Interview with Festival Director Roger Sampson (Focus International Film Festival)

Roger’s creative journey started late in life. He didn’t realize his passion for the theater arts until his 30th birthday.  In 2003, Roger moved from Dallas, TX to Los Angeles, CA to pursue his dream. Since then, Roger has enjoyed acting, screenwriting, and directing success through the years.
Roger started the Focus International Film Festival in the fall of 2015.  His mission was to celebrate and honor the best in independent cinema through a festival which lets the working professional community judge the material presented.

Interview with Roger Sampson: 

Matthew Toffolo: What is the Focus International Film Festival succeeding at doing for filmmakers?

Roger Sampson: The Focus International Film Festival provides film makers a platform to showcase their skills and talents using the opinions of the working professionals that film makers hope to work with and impress as the baseline to providing them a level of credibility many festivals lack. Its more meaningful to the films and the film makers.

Matthew: What would you expect to experience when you attend the festival?

Roger: The festival is actually online only at this time. We hope to grow into a live festival with screenings, but we’re just starting out with this format and need time for it to grow legs before we venture into a live event.

Matthew: What are the qualifications for the selected films?

Roger: The grading system used to select the films looks at three primary areas of focus, which are production quality, performance and story. Many films excel in one area or another, but great films excel in 2 or more areas. We seek out the most well rounded material. Story well told with excellent production quality given in excellent performances. As film makers ourselves, we are all students of the craft and all have areas to improve on. But we seek to honor those film makers advanced in their craft enough to produce quality material but have yet to be recognized on a larger scale by the entertainment community.

Matthew: Why would a filmmaker be motivated to submit to your festival?

Roger: Since the event is online only at this time, we are able to keep our submission fees low, which is an aid to all film makers. Add in the credibility of our celebrity jury and if a film maker can spend a small amount and be able to promote their film as having been voted the best by working entertainment industry professionals, that is something as a film maker I would do without hesitation.

Matthew: What motivates you and your team to do this festival?

Roger: Our primary motivation relates to our own festival experiences. Festival choices are always subjective, and determined by the education and experience level of the decision makers. So we figured if those decisions should be made in terms of cinematic excellence at the independent level, who better to judge that than the working professionals the film makers are striving to be and work with.

Matthew: How has the festival changed since its inception?

Roger: We’ve actually had only 1 event so far, in the winter of 2015. The jury voting period expires January 31. The Spring 2016 event is the first with the celebrity jury panel. In the summer we’re planning expansion efforts to include longer trailers, longer shorts and feature films in addition to other changes.

Matthew: Where do you see the festival by 2020?

Roger: Its hard to tell at the moment if this format will find a sustainable market, but we’re confident that the celebrity jury format will take hold and by 2020 we will host a live event once or twice a year and with any luck feature appearances by the jury itself. For this article though, lets call that a wish list.

Matthew: What film have you seen the most times in your life?

Roger: The film I’ve seen the most times would have to be The Lord of the Rings Trilogy.

Matthew: In one sentence, what makes a great film?

Roger: A great film is an amazing story well told with excellent production quality and committed performances which provides the audience a meaningful emotional experience.

Matthew: How is the film scene in your city?

Roger: The film scene in Dallas and North Texas as a whole is vibrant and active. Film makers are hungry for quality story telling and take steps toward mastery of the craft every day.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Fesival held in downtown Toronto on the last Thursday of every single month. Go to www.wildsound.ca for more information and to submit your work to the festival.

Movie Review: Strangers on a Train (1951)

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

STRANGERS ON A TRAIN MOVIE POSTER
STRANGERS ON A TRAIN, 1951
Classic Movie Review

Directed by Alfred Hitchcock
Starring Farley Granger, Ruth Roman, Robert Walker
Review by Steven Painter

SYNOPSIS:

Psychotic mother’s boy Bruno Anthony meets famous tennis professional Guy Haines on a train. Guy wants to move into a career in politics and has been dating a senator’s daughter (Ann Morton) while awaiting a divorce from his wife. Bruno wants to kill his father but knows he will be caught because he has a motive. Bruno dreams up a crazy scheme in which he and Guy exchange murders. Guy takes this as a joke, but Bruno is serious and takes things into his own hands

REVIEW:

Put Patricia Highsmith and Raymond Chandler together and you figure you have a pretty good mystery. Replace those two with Alfred Hitchcock and you have a great suspense picture.

