FULL FEEDBACK on your screenplay from our committee of Professional Screenwriters, Production Heads and Script Consultants. Get your entire script performed at the writing festival.
SUBMIT your FEATURE, TV PILOT or SHORT SCREENPLAY.
Submissions take 3-5 weeks for evaluation. Looking for screenplays from all over the world.
This festival has a guaranteed 4-tier set up for each accepted script. (No matter what, all screenplays submitted receive FULL FEEDBACK on their work.)
1st Tier: FULL FEEDBACK on your screenplay (all submissions)
2nd Tier: Accepted scripts (25% on average of submitted entries) get a best scene of their screenplay performed by professional actors and made into a promotional video.
3rd Tier: We will send you a list of questions to answer for our blog interview that will promote you and your film.
4th Tier: Then we will set up a podcast interview on our popular ITunes show where will we will promote the winning writer and script.
(BONUS: 5th Tier. A winning screenwriter’s WhatsApp group has just been formed. Over 50 writers to date. Great way to share ideas and contacts with people in the industry.)
FULL FEEDBACK on your screenplay from our committee of Professional Screenwriters, Production Heads and Script Consultants. Get your entire script performed at the writing festival.
This festival has a guaranteed 4-tier set up for each accepted script. (No matter what, all screenplays submitted receive FULL FEEDBACK on their work.)
1st Tier: FULL FEEDBACK on your screenplay (all submissions)
2nd Tier: Accepted scripts (25% on average of submitted entries) get a best scene of their screenplay performed by professional actors and made into a promotional video.
3rd Tier: We will send you a list of questions to answer for our blog interview that will promote you and your film.
4th Tier: Then we will set up a podcast interview on our popular ITunes show where will we will promote the winning writer and script.
(BONUS: 5th Tier. A winning screenwriter’s WhatsApp group has just been formed. Over 50 writers to date. Great way to share ideas and contacts with people in the industry.)
Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.
THE LITTLE GIRL, 10min., USA Directed by Tamara Luisa Hernandez The Little Girl” is a poignant true story of a woman who embraces her identity as a plus-sized woman while navigating the complexities of love. Through her late-night interactions with strangers, she confronts the harsh realities of societal beauty standards, ultimately challenging conventional perceptions of attractiveness.
MY TURN!, 5min., USA Directed by Isabelle Maria Tumboimbela, Daisha Lin Sherman One sunny morning in Jakarta, Indonesia, Beth and her younger sister Liz become fierce rivals in their race to the bathroom. Beth regrets unintentionally hurting her little sister during the scuffle, and they both realize how much they care about each other.
AND VOILA, 13min., Canada Directed by Piero DaCosta An interview granted by Angelo Villa depicts the life and work of the most important artist of his time, Leo Park whom he used to call a friend once. Past and present come together in this game of power and corruption.
REPLICA, 6min., USA Directed by Marta Renzi A house, a replica and its inhabitants, both somewhat removed from reality. Tenderness, delight and quiet companionship. How much is imagined? What does the future hold?
STAY HERE, 12min., Canada Directed by Amelia Mitchell A troubled young man’s infatuation with his coworker spirals out of control after she introduces him to a dangerous coping mechanism.
The monthly festival that showcases the best of Thriller/Suspense Genre Stories and Films from around the world.
THRILLER festivals occur 12 times a year in Toronto & Los Angeles. Go to the website for information on the next events.
This is a HYBRID film festival with live screenings for the audience feedback video you will receive, plus an optional virtual 2nd showcase to enhance the film’s exposure. Festival also conducts blog and podcast interviews with the filmmaker. We have also started a filmmaker’s WhatsApp group with over 100 joined to date to chat about next project and make contacts etc….
With THRILLER screenplays and films, there will always be a market. This is a genre that will always be popular. Agents and producers are always looking for the next great writer and the next great filmmakers who tell great THRILLER stories. So if that is you, we will showcase your script or short film and make sure the right people see your work.
All festival dates have been moved to private screenings with the same Audience FEEDBACK videos made for the short & feature films, and recorded script readings performed by professional actors for the screenplays. This is our way of showing community over distance so everyone around the world can experience our Audience Feedback videos.
Submit your film or story and get it showcased at the Festival.
Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.
REPLACED, 5min,. USA Directed by Nicholas Campbell Depressed college student Sam attempts to reach out to her mother in the afterlife but welcomes something else instead.
