Interview with the KanivFest Kaniv International Film Festival

Festival  designed to create a powerful cultural – educational platform that aims to unite Ukrainian and foreign film makers and introduce viewers works with professionals and amateurs.

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1. What is your Film Festival succeeding at doing for filmmakers?

Kaniv Film Festival succeeds for filmmaker at monetary awards and advertising especially for the Ukrainian State Film Agency and different film production studios.

2. What would you expect to experience if you attend your upcoming festival?

If you attend Kaniv Film Festival you will get:
– a lot of communication with actors, producers, cameramen and other persons, who involved to movie industry;
– different master-classes connecting the filmmaking processes:
– impressed by the beautiful landscapes and friendly treatment;
– a new friends.

3. What are the qualifications for the selected films?

The films of any genre direction and timekeeping are admitted for participation (Short 25 min., a full meter to 90 minutes.), the production not before 2 years of the festival conducting (not before 2016). For films in a foreign language, the subtitles in Ukrainian and English are the requirement.

4. Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Speaking about our festival, we hope that our jury finds quality films.

5. What motivates you and your team to do this festival?

Firstly we want to give a chance for filmmakers to get their names and their films known in movie industry. And we also want to do the powerful platform for communication between filmmakers.

6. How has your FilmFreeway submission process been?

Everything was ok. Thanks to FilmFreeway we got a lot of international participants.

7. Where do you see the festival by 2023?

We have a lot of plans. We are improving all the time and we are trying our best for the people who works in cinematography world. We want to see a lot of both Ukrainian and international participants present in our festivals. We also want to attract experts who will share their experience. And we also want to give our participants large monetary awards and world recognition. It’s not by chance our mission is- “If you want to get Cannes- let’s start from Kaniv”.

8. What film have you seen the most times in your life?

We can’t choose just one. Many films left a great impession.

9. In one sentence, what makes a great film?

To our mind the combination of idea, extraordinary and aftertaste makes a great film.

10. How is the film scene in your city?

In our city we have Movie Theater and outdoor screening.

 

 

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Interview with Festival Director Sasha Santiago (GRID EDGE FILM FESTIVAL)

Grid Edge Fest wants to live screen your short film in Brooklyn, NY. The festival is one part tech conference, two parts community workshops, and a grand finale live screening event as the centerpiece.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Sasha Santiago: People generally want connectivity and to be part of a community that feels creative, fresh and original. Grid Edge Fest wants to make an event out of the films it selects. To spotlight films that take on the complex subject of climate change and create a space that makes it accessible to a new audience.

2) What would you expect to experience if you attend your upcoming festival?

If you’re like me, you sometimes wonder why don’t people go to movies as much anymore? That last few times I’ve been to a theater, I found it odd how I’m one of maybe a dozen attendees present. Maybe it’s because of the content, maybe it’s the $18 matinee ticket price or maybe it’s the lack of a community.

Grid Edge Fest first and foremost is a film festival, with a series of interactive events that lead up to the live screening event. These include tech talks on innovative breakthrough solutions that look at data as the new fuel of the future (see exergy.energy) to fight back at climate change, as well as family-friendly community workshops that find the fun in educating people on what can be done about climate change at the local level.

3) What are the qualifications for the selected films?

Grid Edge Fest wants the best films yet on the topic of climate change or important environmental stories. The films can DIY stories shot on an iPhone or high caliber professionally produced gems, the sincere hope is that people who watch these films would be both united and inspired and that they will leave the festival with a new commitment in their hearts to combat climate change in a manner that truly resonates.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Film is an expensive and competitive art form. Organizing a sustainable film festival isn’t cheap nor easy. New film festivals like Grid Edge Fest have a proven failure rate after the first or second year because they don’t successfully find their audience. As far as giving films a fair shake, I can’t speak for other festivals but I’ll presume it has something to do with targeted demographics. Who will make the pilgrimage to the film festival? Usually, the films selected looks like the audience it’s trying to attract.