Patricia Highsmith wrote the novel Strangers on a Train. Her story struck something in Hitchcock, so he decided to make it. Since Hitch was more concerned with visualizes as opposed to dialogue, he brought in Raymond Chandler to write the script. Chandler was a great mystery writer, but just an okay screenwriter. Hitch didn’t like what Chandler had written so he turned the project over to Ben Hecht protégée Czeni Ormonde. Hecht was a talented screenwriter and one of Hitchcock’s favorite to work with. The changes Hitchcock and Ormonde made to Highsmith’s novel turned it into a completely different story, although the basic idea in Strangers on a Train (1951) is still the same.

The idea of exchanging murders is presented by playboy Bruno Anthony to tennis star Guy Haines when the two strangers meet on a train. Bruno appears to know everything about Guy — he is a famous tennis player who happens to be in love with a senator’s daughter. The only problem is that Guy is currently married to a woman he hates. Of course this woman, Miriam, won’t leave Guy because he brings her status and money. So Bruno proposes that the two exchange murders. Bruno would kill Miriam and Guy would kill Bruno’s tyrannical father.

Guy dismisses it as nothing when the two depart from the train after eating lunch together. Unfortunately for him, he leaves a lighter given to him by Ann Morton, the senator’s daughter, on the table. Bruno pockets the lighter and goes off looking for Miriam.

He finds her ready for a night out of on the town. She is escorted by two boys, neither of them named Guy. The trio heads to the carnival. Bruno follows closely behind. We know what it going to happen once Miriam and Bruno arrive at the carnival and Hitchcock takes delight in playing with our expectations of murder.

After Hitchcock has his fun on the carnival grounds, we are taken to a deserted island where the tunnel of love boats dock. Using the privacy of the darkness for something other than love, Bruno finds Miriam and strangles her. Of course this being Hitchcock the murder can’t be done without a touch of art. Miriam’s face is illuminated by Guy’s lighter. We then see Bruno’s arms close over Miriam’s throat. Her glasses fall and crack on the grass in homage to Eisenstein’s Odessa steps sequence in Battleship Potemkin (1925). The rest of the strangulation is witnessed on the reflection of Miriam’s glasses. The scene has been mocked and imitated many times throughout the years.

With his part of the bargain done, Bruno makes his way to Washington D.C. to see how Guy is doing. Being the sane one in this agreement, Guy has done nothing but roam around Senator Morton’s house. Upon hearing from Bruno that his wife is murdered, Guy calls him crazy and threatens to go to the police. Little does he know, but the police are already on his own trail, not Bruno’s. Being a friend of a powerful senator has its perks and the only thing the police are really able to do is shadow Guy with a private detective. This is the second shadow for Guy. The first is Bruno, who constantly follows Guy and reminds him of their bargain.

One scene sticks out in this part of the movie because it was imitated in Taxi Driver (1976). Guy has a training session for his upcoming tennis tournament. Everyone it seems who is in the crowd watching the session is following the ball. We see their heads turn left and then right. All except for Bruno. He sits with a smile on his face staring at Guy. Robert De Niro would enact the same stance during the political rally in Taxi Driver.

Patricia Hitchcock appears in this movie. She adds some of her father’s trademark dark humor as Ann Morton’s younger sister. She also happens to wear glasses. These get the attention of Bruno when he crashes a dinner party thrown by Senator Morton. He is discussing the art of murder with two old stuffy guests when he sees the glasses. His mock strangulation of one of the guests becomes the real thing as he remembers his murder of Miriam.

Bruno and Guy go back and forth about the murder agreement. Finally Bruno figures that Guy won’t make good on his part of the bargain and decides to frame him for the murder by placing his lighter at the scene of the murder. Guy gets wind of this plot, but is unable to do anything as he has been slatted to play at the tennis tournament.

Hitchcock does a great job of cutting between the intensity of Guy trying his best to finish the match as quickly as possible and the laidback posture of Bruno on the train. The suspense is ratcheted up and leads to a thrilling climax that involves an out-of-control carousel.

The movie is well worth watching for those fans of Alfred Hitchcock. It is one of the most studied and imitated of his films. Robert Walker is great as Bruno. Farley Granger comes off well, but I prefer him in Hitchcock’s Rope (1948). At the very least this movie warns you to be careful when joking with strangers, because you never know who might take you literally.

