In short, LUCY IN THE SKY is the story of a crazy woman. But how the journey gets to this point is quite the intrigue.
The film begins with a stunning look of an astronaut in outer space. Lucy Cola (Natalie Portman) is told: “Warp it up, you are going home.” To which she answers “Just give me a few more minutes.” The film also flashes on the screen ‘Based on real events.’ The term real instead of true indicates events that are likely disturbing.
After returning to earth, an obsessive astronaut (Natalie Portman) begins to question her place in the universe — including her relationships with her gentle husband (Dan Stevens) and her alluring crewmate (Jon Hamm. When she returns, all Lucy wants is to go back to space, at all costs. er modest family life loses its allure and the comforting support of her gentle husband Drew (Dan Stevens) is suddenly less appealing than the masculine charisma of a fellow astronaut, Mark (Jon Hamm), a divorcee disconcertingly eager to encourage an affair. As she determinedly trains for her next mission, her growing dissociation threatens to dismantle both her personal and professional lives. Hawley shows all the ugliness of Lucy’s obsession. The sympathy goes to the poor husband. The only reason Lucy can give her husband for her erratic behaviour is: “Can’t you see I have changed.”
Director Hawley cannot resists using the Beatles song “Lucy in the Sky with Diamonds”. In fact the title is probably taken from the song as well. That sequence is artistically done in a surreal sequence Lucy in the foreground and images of her past changing in the background.
LUCY IN THE SKY is not a very good film. Director Hawley takes too much time to set up the film’s premise resulting in a very slow and ponderous first half. It does not help that the character Lucy is an extremely annoying and unlikable one. But Hawley pulls a good twist in the last third of the film when the audience finally realizes that the story is about a crazy lady that they are not supposed to sympathize with.
The cinematography of outer space, courtesy of cinematographer Polly Morgan is nothing short of stunning, especially at the start of the film.
The film includes a few ridiculous bits like one part where Lucy picks up a wig for disguise. Since when do they ell wigs in a hardware store? The ending with the bees also makes little sense to the story.
Ellen Burstyn has a small role as Lucy’s mother. Burstyn steals every scene she is in, with her bitter and somewhat sarcastic dialogue on life, something more of what the film needs.
There event that film is ‘inspired’ by is the story of Lisa Nowak, an astronaut who tried to kidnap another NASA colleague at the Orlando airport.
LUCY IN THE SKY is a dull disappointing drama disguised as a space movie. It might have worked if the material were given a twisted twist with some black humour. LUCY had its world premiere at the Toronto International Film Festival but to general lacklustre reviews.