TV SCI-FI BEST SCENE Reading: ESC.(APE) ONLINE, by Christopher Kerr

fantasyscififestival's avatarFantasy/Sci-Fi FILM & WRITING FESTIVAL

 

Genre: Sci-Fi, Fantasy

A ragtag ensemble meet up in a Virtual universe – becoming the people they want to be, experiencing risk and adventure there. But their leader’s all-consuming thirst for revenge threatens dire consequences upon both their online, and real-world, personas.

CAST LIST:

Man: Zazu Oke
Kestry: Courtney Keir
Ezra: Marissa Otto
Narrator: Elizabeth Rose Morriss
Kieran: Isaiah Kolundzic
Payton: Allan Michael Brunet
Jay Gee: Hugh Ritchie

Get to know the writer:

 1. What is your TV PILOT screenplay about?

This pilot episode is a high-impact, action-adventure – swiftly setting up its unique dual-universe premise; introducing the ensemble cast, and demonstrating, in particular, the ace skills of protagonist Kieran; a natural *PILOT*. See what I did, eh? Pilot.

The series itself goes on to reveal the importance of Communication – tackling along the way topics such as the duality of man, online misogyny, substance abuse – as we…

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Watch ARCHER TV Spec Script Performance Reading

WILDsound Festival's avatarFAN FICTION Film and Writing Festival

Deadline TODAY: SUBMIT TV PILOT/SPEC Script – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/tvscreenplaycontest.html

Watch ARCHER TV Show Reading, Jay Mayhoffer

SYNOPSIS:

Archer witnesses (what he thinks is) Krieger’s murder at the hands of vigilantes, and decides he needs to do something to preserve what he considers to be an important legacy. While he and Lana stalk Krieger’s “murderers” through the streets of Jerusalem, he nags the piss out of her in an effort to get her to let him serve as her unborn child’s father figure.

CAST LIST:

NARRATOR – Val Cole
ARCHER – Robert Notman
LANA – Alissa DeGrazia
KRIEGER – Barry Minshull
GUY – Scott Gerard
RAY/BARRY – Gregory Outram Kuzma
CYRIL – Andrew Ahmed
MALLORY – Susan Q. Wilson
KATYA – Stacey Watson

    * * * * *

Watch WINNING TV PILOT Screenplay Readings
http://www.wildsoundfestival.com/tv_pilot_readings.html

Watch WINNING TV SPEC Screenplay Readings
http://www.wildsoundfestival.com/tv_spec_readings.html

READ…

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Winning FAN FICTION TV PILOT – THE GHOST AND MRS MUIR, by Richard Mueller

WILDsound Festival's avatarFAN FICTION Film and Writing Festival

Winning Screenplay – THE GHOST AND MRS. MUIR
Written by Richard Mueller

CAST LIST:

NARRATOR – Elizabeth Morriss
LUCY – Olivia Jon
CONNOR/MARTY – Daniel Chung
DELLA – Tea Nguyen
GREGG – David Occhipinti
NASH – John Fray
SUNSHINE – Georgia Grant
TARA – Cora Matheson

SYNOPSIS:

Genre: Comedy, Horror, Sci-Fi, Romance

A reboot of the 1960s TV show (and 1945 movie) based on the R.A. Dick novel. A young widow and her two teenage children discover that the seaside house they have moved into is haunted. .

 Get to know the writer:

What is your TV Pilot screenplay about?

A single mom and her kids struggle with a failing career, adjusting to small town life and romantic entanglements with a sea captain who’s been dead for a hundred years.

Why should this screenplay be made into a TV show?

Because it’s an entrancing world, filled with lovable, beguiling…

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Winning FAN FICTION SPEC of EVERYBODY LOVES RAYMOND, by Marc Mulcahy

WILDsound Festival's avatarFAN FICTION Film and Writing Festival

Winning Screenplay – EVERYBODY LOVES RAYMOND
Written by Marc Mulcahy

CAST LIST:

NARRATOR – Sean Ballantyne
MARIE – Frances Townend
RAY – Peter Mark Raphael
DEBRA – Kayla Farris
JEFFREY – Jonah Akler-Silliman
ROBERT – Christopher Huron
AMY – Vanessa Quagliara
FRANK – Charles Gordon

SYNOPSIS:

Genre: Comedy, Family

It’s Marie vs Debra in a cat & mouse game for control of who’s cleaning the house.

