Today’s TV Screenplay Reading: CURB YOUR ENTHUSIASM by Chris Agnew

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Deadline for Television Pilot/Spec Screenplay Festival: http://tvfestival.org/

CURB YOUR ENTHUSIASM TV SPEC
Written by Chris Agnew
Read 10 Questions with the writers

SYNOPSIS:

A spec from the classic TV spec screenplay Curb Your Enthusiasm. A fun-filled romp for the entire family.

CAST LIST:

NARRATOR – Rochelle Burke
LARRY – Charles Gordon
LEON – Aieron Munro
MS. KOTCHERY – Susan Wilson
JEFF – Rob Notman
SPENCER – Paul Falkowski
SUSIE – Maya Woloszyn

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TV Loglines of the Day: FUNNY FARM, by Nicholas Geisler

tvfestival's avatarTV Screenplay Festival. Submit Today.

Deadline for Television Pilot/Spec Screenplay Festival: http://tvfestival.org/

LOGLINE PITCH:

ACTORTitle: Funny Farm

Written by: Nicholas Geisler

Type: TV PILOT

Genre: Comedy, Political

Logline: A hotshot young politician pus his campaign on hold when he pleads insanity to escape jail time, but he spends more time trying to earn his career back than his sanity.

Interested in this logline, please email us at info@wildsound.ca and we’ll forward your email to the writer.

Have a logline? Submit your logline to the monthly logline contest.

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Today’s Best of Movie Pitches: Read over 40 Musical Feature Film Loglines

Interview with Glen Gauthier, Sound Mixer (Spotlight, Pacific Rim, Kick-Ass)

matthewtoffolo's avatarMatthew Toffolo's Summary

A location sound mixer is the member of a film crew responsible for recording all sound on set during film-making.

I recently sat down with Glen Gauthier to talk about the art of sound mixing on set. Glen’s work has spanned over 30 years, working on over 90 films and TV shows. His credits include: My Big Fat Greek Wedding 2, Spotlight, Pixels, RED, Max Payne, Jumper, A History of Violence, Open Range, and Parenthood.

glen_gauthierMatthew Toffolo: On a major film shoot there is sometimes over 100 crew members whose job is to focus on the picture. And 2-3 people, usually in the corner, working on the sound. How does this dynamic work from a film crew unity perspective? Are you sometimes the forgotten major crew member? 

Glen Gauthier:  I have said many times that a hundred people work for camera and three for sound, but I am fortunate that I work on…

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Watch the 86 past Twitter (140 Character) Short Stories

WILDsound Festival's avatarWILDsound Festival

The January 2016 Twitter Short Story winning videos will be posted in the next couple of days. In the meantime, watch the 86 past winning videos.

140 Character Story limit. The art of less is more!

Watch the Playlist of the Twitter Short Story Winners:

The 140 Character Short Story. Submit your own for FREE and get it made into a movie:
http://www.wildsoundfestival.com/140_characters.html

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Movie Review: RIDE ALONG 2 (2016)

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

ride_along_2RIDE ALONG 2 (USA 2015) ***
Directed by Tim Story

Starring: Ice Cube, Kevin Hart

Review by Gilbert Seah

More of the same are the four words that best describes RIDE ALONG 2. Same director and same two stars Ice Cube and Kevin Hart playing cops. If you disliked RIDE ALONG 1 or do not find Kevin Hart funny, then avoid this one.

Ice Cube has proven his comedy mettle by being most funny in the two JUMP STREET films. Together with comedian and standup comic Hart, they form quite the dynamic duo. Ice Cube plays detective James Payton who takes under his wing his future brother-in-law Ben Barber (Hart) who wants to become a detective. In the film, Ben and James venture to Miami to work on a case that involves a mysterious and dashing figure named Serge Pope (Benjamin Pratt). While there, they team up with Maya (Olivia Munn), a smart and beautiful detective. Ben looks forward to proving himself and hopes the case runs smoothly so that he can return to Atlanta in time for his wedding. Tika Sumpter plays the bride.
Ice Cube is the straight man and Hart the clown. The angle is that Ben needs to stay focused while James has to become less uptight and more human. James gripes while Hart clowns. And this occurs countless times throughout the movie – so be prepared!