 

 

Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month:http://www.wildsoundfestival.com

 

Movie Review: Star Wars: A New Hope (1977)

WILDsound Festival's avatarFAN FICTION Film and Writing Festival

Submit your Fan Fiction Screenplay to the Festival: http://fanfictionfestival.com

STAR WARS, 1977
Movie Review
Directed by George Lucas
Starring: Mark Hamill, Carrie Fisher, Harrison Ford
Review by Andrew Kosarko

Read Interview with Star Wars Storyboard Artist Kurt Van der Basch

SYNOPSIS:

As the adventure begins, Luke Skywalker (Mark Hamill), an impulsive but goodhearted young man who lives on the dusty planet of Tatooine with his aunt and uncle, longs for the exciting life of a Rebel soldier. The Rebels, led by the headstrong Princess Leia (Carrie Fisher), are fighting against the evil Empire, which has set about destroying planets inhabited by innocent citizens with the Death Star, a fearsome planetlike craft commanded by Grand Moff Tarkin (Peter Cushing) and the eternally frightful Darth Vader (David Prowse, with the voice of James Earl Jones). When Luke’s aunt and uncle are murdered by the Empire’s imperial stormtroopers and he mysteriously finds a…

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TV PILOT Reading – LACIE BIDWELL by Jameel Khan

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Watch TV Pilot: LACIE BIDWELL:

CAST LIST:

NARRATOR – Sean Ballantyne
LACIE – Elizabeth Owens Skidmore
CHALMERS – Nick Baillie
HOPE – Maya Woloszyn
JEFF/BEN – Jovan Kocic
DAVID/OMAR – Christopher Huron
SAITO – Mandy May Cheetham

Get to know writer Jameel Khan:

Matthew Toffolo: What is your screenplay about?

Jameel Khan: It’s about a girl who’s father created a zombie virus that killed thousands. It’s twelve years later and she’s in college and still has to deal with being the daughter of one of the most hated men in the world. She tries to move on an live a relatively normal life. But when a mysterious USB drive shows up in her dorm room, she learns that her father may have been setup. Lacie must try to balance her college life while uncovering a mystery that leads her into a far more dangerous and stranger world than she…

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Best Scene Reading of the TV Pilot ABSYNTHIA by Seregon O’Dassey

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Watch the Best Scene Reading of ABSYNTHIA:

CAST LIST:

NARRATOR – Nick Baillie
SYNTHIA – Mandy May Cheetham
JULES – Christopher Huron
RIVEN – Kaleb Alexander
VAJA – Elizabeth Owens Skidmore
TEA – Maya Woloszyn

Get to know writer Seregon O’Dassey:

Matthew Toffolo: What is your TV Pilot screenplay about? 

Seregon: Logline: An attack on a mercenary airship, while on a seemingly innocent cargo run sends the lives of the Captain and her crew into their not so innocent pasts. Will the events that unfold destroy the future for everyone that the government has carefully and deliberately planned?

The crew (of the airship, The Absynthian) is five mercenaries operating under the direction of a secret Organization known as Tri-Aengle. They are on a random cargo run when they are attacked by a rival ship. After each crew member suffers par amnesia – to varying degrees – their random memories and experiences…

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RSVP FEEDBACK Film Festival (Best of Sci-Fi and Under 5min. Shorts) Thur. Jan. 28th, 7pm, Carlton Cinemas

WILDsound Festival's avatarWILDsound Festival

SPECIAL EVENT: Featuring the best of Fantasy/Sci-Fi and Under 5min. Short Films from around the world

http://www.wildsound.ca/torontofilmfestivals.html

First event of 2016. Festival all 12 months this year! RSVP your FEEDBACK Toronto Film Festival seats.

FREE OR MAKE A DONATION TO THE FESTIVAL via the program page. (NOTE: There is also an option to buy a festival pass for all 12 events in 2016 for only $35. That guarantees you or your friend a seat for all 12 festivals.)

Thursday January 28th event. 7pm to 9pm, Carlton Cinemas, 20 Carlton Street.

RSVP your seats now for the event. Plus, see full details of every film being played.

http://www.wildsound.ca/torontofilmfestivals.html

This month’s festival is a packed lineup of the greatest Under 5 minute short films from the last year.

Giving you films from all corners of the world in different genres and formats. And there is a theme that ties all the films…

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Interview with 1st AD Mathew Dunne (War for the Planet of the Apes)

matthewtoffolo's avatarMatthew Toffolo's Summary

The role of an Assistant Director on a film includes tracking daily progress against the filming production schedule, arranging logistics, preparing daily call sheets, checking cast and crew, and maintaining order on the set. 

It was a pure pleasure to sit down with 1st Assistant Director Mathew Dunne. Mathew has worked on some of the top action movies in the last 20 years, including: Starship Troopers (1998), The Last Samurai (2003), Mission Impossible III (2006), Live Free or Die Hard (2007),  X-Men: First Class (2011), Iron Man 3 (2013), and the last 3 Planet of the Apes movies. As of this interview, Mathew is currently working on War for the Planet of the Apes, coming out in 2017.