The film business has been historically ruled by white men from upper-middle-class socioeconomic backgrounds for a very long time, but the good news is that we’re seeing more evidence of that being reconciled as the old guard dies. I think we’re seeing some pretty good strides and small wins (Boomshakalaka!!!) in the last few years but a film festival that stands for just fairness or diversity sake isn’t enough to be sustainable or engaging. The films still need to be good and a festival’s most important job is to offer a well-curated experience.

6) How has your FilmFreeway submission process been?

We’re totally new to FilmFreeway. It’s a cool service, makes it super easy to submit a film. We’re still looking for more short films to be submitted. Each of the short films selected for the Spring 2019 live screening would be considered a winner and be awarded a $250 prize.

7) Where do you see the festival by 2023?

Grid Edge Fest intends to constantly reinvent itself in order to maintain agility and flexibility while it keeps its eyes peeled for the oncoming 3° freight train, that’s threatening our planet.

In 2023, we see GEF being a seasonal roadshow style film festival. It’ll be outstanding if GEF would have a structure or mechanisms in place to increase the liquidity of film investment and distribution for filmmakers around the world that might not have easy access to resources to tell their environmental stories.

8) What film have you seen the most times in your life?

That’s a personal question I’m not ready to answer here but I’ll give you a hint, he may wear a yellow hat and trench coat.

9) In one sentence, what makes a great film?

A great film is one that you can return to time and time again, like when your hanging with a good ole bud who is aging gracefully with you.

10) How is the film scene in your city?

Rent is too damn high and we’ve been losing too many indie theaters because of it. New York City is a constant hustle. When I asked the same question to my GEF film advisor, Joel Fendelman, he told me that this challenge of high rent is what drives half the city to constantly push through anyway. It’s a melting pot of idealists and artists on the cutting edge filled with ambition. Maybe this is why NYC is the perfect place to launch the festival.

To answer your question, I think the film scene in my city is the company you keep and the projects you put your life into and take over the finish line no matter what.

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Interview with Festival Director Iris Gonzalez (THROUGH MY EYES FILM FESTIVAL)

Through My Eyes is an international and Indigenous short film festival that seeks to showcase the stories of Indigenous peoples from all over the world. The festival aims to redefine the word Indigenous, originally meaning “of the land”, and in doing so, create community through the understanding that we are all indigenous to somewhere. It doesn’t matter if you’re native to the United States, the aboriginal lands of Australia, Europe, Asia, or Africa.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Iris Gonzalez: Providing a platform for underrepresented, Indigenous, and international independent filmmakers. In addition to providing this essential platform for filmmakers, we are providing that same platform for visual artists, live performers, and dancers.

2) What would you expect to experience if you attend your upcoming festival?

A window into the various cultures of the planet that I am not fully aware of or engaging with. To expand my view on ritual and storytelling.

3) What are the qualifications for the selected films?

We accept shorts, 30 mins and under in all genres who identify as Indigenous or stars as an Indigenous person or whose film’s content is based on Indigenous culture.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

I’m starting to see more platforms for Indigenous stories in the larger festivals like Sundance and such. This is a good thing but I do feel it’s still harder for Indigneous filmmakers to get a fair shake. This is where we come in. We try to reduce the barriers that some other festivals have.

5) What motivates you and your team to do this festival?

Being Indigenous myself as the executive director and an experienced filmmaker, I’ve seen these barriers firsthand. We also know that we greatly learn through the power of story. These filmmakers have extraordinary things to say and the more festivals like us the better.

6) How has your FilmFreeway submission process been?

It’s been an incredible process. Very friendly to a busy team. We are so grateful for the content that has come through it’s portal. Several of our selections have come through FilmFreeway.

7) Where do you see the festival by 2023?

We hope to partner with great like-minded organizations to bring this festival to it’s fullest potential and hope to guide others wishing to do the same.

8) What film have you seen the most times in your life?

Funnily enough, we see such potential in some of our film submission that have many many problems but are fixable. Through working together, we end up watching these films more often than any other films in our lives.

9) In one sentence, what makes a great film?

The power of the story and the ability to transform our reality.

