Filmmaker Leonard L. Eckhaus (THE RHYTHMS NEVER END)

THE RHYTHMS NEVER END, 5min., USA
Directed by Leonard L. Eckhaus
“The Earth is Created. It is day number one.” A spiritual, self-reflective, series of short poems about creation – about all the gifts mankind has been given: the rhythms of night and day, of life, the seasons, the oceans and more. All with the promise of peace and love, which man sometimes abuses, but for which he is always forgiven.

Get to know the filmmaker:

What motivated you to make this film?

My love for humanity and all we’ve been given, and my concern with what we’re doing with these precious gifts.

2. From the idea to the finished product, how long did it take for you to make this film?

Two years

3. How would you describe your film in two words!?

• Spiritual, Semireligious

4. What was the biggest obstacle you faced in completing this film?

This challenged my comfort level. I was never sure if I should share the poetry because I was afraid that it might seem somehow fake or preachy.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I was delighted that the audience loved it and pretty much sensed what I was trying to say – i.e., they got it!

6. When did you realize that you wanted to make films?

I started out writing books. Then I began writing songs, and then songs taken from my books. Finally I decided that the way to bring these books and songs to life would be through film.

7. What film have you seen the most in your life?

Believe it or not, the film I’ve watched the most is “Where the Boys Are” starring Connie Francis, Dolores Hart, Paula Prentiss, George Hamilton, Yvette Mimieux, Jim Hutton, and Frank Gorshin. It is just a lot of good-natured fun. My wife and I watch it about once every two years.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

More film review opportunities and more audience feedback

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

I have been very fortunate with my films having won awards in over 170 International Film Festivals across the globe.

10. What is your favorite meal?

It’s a tossup between Katz’s Deli hot dogs (they ‘snap’ when you bite them), Peter Luger steaks and a juicy half pound hamburger

11. What is next for you? A new film?

I am considering bringing another of my children’s stories to film

Screenwriter Suzanna Scorcia (REKINDLING)

Watch the Screenplay Reading:

Get to know the writer:

1. What is your screenplay about?

When high school sweethearts Gwen and James cross paths 4 years following the mutual termination of their relationship, both individuals happily take a chance on revitalizing their young love, with the inevitable obstacles of statistics, past traumas, and fresh wounds working against them.

2. What genres does your screenplay fall under?

Rom-Dram (Romance/Drama – let’s pretend that’s a thing. Because I wouldnt call this a Rom Com) | Mockumentary

3. Why should this screenplay be made into a movie?

I hadn’t given it any “feature length” thought while writing, but think the series could be interpolated into a full length film. I wrote a complex, non-linear, short episodic story, but at the base of it, it’s just a story about two people figuring out life. And for a lot of us, we can look back at our own lives and find that first domino that fell which slowly affected every decision made after. We can analyze all the things that have happened in our lives just because of that one moment. That one person. That one betrayal. And the chain reaction of how we chose to handle those pains eventually just becomes your life.
I think in a very general sense, that’s the only thing my story is about. I know it’s actually about a young couple, but it’s also just about two very relatable people affected by their past, trying to better their future. I could write a thousand movies about that premise. All different, and all equally as captivating.

4. How would you describe this script in two words?

unique / timeless

5. What movie have you seen the most times in your life?

Probably A League of Their Own or Catch Me If You Can

6. How long have you been working on this screenplay?

I started it in 2021.

7. How many stories have you written?

I don’t have a number, because my stories are never just scripts.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

I’m a big Taylor Swift listener. I’ve never had an artist that I’ve listened to with as much lore. She makes music fun, like tracking a new MCU project. Plus, her words are so poetic and individual to her, yet so understandable and relatable.

In an odd turn of events though, my favorite song is probably Dark Blue by Jack’s Mannequin. Just from how much I remember needing to hear it when I first heard it, and how many times I listened to it as a result.

9. What obstacles did you face to finish this screenplay?

My goal was to make both parties equally responsible for the downfall of the relationship, and I think my biggest problem with my first few drafts is that I have the blame fall on one more than the other. Also the script really does jump around, and I had to have a lot of eyes read over it to make sure the path of the characters was still understandable.

10. Apart from writing, what else are you passionate about?

I’ve been acting professionally since I was a teenager. I’m so passionate about understanding human emotions, and empathizing with the decisions we’ve made in life and why we’ve made them. I zero in on people’s insecurities and how those ends up shaping a lot of who people are, and that is something that makes the craft of acting and writing so enjoyable. And it makes relating and understanding my peers, and family and enjoyable ride. It definitely comes with it’s own cons though.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?


It’s a great platform, and a great tool for storytellers. I’ve submitted for music videos I’ve made and pieces I’ve acted in. It’s enjoyable to have people outside of your inner circle review your work. It can help

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Me and my film friends tried so hard to actually film all 6 episodes, and we met up 5-10 times but due to the complexities of the scripts, and the complications of our jobs, our locations, and the crew, we had to stop. It devastated me and I didn’t want this story to go to waste. Even though it was a small project, it was such a creative process, and I wanted to see a finished product. Without that, I felt the next step was to at least submit it to festivals and see if a broader crowd enjoys it as well. And the feedback has been enjoyable. Great justification that I shouldn’t stop doing what I do.

Screenwriter Susannah Roberts (DEPRAVED)

Watch the Screenplay Reading:

Get to know the writer:

What is your screenplay about?

Depraved is a slasher that takes place at a college campus. A serial killer stalks the campus mutilating their victims while two detectives work tirelessly to try and identify the culprit. More and more bodies mount up until we end with a shocking twist that no one will see coming.

