Film Review: SAINT ETIENNE – MAGPIE EYES, (Music Video)

SAINT ETIENNE- MAGPIE EYES, is a three minute music video paying homage to youth. Full to bursting with highly polished and glossy production value, boasting bright beautiful young performers and backdropped against a classic urban setting nostalgic to many. The film follows three teenage friends and their beautiful summer day in a city-suburb, as they walk, talk and explore the world around them- all set against music. The result is the classic cinematic food of an age-old story. It is the story of youth. It is the story that captures the leap between children and adults. For a few magical moment between childhood and adulthood we are  suspended in air as teenagers. And while that suspension is uncertain, and scary- it is also alight with possibilities. SAINT ETIENNE attempts to capture that moment- and it does so admirably. For three magical minutes, we are all teenagers again.

Review by Kierston Drier

Watch the Audience FEEDBACK Video of the Short Film:

SAINT ETIENNE – MAGPIE EYES, 3min., Music Video
Directed by Tash Tung

Magpie Eyes reimagines the 90s band as teenagers in the modern day and follows them around the sleepy market suburb of Stevenage, UK – the first of the government’s post-war Utopias. The film celebrates a distinct sense place and what it’s like to grow up in a British suburb, mixing stills and moving images of the local kids in and around the New Town architecture.

CLICK HERE – and see full info and more pics of the film!

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Film Review: YOU’RE DEAD WRONG, (Canada, Music Video)

A thriller music video with a classic twist,YOU’RE DEAD WRONG is a wonderful Canadian film that will have you on the edge of your seat right until the final frame. Carefully cushioned between a our vocalist from Stellar,  a story unravels of a woman taking violent action against partner- who clearly deserves it. But what looks like long-time coming revenge turns out to be a well orchestrated lover’s game.

Beautifully shot, well composed and packing a tight story into six minutes, YOU’RE DEAD WRONG is a strong and vibrant music video, with great talent behind it!

Review by Kierston Drier

Watch the Audience FEEDBACK Video of the Short Film:

YOU’RE DEAD WRONG, 6min., Canada, Music Video 
Directed by Craig LoboThe debut single from the band “Stellar”.

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Film Review: TRAINS – RADIO CUT, (UK, Music Video)

A three minute UK film, TRAINS is utterly gorgeous to behold. Spectacular natural vistas are animated through the energy of music. As pebbles vibrate off the ground, being acted on by beautiful music, we are hit over and over again with breathtaking moment after breath taking moment- mountains, streams, train tracks against trees…only to discover these vista exist within a piano being played.

What does TRAINS tell us? That music acts as both a journey and a key. It unlocks us  to a world with a deeper appreciation of nature, and it takes us on a journey through it. In this bright and highly polished visual metaphor of a piece, music acts as the DNA of the cinematic story, binding together the visual images and giving them context. The world of the cinematic story is generated by the music and created within it.

TRAINS is simply beautiful to watch. Boasting high production value and beautiful composition, do not miss TRAINS, it is stunning.

Review by Kierston Drier

Watch the Audience FEEDBACK Video of the Short Film:

TRAINS – RADIO CUT, 3min., UK, Music Video 
Directed by Jola KudelaEverything is a form of vibration,
One needs to hear it and transform it into music
The world is a piano and the piano is the world
The musician becomes the creator of the world

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Film Review: EPINEPHRINE, (USA, Experimental/Music Video)

This six minute American film about music, dance and politics. Intercut between left-wing political issues (marchs, voters rights, reproductive rights) are modernized dance sequences performed by female dancers and a young woman on her computer. As beautiful to look at as it is engaging to think about, the main goal of this piece seems to be drawing attention to the world of the female millennial. The issues affecting women in media and in politics seem to permeate every aspect of one’s life. The dance sequences themselves seem to act as a sort of metaphorical interpretation of that anxiety and introspection that is created by the constant stream of information being hurled at females through screens. Behave this way, behave that way, look like this, act like this, stand for this, fight for that… It is a story rewritten anew with every generation as we dance forward in a world careening in uncertainty: Who am I and what is my place in this world? EPINEPHRINE attempts to answer that, in a film full of sound, movement and compelling modern events.