10) How is the film scene in your city?

We live in the mecca of Los Angeles with great great competition. Which makes it an honor when we see our attendants and the desire for people to want to expand their knowledge about the world around them.
 

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Interview with Festival Director Paola Melli (SOUTH SOCIAL FILM FESTIVAL)

South Social Film Festival is a trans-geographical, multicultural and multidimensional festival celebrating independent cinema, dance, world music, art and regional cuisine, launched in 2015 in London.

https://www.instagram.com/southsocialfilmfest/

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Paola Melli: Creating a platform where they can express and promote themselves.

2) What would you expect to experience if you attend your upcoming festival?

Networking with professionals, a good selection of up and coming filmmakers , discovering talents and culture.

3) What are the qualifications for the selected films?

New and original content, young filmmakers that need to be boosted.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Short films unless they go to a short film festival, don’t get enough exposure. A balanced mix of feature films and shorts could be a winning strategy.

5) What motivates you and your team to do this festival?

Passion about diversity, different cultures, innovative kind of filmmaking, discovery of new talents.

6) How has your FilmFreeway submission process been?

It’s been good and helpful, it really put us on the international map.

7) Where do you see the festival by 2023?

Maybe a franchising in different countries.

8) What film have you seen the most times in your life?

Wings of desire by Wim Wenders

9) In one sentence, what makes a great film?

Being symbolic, mesmerising, unique and representing a life changing experience.

10) How is the film scene in your city?

Thriving, lots of diversity and talent that sadly is not widely seen.

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Interview with Festival Producers Christine Cannavo & Eafat Newton (WOMEN IN COMEDY FESTIVAL)

Women in Comedy Festival is thrilled to partner with HBO, NBC and Showtime’s Frankie Shaw to work towards closing the gender gap in the film and television industry. The festival will feature original comedic content created by filmmakers and screenwriters from all over the world.

October 2018 – Read Interviews with the best of NEW Poetry and Writers

Interviews by Matthew Toffolo

Touch the link and read 9 different interviews with the best of new writers and poets from around the world.

Interview with Poet Lauren White (First Contact)
Interview with Poet Lauren White (First Contact)

Interview with Poet Susan L. Brown (Response To 8 Philosophers)
Interview with Poet Susan L. Brown (Response To 8 Philosophers)

Interview with Poet Sam Allen (Viola’s Rebellion)
Interview with Poet Sam Allen (Viola’s Rebellion)

Interview with Writer Pat Jourdan (DECEMBER)
Interview with Writer Pat Jourdan (DECEMBER)

Interview with Writer Peter Inson (HATS OFF TO THE TEACHERS, SMASHED)
Interview with Writer Peter Inson (HATS OFF TO THE TEACHERS, SMASHED)

Interview with Writer Diane Elliott (Remembering Momma)
Interview with Writer Diane Elliott (Remembering Momma)

Interview with Nia Markos (ELEMENTS: BOOK ONE)
Interview with Nia Markos (ELEMENTS: BOOK ONE)

Interview with Novelist James Charles (Spirit Of The Amaroq)
Interview with Novelist James Charles (Spirit Of The Amaroq)

Interview with Novelist Bogdan Dzakovic (FORTRESS OF DECEIT)
Interview with Novelist Bogdan Dzakovic (FORTRESS OF DECEIT)

October 2018 – Read the best of Screenwriter Interviews

Interviews by Matthew Toffolo

Touch the link and read 35 different interviews with the best of new screenwriters from around the world.

Interview with Screenwriter Sara Landucci (STRONG ENOUGH)
Interview with Screenwriter Sara Landucci (STRONG ENOUGH)

Interview with Screenwriter 42 Tribes (Nyobaywa)
Interview with Screenwriter 42 Tribes (Nyobaywa)

Interview with Screenwriter Rita Martinos (ON THE VERGE)
Interview with Screenwriter Rita Martinos (ON THE VERGE)

Interview with Screenwriter M.V. Montgomery (DON-JOHN’S DISAPPOINTED MAM)
Interview with Screenwriter M.V. Montgomery (DON-JOHN’S DISAPPOINTED MAM)

Interview with Screenwriter Colleen Asbury (The Dance of the Desert Mermaids)
Interview with Screenwriter Colleen Asbury (The Dance of the Desert Mermaids)

Interview with Screenwriter Chloë J. Hightower (Monochrome)
Interview with Screenwriter Chloë J. Hightower (Monochrome)

Interview with Screenwriter Travis Darkow (HOW DID WE GET HERE?)
Interview with Screenwriter Travis Darkow (HOW DID WE GET HERE?)