But on the plus side, the duo is quite funny. The sequel has the addition of Ken Jeong who plays A.J., a computer hacker that Pope is after and the cops want information from. So, if one can ignore the simplistic plot, the film is actually quite fun like the RUSH HOUR, Jackie Chan Chris Tucker films. “Do you ever watch the shit that is coming out of your mouth,” says James to Ben in one of the film’s funnier moments, and a nice nod to the RUSH HOURS buddy cop action comedies.

Besides the comedy, the action sequences are aptly put together. So, an additional plus over the RUSH HOUR films is that RIDE ALONG 2 is quite exciting. The car chase is also funny with James signalling as he tries to escape from the bad guys. Why are you signalling?” asks James. “Habit” is the answer. Ice Cube who co-produced the film too, and a well known rapper ensures a solid rap soundtrack to the film, including a catchy song during the end credits called Sound of da Police.

The funny bits that work include subplots involving Ben constantly arguing with his wedding planner, Cori (Sherri Shepherd) who contradicts whatever Ben wants for his wedding and the impressively edited segment which blurs a car chase and a video game. The part of A.J. being a sex pervert while computer hacking, however, generates few laughs. The final bit involving Ben and the speedboat has too much effort for the laughs generated.

The film’s romantic interest is the one between Ben and his bride (Sumpter). He has to get back from Miami to Atlanta in time for the wedding.

RIDE ALONG 2 is posed to be number one at the box-office this weekend. Never mind the poor critical reviews on Rotten Tomatoes! The audience knows what it wants.

Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month:http://www.wildsoundfestival.com

Crime Audience FEEDBACK Video for the Short Film “REDEMPTION”

crimemysteryfestival's avatarCrime/Mystery Film & Writing Festival

Submit your Crime/Mystery Short Film to the Festival: http://crimemysteryfestival.com/

Watch the Audience FEEDBACK Video of the Short Film:

  MOVIE POSTERREDEMPTION, Australia, 7min, Thriller/Prison
Directed by Tom Vogel

A man in jail finds God and asks his son for forgiveness but is karma about to catch up with him before he can seek redemption.

Writers
Tom Vogel

Producers
Tom Vogel

Key Cast

Josh Geary
Jeremy Kewley
Don Bridges
Jamie Wilson
Richard La Velle
Danielle O’Malley

Film Type: Short

Runtime: 7 minutes

Completion Date: November 20, 2014

Production Budget: 4,500 AUD

Country of Origin: Australia

Country of Filming: Australia

Film Language: English

Shooting Format: HD Sony F700

Aspect Ratio: 16:9

Film Color: Color

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Interview with Pat Battistini, Festival Director for All Sports Los Angeles Film Festival

The “All Sports Los Angeles Film Festival” was established in 2009 by Pat Battistini. The first year of the festival was held on one day and screened thirteen films. Since then, the festival has blossomed into a three-day event screening an average of seventy films.

To learn more about the festival, go to http://allsportslafilmfest.com/

Matthew Toffolo recently sat down with Festival Founder Pat Battistini:

Matthew Toffolo: What is the festival attempting to accomplish for filmmakers and the attendees?

Pat Battistini: The festival was started because there really wasn’t another outlet for independent sports films and documentaries. As in other niche festivals, we wanted to create an atmosphere for sports enthusiasts. As for the attendees, ultimately, we’d love to have a complete sports festival with everything to clinics to memorabilia. But as of now, our attendees get a lot of sports films to watch in 3 days.

Matthew: Are there a lot of sports genre films being made around the world? Besides the United States, what other countries make great sports films?

Pat: We have screened films from 31 countries. I was surprised at how many filmmakers out there are making the sports genre film. Every year I think that we’ve exhausted the surplus but every year we get more and more films.

