Happy Birthday: Matthew Macfadyen

matthewmacfadyenMatthew Macfadyen

Born: October 17, 1974 in Great Yarmouth, Norfolk, England, UK

Married to:
Keeley Hawes (8 October 2004 – present) (2 children)

[on approaching the character of Mr. Darcy for Pride and Prejudice:] I find Darcy very sympathetic, I find it heartbreaking that he’s seen as very haughty and proud – and he is those things – but he’s a young man who is still grieving for his parents. He’s from an ancient family and has this huge responsibility, but it seemed to me that he’s still trying to work out who he is and how to be in the world. I found that very interesting, and I found him very sympathetic.

THE THREE MUSKETEERS
dir. Paul W.S. Anderson
Stars:
Logan Lerman
Matthew Macfadyen
INCENDIARYIncendiary
dir. Sharon Maguire
Starring
Michelle Williams
McGregor
Robin Hood
dir. Ridley Scott
Stars
Russell Crowe
Cate Blanchett
Pride and PrejudicePride & Prejudice
2005
dir. Joe Wright
Starring
Keira Knightley
Judi Dench
MOVIE POSTERANNA KARENINA
2012
dir. Joe Wright
Stars:
Keira Knightley
Jude Law
FROST/NIXONFrost/Nixon
2008
dir. Howard
starring
Langella
Michael Sheen
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Happy Birthday: Felicity Jones

felicityjones.jpgFelicity Jones

Born: October 17, 1983 in Birmingham, West Midlands, England, UK

When you’re a young actor, there’s this pressure to rush. But I hope to be doing this into my sixties and seventies, so I’d prefer to take my time. There’s so much of a desire in the entertainment industry for newness, a desire to build somebody up and then treat them as old news within six months. I think you’d be naive if you didn’t try to hold on to your own way of doing things.

The Tempest
dir. Julie Taymor
Stars:
Helen Mirren
Felicity Jones
MOVIE POSTERTHE AMAZING SPIDER-MAN 2
2014
dir. Marc Webb
Stars:
Andrew Garfield
Emma Stone
MOVIE POSTERHYSTERIA
dir. Tanya Wexler
Starring:
Maggie Gyllenhaal
Felicity Jones
TV CONTESTSUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival
writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
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Interview with Festival Directors Nicolas Iordanou & Sylvia Nicolaides (Paphos International Film Festival)

The Paphos International Film Festival (PIFF) is an annual festival held every June in Paphos in the Mediterranean island of Cyprus. PIFF is an independent not-for-profit organization committed to supporting authentically independent films and it aims to research, promote and develop the art of independent filmmaking. We support low (or no) budget films because we strongly believe that they are worth a chance. PIFF is a platform giving a voice to directors and filmmakers who work with very little, but have a lot to give.

Facebook | Website  (Open for submissions until April 21st, 2017)

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers? 

Nicolas Iordanou & Sylvia Nicolaides: Paphos International Film Festival is the only film festival of the city of Paphos, which is also the European Capital of Culture in 2017. Our aim is to support, promote and develop the art of independent cinema. We want to support films that were produced with a low (or sometimes zero) budget, because we believe that they are worth a chance. PIFF is a platform giving a voice to directors and filmmakers who work with very little, but have a lot to give. We, the directors of the festival, understand this because we are also independent filmmakers and we recognize the difficulties.

Each year, in each category, there is an Audience Award, where the audience gets to vote for the films that were the most inspiring to them. We believe that it is a great honor to receive an award given by the audience.

We also arrange a ‘meet and greet’ get-together with the directors and producers/distributors that attend the festival, and encourage them to exchange ideas, interests and create possible new collaborations.

MT: What would you expect to experience if you attend the festival this year (2017)? 

NI & SN: Three days of open-air cinema, with ice cold drinks with friends and of course a great selection of independent films from all over the world.

MT: What are the qualifications for the selected films? 

NI & SN: We appreciate and value independent films that were made from directors and filmmakers who have something to say that is essential and genuine. We look for filmmakers that manage to connect themselves in a personal way with their film and at the same time reflect the issues that concern today’s society.

MT: Do you think that some films really don’t get a fair shake from film festivals? And if so, why? 

NI & SN: Some films get lost due to the large number of submissions that the festival receives and that’s where we come in: because we want to take on the films that did not make it in other film festivals, just because they have not been filmed with the best cameras, the best lighting, etc. We support these productions that despite the difficulties, they have strong and essential ideas, they have quality, and we can see their potential.

MT: What motivates you and your team to do this festival? 