Interview with Debasree Banerjee (GERALDINE HALL)
Interview with Debasree Banerjee (GERALDINE HALL)

Interview with Screenwriters Jeff & Julia Heinen (COFFEE IN SOUTHTOWN)
Interview with Screenwriters Jeff & Julia Heinen (COFFEE IN SOUTHTOWN)
Very good. Helps us track submission and awards very easily.

Interview with Screenwriter Daniel Cook (HELL ON EARTH)
Interview with Screenwriter Daniel Cook (HELL ON EARTH)

Interview with Screenwriter Sheila Warren (MOVING ON)
Interview with Screenwriter Sheila Warren (MOVING ON)

Interview with Screenwriter Frank Baruch (WHERE KOMAINU CRY)
Interview with Screenwriter Frank Baruch (WHERE KOMAINU CRY)

Interview with Screenwriter Richard Geiwitz (WIGGLE ROOM)
Interview with Screenwriter Richard Geiwitz (WIGGLE ROOM)

Interview with Screenwriter Iannis Aliferis (Samantha Rutledge PI, A Killer Case)
Interview with Screenwriter Iannis Aliferis (Samantha Rutledge PI, A Killer Case)

Interview with Screenwriter Ricardo Fleshman (KILLING MOSES)
Interview with Screenwriter Ricardo Fleshman (KILLING MOSES)

Interview with Screenwriter Hank Biro (SPACE FISH)
Interview with Screenwriter Hank Biro (SPACE FISH)

Interview with Screenwriter Toni Nagy (The Masses)
Interview with Screenwriter Toni Nagy (The Masses)

Interview with Winning Screenwriter Agnese Pagliarani (TO HELL AND BACK)
Interview with Winning Screenwriter Agnese Pagliarani (TO HELL AND BACK)

Interview with Screenplay Writer Adam Lapallo (WOLFPACK FENCERS)
Interview with Screenplay Writer Adam Lapallo (WOLFPACK FENCERS)

Interview with Screenplay Writer Terry Connell (PLANS FOR THE HOLIDAYS)
Interview with Screenplay Writer Terry Connell (PLANS FOR THE HOLIDAYS)

Interview with Screenplay Writer Todd Bird (LITTLE EARTHQUAKES)
Interview with Screenplay Writer Todd Bird (LITTLE EARTHQUAKES)

Interview with Screenplay Writers Charzette Torrence & Danielle Johnson (JILLIAN’S PEAK)
Interview with Screenplay Writers Charzette Torrence & Danielle Johnson (JILLIAN’S PEAK)

Interview with Winning Screenwriter Waide Riddle (Dear Tom Hardy: I love you)
Interview with Winning Screenwriter Waide Riddle (Dear Tom Hardy: I love you)

Interview with Winning Screenwriters Nicholas Downs, Susan Mac Nicol (SIGHT UNSEEN)
Interview with Winning Screenwriters Nicholas Downs, Susan Mac Nicol (SIGHT UNSEEN)

Interview with Winning Screenwriter Dallas Rico (MARRED)
Interview with Winning Screenwriter Dallas Rico (MARRED)

Interview with Winning Screenwriter S.W. Andersen (SOMEWHERE BETWEEN LOVE AND JUSTICE)
Interview with Winning Screenwriter S.W. Andersen (SOMEWHERE BETWEEN LOVE AND JUSTICE)

Interview with Winning Screenwriter Robert David Simpson (THE HUNT FOR CHUCK BERRY)
Interview with Winning Screenwriter Robert David Simpson (THE HUNT FOR CHUCK BERRY)

