TIFF 2018 Review: ANIARA (Sweden 2018) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Aniara Poster
A spaceship carrying settlers to Mars is knocked off course, causing the consumption-obsessed passengers to consider their place in the universe.

Directors:

Pella Kagerman (as Pella Kågerman), Hugo Lilja

Writers:

Pella Kagerman (as Pella Kågerman), Hugo Lilja |1 more credit »

This is a sci-fi disaster film based on a prescient epic poem by Swedish Nobel Prize winner Harry Martinson that could very well be a based on true fact event set in the not too far distant future.  
A ship carrying settlers to Mars is knocked off course, causing the consumption-obsessed passengers to consider their place in the universe.   ANIARA is the name of one of several ships launched into space to start anew on Mars.   ANIARA is also a giant shopping mall, but once the accident occurs, no one knows when they will go back on course towards Mars.  The film tracks the time period of the time of the accident, a few weeks after, then a few months after followed by years after.  
The settlers get addicted to a room where the protagonist (Emilie Jonsson) runs a computer that can recall their best memories (nods to Kore-eda’s AFTER LIFE).  The premise is excellent coupled with great production sets but the film’s narrative stays dead ended.

TIFF 2018 Review: PHOENIX (FONIKS) (Norway/Sweden 2018) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Phoenix Poster
From a young age, Jill has acted as the responsible adult in her small family. She cares for her loving but mentally unstable mother and her younger brother. The news that their estranged …See full summary »

The title of the film comes from the fact that the creature, the PHOENIX can rise from the ashes and rise to great heights as the protagonist, a young girl struggles to keep her family together in the aftermath of a tragedy, that forces her to grow up far too quickly. 

 Jill has to love and put up with her emotionally challenged mother Astrid (Maria Bonnevie).  She also has to look after her younger brother.  Her birthday is approaching the coming Saturday which prompts a visit from her father, Nils (the irresistibly good-looking Sverrir Gudnason) who has left the family.  There is not much else story-wise but director Camilla Strøm Henriksen emerges the audience right into the story, feeling for Jill as well as what might happen to her fragile family. 

 A remarkable emotional first film told from a youth’s point of view.

Trailer: https://www.youtube.com/watch?time_continue=1&v=jk0bA3sf8-Q

TIFF 2018 Review: THE WEEKEND (USA 2018) ** Directed by Stella Meghie

A comedian goes away for the weekend with an ex-boyfriend and his new girlfriend.

Director:

Stella Meghie

Writer:

Stella Meghie

THE WEKEND is a vast improvement over her last film JEAN OF THE JONESES, but that is not saying much.  Her films are catered to a select audience, the wealthy, young and good looking black community.  In THE WEEKEND, there is no black poverty or any white people on display.  The film has a strong female slant with a black female director and protagonist. 

 The film centres on an acerbic comedian (Sasheer Zamata).  She becomes romantically entangled with her ex (Tone Bell), his new girlfriend (DeWanda Wise), and another guest (Y’Lan Noel) who falls for her.  The film is called THE WEEKEND because all the action (or non-action) takes places during a weekend getaway, the story divided into the days of the weekend, ending with Sunday.  The film is not that funny just like the standup comic routine she gives that book-ends the film.  

Yes, it is all about her and the audience can figure that out quite soon into the movie and not really care about her soon after.   Does she get her man back?  No prizes for guessing.  

Trailer: https://www.youtube.com/watch?v=A6_uXQYbn0A

TIFF 2018 Review: THE SISTERS BROTHERS (USA/France/Romania/Spain 2018) ****

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

The Sisters Brothers Poster
Trailer

In 1850s Oregon, a gold prospector is chased by the infamous duo of assassins, the Sisters brothers.

Director:

Jacques Audiard

Writers:

Jacques Audiard (screenplay by), Thomas Bidegain (screenplay by) |1 more credit »

Director Audiard’s films have always benefited from oddball protagonists from his first film, De Battre mon coeur s’est arrêté to DHEEPAN to UN PROPHETE.  Two weird protagonists create havoc in his latest film adaptation of Patrick deWitt’s award-winning western novel called THE SISTERS BROTHERS.  