Get to know the writer:

What is your screenplay based on the TV SERIES “Everybody Loves Raymond” about?

It’s about seeing what we all figured would happen eventually; that Marie’s constant meddling and being a nuisance in general, would lead to Debra’s insanity.

How does this episode fit into the context of the series?

I actually thought this plot line was a no-brainer for Debra. I would have done this myself given the same situation.

How would you describe this script in two words?

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FAN FICTION Screenplay – SPINACH RUN (Popeye), by Neil Chase

WILDsound Festival's avatarFAN FICTION Film and Writing Festival

Watch the February 2017 FAN FICTION Screenplay Winner.

 

Winning Screenplay – SPINACH RUN
Written by Neil Chase

CAST LIST:

NARRATOR – Ursina Luther
POPEYE – Philip Krusto
BLUTO – Casey Estey
WIMPY – Geoff Mays
JUAN CORTEX – John Lester Phillips
SEGAR – Sean Ballantyne

SYNOPSIS:

Genre: Action, Crime, Thriller

Tasked with capturing a nefarious chemist, Navy SEALs Popeye, Bluto, Sweet-Pea and Wimpy find themselves at the mercy of an infamous drug lord.

Get to know the writer:

What is your Fan Fiction screenplay on the cartoon “POPEYE” about?

Spinach Run is a fresh take on the Popeye universe, where four Navy SEALs (Popeye, Bluto, Sweet-Pea, and Wimpy) are sent to a South American jungle to capture a wanted chemist and recover a sample of his experimental toxin, code-named Spinach. Their mission goes sideways and they’re captured by the chemist’s employer, a notorious drug lord, who decides to use…

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FAN FICTION TV PILOT: SCOOBY-DOO: AGE OF AQUARIUS, by Katie Grotzinger

WILDsound Festival's avatarFAN FICTION Film and Writing Festival

Genre: Crime, Mystery, Drama, Animation

A reinvention of the iconic television series. Think RIVERDALE.

CAST LIST:

Cass: Salma Dharsee
Velma: Courtney Keir
Daphne: Marissa Otto
Narrator: Elizabeth Rose Morriss
Shaggy: Hugh Ritchie
Fred: Isaiah Kolundzic
Officer Rogers: Allan Michael Brunet
Red: Zazu Oke

Get to know the writer:

1. What is your fan fiction TV PILOT screenplay about?

On the night before summer vacation, Fred’s dad is murdered by a serial killer. As Fred’s reeling from loss, Daphne, a cheerleader and lifelong mystery geek, enlists her estranged best friend Velma and Fred’s own cowardly stoner best friend Shaggy to track down the killer. The four of them, with Scooby-Doo in tow, work to unravel various mysteries, deal with bullying, and experience first love.

2. What genres does your screenplay fall under?

Mystery and CW-style teen drama

3. Why should this screenplay be made into a TV show?

What initially inspired…

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Interview with Festival Director Oliver Wolfson (THE 60 SECOND FILM FESTIVAL)

Introducing The 60 Second Film Festival India 2018. Presented with Yayin Studios, Pune India. Event sponsored by Chandan Kumar Entertainment, Chandan Kumar Film Director & Producer.

Contact

 
1) What is your Film Festival succeeding at doing for filmmakers?

We give filmmakers a chance to be seen and enjoyed by peers and professionals. We also offer freedom of creativity for artists.

2) What would you expect to experience if you attend the festival this year (2018)?

Joy, entertainment, education, and community.

3) What are the qualifications for the selected films?

Films should be 60 seconds or less, and have some good qualities that can benefit a live film festival audience.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

No we think there are massive opportunities for filmmakers now to get their work seen at festivals, but also a lot of competition. There are no barriers except for the filmmakers energy, endurance, and creativity.