NI & SN: Our own personal experiences as independent filmmakers. We also have to work sometimes with very little, and we would like to show our support and give a voice to all the filmmakers out there who have a vision, a passion, and want to tell compelling and inspirational stories.

MT: How has the festival changed since its inception? 

NI & SN: It is only our second year, but we are determined to keep improving and keep this festival growing and becoming part of the city. PIFF has four categories: International short films, Cypriot short films, Student short films and a Special Category. The Special Category’s thematic is changing every year: last year we dedicated this category to films about refugees and immigrants and we had many powerful films and documentaries on that subject. The most moving part was that because of this, we had many Syrian refugees in our audience who came especially to watch them and this brought them closer to the locals who were attending the festival. This year, we dedicate the festival to our dear friend and a great Cypriot artist Costas Economou (1925 – 2016), so our Special Category is devoted to films about art, artists and art forms.

MT: Where do you see the festival by 2020? 

NI & SN: We hope to start a tradition of cinema in our city, a film festival that will inspire people and that will bring people together. Our aim is to make this festival part of the city. We are working on growing and evolving our network, bringing together different elements of the industry, like filmmakers, distributors, producers, actors, artists, and start a constructive dialogue about social, environmental, political and personal issues that are essential to us, through new collaborations between us.

MT: What film have you seen the most times in your life? 

NI & SN: Darren Aronofsky’s Pi (Π). We love its thematic and the fact that he produced it with such a low budget by asking friends and relatives to support him with small amounts of money. We appreciate the spirit of making a film possible without having a budget. What is admirable, and that is what we would like to pass to the emerging filmmakers, that no matter the difficulties, there are always ways to make a film and share it with the world.

MT: In one sentence, what makes a great film? 

NI & SN: A great script and the desire to translate it in the best possible visual way.

MT: How is the film scene in your city? 

NI & SN: Unfortunately it is very limited and almost nonexistent. That is why both of us, as filmmakers and as the directors of this festival, we are now creating the environment through filmmaking courses, workshops, lectures and through the festival itself and everything is encompasses. Our mission statement is that instead of complaining of all the things that do not exist in our city, we ourselves with our community, are trying to cultivate the film culture here with our vision and actions.

THE DIRECTORS:

Sylvia Nicolaides studied Fine Arts in Chelsea College of Art and Design (University of the Arts) London and received a Master’s Degree in Audio-Visual Studies in the Academy of Performing Arts, in the Film and Television department (FAMU) in Prague, Czech Republic. She participated in several group art exhibitions and her films were awarded and screened at several film festivals both in Cyprus and internationally. In 2013 she participated in the exhibition ‘Catharsis/Rebirth’ in Paphos, Cyprus and co-directed a short film presentation from it, which was selected and presented in the Louvre Museum in Paris as part of the Michelangelo Pistoletto’s exhibition ‘Annee Un – Le Paradis Sur Terre’. She is the co-founder of Kimonos Art Center in Paphos, and the co-founder and co-director of the Paphos International Film Festival (PIFF).

Nicolas Iordanou studied Photography at Columbia College Chicago. From 2001 until 2006 he worked as a photojournalist, dealing with conflict and postwar photography in Afghanistan, Pakistan, Iran, Palestine/Israel, Uganda, Lebanon and also covered the September 11 attacks in New York City. He also collaborates pro bono with the United Nations (UNHCR). In 2005 he was invited by the Goethe Institut as a reviewer in the 1st Photography Festival of Berlin. In 2007, he was assigned to photograph an international project called ‘Challenging Walls’ in collaboration with Akademie der Künste – Berlin and Sibylle Bergmann, whose goal was to bring conflicted communities closer, having a common vision of peace and coexistence. In 2013 he participates in the exhibition ‘Catharsis/Rebirth’ in Paphos, Cyprus and co-directs a short film presentation from it, which was selected and presented in the Louvre Museum in Paris as part of the Michelangelo Pistoletto’s exhibition ‘Annee Un – Le Paradis Sur Terre’. He directed documentaries and short films that were awarded and screened around the world. He is the co-founder of Kimonos Art Center in Paphos and co-director of Paphos International Film Festival in

logolaurels

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Fesival held in downtown Toronto on the last Thursday of every single month. Go to http://www.wildsound.ca for more information and to submit your work to the festival.

