FILM REVIEWS: SULLY (USA 2016)

sully.jpgSULLY (USA 2016) **
Directed by Clint Eastwood

Starring: Tom Hanks, Aaron Eckhart, Laura Linney, Anna Gunn

Review by Gilbert Seah

Director Clint Eastwood follows his high successful AMERICAN SNIPER, a story of an unlikely American hero with SULLY, a story of a likely American hero.

SULLY is the movie based on Chesley “Sully” Sullenberg’s 2010 autobiography, Highest Duty that envisions the American sense of common humanity.

The so-called miracle on the Hudson occurred in 2009. This was the safe landing on the Hudson of a plane that had two of its engines blown. The captain of the flight known fondly as SULLY piloted the plane to safety saving the lives of all 155 passengers and crew. Heralded a hero but not until cleared of accusations that his decisions were not the best, this is the film that praises, or over-praises the deed.

The question is that do we need to re-watch a re-enactment of a story already told and known to most Americans? There is always a need at any time for a story of heroism. In these times of terrorist attacks, Americans need to be reminded of their heroes. SULLY seems a film to do just that.

Eastwood, known to be right-winged, has directed SULLY (Tom Hanks) to show a hero with all the right words to say and a man who can do no harm. He is blessed with a loving family and a wife (Laura Linney) who professes her lover for him constantly.

Eastwood’s film, shot in IMAX shows the plane’s landing on the Hudson in all its glorious images. But there is no suspense or thrills as the audience is well aware of the fact that everyone on board survived. The landing is shown in clumsy flashback, when Sully is having a drink at the bar, again congratulated at very possible moment in the film. Parts of the landing are shown twice as if the audience need be reminded of the heroic deed.

But with the story of SULLY already known, and no real facts provided or insight on the story, Eastwood’s film grows to be quite a bore quite soon, and remains so throughout its full 2 hours and 10 minutes, that seems to be the staple running time for all of his films.

Though Hanks has been praised for his portrayal of SULLY, his performance is nothing new. Like his role in HOLOGRAM, Hanks looks as if he is sleepwalking through his performance. Often sleepless like his character in HOLOGRAM and always thinking of what would have happened or what would have not, Hanks sulks most of the time, looking as if the plane landing was all a dream. Laura Linney who plays Lorraine, Sully’s wife mopes all the time too. The audience gets a glimpse of the real Lorraine Sullenberger, i.e. Sully’s wife at the closing credits.

The audience at the promo screening applauded and seem pleased with the film. Who would not applaud a hero? Still Eastwood’s SULLY is nothing more than a recounting of events, overpraising its hero and lacks any solid thrills or imagination.

Trailer: https://www.youtube.com/watch?v=mjKEXxO2KNE

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TIFF 2016 Movie Review: THE UNTAMED (Mexico/Switz/France/Germany/Denmark 2016) ***

tiMovie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

the_untamed_poser.jpgTHE UNTAMED (Mexico/Switz/France/Germany/Denmark 2016) ***
Directed by Amat Escalante

Starring: Kenny Johnston

Review by Gilbert Seah

Director Amat Escalante stars and directs this supernatural mystery in a family drama setting.

There is a sex monster loose in the country. Though its keepers have described it as one that will give extreme sexual pleasure and will not harm anyone, the monster has done some harm, both physically and emotionally.

This monster gives a new meaning to the saying of having a snake in ones pants. The main protagonist is Ale (Ruth Ramos) who has a husband and two kids and a gay brother. It turns out that her husband is also having sexual relations with her brother.

Ale is not that sexually monogamous either, having a fling with the sexual snake herself. If all this sounds silly, Escalante’s film actually works because he is always several steps ahead of the story.

THE UNTAMED ends up quite an intriguing film despite the abrupt ending.

Trailer: http://remezcla.com/film/trailer-amat-escalante-the-untamed-clip/

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TIFF 2016 Movie Review: GODSPEED (Taiwan 2016)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

godspeed_poster.jpgGODSPEED (Taiwan 2016) **
Directed by Chung Mong-Hong

Starring: Leon Dai, Na Dow, Michael Hui

Review by Gilbert Seah

The main attraction of this drug caper comedy is Michael Hui who in his hey day was directing his brothers in the funniest of Hong Kong comedies. In GODSPEED, he plays a cab driver caught in a drug delivery racket. Na Dow (Na Dow) is a drug mule who travels across Taiwan delivering top-quality heroin.

He found the job by simply answering an ad, and his method of transporting the illegal goods is equally mundane: he hails a cab in the morning, rides it from the north of the country to the south, delivers a package, and returns in the same cab that night.

