Movie Review: MY NAME IS JOAN (USA, Documentary)

Played at the August 2017 DOCUMENTARY Short Film Festival

by Kierston Drier

My Name is Joan, packs an exceptional emotional punch. Poignant, compassionate and full of intrigue, it follows a story that is nothing short of scandalous, involving the mother-and-baby homes of the 1920-1980’s in Ireland. We follow Susan Drew, born Joan Fagan to an unwed mother in Dublin and adopted under mysterious circumstance, as she recounts her story of discovering her past. As Susan revels her own history- and that of her mother who lost her daughter in a mother-and-baby home to an overseas adoption, we also uncover the history of illicit adoptions performed through the Catholic church in a time when unwed mothers faced extreme persecution.

 

Untold numbers of women gave birth out of wedlock after the second world war. While the Irish government looked away, those women were sent to Church-run mother-and-baby homes, where they were promised totally anonymity and safety to deliver their babies. What they were not told was that they would be subjected to difficult conditions, poor treatment, neglect and that their children could be taken from them and adopted out- with very little they could do about it.

 

Susan would have been one more unnamed child lost in a sea of murky documentation. That is, if it hadn’t been for one nun who saved and scanned the paperwork of every child she saw under her care- Susan being one of them.

 

My Name Is Joan is an incredible documentary. Susan’s journey being the primary tale, the story still branches out, spider-web like, into the larger scandal. With jaw-dropping statistics and frightening conclusions to be drawn from them, it is incredible that such an event can take place, seemingly under the nose of a country. My Name Is Joan is one woman’s story of finding her past, and changing her future. It is also a story of a nation whose women and children were under siege. A gripping, emotionally ambitious and incredibly moving film.

 

MY NAME IS JOAN, 30min, USA, Documentary
Directed by Margaret Costa

Tells the story of Susan Drew, a woman who was born Joan Fagan to an unwed mother in the St. Patrick Mother and Baby Home in Dublin, Ireland in 1949. While the documentary chronicles Susan’s journey to find her true identity, it also highlights the illegal exporting of children by the Catholic Church to families in other countries for profit while the Irish Government looked the other way.

CLICK HERE – and see full info and more pics of the film!

Movie Review: THE MARCH SWEATER – PART 1: THE CARETAKERS (Canada, LGBT, Documentary)

Played at the August 2017 DOCUMENTARY Short Film Festival

by Kierston Drier

This special part 1 of March Sweater, follows two seniors, Peter and Vincent, who shared their lives together as a married couple, and become caregivers to Peter’s 95-year-old mother. A fascinating peer into at a community from an often-overlooked angle, Peter and Vincent talk about their lives together and the various lessons they learn through loving each other.

 

From their meeting, to their courtship and through to their marriage of cohabitation, they address the major areas of their world- compromise and sacrifice, but also the love that makes it so very worth it. “I don’t want to think about life without Vincent,” a notable line from Peter that seems to distill the depth of their feelings. For anyone who has ever loved another person, they are, as a couple,  instantly relatable.
This film sparkles. Peter and Vincent are easy to love. Peter’s laugh is infectious and warm and Vincent’s’ kindness and compassion are clear in every word. The March Sweater, PART 1 is a testament to true love ability to transcend any obstacle, culture, society, age. They are proof for any skeptic- love always wins.

THE MARCH SWEATER – PART 1: THE CARETAKERS, 8min, Canada, LGBT, Documentary
Directed by Cory AshworthLGBTQ2+ seniors speaking of life, love and the wisdom that comes with growing older.

CLICK HERE – and see full info and more pics of the film!

Movie Review: WALLY (USA, LGBT, Documentary)

Played at the August 2017 DOCUMENTARY Short Film Festival

by Kierston Drier

This bright, fresh and endearing short directed by Andy Galloway, follows the life and memories of Wally Linebarger- a renowned and beloved art teacher at a religious school who was let go because of his sexuality in the early 1990s. The story follows, not only Wally (as he discusses who he is and what lead him to his decision to come out) but also his three daughters and the effect the issue had on them.