October 2016 – Read the best of SHORT FILM Loglines & Movie Pitches

October 2016 – Read the best of SHORT FILM Loglines & Movie Pitches

October 2016 – Read the best of FEATURE FILM Loglines & Movie Pitches

WILDsound Festival's avatarWILDsound Festival

Click the link and read the loglines: 

BURN THROUGH ME, by Shawn McCormack
http://www.wildsoundfestival.com/burn_through_me_by_shawn_mccormack.html

RANSOM HOLLOW, by Jeffrey Slocum
http://www.wildsoundfestival.com/ransom_hollow_by_jeffrey_slocum.html

SEARCHING FOR A MAN OF THE CLOTH, by Cindi Walton
http://www.wildsoundfestival.com/searching_for_a_man_of_the_cloth_by_cindi_walton.html

BABY ON BOARD, by Steven LaFlamme
http://www.wildsoundfestival.com/baby_on_board_by_steven_laflamme.html

THREE THE MOVIE, by Elisabetta Minen
http://www.wildsoundfestival.com/three_the_movie_by_elisabetta_minen.html

A WINK OF THE BLACK EYE, by Mark Wagner
http://www.wildsoundfestival.com/a_wink_of_the_black_eye_by_mark_wagner.html

CALL ME NOW, by Jiwo Lesmono
http://www.wildsoundfestival.com/call_me_now_by_jiwo_lesmono.html

PRIVATE BUREAU, by Mica
http://www.wildsoundfestival.com/private_bureau_by_mica.html

INTO THE VINES, by Kim Troike
http://www.wildsoundfestival.com/into_the_vines_by_kim_troike.html

PLAY FOR ME, by Charlie Kenmore
http://www.wildsoundfestival.com/play_for_me_by_charlie_kenmore.html

MARLOWE, by Mark McQuown
http://www.wildsoundfestival.com/marlowe_by_mark_mc_quown.html

HEMINGS AND CONDELL, by Martin Keady
http://www.wildsoundfestival.com/hemings_and_condell_by_martin_keady.html

MID-LIFE CRISIS, by Chris Schnitzius and Frank Floyd
http://www.wildsoundfestival.com/mid-life_crisis_by_chris_schnitzius_and_frank_floyd.html

KING OF ROCK, by Anthony Morris
http://www.wildsoundfestival.com/king_of_rock_by_anthony_morris.html

A GIRL WITH A MASTERMIND, by Priya Mistry
http://www.wildsoundfestival.com/a_girl_with_a_mastermind_by_priya_mistry.html

LIBERTY, by Chris Cartusciello
http://www.wildsoundfestival.com/liberty_by_chris_cartusciello.html

TIME, by Anastasija Tochevska
http://www.wildsoundfestival.com/time_by_anastasija_tochevska.html

MAN OF LAWLESSNESS, by Bruce Walker
http://www.wildsoundfestival.com/man_of_lawlessness_by_bruce_walker.html

NECROMANCER, by Christopher Sorensen
http://www.wildsoundfestival.com/necromancer_by_christopher_sorensen.html

CHARMED PRINCE, by Jarod Winchester
http://www.wildsoundfestival.com/charmed_prince_of_gods_by_jarod_winchester.html

BLOODY ANIMALS 1, by…

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Read best of Interviews with Professional Sound Designers and Composers in the Industry

WILDsound Festival's avatarWILDsound Festival

Go to http://www.matthewtoffolo.com and read many interviews with professional in film and TV. 

CLICK the links and best the best of interviews from the world of sound and music in film:

Interview with Composer David Buckley (The Good Wife, The Town)

With the demands of modern film-making, it’s not always easy to physically sit in the room with a director as he/she will have many things to deal with other than music. When there is a moment, I think it’s important to try and absorb as much information one can from the director or any other film maker. Not just specific things but bigger picture issues too. Learning what they know and what they have experienced (be it on the movie, or life in general), will presumably help deliver a score that is to their liking.

Interview with Sound Editor Piero Mura (The Accountant, 500 Days of Summer)

Everything in post-production changed…

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Last Chance to get FREE tickets to the ACTION Toronto Short Film Festival this Thursday

WILDsound Festival's avatarWILDsound Festival

SPECIAL EVENT: Thursday October 20th. 7pm. Carlton Cinemas. Best of Action and Crime Short Films from all over the world.

http://www.wildsound.ca/actioncrimetorontofilmfestival.html

This is a terrific lineup of dramatic and exciting films in the crime and action genres. Some high budget short films this month from Australia, UK, USA, Canada, and Belgium. Something for everyone. It’s a solid lineup from the first to last film.

