Best of Instagram the week of March 7 to 13 2016: Film Festival Videos and Photos. Brownies Dessert. Storyboard Artist Cristiano Donzelli. Cinematographer Jeff Cutter. Cinematographer Natasha Braier.
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Watch the Spring 2016 Winning Stage Play Reading.
BEYOND THE GLASS Stage Play Table Reading:
SYNOPSIS:
Beyond the Glass is a two-act dramatization of Edward Hopper’s painting Nighthawks. It is a conceptual, philosophical work driven by one of the diner’s customers, Ray, who wrestles with an existence he abhors but cannot alter.
CAST LIST:
NARRATOR – Val Cole
ED – Ucal Shillingford
CAROL – Alicia Payne
RAY – Kari-Michael Helava
JAMES – Rob Notman
Get to know writer Francis DiClemente:
1. What is your stage play about?
The play is about a man—the lead character Ray—who rails against an existence he despises. Locked inside the diner, Ray strives to find an exit; but he fails and he must come to terms with his fate.
2. Why should this play be produced?
I think that’s a question someone else will need to decide, if the work is worthy of production. The…
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Geoffrey Rowland has worked in the film and television industry for over 50 years. We chatted on the phone for 2 hours with topics ranging from our mutual love for baseball, life lessons, being Canadian, and of course film and editing. He was a pure joy to chat with. Enclosed are the highlights of our conversation:
Matthew: “The Young Messiah” is set to hit the theatres this week. Can you give us a sneak peak as to what to expect? How was your experience working on the film?
Geoffrey Rowland: Terrific experience. I worked 77 straight days editing that film. It became a part of me. I gave it my all and I think it’s a very good film.
PHOTO: Still from “The Young Messiah” with actress Sara Lazzaro. Geoffrey called her one of the finest actresses he has ever edited. “Amazing eyes”. He praised.
MT: You’ve worked on over…
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Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca
THE LEGEND OF BARNEY THOMSON (UK/Canada 2015) ****
Directed by Robert Carlyle
Starring: Robery Carlyle, Emma Thompson, Ray Winstone
Review by Gilbert Seah
The film THE LEGEND OF BARNEY THOMSON arrives with zero fanfare but is a film that should be taken seriously. A film that could be alternatively titled THE DEMON BARBER OF GLASGOW, the film is based on the book “The Long Midnight of Barney Thomson” by Douglas Lindsay. The film begins when barber Barney accidentally scissors to death his boss, Wullie (Stephen McCole) in the barber shop that leads to another death, thus classifying him a serial killer. Barney becomes a Scots Sweeney Todd with several inept Glaswegian cops on his case.
The film takes quite a while to get a solid footing. The first third of the film muddles around with little humour, ingenuity or direction (and those unable to decipher the Scots accent might leave the cinema) but Carlyle slickly gets the action in gear and keeps the film moving during the next 2/3 of the film, leading it to a climatic mother/son confrontation and a Mexican stand-off. But the main plot of the reason Barney Thomson becomes a legend is still in effect, a comical farce that finally succeeds.
For a film entered on grisly murders that include chopping up of body parts, the film is free from violence. But the film is not without queasy scenes that include a severed penis and other assorted boy parts bundled up for the Royal Mail. The language is also particularly foul, especially the words coming out of Barney’s mother, oddly called Cemolina (Emma Thompson).
Three strong British actors headline the film. Carlyle himself, Thompson and Ray Winstone are thee actors I would pay serious money to see on screen. Thompson who is barely two years older than Carlyle, plays Barney’s mother with all the wicked relish she can muster. Her make-up by Oscar Winner Mark Coulier makes her look the part. Hissing out most of her lines with a fag always hanging from her mouth, this is Thompson the complete opposite, not the Thompson HOWARD’S END audiences know. The funniest part has her dipping biscuit dropping into her tea and then remarking: “I now have to fish it out with my spoon.” The mother/son confrontation in which she reveals how much she has done for him, including providing him dolly mixtures when he was a kid is priceless.
Carlyle is a Scots actor best known for his role in Danny Boyle’s TRAINSPOTTING. Carlyle’s debut directorial feature has the occasional feel of a Coen Brothers film (BLOOD SIMPLE, RAISING ARIZONA), but Carlyle who has worked with great English directors like Ken Loach (RIFF-RAFF, CARLA’S SONG), Boyle (TRAINSPOTTING) and Shane Meadows (ONCE UPON A TIME IN THE MIDLANDS) and the influences of the three directors are evident here. The atmosphere of small town mentality of Meadows is the most obvious.
THE LEGEND OF BARNEY THOMSON opened at the Cineplex Yonge and Dundas Toronto last week and continues with an added opening at the Carlton Cinemas. The film arrived with zero publicity and no press screenings, the only reason I can think due to is the film’s macabre nature. But this is a awesome little gem, that is a must-see!
Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html
Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca
Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com
This week’s screenplay festival is a showcase of faith, triumph, and ideals. We will be showcasing a feature screenplay, short screenplay, and two best scenes of a feature.
Here are the details of the works that will be performed.
#1 – Feature Screenplay – GATES OF HELL
Written by: Everett House and Pamela Green
Genre: Biography, Drama
Synopsis: GATES OF HELL is a biography of a tenacious Christian youth, including being institutionalized and undergoing years of shock treatment and other atrocities while maintaining his faith.
#2 – Short Screenplay – BEST INTERESTS
Written by James M. Freeman
Genre: Action, History, Drama
Synopsis: To protest inhumane treatment and unfair rejection of his application for refugee status, a teenage Vietnamese asylum seeker challenges the authority of a Hong Kong detention camp commandant, resisting the commandant’s efforts to force him to repatriate.
#3 – Best Scene – SCREAMING MY HEART OUT
Written by…
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Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca
HAPPILY EVER AFTER (UK/Canada 2014) ***
Directed by Joan Carr-Wiggin
Starring: Janet Montgomery, Sarah Paxton, Alex Kingston, Peter Firth
Review by Gibert Seah
Running at almost 2 hours, HAPPILY EVER AFTER is a delightful comedy drama about two high school friends who both have the identical goal of living happily ever after. The only problem is that it is almost impossible task to accomplish, as most human beings can attest to.
The film centres on Heather (Janet Montgomery), an edgy documentary filmmaker in her 20s returning to her small Canadian hometown to look after her ailing father, Walt (Oscar nominee Peter Firth). She had left the town and her friends and family for Toronto after high school. She then reluctantly agrees to film the wedding video for her former high school best friend Sarah Ann (Sara Paxton). Things turn out more complicated than expected as the film turns into sort of a bedroom farce involving the whole town.
And between family and secrets, Heather is convinced that she and the seemingly carefree bride-to-be have nothing in common – except perhaps the high school teacher they both fell in love with (Tom Cullen).
It takes quite a while for Carr-Wiggin’s film to get a solid footing. The first half of the film appears to be all over the place with too many characters and an annoying lead. The situations all centring around a wedding also seems superfluous. But one has to be patient for HAPPILY EVER AFTER to settle in. It takes a while but the waiting pays off. The film shifts its focus from the lead character to the two leads, the lead and her best friend with an additional twist in the plot coming near the end (which will not be revealed in this review).
The film is about leaving a small town and making good. Another film that deals with this same theme, my favourite but highly forgotten INDEPENDENCE DAY (not the disaster pic) also showed the really difficult decision of small town folk having to make the decision to get away even though all logic points into doing so. The best thing about HAPPILY EVER AFTER is that the lead has left for the big city of Toronto but has not got much success either. She is a documentarist wannabe. Yet all the small townsfolk still admire her, if not for her decision to leave, despite the current state of affairs. The fact that Heather is not perfect and has just an equal if not larger amount of problems makes her character a more interesting one.
The film grows on the audience like a small town does on its visitors. At first annoying and uneventful, a small-town and the film gradually enchants its audience with its small town charm.
Carr-Wiggins characters also are all searching for simple happiness. They are all looking for love, and often in all the wrong places – i.e. the same town. The ‘follow your heart’ message is a bit too obvious, but given the situation of losers, it is an appropriate one to entertain the audience. There is more than meets the eye in this neat little film.
Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html
Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca
Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com
Read interview with the top film crew of the film, plus a praising movie review of the film that will set box office records this weekend:
Movie Review: 10 CLOVERFIELD LANE ***1/2
https://festivalreviews.org/2016/03/10/movie-review-10-cloverfield-lane/
Spoiler Alert: Please note that in order to provide a readable film review, there are minor plot points that have to be revealed in the review.
Interview with Cinematographer Jeff Cutter (10 Cloverfield Lane):
Interview with Cinematographer Jeff Cutter (10 Cloverfield Lane)
From Jeff Cutter: Expect a taut, tense psychological thriller with 1 or 2 big surprises. I had a great time working on the film as we had a wonderful director in Dan Trachtenberg and an extremely supportive production company in Bad Robot. It was a relatively small budget, and had challenges as a result, but since it is mostly a very contained script we could maximize the resources we had.
Interview with Special Effects Coordinator Donnie Dean (10 Cloverfield Lane):
Interview with Special Effects Coordinator Donnie Dean (Emmy Winner – American Horror Story)
From Donnie Dean: I can say we didn’t know until everyone else in the world that it was to be 10 Cloverfield. It was called Valencia up until then and no one knew it was related to Cloverfield at all.