IVANIA, 12min., Spain Directed by Luigi Abanto Michael (45). He is a camera repair technician. One day an old Voightländer camera comes into his hands to repair it. When he turns it on, he discovers that the camera captures the presence of a woman who lives in the same space and time as Miguel, although in another dimension.
DARK ROOM, 11min., USA Directed by Rogelio Robles After losing everything, a man slowly and painfully loses his mind right before your eyes. Becoming the serial killer he was destined to be.
THE APPARITION, 4min., Canada Directed by Kieran Persaud After receiving a call from a distressed mother, A priest goes to perform a house blessing in hopes to rid the home of intruding spirits.
CHERRY ON TOP, 15min., Brazil Directed by Laura Reis A girl with a bunny head tries to escape from her hunted reality when she discovers a group of colorful and hungry girls to be a part of…but things are not as sweet as it seems
Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.
AXINOS, 5min., Greece Directed by Anna Maria Kakona, Calliopi Villy Kotoula A little girl tries her best to protect her beloved sand sea turtles from the busy summer beach.
THE SLAUGHTERHAUS, 9min., Chili Directed by Gonzalo Sepulveda Based on a Nicanor Parra poem, A dystopian thriller about Meat Consumption and Global Warming.
DISENTANGLE, 14min., Bolivia Directed by Andrea Estéfany Caballero “Paskay” is an animated short made in Stop Motion and digital Cut-Out, that tells the story of Candelaria (20) and José (21), young people from a community in the Andean highlands, whose friendship and possible romance is interrupted by the sudden death of José. One afternoon, Candelaria falls asleep. In her dream, Candelaria looks out into the lagoon and sees the soul of José inside the World of the Dead, but realizes that she can not reach it and José can not get out. Candelaria cries in frustration. An Andean belief says that one should not cry too much to the dead, or they will not be allowed to rest in peace and will be caused them suffering. How can Candelaria get over the death of José?
CYPRESS SLEEP, 15min., Turkey Directed by Leila Norouzi Hasanbarough, Eren Uğur PhD student Zechariah sets off to a historical cemetery in the countryside with his lover Seda for his thesis research. On the way, they bump into something they are not aware of. This creates an enigma between the two characters. Seda will make an important decision on this journey
NO PLACE FOR REST, 15min,. Chili Directed by Cristobal Lopez Héctor, a villager in southern Chile disconnected from his family, avoids assisting Rosa, his mother who lies prostrate, leaving her in the care of her sister Elena, who neglects her own existence because she has to take care of her. From her bed Rosa sees how time passes and how her daughter is consumed with her. Rosa will devise a plan underground, which will change the roles of the house forever.
FORGOTTEN FLAME, 17min,. Serbia Directed by Mike Somov Two strangers accidentally meet each other near the metro station in the morning and start discussing the muzzled dog’s fate. Each one of these three is lonely, and their encounter can give them a chance to fill up holes in their lives. Nevertheless, some of them can lose this opportunity because of fear of getting lost in abandonment even more.
NGEN, 23min., Chili Directed by Jaime Bernardo Diaz Diaz Ngen is a documentary that, through a contemplative and dreamlike journey, shows us the world of Rosa, a Mapuche machi from the town of Fin Fin Boroa, Araucanía Region. Through her story and the observation of her environment, she brings us closer to the deep relationship that exists between her, medicine and non-human beings called Ngen, owners of nature.
LA CHIMBA, 26min,. Chili Directed by Víctor Villegas Campillo Patrimonial ethnographic documentary that highlights our history, from the Pre-Columbian era, specifically how those territories were inhabited and how it was transformed into an important commercial sector until today.
GHOSTS OF THE PACIFIC: A WHITE SEA BASS STORY, 63min., USA Directed by Michael Raabe Ghosts of the Pacific, a captivating and visually stunning documentary that delves into the mysterious world of the white sea bass, a prized and elusive species that has captured the imagination of spearfishermen along the Pacific coast. Through breathtaking underwater cinematography and intimate storytelling, the film explores the challenges and rewards of pursuing these “ghosts” of the deep.
1. What motivated you to make this film? I’ve always been drawn to the ocean, both for its beauty and mystery, and I wanted to create something that would capture the thrill of underwater exploration and respect for marine life. This film was a chance to dive deeper into that passion, share the intense experience of spearfishing, and spotlight the incredible wildlife we encounter—particularly the white sea bass, whose behaviors and conservation I wanted to shed light on.