I imagine each country has their own great film or films. As to what other countries I feel make great sports films, that answer probably lies within the country itself. I think the difference to why a film in the US might be more well received here than in China is because of the pop-culture. We have our heroes, our folklore, and our favorite sports and they have theirs. I’m partial to our films because I’m usually familiar with the sport or the story. I don’t think Brian’s Song would fare well in India. But on the same note, I don’t think a film about one of their Cricket stars would fare here. That’s not saying their films aren’t great, but if you did a search for the top 25 sports films, probably 90% of them would be from the US because these are the films we see.

Matthew: How did the festival get started?

Pat: I always thought someone should do a sports genre festival so I waited a couple of years to see if anyone was going to do it. When nobody did, I talked with a friend of mine who runs a horror film festival and asked her how I woul dgo about starting a festival. She showed me the ropes that first year. I learned a lot in those first few years but now, it’s kind of a well oiled machine.

Matthew: Where do you see the festival in 5 years?

Pat: I hope we can continue to grow and actually be an outlet for the studios to release their big films during our festival. Also, as I mentioned earlier, the sky is the limit with the festival. Since sports is such a huge part of so many people’s lives, I hope to create something that gets people excited to attend and participate.

Matthew: What obstacles has your festival faced (if any) in the last few years?

Pat: The hardest thing for us has been the lack of sponsors. In any give year in Los Angeles, there are over 80 film festivals. That’s a lot of festivals fighting for sponsorship money, advertising, and media time. Having a festival here in LA is like having a pizzeria in New York; lots of them and everyone says theirs is the best.

Matthew: How many films do you anticipate showcasing at your 2016 Film Festival?

Pat: If I could, I’d screen 100 of them. But with time constraints, I hope to screen about 70. That sounds a lot but that includes everything from spec commercials to shorts to features.

Matthew: Can you give us a sneak peak of what to expect for the 2016 Festival?

Pat: Every year there seems to be a certain sport that takes center stage. One year we had a lot of MMA films. But this year there is a huge variety. I’ve seen films about ceremonial lacrosse sticks to world record skydiving. However, the one common denominator that I can say is that almost all of the films are about the human spirit. Sports are more than competitions. Especially sports films. These films are about people and what they do to achieve their dreams and goals.

Matthew: What do you think the best sports film of all-time is? If you can’t pick one, do you have a top 5?

Pat: I guess I’d have to pick my top 5 because some days I like more than others. Here they are in no particular order:

5.) The Natural
4.) Miracle
3.) Rudy
4.) Field of Dreams
5.) Moneyball

Matthew: What sport generally has the best made sports films? You assume it’s baseball, but is there another sport that also stands out?

Pat: Football, Boxing and Basketball probably have to be close seconds. But when it comes to comedy, I think that doesn’t matter. Caddyshack and Dodgeball are always fun to watch.

Matthew: You you have a favorite sport and sports team?

Pat: I grew up watching and supporting all of the Chicago teams. Si if I had to pick from those, I’d go with the Blackhawks. But now I think I enjoy watching college football more than anything.

Matthew: What film have you seen the most in your life?

Pat: If it’s any film, probably The Godfather. Since it came out around 1972, I’ve had plenty of years to watch. ;o) I don’t know why but I just can’t turn it off if it’s on. As for sports films, I’ve probably The Natural a million times

—–

Interviewer Matthew Toffolo is currently the festival director for the WILDsound Film & Writing Festival.

Interviewee Pat Battistini is a former college wrestler and football player, Pat started his professional career as an Offensive Line Coach at Grand Valley State University.  After several years of coaching, he traded in his whistle for a career in filmmaking.  He has resided in Los Angeles since 1998 where he established the All Sports Film Festival in 2009. Pat has personally represented the festival as an invited guest to Russia, Turkey, India and Italy serving on the jury of their festivals.

Movie Review: DIAL M FOR MUDER (1954) Directed by Alfred Hitchcock

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

DIAL M FOR MURDER MOVIE POSTER
DIAL M FOR MURDER, 1954
Classic Movie Review

Directed by Alfred Hitchcock
Starring Ray Milland, Grace Kelly, Robert Cummings
Review by Steve Painter

SYNOPSIS:

An ex-tennis pro carries out a plot to murder his wife. When things go wrong, he improvises a brilliant plan B

REVIEW:

Alfred Hitchcock is known as “The Master of Suspense.” This is true when it comes to the film world. In the literary world, no one was a better suspense writer than Frederick Knott. So when the mater of literary suspense had his play optioned by the master of cinematic suspense, a quality movie was sure to be produced. It was in the form of Hitchcock’s most suspenseful picture, Dial M For Murder (1954).