Interview with Stunt Double Olga Wilhelmine (10 Cloverfield Lane):
Interview with Stunt Double Olga Wilhelmine (10 Cloverfield Lane)
From Olga Wilhelmine: I was Mary Elizabeth Winstead’s stand-in, photo double and stunt double on 10 Cloverfield Lane so I was there every day with her on set. We filmed about 7 weeks in New Orleans mainly on a sound stage bunker set which was kept dark and lots of smoke, dust and special effects that add to the bunker feel. Being in the dark all day was a bit harrowing especially in the beginning and we really felt like we were in a bunker.
****
Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html
Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca
Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com
What a pleasure it was to chat with the costume designer Janelle Nicole Carothers. Janelle has worked on over 20 productions in the last 12 years, including Seed of Chucky (2004), the television series The Game (2011-12) & Let’s Stay Together (2012-13), and the The Perfect Match – which opens all over North America today!
Matthew Toffolo: “The Perfect Match” is set to hit theaters this weekend. Can you give us a sneak peak to what to expect? How was your experience working on that film?
Janelle Nicole Carothers: Yes! March 11th! It’s a romantic comedy with an amazing cast and the cameos are hilarious. The experience overall on the film was amazing. The perfect marriage of new and veteran talent. The laughter on set was non-stop. The energy was contagious and the canvases I had to dress – I mean come on, you could put Cassie, Lauren or Dascha in a paper…
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Making her home in New Orleans, Olga Wilhelmine is a singer/songwriter turned actress turned stunt performer. Jumping out of planes brought her to her new career (see below). In the last year she has stunt doubled for actresses Haley Bennett and Mary Elizabeth Winstead in two of the most highly anticipated films of 2016.
For more info, go to her website: www.laolga.com
Matthew Toffolo: Are you an actress who also does stunts, or a stunt performer who also acts?
Olga Wilhelmine: I am an actress who does stunts, or I’d say it started out that way for sure. A lot of times depending on where camera is, you have to do your own stunts and this is of course also depending on what the stunt is, but it is certainly a big factor.
MT: You were the stunt double for Mary Elizabeth Winstead in the upcoming film 10 Cloverfield Lane. Tell…
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Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca
THE LITTLE PRINCE (France/Italy 2015) ****
Directed by Mark Osborne
Review by Gilbert Seah
It would unthinkable to do a makeover of the much loved fairytale 1943 novel, Le Petit Prince written by Antoine de Saint-Exupery. A film version had already been made, a faithful one by Stanley Donen, which everybody loved back in the 70’s. So when the director Mark Osborne, pitched his film idea to the actors and financiers, he had better had a good viable one in mind.
And judging from this fantastic and stunning film, he did.
Osborne has created this English-language 3D stop-motion-animated adventure fantasy with a script film written by Irena Brignull and Bob Persichetti based on the 1943 novel of the same name by Antoine de Saint-Exupéry. It should be noted that Osborne uses stop motion animation for the novel’s story and computer animation for an additional frame narrative. Osborne also assembled a more than impressive list of voice characterizations including Jeff Bridges, Rachel McAdams, Paul Rudd, Marion Cotillard, James Franco, Benicio del Toro, Ricky Gervais, Bud Cort, Paul Giamatti, Riley Osborne, Albert Brooks and Mackenzie Foy.
Saint-Exupery’s story of the boy on his planet is woven into an original narrative which involves a young girl. The film begins as an ordinary story on Planet Earth.
The mother (McAdams) of a prodigious young girl (Foy) wants her daughter to enrol in a prestigious Academy where the moot seems to be essential n everything essential. To ensure her daughter will pass the entrance exam, the mother imposes on her a rigorous study schedule over the course of the summer that leaves little room for leisure. The girl becomes distracted by her next-door neighbour, an elderly, retired aviator (Bridges) who shares with her the story of a young boy from a distant asteroid, the “little prince”, whom he supposedly encountered in a desert after crashing his plane. As the two play together without the mother’s knowledge, the aviator has a secret that slowly unfolds. The little prince, the real McCoy is cleverly woven into the film’s plot including the novel’s famous characters like the fox, the rose, the businessman and others. A few are left out, but the atmosphere of the novel is left intact regardless.
Despite the child characters, the film is more an adult fantasy than a film for kids. No doubt the kids can enjoy the animation, which is nothing short of marvellous. The idea of freeing trapped stars back into the sky in one of the film’s most memorable segments, is something that is quite the sight for sore eyes. The best looking segment has the aviator take the little girl on a flight into the night. But the story’s logic is a tad too difficult for children to follow. But to be fair to the filmmakers, the story of The Little Prince is quite abstract. The message of the film of never forgetting being a child is a universal one.
And some background about the film: the film has already earned $88.4 million on a $77.5 million budget, before its North American release making it the most successful French animated film abroad of all time. The end credits list it a a French/Italian co-production though the film contains quite a bit of Canadian production values. The film will face tough competition with Disney’s ZOOTOPIA, another excellent animated feature also playing in theatres.
Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html
Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca
Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com
Festival Reviews 