 

Wally will captivate you from the first frame with his emotional openness, his humor, his charm and his endearing view of the world. One of the most effective parts of this documentary, however, is the accompaniment of his children. The documentary would stand on its own without them, but with them it truly raises above and beyond. Wally’s three daughters add a complex and resonant angle to a controversial and heartbreaking matter- that their loving and devoted father was let go from his job, and isolated from a community simply because of who he was. The lasting repercussions of that, in turn, affected them. Their points of view, and their varying experiences, added a critical layer of depth. The film is richer and more poignant for their appearances, confessions, anecdotes and honesty.

 

It is a hard thing to dig through layers of memory, especially when little paperwork or documentation exists. But in the case of Wally, it is done, and with spectacular effectiveness. An engaging story and one worth sharing, Wally is a excellent film.

 

WALLY, 24min, USA, LGBT, Documentary
Directed by Andy Galloway

Wally Linebarger: a man cught in the turbulence of truth. Plagued by a past that longs to define him and a future that remains unsure, Wally presses forward. Despite a life of gain and loss, three lights continue to guide him.

CLICK HERE – and see full info and more pics of the film!

Movie Review: UNTIL DEATH DO US PART, (USA, LGBT, Documentary)

Played at the August 2017 DOCUMENTARY Short Film Festival

by Kierston Drier

Directed by Kristine Kirchmeier, Until Death Do Us Part, is a remarkable short documentary hailing from the USA chronicling the harrowing story of newlyweds Megan and Danielle and their battle with cancer. Only two days before their wedding, Megan is diagnosed with stage four cancer.

What follows in story about two incredibly brave people- made brave by the power of love. Faced with a world of uncertainty, turmoil and potential tragedy, Megan and Danielle show startlingly level-headed composure. Perhaps nothing captures their spirits better than Danielle’s confession to Megan,  “I love you, you idiot. You’re my person.”

What makes Until Death Do Us Part a special piece, is that as a documentary film, it  acknowledges the struggle, concern and desperation of dealing with illness while still showcasing the remarkable resilience of both these women. We see examples of their humanism, their moments of weakness, their fear of the future- while also never once doubting their devotion to one another.

A remarkable film about the lengths we go for love, Until Death Do Us Part is worth the journey. It reminds us all of the things that are worth fighting for.

UNTIL DEATH DO US PART, 8min, USA, LGBT, Documentary
Directed by Kristine Kirchmeier

Young newlyweds Megan and Danielle Love immediately have their wedding vows put to the test after Megan is diagnosed with stage 4 liver cancer a few weeks after they’re married.

CLICK HERE – and see full info and more pics of the film!

MOVIE REVIEW: KAJAL (KOHL) (Drama)

Played at the August 2017 FEMALE FEEDBACK Film Festival to rave reviews.

by Kierston Drier

Most cinema aims to make the audience feel something- laughter or joy, terror and thrill, anticipation and satisfaction. Excellent films achieve this, while also making you think. Spectacular films do all these things while also leaving one with an empowering message. Enter Kajal, which has transcended all these requirements and more. This twenty minute short from Indian directed by Paakhi A Tryewala, is a cinematic masterpiece of beautiful, terror and empowerment. A statement on society through one woman’s solitary tale of domination and resistance. Our heroine, a submissive and cautious woman, disrespected by strangers, ignored by her boss, and berated by her husband, stumbles into a mysterious package on her way home- containing a gun. Empowered by a weapon that finally gives her an element of protection, defense and choice, our hero sets about making changes the the world around her that treats life as though she is less than those around her.

 

It is never the gun that creates the changes- it is our heroine, empowered by the realization that she can wield power- and she does so without ever uttering a word.

 

Kajal is beautifully shot, with gorgeous cinematography. It is exceptionally well cast on every level. The performance of leading actress Salony Luthra is nothing short of awe-inspiring, as she captivates the screen with strength, poise and undeniable grit and determination. This is a rare gem of a film that is composed in near-perfection as it takes the viewer slowly into the life of one woman, prepared to change her world by any means necessary. Yet, the gun that empowers her is a beautiful metaphor for her own power. A gun is only as dangerous as the person who holds it.