Interview with Winning Screenwriter Fritz Mueller (ANAHNA)
Interview with Winning Screenwriter Fritz Mueller (ANAHNA)

Interview with Winning Screenwriter Christianne Charles (CAKE)
Interview with Winning Screenwriter Christianne Charles (CAKE)

Interview with Winning Screenwriter Leah Pollack (MARKED)
Interview with Winning Screenwriter Leah Pollack (MARKED)

Interview with Winning Screenwriter Andrew Ward (BROWN DOG)
Interview with Winning Screenwriter Andrew Ward (BROWN DOG)

Interview with Winning Screenwriter Michael Zielinski (CHRISTMAS PAST AND PRESENT)
Interview with Winning Screenwriter Michael Zielinski (CHRISTMAS PAST AND PRESENT)

Interview with Winning Screenwriter Julian Blondell (Xightfall)
Interview with Winning Screenwriter Julian Blondell (Xightfall)

Interview with Winning Screenwriter Nate Yacos (Tugnutt: A Love Supreme)
Interview with Winning Screenwriter Nate Yacos (Tugnutt: A Love Supreme)

Interview with Winning Screenwriter Cicely Wynne (REMEMBER KENT STATE)
Interview with Winning Screenwriter Cicely Wynne (REMEMBER KENT STATE)

Interview with Winning Screenwriter Mirka Kettunen (MAJOR TOM AND THE ALIEN GIRL)
Interview with Winning Screenwriter Mirka Kettunen (MAJOR TOM AND THE ALIEN GIRL)

Interview with Winning Screenwriter Rodrigo Juatco (HERO OF HEROES)
Interview with Winning Screenwriter Rodrigo Juatco (HERO OF HEROES)

October 2018 – Read the best of Filmmaker Interviews

Interviews by Matthew Toffolo

Touch the link and read 28 different interviews with the best of new filmmakers from around the world.


Interview with Filmmaker Deniz Campinar (THE REVELATOR)
Interview with Filmmaker Deniz Campinar (THE REVELATOR)

Interview with Filmmaker Nesli Ozalp Tuncer (THE RETURN)
Interview with Filmmaker Nesli Ozalp Tuncer (THE RETURN)

Interview with Filmmaker Liz Lachman (PIN-UP)
Interview with Filmmaker Liz Lachman (PIN-UP)

Interview with Filmmaker Sean Janisse (LOCOMOTIVE 8 – ENCORE)
Interview with Filmmaker Sean Janisse (LOCOMOTIVE 8 – ENCORE)

Interview with Filmmaker Penny Lee (THROUGH CHINATOWNS’S EYES: APRIL 1968)
Interview with Filmmaker Penny Lee (THROUGH CHINATOWNS’S EYES: APRIL 1968)

Interview with Filmmaker Graeme Bachiu (WHY WE PUSH?)
Interview with Filmmaker Graeme Bachiu (WHY WE PUSH?)

Interview with Filmmaker Jessica Chung (SUSHI MAN)
Interview with Filmmaker Jessica Chung (SUSHI MAN)

Interview with Filmmaker Luma Oquendo (SARAVÁ)
Interview with Filmmaker Luma Oquendo (SARAVÁ)

Interview with Filmmaker Manfred Borsch (MIRRORS)
Interview with Filmmaker Manfred Borsch (MIRRORS)

Interview with Filmmaker Nancy Allison (MARMO)
Interview with Filmmaker Nancy Allison (MARMO)

Interview with Filmmaker Pablo Mengin-Lecreulx (SCANDAL)
Interview with Filmmaker Pablo Mengin-Lecreulx (SCANDAL)

Interview with Filmmakers Hope Carew & Allison O’Conor (MR. NICE GIRLS)
Interview with Filmmakers Hope Carew & Allison O’Conor (MR. NICE GIRLS)

Interview with Award Winning Filmmaker Sreejith Nair (THE COLOR OF ME)
Interview with Award Winning Filmmaker Sreejith Nair (THE COLOR OF ME)

