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Watch Today’s Film Festival: Best of WILDsound Shorts PART 2

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Watch Film Festival HERE: https://www.wildsound.ca/videos/best-of-wildsound-shorts-part-2

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

See the Full Lineup of Films:

LIPSTICK & LIGHTBULBS, 8min., USA
Directed by Tamara Luisa Hernandez
An evening’s plans are ruined when a roommate comes home a day early.

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-lipstick-lightbulbs

THE LITTLE GIRL, 10min., USA
Directed by Tamara Luisa Hernandez
The Little Girl” is a poignant true story of a woman who embraces her identity as a plus-sized woman while navigating the complexities of love. Through her late-night interactions with strangers, she confronts the harsh realities of societal beauty standards, ultimately challenging conventional perceptions of attractiveness.

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-the-little-girl


MY TURN!, 5min., USA
Directed by Isabelle Maria Tumboimbela, Daisha Lin Sherman
One sunny morning in Jakarta, Indonesia, Beth and her younger sister Liz become fierce rivals in their race to the bathroom. Beth regrets unintentionally hurting her little sister during the scuffle, and they both realize how much they care about each other.

https://www.instagram.com/myturn_shortfilm

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-my-turn

AND VOILA, 13min., Canada
Directed by Piero DaCosta
An interview granted by Angelo Villa depicts the life and work of the most important artist of his time, Leo Park whom he used to call a friend once. Past and present come together in this game of power and corruption.

https://pierodacosta.com/andvoila
https://twitter.com/andvoila_
https://www.instagram.com/andvoila_shortfilm/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-and-voila

REPLICA, 6min., USA
Directed by Marta Renzi
A house, a replica and its inhabitants, both somewhat removed from reality. Tenderness, delight and quiet companionship. How much is imagined? What does the future hold?

http://martarenzi.blogspot.com/
https://www.facebook.com/marta.renzi.54
https://www.instagram.com/renzimarta

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-replica


STAY HERE, 12min., Canada
Directed by Amelia Mitchell
A troubled young man’s infatuation with his coworker spirals out of control after she introduces him to a dangerous coping mechanism.

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-stay-here

Thriller/Suspense Festival – Today’s FilmFreeway Deadline

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Submit via FilmFreeway submission:

The monthly festival that showcases the best of Thriller/Suspense Genre Stories and Films from around the world.

THRILLER festivals occur 12 times a year in Toronto & Los Angeles. Go to the website for information on the next events.

This is a HYBRID film festival with live screenings for the audience feedback video you will receive, plus an optional virtual 2nd showcase to enhance the film’s exposure. Festival also conducts blog and podcast interviews with the filmmaker. We have also started a filmmaker’s WhatsApp group with over 100 joined to date to chat about next project and make contacts etc….

With THRILLER screenplays and films, there will always be a market. This is a genre that will always be popular. Agents and producers are always looking for the next great writer and the next great filmmakers who tell great THRILLER stories. So if that is you, we will showcase your script or short film and make sure the right people see your work.

All festival dates have been moved to private screenings with the same Audience FEEDBACK videos made for the short & feature films, and recorded script readings performed by professional actors for the screenplays. This is our way of showing community over distance so everyone around the world can experience our Audience Feedback videos.

Submit your film or story and get it showcased at the Festival.

Screenplay Festival occurs monthly.

Watch Today’s Film Festival: HORROR Shorts Festival

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Watch Film Festival HERE: https://www.wildsound.ca/videos/november-horror-shorts

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

SEE THE FULL LINEUP OF FILMS:

REPLACED, 5min,. USA
Directed by Nicholas Campbell
Depressed college student Sam attempts to reach out to her mother in the afterlife but welcomes something else instead.

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-replaced

IVANIA, 12min., Spain
Directed by Luigi Abanto
Michael (45). He is a camera repair technician. One day an old Voightländer camera comes into his hands to repair it. When he turns it on, he discovers that the camera captures the presence of a woman who lives in the same space and time as Miguel, although in another dimension.