Two brothers with the last name ‘sisters’,  Eli (John C. Reilly) and Charlie (Joaquin Phoenix) are bounty hunters sent to kill a prospector (Riz Ahmed) accused of stealing from a tyrannical crime boss (Rutger Hauer). Their journey takes them through an encounter of myriad complications from San Francisco and through the Sierra Nevada: witches, bears, a madam who owns a town and commands a murderous army of fur trappers, and a detective (Jake Gyllenhaal) tracking the same peculiar man they are.  It is a great adventure, also for the audience to see Audiard excel with different material.  

Also, the film is quite funny with biting humour and a bit of message on the lessons in life.  And as in all his films, the goal of his protagonist is to have a stable life.

Trailer: https://www.youtube.com/watch?v=3OwvqKwTKmE

TIFF 2018 Review: BEFORE THE FROST (Denmark 2018) ****

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Before the Frost Poster
As winter approaches in rural 1850s Denmark, an old farmer (Jens) and his family face starvation. With the harsh circumstances and the prospect of yet another tough winter, Jens agrees to …See full summary »

Director:

Michael Noer

Director Michael Noer’s (the recent PAPILLON remake) fifth feature, tells the heart-wrenching story of a struggling Dane farmer in 19th-century Denmark , Jens (Jesper Christensen)  who must go against his morals and make a deal with a wealthy Swede in order to secure his family’s survival over a harsh winter.  He would do anything including murder for is children. 

 The deal is to be made with the Swede which includes offering his daughter to him.  The daughter detests the fact and hates her father for it.  But things change.  People change too.  This is a meticulously crafted tale, classic Dickens hardship and lessons and a satirical Orwellian twist similar to ANIMAL FARM where the pigs transform int the human beings they overthrow.  Here, the protagonist, Jens transforms into the enemy he initially despises.  

The film also offers an eye-opening look on old farming and living practices in Denmark.

TIFF 2018 Review: TELL IT TO THE BEES (UK 2018) ***1/2

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Tell It to the Bees Poster
A single mother Lydia (Holliday Grainger) who is abandoned by her husband, meets the small village’s Doctor Jean Markham (Anna Paquin) who has recently returned to her hometown when Lydia’s…See full summary »

Director:

Annabel Jankel

Writers:

Henrietta Ashworth (adaptation), Jessica Ashworth(adaptation) | 1 more credit »

Based on the novel by Fiona Shaw with a post World War II setting, TELL IT TO THE BEES comes from the very little heard proverb about keeping secrets from neighbours but telling it to the bees.  This is a lesbian love story taking place in a Scottish small town, so it be best that this be kept a secret. 

 A brilliant female doctor (Anna Paquin) has just moved to the village.  She befriends a young boy.  When the boy’s mother and him is evicted rom their home after the father has left them, the doctor takes them in, only to start a love affair and relationship with the mother.  This is an emotional gut wrenching tale but with a fairy tale twist that takes away some of the story’s credibility.  But who can turn away a good fairly tale these days?  

Director Jankel loves the Scottish countryside and her film shows this – with lots of beautiful Scottish landscape scenery.

Trailer: (clip) http://www.thehollywoodnews.com/2018/09/07/tiff-2018-new-clip-for-tell-it-to-the-bees-with-anna-paquin-holliday-grainger/

TIFF 2018 Review: IF BEALE STREET COULD TALK (USA 2018)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

If Beale Street Could Talk Poster
Trailer

A woman in Harlem desperately scrambles to prove her fiancé innocent of a crime while carrying their first child.

Director:

Barry Jenkins

Writers:

Barry Jenkins (written for the screen by), James Baldwin (novel)

The follow-up to his first Oscar Winner for Best Picture MOONLIGHT, IF BEALE STREET COULD TALK sees one again the victimized black in a prejudiced light.  Based on the book by James Baldwin, the film follows a 19-year old  woman fighting to free her falsely accused husband from prison before the birth of their child.   

Tish (KiKi Layne) is only 19 but she is been forced to grow up fast. She is left pregnant by Fonny (Stephan James), the man she loves. But Fonny is going to prison for a crime he did not commit, due to, as clearly emphasized in the film by a racist white redneck cop.  For a film with such a fiery plot, Jenkins’ film is extremely slow-paced, sometimes unintentionally funny with many segments plain dragging along.   