Matthew Toffolo: In a typical Hollywood production, how many weeks before shooting does the 1st AD come aboard the film? When setting the schedule for the production, who is generally in the…

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TV SPEC Reading UNBREAKABLE KIMMY SCHMIDT by Jen Turriff

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UNBREAKABLE KIMMY SCHMIDT is the January 2016 winning TV Spec. Watch the table reading performed by professional actors.

TV SPEC: UNBREAKABLE KIMMY SCHMIDT
by Jen Turriff

CAST LIST:

NARRATOR – Christopher Huron
KIMMY – Mandy May Cheetham
TITUS – Kaleb Alexander
JACQUELINE – Elizabeth Owens Skidmore
BUCKLEY – Jovan Kocic
SALES WOMAN – Maya Woloszyn

Get to know writer Jen Turriff:

1. What is your screenplay on the Netflix show “Unbreakable Kimmy Schmidt” about?

Believe it or not, the idea of the spec of “Unbreakable Kimmy Schmidt” that I wrote, came from my experience with addiction to Peanut Butter M&Ms. It was a brief, but intense time in my life that caused me much anguish and inevitable weight gain. I always like to write from real life, after all, it’s what I know. So that’s why I chose to write about that particular experience; it was an innocent enough premise…

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Read Today’s NEW Feature Movie Pitches & Loglines

WILDsound Festival's avatarWILDsound Festival

Deadline: Screenplay Festival – Get FULL FEEDBACK. Get script performed by professional actors:
http://www.wildsound.ca/screenplaycontest.html

Read Today’s Feature Film Pitches:

Title: ROCKET MONEY
http://www.wildsoundfestival.com/rocket_money_by_joseph_bak…
Written by: Joseph Baker
Type: Feature Film
Genre: Comedy

Title: The Keepers
http://www.wildsoundfestival.com/the_keepers_by_george_much…
Written by: George Muchiri
Type: Feature Film
Genre: Sci-Fi

Title: The Will
http://www.wildsoundfestival.com/the_will_by_ariel_alexande…
Written by: Ariel Alexander
Type: Feature Film
Genre: Mystery, Suspense

Title: The Da Pinchi Code
http://www.wildsoundfestival.com/the_da_pinchi_code_by_oliv…
Written by: Oliver Swartz
Type: Feature Film
Genre: Horror, Thriller

Title: OLD GUN
http://www.wildsoundfestival.com/old_gun_by_vlado_trifonov.…
Written by: Vlado Trifonov
Type: Feature Film
Genre: Drama

Title: Give Us This Day
http://www.wildsoundfestival.com/give_us_this_day_by_matthe…
Written by: Matthew Blocha
Type: Feature Film
Genre: Drama

Title: Just a Game
http://www.wildsoundfestival.com/just_a_game_by_nikolai_kol…
Written by: Nikolai Kolev
Type: Feature Film
Genre: Drama

Title: MODUS OPERANDI
http://www.wildsoundfestival.com/modus_operandi_by_james_he…
Written by: James Helsing
Type: Feature Film
Genre: Thriller, Crime, Mystery

Title: A LITTLE PIECE OF HEAVEN
http://www.wildsoundfestival.com/a_little_piece_of_heaven_b…
Written by: Roger Goldsmith
Type: Feature Film
Genre: Drama

Title: The Pharaohs’…

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TV PILOT Reading – LIFE IN THE FAST LANE by Debi Calabro

tvfestival's avatarTV Screenplay Festival. Submit Today.

LIFE IN THE FAST LANE is the January 2016 winning TV Pilot. Watch the table reading performed by professional actors.

TV PILOT: LIFE IN THE FAST LANE
by Debi Calabro

CAST LIST:

NARRATOR – Sean Ballantyne
JESSIE – Maya Woloszyn
SAL – Christopher Huron
MARIA/SONIA – Mandy May Cheetham
JAMES/RYAN – Nick Baillie
SCARECROW/MICHAEL – Kaleb Alexander
YOUNG SAL – Jovan Kocic

Get to know writer Debi Calabro:

Matthew Toffolo: What is your screenplay about?

Debi Calabro: It’s about three very different families and how their involvement in the sport of horse racing brings them together.

Matthew: Why should this screenplay be made into a TV show?

Debi: The series would focus on these three families and their trials and tribulations on and off the racetrack. Their situations are all very unique and it will be compelling to see how they solve (or try to solve) their own issues as…

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