Things never seem to be going well for a Kosovar woman and her husband. After bearing a first child that is accidentally killed by soldiers in the war, she is infertile, unable to bear another child. The child killed is called ZANA which is the film’s title.
Haunted by her long-suppressed past and pressured by family to seek treatment from mystical healers for her infertility, she struggles to reconcile the expectations of motherhood with a legacy of wartime brutality while slowly succumbing to madness. Director Kastrati spends a lot of screen time on the woman’s demise and suffering.
No matter what she does, she begets the wrath of all around her – from her husband, mother-in-law, own mother and father and even her witch doctor. Kastrati cannot decide whether to go for a happy or sad ending as evident near the close of the film thus leaving her film without purpose (except the message of suffer, suffer, suffer!) despite the feminine trials.