The words ‘Inspired by True Events’ splashes on the screen at the film’s start. This of course, can mean very little these days but here this means something as the film’s plot is actually based inspired by the early 20th century “Butterbox Babies”.
The story centres on a couple, Rae (Suzanne Clément) and Liam (Allan Hqwko). Hawko is a music songwriter trying to make it in the music business while Rae is an expecting journalist suffering from Post Stress Traumatic Disorder (disorder that develops after exposure to a traumatic event or experience with symptoms that may include flashbacks, nightmares and intense feelings of fear or horror). Their intimate weekend turns to terror as they discover their secluded country inn is a haunted maternity home where infants and mothers were murdered.
The film has a slow and moody first half. Not much happens and what transpires on screen is predictable. All that happens is the discovery of the Inn being the former Mercy home by the pregnant guest where babies are taken away unknowingly from unexacting unwed pregnant mothers. Director Melski uses the screen time to create a menacing atmosphere for the visiting couple. The woman is a journalist (how appropriate as this allows her to have an investigative nature as well access to archive news) who suffers from PSTD (how appropriate as this allows her to have hallucinations)
Shelley Thompson from ‘The Trailer Park Boys” deserves credit for her role as the inn’s manager, Monica. She is always cheery, appearing at times when least expected or when most inconvenient to her guests. There is always something creepy about a person who always has a wide smile on her face, and Thompson nails this creepiness 100%. Multiple Award winner Quebec actress Suzanne Clément, best known for her roles in Xavier Dolan’s films is also a pleasure to watch as the tortured character.
The film contains an unexcited twist in the plot at the end (when the audience realizes what the title of the film refers to – quite clever). Trouble is that it is quite unbelievable for the reason that for it to happen, it will be too much of a coincidence. The film, besides being a psychological thriller is also a ghost story so one also has to believe that ghosts not only exist but come out of the woodwork to harm the characters.
Despite all that is going for Melski’s film, THE CHILD REMAINS fails to engage the audience in its tale for a number of reasons. The first is credibility. The two items of supernaturally and true events do not go together. The other is Melski’s display of his protagonist, Jen’s character. In one scene, she is shown handing over the ointments in her room because they are chemical, which is a rude gesture. She could have just left the ointments in the room. In another, shed closes her lap top when Shelly is looking at the image of her baby in her womb, which is another rude gesture. She also snaps he boyfriend and nags once too often, which makes one wonder the reason he is still putting up with her, and especially when she has PSTD. If Melski wants the audience to route for his heroine, he should have her display a more likeable personality. When all the plot points are finally revealed, Melski unfortunately turns his film into a horror slasher flick.
The film sends a a new meaning to the words “Inspired by True Events”. The story may be inspired by true events but it may be totally hokum!