Unlike in other movies adapted from literary works, Hitchcock didn’t tinker with the successful stage play Knott had written. There are a few Hitchcock touches, like stalling the climatic murder sequence by having Ray Milland’s watch stop and then having him wait to make a phone call as someone is using the phone booth. All this heightens the suspense as the audience waits, paralyzed to see if Grace Kelly will be murdered.

One of the most poignant Hitchcock touches comes at the very beginning. We see Milland kiss Kelly in a standard, everyday, run-of-the mill kiss given by a wife to a husband before he leaves for work. When the American, Mark, arrives on the screen he has a passionate kiss for Kelly. Without words we know the relationship of the three main characters of the story. That is a standard device employed by Hitchcock. It allows the audience to see the exposition quickly at the beginning of the movie and does not have it intrude on the story. Much like his cameo appearances. He appears here in a photograph Tony shows Charles Swann. It appears about 20 minutes into the picture.

Knott’s story is not that original. A husband wants to kill his wealthy wife for the insurance money. It is the motive in countless suspense or mystery stories. What makes this so suspenseful is that Ray Milland’s character, Tony, sets out how the murder will be committed. From there the audience is hooked as to how everything should go. It is up to Knott and in the movie Hitchcock to introduce devices that stall the plan and make the audience squirm as they wait for Grace Kelly to be murdered. It is suspense at its most basic, but most brilliant. A key aspect to making the suspense work is the way Ray Milland acts. He is a suave criminal who is completely confident in his ability. He meticulously blackmails common criminal Charles Swann, played by Anthony Dawson, to help him murder his wife. Throughout the picture, the audience wants Tony to be successful. He has gotten us to believe that murder is a perfectly innocent thing to do, like buying a car.

Another interesting aspect of this movie is that it was released in 3D. Just like today, in the 1950s the 3D craze was in. Most famously The Creature from the Black Lagoon (1954) was shot in this way. Hitchcock had amazing foresight, one of the qualities which make his movies so wonderful for today’s audiences, and felt that the 3D craze was just a fad. In order to not ruin his movie, but still give in to the 3D crazy studio bosses,

Hitchcock used to form sparingly, but effectively. The most breathtaking example of 3D occurred while Grace Kelly was being strangled. At one point she reaches back for a pair of scissors. For an audience watching this in 3D it seemed like she was reaching out at them. In today’s prints without the 3D, the shot is still stunning. Ray Milland gives a great performance. As does Grace Kelly, who seems unaware of the whole thing. Robert Cummings as Mark, the American, is good in a supporting role. As is detective, and constant Hitchcock supporting actor, John Williams.

Anyone interested in the art of suspense needs to see this movie. It should be taught in film and writing classes as textbook examples of how to manipulate an audience.

 

Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month:http://www.wildsoundfestival.com

Movie Review: SUPERMAN 2 (1980)

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Submit your Fan Fiction Screenplay to the Festival: http://fanfictionfestival.com

SUPERMAN 2 MOVIE POSTERSUPERMAN 2, 1980
Movie Reviews

Directed by Richard Lester, Richard Donner
Starring: Christopher Reeve, Margot Kidder, Gene Hackman, Marlon Brando and Terrance Stamp.
Review by Andrew Kosarko

SYNOPSIS:

Picks up where Superman 1 leaves off (kind of) and extends into the “I don’t want to be Superman” storyline right after he’s just become Superman.

REVIEW:

Now, I know that synopsis was a little weaker than usual, but that basic gist of both movies. And yes, I mean there’s two different versions of this and that’s whats kept me from writing this review for so long. But now I’ve seen both Lester and Donner’s versions. Despite what some may say, I prefer Lester’s version overall, but Donner definitely had the right mind going in.

The Story:

Both films deal with Clark’s decision to give up his powers in an attempt to live…

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