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A young woman is dealing with anorexia. She meets an unconventional doctor who challenges her to face her condition and embrace life.
Director: Marti Noxon
Writer: Marti Noxon
Stars: Lily Collins, Keanu Reeves, Leslie Bibb
Review by Gilbert Seah
The credits both opening and closing proudly announces TO THE BONE a film about anorexia, the eating disorder a Netflix original movie. It has been proclaimed that Netflix gets to make films studios are scared to make. This definitely holds true for this depressing, unglamorous project on a subject suffering from anorexia and shunned by her family. But TO THE BONE is so bad that one wonders if the studios could foresee the fact.
One would expect more from director Noxon and lead star Lili Collins who both suffer from the disorder. But the film glamourizes the illness in the way Collins looks so beautiful in every scene and everything she does appears ok and everyone else especially her stepmother is wrong. But unforgivable is the fact that the film is a really boring exercise from start to end. It does not help with the weird ending in which her real mother, Susan (Lili Taylor) feeds her milk from a baby bottle and a fantasy scene in which Ellen she’s herself nude on the ground, presumably dead.
It is hard to judge Collin’s performance when the film is this awful. Taylor does the best she can and Keanu Reeves has the odd role as Ellen’s charismatic doctor who is supposed to a do wonders with his unconventional methods. “I’m not going to treat you if you do not want to live!” He tells Ellen the first time he interviews her.
The story follows teenager Ellen who has dropped out of college. Her stepmother, Judy who lives with her real dad wants her to be cured from her anorexia. But Judy is shown as a very intolerant and bad mother, always criticizing poor Ellen and downright silly, making silly assumptions that Ellen and her stepsister always laugh about. So, Ellen is convinced to go to this medical facility led by Dr. William Beckam (Reeves). There is nothing in the film that shows him to be revolutionary in his treatment. His insistence of telling Ellen’s inner voice to ‘ f*** soft is laughable if not downright unbelievable. The facility consists of an assortment of skinny patients that are there to make Ellen look good. The subplot of Ellen having a romantic fling with the one boy, Luke (Alex Sharp), who wants to be a singer/dancer leads nowhere.
The film at least looks crisp and clear, especially with the desert landscape at the end, courtesy of cinematographer Richard Wong. Music is decent with an original song near the end.
But the film teaches nothing about anorexia nor does it offer any real insight on the people suffering from it. The least the script could have done is provide some medical information on the subject. The film also inserts unnecessary new age material. Ellen’s mother is a lesbian. In one scene, she praises her own breakdown saying people should have them to learn from them. Susan also puts a Ellen in a tent with no electricity with kerosene lamps for light and a bedpan if one need to go do their stuff. Ellen (or Eli, since she changes her name half way through the film for no proper reason) has not come out of life any smarter and neither has the audience.
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