2. From the idea to the finished product, how long did it take for you to make this film? It took around a year from concept to completion. The project involved extensive planning, fieldwork, and countless hours spent editing to craft a narrative that would captivate and educate viewers. Every step of the process added a new layer to the film, making it a journey in itself.
3. How would you describe your film in two words!? Adventure and Discovery.
4. What was the biggest obstacle you faced in completing this film? Securing the right footage was definitely challenging. Nature doesn’t work on a schedule, and capturing underwater scenes can be unpredictable. I also encountered hurdles around some sensitive topics with interviewees, so navigating those conversations while remaining true to the film’s vision was a delicate balance.
5. What were your initial reactions when watching the audience talking about your film in the feedback video? Hearing their reactions was incredibly rewarding. I was thrilled to see that the film’s message about adventure and respect for marine ecosystems resonated with viewers. It reaffirmed my belief in the power of storytelling to inspire others.
6. When did you realize that you wanted to make films? I’ve always loved storytelling, especially about the ocean and wildlife. I realized I wanted to make films when I saw the impact visual storytelling had on people—it was a way to bring them on the journey with me, to experience the ocean’s beauty and intensity as if they were right there beside me.
7. What film have you seen the most in your life? I’d have to say Jaws. Its storytelling, suspense, and how it captures the ocean’s mystery have always inspired me.
8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career? Offering more networking opportunities would be a big plus. Meeting fellow filmmakers, sharing insights, and potentially collaborating on future projects would enhance the festival experience even more. Also, live Q&A sessions where filmmakers can directly interact with the audience could add a deeper connection.
9. You submitted to the festival via FilmFreeway. How has your experience been working on the festival platform site? FilmFreeway has been fantastic—it’s easy to use, and it streamlines the process of finding festivals that align with my work. The platform has been a great tool for filmmakers looking to connect with audiences worldwide.
10. What is your favorite meal? A seafood feast! Freshly caught fish, especially when prepared right after a dive, is my idea of a perfect meal.
11. What is next for you? A new film? Yes, I’m in the early stages of a project focused on sea otters, abalone, and the vital role they play within the kelp forest ecosystem. It’s a complex story that weaves together historical perspectives, conservation efforts, and marine biology, and I’m excited to bring these elements together to highlight the importance of protecting these habitats.
G-man and Greg are just two guys trying to get through the day by doing the bare minimum. However, when a vampire hunter appears at their place of business, the pair start to suspect that their sunscreen-loving coworker Kevin is her target. After a few near-misses with the hunter’s traps, G-man and Greg decide to put their lives on the line to save Kevin from her murderous plot—even if he is undead.
CAST LIST:
Narrator: Val Cole G-Man: Geoff Mays Greg: Steve Rizzo
Get to know the writer:
1. What is your screenplay about?
“Kevin’s Not Dead” is about two small town mechanics who are suddenly roped into helping a Romanian vampire hunter fulfill her quest for revenge. However, when her target turns out to be their strange but seemingly harmless coworker, they start to question whose side they’re really on.
2. What genres does your screenplay fall under?
This screenplay is a horror comedy (emphasis on the comedy).
3. Why should this screenplay be made into a movie?
I’m a bit biased, obviously, but I think the biggest draw for this screenplay in terms of production value is just that it’s fun! This screenplay offers a campy take on the vampire film that offers a nod to the classics while also keeping a more lighthearted contemporary tone throughout that I think works well for attracting both horror and non-horror fans alike. It’s a relatively self-contained script, as well, which is hopefully appealing in terms of set and budget demands. I think it strikes a good balance of being a low-budget option with a fairly broad audience appeal.
4. How would you describe this script in two words?
Campy and fun.
5. What movie have you seen the most times in your life?
I truly have no idea but it’s probably either Dogma or The Departed.
6. How long have you been working on this screenplay?
I wrote the screenplay in about a week and have revised it twice since then (each major revision takes about a day, I think). I’ve been submitting to festivals over the past few months so, all in all, it’s existed for about half a year.
7. How many stories have you written?
That’s a difficult question! In total, I’ve written three feature-length screenplays (this is the first I’ve sent to festivals); about four or five short screenplays (a couple of which have been made into short films); three stage plays (two of which have been produced); one novella that was published in September 2023; four yet-unpublished novels; and I don’t even know how many short stories (nine of which are published, I believe).