Interview with Filmmaker Ken Clark (SNIP)
Interview with Filmmaker Ken Clark (SNIP)

Interview with Filmmaker Daniel Bergeson (UNEARTHED)
Interview with Filmmaker Daniel Bergeson (UNEARTHED)

Interview with Filmmaker Mischa Livingstone (CUBICLE)
Interview with Filmmaker Mischa Livingstone (CUBICLE)

Interview with Filmmaker Peta Milan (RIGHT TO BE FORGOTTEN)
Interview with Filmmaker Peta Milan (RIGHT TO BE FORGOTTEN)

Interview with Filmmaker Shinya Isobe (FOR REST)
Interview with Filmmaker Shinya Isobe (FOR REST)

Interview with Filmmaker Sam South (EAT JEREMY)
Interview with Filmmaker Sam South (EAT JEREMY)

Interview with Filmmaker Larissa Pruett (GET HOME SAFE)
Interview with Filmmaker Larissa Pruett (GET HOME SAFE)

Interview with Filmmaker Steve Socki (HALLOWSTIDE)
Interview with Filmmaker Steve Socki (HALLOWSTIDE)

Interview with Filmmaker Jessica Champneys (STAR WARS: DRESCA)
Interview with Filmmaker Jessica Champneys (STAR WARS: DRESCA)

Interview with Filmmaker Sean Wehrli (GLENDALE)
Interview with Filmmaker Sean Wehrli (GLENDALE)

Interview with Filmmaker Nora Jaenicke (WHALES)
Interview with Filmmaker Nora Jaenicke (WHALES)

Interview with Filmmaker Zena AbdelBaky (ALL THAT REMAINS)
Interview with Filmmaker Zena AbdelBaky (ALL THAT REMAINS)

Interview with Filmmaker Audrey Arkins (AMERICAN BOY)
Interview with Filmmaker Audrey Arkins (AMERICAN BOY)

Interview with Filmmaker Aaron Rudelson (NORMAN PINSKI COME HOME)
Interview with Filmmaker Aaron Rudelson (NORMAN PINSKI COME HOME)

Interview with Filmmaker Eugene Lehnert (THE OUTER BOROUGHS)
Interview with Filmmaker Eugene Lehnert (THE OUTER BOROUGHS)

Interview with Filmmaker Josiah Cuneo (IN THROUGH THE NIGHT)
Interview with Filmmaker Josiah Cuneo (IN THROUGH THE NIGHT)

Interview with Festival Director Alex Gardner (PHILADELPHIA UNNAMED FILM FESTIVAL)

It’s year three of the Philadelphia Unnamed Film Festival! Last year’s PUFF brought an eclectic mix of horror, science fiction, and bizarre films to the genre fans at the beautiful Proscenium Theater at The Drake in Philadelphia.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Alex Gardner: PUFF is not an awards farm like some film festivals. We succeed at promoting great films and connecting them to distributors. Almost every single feature film we have screened has gone on to find distribution.

What would you expect to experience if you attend the festival this year (2018)?

PUFF is four days of film, food and fun! We don’t want the festival to be where you see one film and go home. We want people to come to Philadelphia and have a great time. We try to make PUFF an experience the minute you walk in the door. This year we hope to have more of an interactive experience in the lobby, and there is always plenty of booze floating around. We hope people not only see a bunch of great films, but that they stick around, have a beer and talk to each other about what they just saw. Then they can go out and enjoy the great nightlife our city has to offer.

What are the qualifications for the selected films?

We are an alternative film festival. We are looking for great, unreleased films that are typically ignored by mainstream film festivals. This includes horror, sci-fi, experimental and so on.

Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Depends on the film festival. While I think some type of films get ignored by more mainstream festivals, there are plenty of genre and alternative film festivals to accommodate most films.

What motivates you and your team to do this festival?

Fun. There’s no point in doing this unless we’re having fun.

Where do you see the festival by 2023?