Kajal is a must-see film. It resonates with tension, sparkles with anticipation and burns hot with a deep message of empowerment. A breakthrough film with razer-edge execution, it is a riveting cinematic piece to watch. Bravo Paakhi A Tyrewala. Bravo!

KOHL, 20min, India, Drama
Directed by Paakhi A Tyrewala

Like all elements, humans have a saturation point. What happens when a woman — constantly bullied by a boss, harassed by strangers and abused by husband — finds an abandoned package one night?

CLICK HERE – and see full info and more pics of the film!

MOVIE REVIEW: NO STRINGS ATTACHED, (Music Video)

Played at the August 2017 FEMALE FEEDBACK Film Festival to rave reviews.

by Kierston Drier

This five minute music video from the USA, No Strings Attached is a bold and dramatic statement about the commercialization of art.  Highly abstract, yet clear with its goals, motives and intent, this stylized musical art piece is comment on media, money and the rights to human expression.

 

No Strings Attached performed by Alyssa Maria featuring Destiny Claymore and directed by Lindsay Penn is not only a strong musical number but is composed with exceptional lyrics and an unforgettable performances. The lyrics jump out at the viewer as clearly and as vibrantly as the stunning emotional visuals.  

 

A special nod must be given to the artistic design- the costumes, makeup and overall visual spectacle of the piece is just as lush and entrancing as the highly moving lyrics. An artistic but strong criticism and review of our music industry and the money that propels the creation and distribution of content, this is a strong and memorable performance and a incredibly engaging film to behold

NO STRINGS ATTACHED, 5min, USA, Music Video
Directed by Lindsay PennFans or dollars? A surreal exploration of the inner conflict of the independent artist.

CLICK HERE – and see full info and more pics of the film!

MOVIE REVIEW: THE SESSION (Comedy)

Played at the August 2017 FEMALE FEEDBACK Film Festival to rave reviews.

by Kierston Drier

An emotionally intense and psychologically thrilling comedy, this ambitious seven minute short hailing from the USA and directed by Molly Maguire is rollercoaster of extremes. It follows a timid Amanda at her first meeting with her  strong and confident therapist. Eager to please and desperate to be “just like everyone else”, Amanda is quick to obey the words of her trusted therapist, who quickly persuades her into accepting deep truths about her psyche. The power dynamics of this piece are quick, intense and startling, as the rapid fire writing carries the story from one emotional high to the next.

 

Incredibly successful while still being admirably ambitious, The Session may push a viewer out of their comfort zone with psychology manipulation and comic irony. However, this is the type of daring and adventurous cinematic short that must be highly commended for its strong performances, excellent writing and killer mic-drop comic twist ending. A worthy watch and a short not to miss.

THE SESSION, 7min, USA, Comedy
Directed by Molly Maguire

Amanda arrives early for her first therapy session a bit eager, nervous, and open to her Dr.’s professional words of wisdom. Dr. Franklin uses all of this to her advantage. Turning those fateful minutes in which Amanda arrived early into ones Amanda will never forget.

CLICK HERE – and see full info and more pics of the film!

MOVIE REVIEW: THE MAN WHO DOESN’T SLEEP (Drama, Dramamentary)

Played at the August 2017 FEMALE FEEDBACK Film Festival to rave reviews.

by Kierston Drier

A fifteen minute Mockumentary-Drama coming out of Canada, directed by Jana Stackhouse, follows a young filmmaker Sam as she explores the curious condition of her neighbor. Her neighbour, as it turns out, doesn’t sleep- or can’t sleep. Taken with the fascinating story of this medical miracle, Sam devotes her time to following her neighbor Craig and his story. What would you do with your newly found time, if you no longer had to sleep?