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-ivania

DARK ROOM, 11min., USA
Directed by Rogelio Robles
After losing everything, a man slowly and painfully loses his mind right before your eyes. Becoming the serial killer he was destined to be.

https://www.instagram.com/roy_horror_director/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-dark-room

THE APPARITION, 4min., Canada
Directed by Kieran Persaud
After receiving a call from a distressed mother, A priest goes to perform a house blessing in hopes to rid the home of intruding spirits.

https://www.instagram.com/kieran_persaud_/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-the-apparition

CHERRY ON TOP, 15min., Brazil
Directed by Laura Reis
A girl with a bunny head tries to escape from her hunted reality when she discovers a group of colorful and hungry girls to be a part of…but things are not as sweet as it seems

https://www.instagram.com/cerejadobolofilme/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-cherry-on-top

Watch BONUS Festival: International STUDENT Film Festival

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Watch Film Festival HERE: https://www.wildsound.ca/videos/november-international-student-festival

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

See the Full Lineup of Films:

AXINOS, 5min., Greece
Directed by Anna Maria Kakona, Calliopi Villy Kotoula
A little girl tries her best to protect her beloved sand sea turtles from the busy summer beach.

THE SLAUGHTERHAUS, 9min., Chili
Directed by Gonzalo Sepulveda
Based on a Nicanor Parra poem, A dystopian thriller about Meat Consumption and Global Warming.

http://www.cinando.com/cintamanifilms
https://www.facebook.com/cintamanifilms
https://www.twitter.com/cintamanifilms

DISENTANGLE, 14min., Bolivia
Directed by Andrea Estéfany Caballero
“Paskay” is an animated short made in Stop Motion and digital Cut-Out, that tells the story of Candelaria (20) and José (21), young people from a community in the Andean highlands, whose friendship and possible romance is interrupted by the sudden death of José. One afternoon, Candelaria falls asleep. In her dream, Candelaria looks out into the lagoon and sees the soul of José inside the World of the Dead, but realizes that she can not reach it and José can not get out. Candelaria cries in frustration. An Andean belief says that one should not cry too much to the dead, or they will not be allowed to rest in peace and will be caused them suffering. How can Candelaria get over the death of José?

https://www.facebook.com/andrea.caballero.58152/

CYPRESS SLEEP, 15min., Turkey
Directed by Leila Norouzi Hasanbarough, Eren Uğur
PhD student Zechariah sets off to a historical cemetery in the countryside with his lover Seda for his thesis research. On the way, they bump into something they are not aware of. This creates an enigma between the two characters. Seda will make an important decision on this journey

https://www.instagram.com/cypress_sleep/

NO PLACE FOR REST, 15min,. Chili
Directed by Cristobal Lopez
Héctor, a villager in southern Chile disconnected from his family, avoids assisting Rosa, his mother who lies prostrate, leaving her in the care of her sister Elena, who neglects her own existence because she has to take care of her. From her bed Rosa sees how time passes and how her daughter is consumed with her. Rosa will devise a plan underground, which will change the roles of the house forever.

FORGOTTEN FLAME, 17min,. Serbia
Directed by Mike Somov
Two strangers accidentally meet each other near the metro station in the morning and start discussing the muzzled dog’s fate. Each one of these three is lonely, and their encounter can give them a chance to fill up holes in their lives. Nevertheless, some of them can lose this opportunity because of fear of getting lost in abandonment even more.

https://www.facebook.com/somov.is.me/
https://www.instagram.com/somov.is.me

NGEN, 23min., Chili
Directed by Jaime Bernardo Diaz Diaz
Ngen is a documentary that, through a contemplative and dreamlike journey, shows us the world of Rosa, a Mapuche machi from the town of Fin Fin Boroa, Araucanía Region. Through her story and the observation of her environment, she brings us closer to the deep relationship that exists between her, medicine and non-human beings called Ngen, owners of nature.

LA CHIMBA, 26min,. Chili
Directed by Víctor Villegas Campillo
Patrimonial ethnographic documentary that highlights our history, from the Pre-Columbian era, specifically how those territories were inhabited and how it was transformed into an important commercial sector until today.

Filmmaker Michael Raabe (GHOSTS OF THE PACIFIC: A WHITE SEA BASS STORY)

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GHOSTS OF THE PACIFIC: A WHITE SEA BASS STORY, 63min., USA
Directed by Michael Raabe
Ghosts of the Pacific, a captivating and visually stunning documentary that delves into the mysterious world of the white sea bass, a prized and elusive species that has captured the imagination of spearfishermen along the Pacific coast. Through breathtaking underwater cinematography and intimate storytelling, the film explores the challenges and rewards of pursuing these “ghosts” of the deep.

http://www.raabephoto.com/
https://www.facebook.com/mike.raabe/
https://www.instagram.com/raabeproductions/

Get to know the filmmaker:

1. What motivated you to make this film?
I’ve always been drawn to the ocean, both for its beauty and mystery, and I wanted to create something that would capture the thrill of underwater exploration and respect for marine life. This film was a chance to dive deeper into that passion, share the intense experience of spearfishing, and spotlight the incredible wildlife we encounter—particularly the white sea bass, whose behaviors and conservation I wanted to shed light on.