Review by Kierston Drier

Watch the Audience FEEDBACK Video of the Short Film:

EPINEPHRINE, 6min., USA, Experimental/Music Video
Directed by Kat ScottA millennial girl influenced by internet age is absorbed in queer beauty, but experiences a visceral response to addiction. After crumbling, she is liberated by various social movements as a source of independence.

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Film Review: SAMFAELINI: BUSBY BERKELEY’S DREAM ABERRATIONS, (UK, Experimental/Music Video)

Busby Berkeley was an American music choreographer and film director famous for his visual work that can be likened to a kaleidoscope on screen. Utilizing showgirls, dancing in unison and creating complex geometric visual patterns- Berkley’s work was a cornerstone of an age. Enter BUSBY BERKLEY’S DREAM ABERRATIONS, a film that tips its hat to Berkley’s aesthetics while exploring a completely different world. Unlike Berkley, who utilized the external body to create shapes and patterns, BUSBY BERKLEYS DREAM ABERRATIONS uses internal images of the body to make the same visual effects. The affect is a piece that draws it’s visual inspiration directly from Berkley’s formative designs and elements, but utilizes a different human palate to create it’s work. Done in black and white and set against lively jazz music, we do not see prancing legs and fanned arms- but internal organs, mountains of teeth and decaying hands. Done is hyper contrasting black and white, the piece has an almost decaying look and feel to it- but is yet lush and so visually arousing and engaging that one cannot help but fear blinking- lest we miss something. The effect creates horror, thrill, and heart-palpitating excitement. It is two minute wonder not to miss.

Review by Kierston Drier

Watch the Audience FEEDBACK Video of the Short Film:

SAMFAELINI: BUSBY BERKELEY’S DREAM ABERRATIONS, 2min., UK, Experimental/Music Video 
Directed by Ramon BlanquerExplores different phobias in the form of early Hollywood’s extravaganzza, where rejection and attraction for mystery will dance in harmony unveiling a coordinated series of familiar shapes performing the abstract.

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Film Review: WHAT GOES AROUND COMES AROUND, (USA, Experimental/Music Video)

Experimental film is all about an “experience”. It invites you to sit back and engage with the media is an often profound but not always linear fashion. WHAT GOES AROUND COMES AROUND is one such production. It is a six minute piece coming from the USA which animates the live musical sessions. The animations are not the classic geometric shapes against black backgrounds- but vivid colorful geometrics, moving, ebbing, flowing and building.

WHAT GOES AROUND COMES AROUND is an exploration in visual textures interpreting auditory textures. A beautiful, hypnotic visual journey set to a jam session.

Review by Kierston Drier

Watch the Audience FEEDBACK Video of the Short Film:

WHAT GOES AROUND COMES AROUND, 6min., USA, Experimental/Music Video
Directed by Mike CelonaAn experimental abstract piece cultivated from three different live production sessions in which synthesized video images produced with Paracosm’s Lumen software were transferred to VHS tape, remixed through a circuit-bent Tachyons+ analog video processor and then subsequently reremixed back into a computer using Arkaos GrandVJ software.

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Music Video Review: KILLING US SOFTLY (Australia)

A wide reaching music video filled to bursting with social commentary and vivid visual metaphor, KILLING US SOFTLY holds nothing back with it’s musical up-front approach to world issues.

From racism, to health care, from corporate greed to social injustice, KILLING US SOFTLY throws an unapologetic light on the areas of our world many of us wish didn’t exist. Colorful and bright with rapid-fire editing creates the illusion of walking through a socially conscious funhouse of a societal extremes.

Although at times the content may see jarring, KILLING US SOFTLY makes its’ point with rhythm, style and a musical accessibility that makes it a worthwhile investment for both music and cinema. A funky framework for many first world criticisms, but a film both enjoyable and meaningful, nonetheless.

 

Short Film played at the EXPERIMENTAL FEEDBACK Film Festival in December 2017

Review by Kierston Drier

KILLING US SOFTLY, 5min., Australia, Music Video
Directed by Emilie BoyardA mirror held up to humanity – it points out our ugliest, greediest and most idiotic ways. It is a chant, a protest rally, a wake up call to the people, and a reminder that we still have the power to take back what they are taking from us

CLICK HERE – and see full info and more pics of the film!