The cab driver is middle-aged Hong Kong native who came to Taiwan some 25 years ago, Old Xu (Michael Hui) goes out of his way to be hired and, even though he’s been driving all night, agrees to take Na Dow down south in hopes of making some extra cash and getting a little closer to retirement. Chung’s film is funny in parts but not consistent as a comedy. The uneven mix of violence and slow rendering of the humour both create a very odd comedy, with the laughs coming too few and far between.

Hui is still a pleasure to watch, but he has done better in his earlier comedies.

Trailer: https://www.youtube.com/watch?time_continue=6&v=HdHhJL0WQgE

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TIFF 2016 Movie Review: FREE FIRE (UK 2016) **

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

free_fire_poster.jpgFREE FIRE (UK 2016) **
Directed by Ben Wheatley

Starring: Brie Larson, Enzo Cilenti, Sam Riley, Michael Smiley

Review by Gilbert Seah

Irrelevant as his A FIELD IN ENGLAND, tho hate it or love it British film set entirely in the U.S. in 1878 for no apparent reason, Bn Whetaley returns to his black comedy roots of SIGHTSEERS, the film that shot him to recognition. his is a 70’ crime caper set totally in an abandoned warehouse where a guns deal takes place.

But a previous altercation between two separate members of the different sides results in a free-for-all shoot out hat lasts the entire joie.

The humour and violence is entertaining initially, but greadullay wears out its welcome. Known names Sharlto Copley, Armie Hammer, Oscar Winner Brie Larson and Cillian Murphy do their best to liven up the proceedings but they can only do so much with the limited amtrial.

Director Wheatley works with his loving wife, Amy Jump who wrote the script and co-edited the film with him.

FREE FIRE may work for a few but will not for the majority as FREE FALL is a queer piece for a select few.

Trailer: https://www.youtube.com/watch?v=oDD3I0uOlqY

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TIFF 2016 Movie Review: THE DUELIST (Russia 2016) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

the_duelist_poster.jpgTHE DUELIST (Russia 2016) ***
Directed by Alexey Mizgirev

Starring: Pierre Bourel, Nikolay Butenin, Pyotr Chubko

Review by Gilbert Seah

THE DUELIST is a very accomplished film very handsomely mounted and shot in IMAX and a film that has to be seen in IMAX. The period setting shows aristocratic Russia and is set in both Russia and Germany.

The audience is introduced to the rules of nobility as well as the rules of duelling. The film centres on dashing Yakovley, returning to Saint Petersburg after a long exile. Yakovley makes a comfortable living by winning other people’s duels. An enigmatic, focused, and extremely skilled professional, he leaves a trail of dead bodies behind him as he swirls through polite society, frequently called upon to wield a pistol as a surrogate in duels at dawn.

But when Yakovlev meets the naïve young Prince Tuchov and his beautiful sister, Princess Martha, the normally cold-hearted mercenary is surprised by hitherto undetected emotions. He falls in love. The film has magnificently suspenseful duels as well as some graphic scenes of flogging.

Stunning art direction, costume design and cinematography.

Trailer: https://www.youtube.com/watch?v=oQZQg4KT-YY

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TIFF 2016 Movie Review: SAFARI (Austria 2016) ***

ffMovie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

auf_safari_poster.jpg SAFARI (Austria 2016) ***
Directed by Ulrich Seidl

Review by Gilbert Seah

Austrian director Ulrich Seidl is known for his ‘shock’ movies that are more than provocative. His films DOG DAYS, the PARADISE trilogy and his latest SAFARI are not for everyone.

At least half a dozen critics walked out dying the press screening for SAFARI. There is a lot of blood and guts, displayed when the animals shot on SAFARI are gutted in real time. Seidl’s film is also very sly in its humour – the way the over privileged hunters justify the killings as humane.

Seidl provides his audience with access points into the thrill-seeking and power-hungry tourism of the “sport.” Guided by an official hunter and a local hunting caddy, his protagonists appear as nothing more than opportunist marksmen.

A lot of his scenes are set up with his stationary camera while his characters move in and then out of the frame. Occasionally, the camera would track his characters after they move into the frame.

SAFARI is an unforgettable and remarkable feature, if one can handle it.

Trailer: https://www.youtube.com/watch?v=HVMktu2Seuk

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TIFF 2016 Movie Review: RAGE (IKARI) (ANGER) (Japan 2016) ***** Top 10

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

rage_poster.jpgRAGE (IKARI) (ANGER) (Japan 2016) ***** Top 10
Directed by Ang-Il Lee

Starring: Ken Watanabe, Hikari Mitsushima, Mirai Moriyama

Review by Gilbert Seah

One of the things most neglected in the judging of a film is the directors’s storytelling technique. In the new film RAGE (also called by different titles), three different stories are wonderfully intercut and linked by a gruesome murder of a husband and wife for no apparent reason.