5) What motivates you and your team to do this festival?

We love to see talented creatives join together and become more than the sum of their parts.

6) How has your FilmFreeway submission process been?

We like this platform. It has been wonderful so far.

7) Where do you see the festival by 2023?

We have many interesting plans for this festival, but it will grow organically, so it’s hard to predict. We expect our audience and amount of creators to grow a lot by then.

8) What film have you seen the most times in your life?

16 Candles. I was stuck in a snow lodge for three month with only this VHS (in the late 1980s)

9) In one sentence, what makes a great film?

Emotional impact.

10) How is the film scene in your city?

Film and video is constantly being consumed on big and small screens.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every single month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 3 times a month. Go to http://www.wildsoundfestival.com for more information and to submit your work to the festival.

Interview with Stephen Byrne (WATERFORD FILM FESTIVAL)

The Waterford Film Festival was established in 2007 by local filmmaker Stephen Byrne. His objective was to bring something new to Waterford’s arts and cultural scene, promoting local, national filmmakers and writers, but in particular independent film.

Contact

 
1) What is your Film Festival succeeding at doing for filmmakers?

The Waterford Film Festival is a big supporter of short films and especially independent films. We screen a mixture from 1st time filmmakers to award winning films and have done so since our foundation in 2007. We also hold a short screenplay competition and this part of the festival is to support the writers.

Since the foundation of the festival, we have screened 500+ films from filmmakers around the world as well promoting writers with the short screenplay competition. Filmmakers from across Ireland, UK, France, Germany, Holland and as far as Canada and USA have attended the festival.
The festival has awarded prizes worth in excess of €35,000 with our partners at FilmLab, since 2007.

2) What would you expect to experience if you attend the festival this year (2018)?

This years festival we are in a new venue for us called Central Arts, which caters for a lot of different events throughout the year. This years event will be an intimate setting but we are also trying something new. The venue itself allows alcohol in the screening room so we want to bring that element into the festival.

The idea of seeing a wide range of national and international short films of different themes and genres while you sit back and enjoy a beer or a glass of wine, we feel will be a very enjoyable experience for all whom attend. We are currently working on our plans but we aim to put on a series of different events over the course of the 3 day festival.

3) What are the qualifications for the selected films?

There are a number of different reasons. We get several 100 submissions every year and the decision is never easy as there is a great body of work out there. We aim to have a variety of national films, foreign films from professional filmmakers to student and 1st time director/writer/producers. A strong story and well written script would be a big factor. We consider all films up to 20 minutes.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

As an independent filmmaker myself I have had my work both accepted and rejected from film festivals, so I do have experience from being on the under end of things as well. There are many legitimate reasons that a film may get rejected from a festival. However I do think some film festivals and especially the big ones in, may be biased in certain cases. For example a big film festival may have influence from powerful producers and distribution companies.

My advice would be to do your research before submitting to a festival and the type of films that they have screened there in the past but also keep in mind there is a lot of competition out there. Certain festivals have mixed themes while others have a theme that may suit their project.

5) What motivates you and your team to do this festival?

When I founded the festival it was may objective to bring a world of film to the Waterford scene, to support independent film and it still is. The love of film and being apart of something where we get to view and screen films from all walks of life with different themes and to provide a platform for filmmakers is a major motivator for us. We enjoy the process of seeing so much talent and meeting a lot of great people during the event itself.

6) How has your FilmFreeway submission process been?

The festival is new to FilmFreeway and so far it is great. The system for us is very easy to use , to manage and judge the projects. Since we opened for submissions we have had entires from Ireland, UK, USA, Japan, Australia , Germany, France, Italy, Lithuania and surprisingly Iraq which is fantastic to see. The festival does get international films every year, however so far we have seen an increase from them and from more countries this year. We are looking forward to watching the projects and providing a wide variety of national and international film screenings at this years event.

7) Where do you see the festival by 2023?

