The Verge describes RADIUS as a high concept movie from start to finish and that it relies on surprises to keep the story moving. No argument here with The Verge’s statement but upon closer examination of it, there is nothing to say that what is written makes RADIUS a good movie.
The main problem with RADIUS is its outlandish plot which is totally unbelievable. True there are surprises and more incidents but getting all the mysteries tied up neatly is something writer/directors Labréche and Léonard (the cult favourite TURBO KID) have failed to achieve.
When the film opens, Liam (Diego Klattenhoff) wakes from a car crash at the bottom of a ditch with no memory of who he is. As he makes his way into town, he discovers that anyone who comes within a 50-foot radius of him dies instantly. Out of options, he tries to live in seclusion to protect others. The film though made in Canada is set in the States complete with shameful references to NASA.
Labréche and Léonard now introduces a new character and another twist to the sci-fi story. One day, Liam’s murderous power seems to subside with the arrival of a woman (Charlotte Sullivan) who says she was in the crash with him. She too is suffering from amnesia and looking for answers. The story allows the characters to remember certain events that suit the story and to forget others also to suit the story.
The amnesia is the third element in the story. Together they then embark on a journey to uncover who they really are. Into the picture comes the woman’s husband who she forces to help her and Liam. Worse still, there is a silly hint of romance between the two despite the presence of the husband, who for all that matters, seems a more decent (as well as better looking) guy than the cussing Liam.
As if credibility has not already been stretched to the limit, the story suddenly reveals cases of missing persons where the bodies have not been recovered. This must be the most ridiculous angle put into the film.
At this point with the story heading towards so many directions, it is difficult to care about the main characters or the ending. Fortunately, the film runs no longer than 90 minutes.
The film is a joint Manitoba Quebec production. The barren landscape not only shows the nothingness of a large part of that province but reflects where the film is heading.