2. From the idea to the finished product, how long did it take for you to make this film?
It took around a year from concept to completion. The project involved extensive planning, fieldwork, and countless hours spent editing to craft a narrative that would captivate and educate viewers. Every step of the process added a new layer to the film, making it a journey in itself.

3. How would you describe your film in two words!?
Adventure and Discovery.

4. What was the biggest obstacle you faced in completing this film?
Securing the right footage was definitely challenging. Nature doesn’t work on a schedule, and capturing underwater scenes can be unpredictable. I also encountered hurdles around some sensitive topics with interviewees, so navigating those conversations while remaining true to the film’s vision was a delicate balance.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?
Hearing their reactions was incredibly rewarding. I was thrilled to see that the film’s message about adventure and respect for marine ecosystems resonated with viewers. It reaffirmed my belief in the power of storytelling to inspire others.

6. When did you realize that you wanted to make films?
I’ve always loved storytelling, especially about the ocean and wildlife. I realized I wanted to make films when I saw the impact visual storytelling had on people—it was a way to bring them on the journey with me, to experience the ocean’s beauty and intensity as if they were right there beside me.

7. What film have you seen the most in your life?
I’d have to say Jaws. Its storytelling, suspense, and how it captures the ocean’s mystery have always inspired me.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?
Offering more networking opportunities would be a big plus. Meeting fellow filmmakers, sharing insights, and potentially collaborating on future projects would enhance the festival experience even more. Also, live Q&A sessions where filmmakers can directly interact with the audience could add a deeper connection.

9. You submitted to the festival via FilmFreeway. How has your experience been working on the festival platform site?
FilmFreeway has been fantastic—it’s easy to use, and it streamlines the process of finding festivals that align with my work. The platform has been a great tool for filmmakers looking to connect with audiences worldwide.

10. What is your favorite meal?
A seafood feast! Freshly caught fish, especially when prepared right after a dive, is my idea of a perfect meal.

11. What is next for you? A new film?
Yes, I’m in the early stages of a project focused on sea otters, abalone, and the vital role they play within the kelp forest ecosystem. It’s a complex story that weaves together historical perspectives, conservation efforts, and marine biology, and I’m excited to bring these elements together to highlight the importance of protecting these habitats.

Screenwriter Sarah Edmonds (KEVIN’S NOT DEAD)

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https://www.instagram.com/saraheedmonds/

G-man and Greg are just two guys trying to get through the day by doing the bare minimum. However, when a vampire hunter appears at their place of business, the pair start to suspect that their sunscreen-loving coworker Kevin is her target. After a few near-misses with the hunter’s traps, G-man and Greg decide to put their lives on the line to save Kevin from her murderous plot—even if he is undead.

CAST LIST:

Narrator: Val Cole
G-Man: Geoff Mays
Greg: Steve Rizzo

Get to know the writer:

1. What is your screenplay about?

“Kevin’s Not Dead” is about two small town mechanics who are suddenly roped into helping a Romanian vampire hunter fulfill her quest for revenge. However, when her target turns out to be their strange but seemingly harmless coworker, they start to question whose side they’re really on.

2. What genres does your screenplay fall under?

This screenplay is a horror comedy (emphasis on the comedy).

3. Why should this screenplay be made into a movie?

I’m a bit biased, obviously, but I think the biggest draw for this screenplay in terms of production value is just that it’s fun! This screenplay offers a campy take on the vampire film that offers a nod to the classics while also keeping a more lighthearted contemporary tone throughout that I think works well for attracting both horror and non-horror fans alike. It’s a relatively self-contained script, as well, which is hopefully appealing in terms of set and budget demands. I think it strikes a good balance of being a low-budget option with a fairly broad audience appeal.

4. How would you describe this script in two words?

Campy and fun.

5. What movie have you seen the most times in your life?

I truly have no idea but it’s probably either Dogma or The Departed.

6. How long have you been working on this screenplay?

I wrote the screenplay in about a week and have revised it twice since then (each major revision takes about a day, I think). I’ve been submitting to festivals over the past few months so, all in all, it’s existed for about half a year.

7. How many stories have you written?

That’s a difficult question! In total, I’ve written three feature-length screenplays (this is the first I’ve sent to festivals); about four or five short screenplays (a couple of which have been made into short films); three stage plays (two of which have been produced); one novella that was published in September 2023; four yet-unpublished novels; and I don’t even know how many short stories (nine of which are published, I believe).