Honestly hard to tell. Even though the festival is successful in many ways in the terms of the amount of submissions we get and we always get a good audience, our funding is very limited. We take one year at a time. It is my hope that we can keep it going, build it up and expand the series of events that put on.

8) What film have you seen the most times in your life?

Ha tough one! I have watched a lot of films many times over the years. Up there would be Shawshank Redemption, the Godfather, Back to the Future trilogy

9) In one sentence, what makes a great film?

A well written story with strong developed characters, performed by excellent actors.

10) How is the film scene in your city

Waterford has many beautiful spots for filming in the City and County. There is a lot of talent out there in the short film scene but in terms of funding for films it would be behind other cities in Ireland. There are people in the filming community who are working together to try and improve this and encourage filmmakers to use Waterford as a location, which is great to see. However In my opinion more investment is needed but I think within 5-10 years the overall scene will be bigger and hopefully we will see more filmmakers using Waterford as a filming location in the future.

waterford1.jpg

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every single month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 3 times a month. Go to http://www.wildsoundfestival.com for more information and to submit your work to the festival.

Film Review: DISOBEDIENCE (UK/Ireland/USA 2017) ***1/2

Submit your Screenplay to the Festival TODAY

Disobedience Poster
Trailer

A woman returns to the community that shunned her for her attraction to a childhood friend. Once back, their passions reignite as they explore the boundaries of faith and sexuality.

Director:

Sebastián Lelio

 

Three big reasons stand out for one to see DISOBEDIENCE.  The first is its director, Chilean Sebastian Leilo who won the Best Foreign Language Film Oscar for A FANTASTIC WOMAN this year.  The second is the script, based on Naomi Alderman’s 2006 acclaimed novel, co-written by Rebecca Lenkiewicz who wrote the Best Foreign Film Oscar Winner IDA, a few years back.  The third is the cast of Rachel Weisz and Rachel McAdams who go all out to do a same-sex love story compete with a no-holds barred erotic sex scene.

The film begins with a scene of a dissatisfied New York photographer, Ronit (Weisz), a single woman in the city, shown never smiling and having casual sex while receiving news of her father’s passing in London.  She travels to London only to be met with a surprise welcome by the Orthodox Jews that she ran away from.  Her father was a strong pillar, a Rabbi of the Jewish Orthodox Community and she is deemed an outcast.  This is material that moviegoers would shy less run away from.  The film takes a while to gets its footing, and if one is patient enough not to give up on the uncommercial storyline, the reward is a well told powerful tale of freedom, especially from the feminine point of view that is so relevant in today’s times.

So, with her edgy clothing and tousled hair, Ronit looks out of place among the Orthodox women in their plain black garments and synthetic wigs.  She is also in for some unsetting surprises, including the contents of her father’s obituary and will.  She is further shocked to find that her two childhood friends – Esti (McAdams) and rabbi-to-be Dovid (Novice) – are now married.  When Dovid invites Ronit to stay with them, Esti and Ronit rekindle their secret passion for each other.  The film’s second half focuses on the love affair and Esti’s demand to be freed from her marriage form Dovid.

The Jewish rituals are respectfully created with perfect voices singing of the hymns.  But the film clearly has a prejudiced view of the Orthodox Jewish ways.  It looks down at the practices from the very first scene with the over-stern sermon on devils and angels given by the Rabbi before suffering the heart attack that initiates the story’s chain of events.

The sexual scenes are very graphic and erotic especially in the sharing of saliva during a sex scene, reminiscent of Stephen Frears’ sex scene in MY BEAUTIFUL LAUNDRETTE

The same-sex love is also seen for Esti’s point of view, not only from Ronit’s.  This makes the drama even more relevant.  Understandably, the film’s best scene is the confrontation between Esti and her husband when beating him on the chest, she confesses that she always loved Rachel.

The one reason the film about freedom is so powerful is that erector Leilo switches the points of view from Ronit to Esti to Dovid.  The audience sees and sympathizes with each, not only seeing each person in the love triangle’s point of view but knowing that each are trapped by the past and present emotions.