What she finds is an amazing introvert who is a jack of all trades, from Cosplay to self-taught chef, to botanist, to one-man-band, Craig can do it all- although he can’t do any of it perfectly. And slowly, the shy recluse opens up to his new friend. But when Craig suddenly begins to feel exhaustion, Sam learns that when he finally does sleep, he may sleep most of the rest of his life to make up for what sleep has been lost. Determined to finish her film and give Craig a chance to tell his story, they carry on the documentary. Craig however, must come to the realization that a person can live in a dream world, even if they never fall asleep.

 

This is an exceptionally well balanced film. The Man Who Doesn’t Sleep has emotional and genuine performances, charming tone and a beautiful mixture of subtle comedy and heart. It’s slightly unbelievable premise is easy to accept because of how authentically it is portrayed. A meaningful message is left with anyone who takes the time to enjoy The Man Who Doesn’t Sleep– life may be short, but it is worth being awake for.

THE MAN WHO DOESN’T SLEEP, 15min, Canada, Drama
Directed by Jana StackhouseA young filmmaker finds herself in a new apartment where her neighbour is literally up all night. Her anger turns to curiosity as she sets out to make a documentary about ‘The Man Who Doesn’t Sleep.’

CLICK HERE – and see full info and more pics of the film!

MOVIE REVIEW: WE WERE SWIMMING, (Art/Surreal)

Played at the August 2017 FEMALE FEEDBACK Film Festival to rave reviews.

by Kierston Drier

We Were Swimming is a metaphorical, musical, poetic short, laced with symbolism and poignance. The story, while abstract, follows two teenage girls who share (or have shared) an intense emotional bond. Directed by May Fisher and hailing from the UK, this short film has an exceptionally beautiful in its impenetrable mystery.

 

The piece is largely visual set against a dramatic spoken word piece, detailing a the heavy history and powerful bond shared by the two women. There is an emphasis on the symbology of water in the piece, but the meaning behind it is left for the viewer to contemplate.

Excellent performances and beautiful cinematography are found in We Were Swimming. What exalts this short above the standard are the bravely intimate non-dialogue moments shared between the heroines. It captures the closeness clearly shared between them, although the extent of their relationship is left up to the interpretation of the audience. Impactful and often profound, We Were Swimming has the tone of a love poem spoken in whispers, that nevertheless can resonate with any heart.

 

WE WERE SWIMMING, 3min, UK, Art/Surreal
Directed by Jesse May Fisher

We Were Swimming explores intimacies and tensions between two teenage girls. As the protagonist’s dreams and memories interweave with one another certain intricacies of girlhood and female friendship come to light.

CLICK HERE – and see full info and more pics of the film!

MOVIE REVIEW: GRACE & GRIT (Thriller/Drama)

Played at the August 2017 FEMALE FEEDBACK Film Festival to rave reviews.

by Kierston Drier

A dramatic and emotional roller coaster of a film, Grace and Grit directed by Olivia Applegate and Blair Bomar, is a strong cinematic endeavour. Following one woman who battles with two different personas inside her, we see the passionate internal battle of torn emotional soul. Our heroine stands at the crossroads of a broken and abusive relationship, fighting within herself as to stay or leave. Stay, and attempt to turn something broken into something beautiful, or leave fueled with anger and fury. A detailed portrait of human complexity, this piece will make you feel and think.

 

The actresses who play Grace (Blair Bomar), Grit  (Olivia Grace Applegate) and the “Woman” (Kelly Frye) are to be commended for their strong, tense and compelling performances. Superbly cast, the performances alone make this film a must-see.

 

Grace and Grit is an emotional gut-punch, because the real struggle of the film is not the relationship the woman has with her abusive partner, but the relationship she has with herself. Her equally torn sides each speak with their own twisted but compelling logic. It is hard to choose a side, and hard to look away as our heroine is swept up in the emotional chaos within her. Striking, bold and emotionally ambitious, Grace and Grit is not to be missed.

GRACE & GRIT, 3min, USA, Thriller/Drama
Directed by Olivia ApplegateA twisted celebration of me, myself and I.

CLICK HERE – and see full info and more pics of the film!