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

I’ve been really hooked on the band Bad Omens lately, so probably either their song “Death of Peace of Mind,” Matt Maeson’s “Hallucinogenics,” or “Tessellate” by alt-J.

9. What obstacles did you face to finish this screenplay?

No obstacles, really. The only tiny one was just getting the automotive details right, but this script was inspired by my father who works as a technician, so it was easy enough to ask him or his coworkers to clarify things.

10. Apart from writing, what else are you passionate about?

Writing is pretty much my life, to be honest! It might be a bit of a cop-out, but I’m also really passionate about helping other people reach their creative potential. Aside from working as an English professor, I also am the editor for the West Trade Review’s Visual Poetics and am the editor-in-chief of For Page & Screen Magazine where we publish online issues featuring other people’s short stories, scripts, and films. I think the world can always use more stories, so whether I’m writing them or someone else is, I just enjoy finding a way to share them.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

I’ve always had good experiences with FilmFreeway. I received my first ever festival win several years ago with a festival I submitted to through Without-A-Box, so I’ll always be a bit sad that they’re no longer a submission platform, but, otherwise, FilmFreeway is very user-friendly, so I have no complaints.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

The fact that the festival provides feedback was a huge draw for submitting. This is only the second feedback festival I’ve submitted to and it was really interesting to see the differences in the notes from each one. I actually rewrote a portion of the script following the first feedback festival, so I was glad to see that the same concerns were not raised a second time. Overall, I was happy with the feedback I received from this festival!

Screenwriter A. E. Guaake (TRUST ME)

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CAST LIST:

Narrator: Geoff Mays
Elder: Hannah Ehman
1st Guard/2nd Council Woman: Val Cole
3rd Council Woman: Elizabeth Rose Morriss

Get to know the writer:

1. What is your screenplay about?

My screenplay is about the Hulder, a mystical human-like creature with a cow’s tail, famous from Norwegian folklore, who has to go to Earth on a dangerous mission to con an orphan teenage boy in order to save her young brother from dying.

2. What genres does your screenplay fall under?

Adventure/Fantasy (low fantasy)

3. Why should this screenplay be made into a movie?

Because it is an action-packed story centred on making impossible choices, woven into a layered mystery where nothing is as it seems.

4. How would you describe this script in two words?

Mysterious, Unpredictable

5. What movie have you seen the most times in your life?

American Psycho, Out of Sight and The Naked Gun: From the Files of Police Squad!

6. How long have you been working on this screenplay?

It took 6 months to finish the script. Since then I have made minor corrections to the script based on feedback from peers.

7. How many stories have you written?

I have written the sequel to Trust Me and Scandi Noir mystery called ‘A Death in Dale’.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

November Rain by Guns n’ Roses

9. What obstacles did you face to finish this screenplay?

The most time-consuming task was identifying and eliminating plot holes. I ran the story through my mind repeatedly, evaluating every possible outcome to ensure that both the main plot and subplots aligned seamlessly.

10. Apart from writing, what else are you passionate about?

I’m interested in vegan cooking, playing the guitar, mountain hiking, cross-country-skiing, watching good films and TV shows.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

It’s been very good. The website is easy to navigate and the support team answer any questions you may have within a few hours.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

The story draws heavily from Norwegian folklore, so I focus on entering festivals that emphasise themes of lore and fantasy.

The feedback was invaluable in highlighting areas for improvement—issues I could not see on my own because I was too close to the material.

Watch Today’s Film Festival: ACTION/ADVENTURE Festival Showcase

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Watch the FULL Festival NOW https://www.wildsound.ca/videos/action-adventure-festival

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

FLY AWAY, FROGGY BOY, 8min., Canada
Directed by Mia Lobo
Fly Detective Francis McFly loses his partner to the infamous ‘Croaks’, a frog gang at the centre of his most recent investigation. Stricken by grief, he decides to get revenge, and go head to head with their ravenous leader, The Frogfather.

https://mialobo.com/home

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/fly-away-froggy-boy-review

BEYOND THE FINISH LINE, 16min., USA
Directed by Matthew Williams
Beyond the Finish Line follows the journey of Marisa Pasnick as she prepares for the grueling Bigfoot 200 race while facing the challenges of an eating disorder. Marisa’s story is a testament to resilience and strength as she navigates the dual paths of training and recovery. This film aims to destigmatize eating disorders, highlighting that recovery is ongoing and that support from the community is crucial. Join us as we witness Marisa’s journey and advocate for greater awareness and understanding of eating disorders.