It does not matter how the story ends.  The film is about emotions and the right to choose, and Leilo’s message comes across bight and clear in his well-executed drama.

Trailer: https://www.youtube.com/watch?v=HEVonh8bjC0

Submit your Screenplay to the Festival TODAY

Film Review: DEADPOOL 2 (USA 2018) ****

Submit your Screenplay to the Festival TODAY

Deadpool 2 Poster
Trailer

Foul-mouthed mutant mercenary Wade Wilson (AKA. Deadpool), brings together a team of fellow mutant rogues to protect a young boy of supernatural abilities from the brutal, time-traveling mutant, Cable.

Director:

David Leitch

 

DEADPOOL 2 arrives 2 years after the first DEADPOOL, the 11th film in the X-Men film series.  The important question on everyone’s lips is how this film fares with regards to the first DEADPOOL and the recent Marvel films like BLACK PANTHER and AVENGERS INFINITIY WAR.  Well, it is different and notably raucously hilarious. Co-written by star Ryan Reynolds himself who did a bit on his own character’s dialogue, there are lots of swearing, so be prepared to be hearing lots of vulgarities like “fuckshit”.

DEADPOOL (Reynolds reprising his original role) is the wisecracking Marvel Comics mercenary with accelerated healing but severe scarring over his body after undergoing an experimental regenerative mutation.   He forms the X-Force, a team of mutants, most of which hilariously die while unsuccessfully parachute landing in an attempt on the job to rescue Russell (Julian Dennison), a boy Deadpool befriended while in prison.  Foremost in the story is the character of Cable (Josh Brolin) a time travelling cybernetic mutant soldier who wishes to kill Russell.  It should be noted that DEADPOOL 2’s humour is in the extreme, from fake opening credits to ridiculous subplots to senseless dialogue.  To the credit of everyone making this movie, it actually works.  It took me a while to get into the film’s groove, admittedly a full 15 minutes or so (I initially hated it, thinking it all too silly, but the tactic grows into you quickly and the effort is soon appreciated and thoroughly enjoyed.)  The laugh-out loud jokes are too many to innumerate but there are prize one like the inside joke on Disney’s Frozen (since Disney has recently bought over Fox) and a running joke that makes no sense on the progress of dubstep.  The soundtrack that includes two new songs: “Ashes” by Céline Dion and “Welcome to the Party” by Diplo, French Montana and Lil Pump are especially inventive.  Those who have seen/heard “Ashes”, released as the lead single on May 3, 2018, along with a music video of the vocalist singing the song will still be laughing.

Star Ryan Reynolds is perfect as the hilarious Deadpool.  He makes the character including the dialogue he wrote.  He was given large creative control over this film after the success of the first one that resulted in the leaving of the original’s director Tim Miller due to artistic differences.  Josh Brolin plays Cable marvellously, as Brolin does in all his roles.  Brolin was also in the last recent Marvel film AVENGERS INFINITY WAR playing the main villain Thanos.  Fortunately, the makeup of Thanos results in Brolin hardly recognizable or that would have been a problem with Brolin being in two Marvel stories.  Familiar characters from the first DEADPOOL like Morena Baccarin as Vanessa, Karan Soni as Dopinder, the taxi driver, Leslie Uggams as Blind Al (the fake opening credits has her listed as the film’s cinematographer) and T.J. Miller as Weasel, Daedpool’s best buddy bartender who has absolutely no loyalties are in the sequel.  Miller is good in this movie but was almost removed from the film due to alleged sexual misconduct and calling in a fake bomb threat during the movie filming.

DEADPOOL 2’s looks very expensive with great CGI and special effects.  The fight scenes are particularly stunning with humour always present.  Action and hilarity mix well in the funniest of the Marvel franchise.

Make sure to stay for the closing credits as they include a few extra scenes including surprises such as who is listed playing “Vanishing Man.”  The film also sets up for the next continuing film X-FORCE which may or may not be a direct sequel to DEADPOOL 2.

Trailer: https://www.youtube.com/watch?v=D86RtevtfrA

Submit your Screenplay to the Festival TODAY