A stranger shows up in 3 different towns and is the suspect for this murder. One story involves a gay man who picks up a stranger at a bath-house (after sex, of course) who he thinks might be the killer.

Another has a girl finally finding stability and love with a stranger with an unknown past. Her father (Ken Watanabe) digs up the dirt and suspicion falls on the new beau. Finally, the third involves a possible rape with a boyfriend and new friends trying to cope withe crime.

One needs a bit of patience and work to appreciate what the film is attempting but by the last film’s last reel, Lee will have you totally captivated in his storytelling. Besides being a film about rage, it is also one about forgiveness and redemption.

One of the hidden gems of this year’s festival.

Trailer: https://www.youtube.com/watch?v=GbvcbQn1Zqc

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TIFF 2016 Movie Review: SIERANEVADA (Romania 2016) ****

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

sieranevada_poster.jpgSIERANEVADA (Romania 2016) ****
Directed by Cristi Puiu

Starring: Mimi Branescu, Mirela Apostu, Eugenia Bosânceanu

Review by Gilbert Seah

Romanian director Cristi Puiu is not known for his short films. His last success “The Death of Mr. Lăzărescu” clocked in at 150 minutes while his latest SIERANEVADA runs longer at 176 minutes and takes place mainly in three rooms in a cramped apartment where members of a family argue and argue and argue. Skeletons come out of the closet with no end. When a few guests leave the apartment, they still argue outside.

Is Puiu’s film unbearable? It will be to some, but his film is quite a masterwork of black humour well orchestrated and his film is actually very funny. The main character is Lary (Mimi Brănescu) who is first seen in an extended sequence lasting close to 15 minutes arguing with his wife Laura (Cătălina Moga) in their car.

They are attending a memorial dinner with relatives. The big joke is that nobody ever get a chance to eat until the very end. One wonders too, how Puiu places his camera in such a tiny apartment with all the characters running around.

Trailer: https://www.youtube.com/watch?v=906FeQTD3iQ

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TIFF 2016 Movie Review: MA VIE EN COURGETTE (MY LIFE AS A ZUCCHINI) (Switz/France 2016) ***** Top 10

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

my_life_as_a_zucchini_posterMA VIE EN COURGETTE (MY LIFE AS A ZUCCHINI) (Switz/France 2016) ***** Top 10
Directed by Claude Barras

Starring: Gaspard Schlatter, Sixtine Murat, Paulin Jaccoud

Review by Gilbert Seah

The surprise hit at Cannes and the Swiss entry for the Best Foreign Film at the next Academy Awards, MY LIFE AS A COURGETTE is pure delight. It is stop-motion claymation full of life and emotion – the story of an orphan who lands himself in a foster care home after accidentally killing his mother.

All the other orphans have endured traumatic experiences including child abuse, neglect and crazy parents. Yes, it is an adult, black comedy that is suited for adults and older children. There is also a very funny sex education portion, so parents with littler children should note.

The boy, called Courgette by his mother, is at first bullied but finally finds no only acceptance and true love but a new foster father. The bully not only becomes Courgette’s best friend but saves the day. Barras knows how to tell a a story and evoke emotion like tears of joy.

The sensitive script is penned by Céline Sciamma (writer-director of GIRLHOOD and TOMBOY) adapted from Gilles Paris’ novel Autobiography of a Courgette. Running at only 66 minutes, this is one film you would not want to end.
Trailer: https://www.youtube.com/watch?v=4d9N5Y_sN8Q

 

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TIFF 2016 Movie Review: DOG EAT DOG (USA 2016) Starring: Nicolas Cage, Willem Dafoe

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

dog_eat_dog_poster.jpgDOG EAT DOG (USA 2016) **
Directed by Paul Schrader

Starring: Nicolas Cage, Willem Dafoe, Louisa Krause

Review by Gilbert Seah

Paul Schrader, best known as the writer of TAXI DRIVER and RAGING BULL and director of AFFLICTION, directs this crime black comic cape (based on a 1995 novel by writer and ex-convict Edward Bunker) about three ex-convicts out to make good with one last score.

Trouble is that the three, led by Troy (Nicolas Cage) with Mad Dog (Willem Dafoe) and Diesel (Christopher Matthew Cook) are all violently crazy and cannot b trusted to do anything right. Worst still luck never seems to be on their side and trouble seems to follow them wherever they go.

Schrader has a cameo as the mafioso “The Greek” who has just the job of kidnapping a mobster’s baby. But the film is not as good as it sounds. The trio’s antics get boring after a while. The fact that the audience has no sympathy for any one of the three does not help either.

The last segment of the film makes little sense in continuity. Over violent, a staple in Schrader’s films, does not always work in black comedies.

Trailer: https://www.youtube.com/watch?v=Pt0FkSTyffs

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