8. What is your favorite song? (Or, what song have you listened to the most times in your life?)
I’ve been really hooked on the band Bad Omens lately, so probably either their song “Death of Peace of Mind,” Matt Maeson’s “Hallucinogenics,” or “Tessellate” by alt-J.
9. What obstacles did you face to finish this screenplay?
No obstacles, really. The only tiny one was just getting the automotive details right, but this script was inspired by my father who works as a technician, so it was easy enough to ask him or his coworkers to clarify things.
10. Apart from writing, what else are you passionate about?
Writing is pretty much my life, to be honest! It might be a bit of a cop-out, but I’m also really passionate about helping other people reach their creative potential. Aside from working as an English professor, I also am the editor for the West Trade Review’s Visual Poetics and am the editor-in-chief of For Page & Screen Magazine where we publish online issues featuring other people’s short stories, scripts, and films. I think the world can always use more stories, so whether I’m writing them or someone else is, I just enjoy finding a way to share them.
11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?
I’ve always had good experiences with FilmFreeway. I received my first ever festival win several years ago with a festival I submitted to through Without-A-Box, so I’ll always be a bit sad that they’re no longer a submission platform, but, otherwise, FilmFreeway is very user-friendly, so I have no complaints.
12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?
The fact that the festival provides feedback was a huge draw for submitting. This is only the second feedback festival I’ve submitted to and it was really interesting to see the differences in the notes from each one. I actually rewrote a portion of the script following the first feedback festival, so I was glad to see that the same concerns were not raised a second time. Overall, I was happy with the feedback I received from this festival!
Narrator: Geoff Mays Elder: Hannah Ehman 1st Guard/2nd Council Woman: Val Cole 3rd Council Woman: Elizabeth Rose Morriss
Get to know the writer:
1. What is your screenplay about?
My screenplay is about the Hulder, a mystical human-like creature with a cow’s tail, famous from Norwegian folklore, who has to go to Earth on a dangerous mission to con an orphan teenage boy in order to save her young brother from dying.
2. What genres does your screenplay fall under?
Adventure/Fantasy (low fantasy)
3. Why should this screenplay be made into a movie?
Because it is an action-packed story centred on making impossible choices, woven into a layered mystery where nothing is as it seems.
4. How would you describe this script in two words?
Mysterious, Unpredictable
5. What movie have you seen the most times in your life?
American Psycho, Out of Sight and The Naked Gun: From the Files of Police Squad!
6. How long have you been working on this screenplay?
It took 6 months to finish the script. Since then I have made minor corrections to the script based on feedback from peers.
7. How many stories have you written?
I have written the sequel to Trust Me and Scandi Noir mystery called ‘A Death in Dale’.
8. What is your favorite song? (Or, what song have you listened to the most times in your life?)
November Rain by Guns n’ Roses
9. What obstacles did you face to finish this screenplay?
The most time-consuming task was identifying and eliminating plot holes. I ran the story through my mind repeatedly, evaluating every possible outcome to ensure that both the main plot and subplots aligned seamlessly.
10. Apart from writing, what else are you passionate about?
I’m interested in vegan cooking, playing the guitar, mountain hiking, cross-country-skiing, watching good films and TV shows.
11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?
It’s been very good. The website is easy to navigate and the support team answer any questions you may have within a few hours.
12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?
The story draws heavily from Norwegian folklore, so I focus on entering festivals that emphasise themes of lore and fantasy.
The feedback was invaluable in highlighting areas for improvement—issues I could not see on my own because I was too close to the material.
Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.
FLY AWAY, FROGGY BOY, 8min., Canada Directed by Mia Lobo Fly Detective Francis McFly loses his partner to the infamous ‘Croaks’, a frog gang at the centre of his most recent investigation. Stricken by grief, he decides to get revenge, and go head to head with their ravenous leader, The Frogfather.
BEYOND THE FINISH LINE, 16min., USA Directed by Matthew Williams Beyond the Finish Line follows the journey of Marisa Pasnick as she prepares for the grueling Bigfoot 200 race while facing the challenges of an eating disorder. Marisa’s story is a testament to resilience and strength as she navigates the dual paths of training and recovery. This film aims to destigmatize eating disorders, highlighting that recovery is ongoing and that support from the community is crucial. Join us as we witness Marisa’s journey and advocate for greater awareness and understanding of eating disorders.
THE CAPTOR, 64min., USA Directed by Sean De La Nuez An ex-soldier with PTSD decides to become the vigilante of his neighborhood, taking justice into his own hands against porch pirates.
Festival Reviews 