One could probably fault the source material for there is hardly any surprise in the story, quite unlike Jenkins’ last film, but Jenkins does not allow his actors or his camerawork to perform as freely as in MOONLIGHT.  The film also shifts uncomfortably among three subjects, Tish, her mother and Fonny.

 Trailer: https://www.youtube.com/watch?v=yp9cyhARz6U&vl=en

TIFF 2018 Review: LES TOMBEAUX SANS NOMS (Graves Without a Name) (Cambodia/France 2018) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Graves Without a Name Poster
In Rithy Panh’s latest exploration of the lasting effects of the Cambodian genocide, a 13-year-old boy who loses most of his family begins a search for their graves.Cambodian-born, …See full summary »

Director:

Rithy Panh

Shot in both Cambodian and French, LES TOMBEAUX SANS NOMS (Graves Without a Name) is a very say, lyrical and poetic documentary of the aftermath of cruelty killings by the Khymer Rouge in Cambodia.  

The doc begins with a monk offering prayers for the deceased himself to understand death and life and what has transpired.  Figurines are made and placed on banana leaves and paced on made-up tomblike boats.  Director Rithy Panh also narrates the beautifully shot film in Cambodian.  Those who have not been to or are unfamiliar with Cambodia will have a glimpse of their countryside with their endless rice fields.  The stories are mainly told verbally then re-enacted.  

The most interesting of these is the one of the lady who stole rice from her people who ended up going crazy – an example of bad Karma.  Villains also get their comeuppance as in this art documentary. 

 This is director Rithy Panh’s latest exploration of the lasting effects of the Cambodian genocide, all the incidents revolving around the 13-year-old boy who had lost most of his family beginning a search for their graves.

Trailer: https://www.youtube.com/watch?v=YnUZsJLY558

TIFF 2018 Review: WHITE BOY RICK (USA 2018) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

White Boy Rick Poster
Trailer

The story of teenager Richard Wershe Jr., who became an undercover informant for the FBI during the 1980s and was ultimately arrested for drug-trafficking and sentenced to life in prison.

Director:

Yann Demange

BAD BOY RICK stars newcomer Richie Merritt, delivering a solid performance as Ricky Wershe Jr. the drug hustler and informant, based on the 1980’s true to life criminal of the same name.  Yann Demange who wore the script and directed this based on true story film, dramatizes many of the incidents for the screen, easily noticed.  The narration is choppy with unequal time given to each of the major parts, more time needed to be allotted for the informant segment.  

Demange breaks ground on the ease of communication between the white Merritt family and black folk.  Never once does colour come into the picture.  All performances are excellent, the best coming from Bel Poulter playing Rick’s difficult and sassy sister.  As emphasized many times in other drug movies, the sentencing is so hard on drug offences that one would be better off murdering someone than being caught with a gram of cocaine.  

Still the film comes across with the message that drugs are bad and the target are the federal agents (Jennifer Jason Leigh and Rory Cochrane) who promises Rick immunity for informing but never come true to the promise.

Trailer: https://www.youtube.com/watch?v=qns48PtK2io

TIFF 2018 Review: MAYA (France 2018) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Maya Poster
The film follows a 30-year-old man named Gabriel, a French war reporter who was taken to hostage in Syria and then heads to India after months in captivity.

Director:

Mia Hansen-Løve

It’s been frequently on the news about war journalists in Syria being kidnapped with the threat of being decapitated on live televsion.  MAYA, Mia Hansen-Love’s (LE PERE DE MES ENFANTS, EDEN) latest film has one such French journalist recently freed who travels to India on vacation to recuperate.  

He meets MAYA, an Indian girl who opens his eyes back to life, though she is too young for him to start a love affair.  The best segment of the film is his re-meeting of his mother  who is working with foreign children, though detached from her own son. This the only serious musings on life by the director.  Lighter fare. otherwise  from Hansen-Love with lots of beautiful scenery of poverty stricken India. 

 The film does not really go anywhere as deep as her previous films but MAYA is still worth a look.