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2019 TIFF Movie Review: GREED (UK 2019)

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Greed Poster
Satire about the world of the super-rich.

Director:

Michael Winterbottom

Writers:

Michael Winterbottom (screenplay), Sean Gray (additional material by)

Stars:

Isla Fisher, Asa Butterfield, Sophie Cookson

Director Michael Winterbottom (THE TRIP, WONDERLAND, and his best film JUDE) and Steve Coogan have worked together many times and they seem too comfortable in this latest offering that tackles too many subjects. 

 The fashion industry, celerities biographies, Bangladesh garment manufacturing, the Greek commercial collapse, refugees are all targets that Winterbottom cannot decide which he should deem the most important.  His film is centred on a court inquiry of a retail fashion billionaire Sir Richard MCreadie (Coogan) nicknamed Greedy for short.

  His ex-wife (Isla Fisher) and dutiful subordinate (Sarah Solemani) aid him on the way.  While all this is going on, biographer (David Mitchell) puts in his two cents worth, but turns out more annoying than funny. 

GREED is indulged in expensive looking production sets and exotics locations and appears to be going against all the film is supposed to be fighting against.  Coogan prances around in this role like a wealthy peacock.  The entire result is less than impressive, like the amphitheatre being built by the refugees.

Trailer: https://www.youtube.com/watch?v=7NNZHlIoA4U

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TIFF 2017 Movie Review: JOURNEY’S END (UK 2017) ****

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Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

Journey's End Poster RC Sherriff’s Journey’s End is the seminal British play about WW1. Set in a dugout in Aisne in 1918, it is the story of a group of British officers, led by the mentally disintegrating young officer Stanhope, variously awaiting their fate.

Director:

Saul Dibb

Writers:

Simon Reade (screenplay), R.C. Sherriff

Stars:

Sam Claflin, Paul Bettany, Asa Butterfield

JOURNEY’S END about soldiers (Officers and enlisted men) during an offensive in the trenches during the First World War is a story that is already too familiar to us.

Still, it is a story that needs repeating, to remind the world of the futility of war and that orders coming down from the top brass would ultimately be executed often to the death by the men of lower ranks, who has loved ones and families back home.

JOURNEY’S END is based on the 1928 play and filmed two years later by James Whale which starred Sir Lawrence Olivier as Cpt. Stanhope now played brilliantly convincingly by Sam Catlin.

Things get real only when the audience can put a face to the goings-on. The face in this case belongs to green 2LT Laleigh (Asa Butterfeld) who wishes to join the battalion of his old school mate Cpt Stanhope who used to be his house monitor and good friend of him and his sister.

The narrow trenches emphasizes the claustrophobia of the location complete with mud rats though only one is shown) and worms oozing out from the mud during a meal. To Dibb’s and the production designer’s credit, the film never feels like a play.

The message is clear that that human beings are the ones fighting the war, and there are casualties on both sides as the end credits remind both sides of the millions that have dies in WWI.

JOURNEY_S ENd