILEMMA, 14min., USA Directed by Trevan Jay Hiatt Dilemma is a tense psychological thriller that delves into the consequences of a single, reckless decision. When high school friends find themselves trapped in a situation they can’t escape, panic sets in, and their once-close bond begins to fray. With each choice they make, the weight of their actions grows heavier, and the line between right and wrong blurs. Dilemma is a gripping exploration of guilt, fear, and where unexpected paths can lead us.
FARE SHARE, 26min., USA Directed by Carlos Leos On the surface, it’s just another rideshare. But as a weary driver picks up a silent, blood-covered passenger, what begins as awkward small talk unravels into a quiet confrontation with his own doubts, fears, and faith. With no answers from the woman in his backseat, and none from the universe he keeps questioning, the ride grows increasingly tense. Some fares are routine. This one carries a price.
Emily’s Mountain, 22min., Israel Directed by Tal Somech Emily celebrates her 6th birthday on a magical trip with her family and is slowly exposed to the horrifying reality that her parents are trying to conceal from her using modern technology and entertainment systems.
The Dark Following: Fragments of the Past, 85min., UK Directed by Toby Rawal Imprisoned for possessing otherworldly abilities, the sole survivor of a mysterious disaster must face his past on a quest to stop the source of unlimited power falling into the wrong hands.’
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Decided to change his name when he began acting because there was already a Michael Douglas in movies and a Mike Douglas in broadcasting. While he uses a stage name, he has never legally changed his name to Michael Keaton.
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[on his decision not to reprise his role as Batman in Batman Forever (1995)] I was waiting in line for another movie and just kind of poked my head in . . . watched about 10 minutes. I saw enough to know that I made the right decision.
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LOS ANGELES, CA – JANUARY 18: Actress Carice Van Houten attends 20th Annual Screen Actors Guild Awards at The Shrine Auditorium on January 17, 2014 in Hollywood, California. (Photoby Theo Wargo/WireImage)
I don’t do method acting. If I play a farmer I’m not gonna spend 3 weeks on a chicken farm. That’s a bit too much for me. For Minoes (in which she played a cat in a woman’s body) I didn’t spend 3 weeks in a cat pound.
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To me, that’s not the most difficult thing. To transform. I don’t really see it happen. I don’t have the feeling I am transforming, really. I don’t believe you can get into somebody’s character but more that somebody comes in you. You just use yourself. In everything I play, I feel like it is me. I just say different things on different times and look different.
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Programme Name: Peaky Blinders – TX: 03/10/2013 – Episode: 4 (No. 4) – Embargoed for publication until: n/a – Picture Shows: Grace Burgess (Annabelle Wallis) – (C) Tiger Aspect – Photographer: Robert Viglasky
I think there’s an intelligence behind her lack of obviousness. In a way, she has more power that way, and if she had survived [giving] birth, she would have gone to become quite an incredible queen. (on Jane Seymour)