http://www.matthewwilliamsphotography.com/

https://www.instagram.com/matthewwilliamsphotographer/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/beyond-the-finish-line-review

THE CAPTOR, 64min., USA
Directed by Sean De La Nuez
An ex-soldier with PTSD decides to become the vigilante of his neighborhood, taking justice into his own hands against porch pirates.

https://www.facebook.com/alejandra.alanis.ortiz
https://www.instagram.com/alejandra.alanis.ortiz/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/the-captor-review

Watch Today’s Film Festival: FEMALE Filmmakers Shorts Festival

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Watch the FULL Festival NOW: https://www.wildsound.ca/videos/female-shorts-festival-november-2024

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

See the Full Lineup of Films:

THE COWGIRL, 6min., USA
Directed by Armando Hernandez
A cowboy at a bar about to order his very last drink at closing time meets his unexpected match: a cowgirl waitress who gives him the check (and a whole lot more).

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/the-cowgirl-review

THERAPY TIES, 30min., USA
Directed by Christine Evette Giles
The effects of Wanda’s unresolved childhood trauma forces a tsunami of events to take place in the her family. This leaves her husband, Malcolm, as the primary caretaker of two children, one of which has a disability. Traditional and nontraditional therapy becomes the epicenter of their daily life.

https://doc.storydoc.com/DJgAFJ
https://www.instagram.com/adonaiandi

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-therapy-ties

I’M NOT A ROBOT, 20min., Netherlands
Directed by Victoria Warmerdam
After repeatedly failing Captcha tests, music producer Lara becomes obsessed with a disturbing question: could she be a robot?

https://www.instagram.com/oakmotion

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-i-am-not-a-robot

AN UNDOING, 10min., USA
Directed by Lyall F. Harris
In this 9-minute and 55-second experimental film, viewers are taken on a journey of “undoing” as the film’s author-protagonist unstitches her way to healing and catharsis, one stitch at a time, after the end of an abusive 20-year marriage. The subject: their wedding garments.

http://www.lyallharris.com/

https://www.instagram.com/lyall_harris

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-an-undoing


GIEROGI APPA, 16min., USA
Directed by Yeonwoo Kim
The meaning of “Gireogi Appa” is a South Korean term that refers to a man who works in Korea while his wife and children stay in an English-speaking country such as the United States, Canada, the United Kingdom, Australia or New Zealand for the sake of their children’s education. This video is about the documentary of the Gireogi Appa, which is my dad and shows the relationship between me and my dad.

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-gierogi-appa

Zoom Table Read Workshop of your Full Screenplay (feature or TV)

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Workship for writers to hear their feature screenplay or TV Pilot read out loud using professional actors.

Read full screenplays (TV Pilot/Spec or Feature Screenplay), followed by conversation with actors after reading. Session generally takes about 2 1/2 to 3 hours. All recorded. Writer owns all material after reading.

Text festival at 416-568-9046 to receive examples of previous readings for context.

SEE list of actors who have performed at the Zoom Table Reading Workshops in 2024.

Only $300

Buy Now Button

Recent Testimonials:

The table reading of our screenplay was phenomenal! Matthew and team selected the perfect actors for the roles and their performances were stellar. We learned so much about what worked and what didn’t. Had we not had this reading, I’m pretty sure we couldn’t have seen these aspects of our script. We now have a revision plan that I feel will take our story to the next level. I highly recommend a Zoom table reading with WildSound!                                                                                                                                                       – Lisa Johnson Mitchell

I was so impressed by our virtual table reading!  The actors were well prepared and brought palpable energy and enthusiasm to the reading.  Even though we were spread across the continent, it really felt like we were all sitting around the table together, and the actors’ comments after the reading were quite insightful.  I know this experience is going to help us take our script to the next level!                                                          – Sara Lundell

I can’t thank Matthew and the actors enough!!! This was such an amazing experience and I am forever grateful.
– Sami Richey

That was so awesome and so useful as well. Once I got over being a little self conscious it was truly rewarding on many levels. The best part was the discussion at the end of the session. Great to be able to get those opinions from professional actors who have spent the time considering the work.
– Russell Knight

Thanks for the files for the reading. — this is such a great resource to have.
– Shay Mourad

Thank you so much for providing this opportunity for me and my screenplay. The reading and the feedback were invaluable. I so appreciate this and all the opportunities you have given me!
– Janna Jones