Hopefully I’m just alive by 2023, but if we make it that far I want PUFF to be a multimedia experience that is a destination for film fanatics. The aim of PUFF is to not only bring great films to Philadelphia, but to incorporate the city nightlife. Philadelphia is an up and coming city that offers our own culture, history, art, great food, beer and more.

What film have you seen the most times in your life?

Unfortunately, Look Who’s Talking. I feel like that film was on television every second on my teenage years, but if you mean on purpose it has to be Congo. Congo is an underappreciated master piece of comedy, action and horror.

In one sentence, what makes a great film?

The ability entertain.

How is the film scene in your city?

To be honest, not so great, and that’s why we created PUFF. Philly is a sports town first, and it always will be, but it has grown so much over the last few years. We hope to be the driving force behind making the film scene better in Philadelphia.

 

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every single month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 3 times a month. Go to http://www.wildsoundfestival.com for more information and to submit your work to the festival.

Interview with Festival Director Joshua Trigg (THUNDERDANCE Film Festival)

Thunderdance film festival is a bi-annual event set in the heart of Hackney. TFF focuses on independent fiction, fashion, music and experimental films. Winning films will be screened in local cinemas followed by meet and greets and afterparties. Thunderdance is a festival for the ultimate in new wave London film culture.

https://www.thunderdancefilmfestival.com/

1) What is your Film Festival succeeding at doing for filmmakers? 

Thunderdance is a film festival that creates a platform for independent film makers to submit an array of different types of work from fashion, fiction to music videos and experimental films. Something we wanted to bring to the table was a diverse judging panel. From cultural influencers like Sue Tilly, to Colin Salmon (James Bond) judging certain categories. We always want to have exciting and recognisable names for the film makers to feel eager about. So not just limiting judges to those within our own industry, but broadening the spectrum of people who are involved. We want to make sure we are connecting amazing film makers with amazing people from all corners of the industry at the event.

2) What would you expect to experience if you attend the festival this year (2017)? 

Sadly, the tickets are all sold out this time around! However, you can expect a varied arrangement of screening material. A diverse set of films from all over the globe. Something that is integral to what we want to do with this festival is to support independent cinema. We hope to always have the events in small, art house, boutique cinemas. This year starting around the East London area, broadening this in the next few years. Our first screening for the festival will be taking place at the Castle Cinema, which has an amazing history and been re opened via a kickstater programme. This is a really beautiful, almost 20’s style bar cinema. Here we will be screening and holding the afterparty which gives the film makers the best opportunities to network.

3) What are the qualifications for the selected films? 

Really there are no qualifications needed. Just good film making. There are a bunch of categories, and we want all film makers to be able to submit their work. In the future we would like to be able to expand this to a student category to help support getting people into the industry. To be honest, we are just curious about the artistic voice of the individuals.

 
4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why? 

No I don’t think films get a fair shake from festivals all the time. For us the most important thing is that if it’s a good film we’re going to champion it. Doesn’t matter where its from, who’s made it. If it’s great it’s great and we want to show it. In the future we would love to get good, interesting, important professionals from the industry to give critical feedback if film makers desired when submitting their film. This could at least give the film maker the opportunity to understand why they may not have been selected. We want to help film makers not discourage them.

5) What motivates you and your team to do this festival? 

We are genuinely excited to create something new, fresh and different from anything else we have seen in the circuit. Being a director myself, it’s a similar feeling when I feel I’ve nailed it with a script and we start moving into production. It’s that excitement of knowing you are about to make something really cool and that pre-anticipation is how we feel about this project. It’s that feeling of creating something. I know film makers can relate to that. Within that excitement, we are driven to connect film makers and support artistic communities.

6) How has your FilmFreeway submission process been? 

Film freeway has always been a very useful tool for submitters as it is simple and easy to use, there was a gap in the market and they filled it. Kudos to Film Freeway.
 
7) Where do you see the festival by 2020? 

By 2020, we’d like to have moved from cities further then Europe. But we want to take our time, as its important to us that we find cultural and artistic hubs where local curators can bring to the table the same sort of elements that make Thunderdance London different and exciting.
 

 

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