To RSVP, simply click on the below website link and request your tickets. Then you can come for FREE or make a donation on the night. Or, you can RSVP on the program page and make a donation via paypal or credit card.

http://www.wildsound.ca/actioncrimetorontofilmfestival.html

Giving you films from all corners of the world in different genres and formats.

Due to the popularity of the festival, we will now be doing 2 events a month. So if you can’t make one, you can make the other. Or…

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TV SPEC of THE UNBREAKABLE KIMMY SCHMIDT “Kimmy is a VIP” by Mike Miller

WILDsound Festival's avatarWILDsound Festival

Watch the October 2016 Winning TV Screenplay.

TV SPEC of THE UNBREAKABLE KIMMY SCHMIDT “Kimmy is a VIP”

CAST LIST:

NARRATOR – Sean Ballantyne
KIMMY – Erynn Brook
TITUS – Martin Huss
JACQUELINE – Viktoria Napoleonova
LILLIAN – Michelle Alexander
ULLR – Brogan Caulfield
DORMAN – Michael Lake

SYNOPSIS:

Genre: Comedy

Kimmy and Titus go on a quest to get Jacqueline back on an exclusive VIP list for a restaurant opening and Kimmy seeks justice after being rejected on Tinder.

Get to know the winning writer Mike Miller: 
 
What is your Kimmy Schmidt screenplay about? 

The feeling of not being included as we explore Jacqueline’s fear of being pushed out of high society, plus a little satire about the idea of exclusivity and how badly some people feel the need to be “above” others, and Tinder. Most of us can relate to the awkwardness of online dating, relationships, or…

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Film Review: TOWER (USA 2016) ****

tower_.jpgTOWER (USA 2016) ****
Directed by Keith Maitland

Starring: Violett Beane, Louie Arnette, Blair Jackson

Review by Gilbert Seah

TOWER is an animated mixed archive footage reaction of one of the most chilling incidents in American history. On August 1st, 1966, a sniper rode the elevator to the top floor of the University of Texas Tower and opened fire, holding the campus hostage for 96 minutes. When the gunshots were finally silenced, the toll included 16 dead, three dozen wounded, and a shaken nation left trying to understand.

This is the first of America’s mass shootings. The film explores this untold history through the first-person stories of seven specific characters: two students who were shot that day, the two police officers who ended the siege, two civilians who inserted themselves into the story to provide aid to victims and police, and the radio reporter who broadcast live from the scene for more than an hour and a half, and whose broadcast was picked up nationally, bringing the events in Austin to listeners around the nation.

Once the film goes into first person, the audience is immediately immersed in the current situation looking at it from the person’s objective. Being animated, distractions are a minimum. The exact reactions and emotions, as realized by the animator can be most effectively conveyed. The identity of the shooter is clearly omitted, thus creating a more mysterious, chilling feel.

The film’s listenable soundtrack of hit tunes of the 60’s most effectively creates the feel of the 1966 film’s setting, aided by the arrival footage of vintage cars and people walking in 60’s garb. Maitland also uses the classic “Claire de Lune” (clearly his favourite music piece) during the siege and closing credits of the film,

One can also consider the film to be short stories of the different victims. The first victim is 18-year old Claire Wilson. She is first shot and she is revisited as she recounts her story – a sad one. Claire says: “All of a sudden I felt like I’d stepped on a live wire, like I’d been electrocuted.” Her boyfriend Tom reaches down to help her and he is struck down as well. For over an hour of the siege, Claire remains exposed to the shooter, conscious and steadily losing blood. Claire knows that her boyfriend has been killed and that she’s lost her baby too. “After some time, a really lovely young woman with red hair ran up to me and said, “Please, let me help you.” I told her to get down so she wouldn’t attract attention, and she lay down next to me. She stayed with me for at least an hour. It was a beautiful, selfless act.”

Some stories are more effective than others. Claire’s is the most touching. Halfway through Maitalnd’s film, a shiver would surely be sent down ones spin as one admires the heroes who sacrifice being shot while aiding the wounded victims. The film is also intersperses with the talking heads of actors of the real heroes, now aged since 1966, but their presence makes a marked impact to the story.

Maitland’s approach to documenting the tower shooting incident is no doubt novel and one may question why not enactment by real actors. A valid question, no doubt but this approach has produced a successful account, just as a live re-enactment might have achieved the same purpose. It helps tremendously that Maitland has worked close to the material, obtaining all the facts – from interviews of the surviving victims and then animating the action.

Trailer: https://vimeo.com/153727380

 

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Get it showcased at the FEEDBACK Festival
writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
Get full feedback! Winners get their novel made into a video!
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