2. What genres does your screenplay fall under?

The screenplay is a horror falling under the slasher category.

3. Why should this screenplay be made into a movie?

Depraved should be produced because it is different to other slasher movies out there. The film moves away from the stereotypical ‘serial killer identity’ and takes us in a new direction that is rarely seen in the horror genre. It explores themes that while present in the real world are rarely shown on screen. It also breaks a number of the trends and clichés seen in most slashers. Depraved is a fresh new take on the genre and will appeal to lovers of horrors as well as being more inclusive of groups who seldom have pivotal roles within the slasher genre. The script has already garnered interest within the industry with people reaching out to me about it.

4. How would you describe this script in two words?

Slasher revitalized.

5. What movie have you seen the most times in your life?

Probably the first Scream movie. I’m a huge fan of the Scream franchise but the first one is definitely my comfort film.

6. How long have you been working on this screenplay?

I’ve been working on it for around six months and so far it has already gained a lot of positive feedback and results from putting out into the industry.

7. How many stories have you written?

I’ve been writing all my life in various forms, I have ideas for sequels to Depraved and have written some other screenplays including, comedy, horror-comedy, hard hitting drama and dramady.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

That’s a hard question, I have a very broad taste in music with my top two artists being Taylor Swift and Eminem, If I had to choose I would say my favourite song would have to be ‘Look What You Made Me Do’ by Taylor Swift. It has a personal translation for me so it’s kind of become my power song when I need a boost.

9. What obstacles did you face to finish this screenplay?

With this script in particular as it has a mystery of who the killer is I had to almost write it backwards. I needed to know the story inside out and know which scenes would have a call back later in the script before I could sit down and write it so I ended up writing the end sequence first. It was also challenging as I was living in an unsafe home at the time of writing it which presented a number of obstacles to working.

10. Apart from writing, what else are you passionate about?

Being a good mother to my son and showing him that dreams can be achieved if you work at them is definitely a big passion of mine. I’m also passionate about raising awareness of issues that are still very taboo in today’s world. I’ve lived through domestic abuse and I’d love to one day be in the position to do something that would help people who have suffered from this particular issue as there just isn’t enough help and support out there for people.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

I use FilmFreeway for most of my submissions, I find it to be very user friendly, the platform is quick to update you on any changes to your submissions and it’s accessible to the masses as there’s no fees outside of the competition entry fees. FilmFreeway is usually my first port of call when looking for competitions or festivals to submit my work to. I feel that if the competition is hosted on a reputable platform like FilmFreeway it gives you more confidence that your work and your entry are going to a legitimate competition or festival.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Depraved has been gaining traction since I started putting it out there, I’ve had people from the industry reach out to me and the script got me a job writing on another film however I can’t talk about that as I’ve signed an NDA. Given the successes the script has been having I decided to enter and see how it was received. The feedback I received was very encouraging and I was pleased that the readers picked up on the subtle elements within the script as well as the occasional nod to existing horror films.

Short Film Review: THE NEED. Directed by Michael Rognlie, EE Tallent

“Michael Rognlie and E.E. Tallent’s The Need is a horror short about a withdrawn young man who feels universally unwanted. Others pay the price for it. Written by Kennith Darling, the 15-minute film showcases his inner workings just when he is once again on the brink of behavior that he may not like but compulsively commits.”

Review by Victoria Angelique:

The short film, THE NEED, is a familiar tale of an obsessed man who cannot overcome the ghosts of his past as fear cripples him. David has the belief that the next relationship will be different, but evidence shown through the use of props proves he is unable to change his personality. The sins committed against former girlfriends continue to manifest in the form of being haunted to prove that David will always be different from other men. 

The sound design is phenomenal as David chooses to pursue a new conquest when his deceased girlfriend appears to him. Her voice is distorted, an echo apart from the rest of the world. It’s quickly made clear that she is not simply an inner demon, but a woman that David has murdered. The creepy tone of her voice combined with dramatic makeup shows that this man is a seasoned killer and not simply a misunderstood man that just happens to be eccentric. He is dangerous. 

The character of David is clichéd, but that’s what makes the film captivating. The audience knows these characters well from cinema and television. They need to be caught, but rarely are so that they can move on to their next kill. The use of finger bones of multiple girlfriends shows that David’s obsession always wins through his desire to be different. 

This short film is a combination of YOU meets SILENCE OF THE LAMBS. David kills through cannibalism like Hannibal Lecter, but stalks his prey like Joe. He appears to be a nice guy, though his dark secrets will always linger until he is inevitably caught for his crimes. He appears like a sympathetic character, which is why he will be able to continue to get away with murder.

Short Film Review: THE DESTRUCTION OF JANE. Directed by Drue Pennella

The Destruction of Jane is a campy, over the top, erotic, outrageous comedy which follows Miss Jane Parker to the African Jungle where it all began. Witness Tarzan and Jane’s first encounter, in what now has become a rather heralded expedition in the African Jungle, and one of our greatest love stories.

Project Links

Review by Andie Karvelis:

The story of Tarzan and Jane has been captivating audiences for decades. Usually it’s an adventurous, heartfelt, sometimes brooding and dark tale. How incredibly refreshing to see this over the top, campy, fun comedy from the mind of Paul Pecorino! Paul also portrays Jane and does ( in his words ) a bunch of other things.


The first thing you can’t help but notice is this gorgeous cinematography! Eric Paulsen went above and beyond as Director of Photography. He’s responsible for all the creative camera shots, the drone footage, ADR and handling sound. He’s like a one man filmmaking army! This team of filmmakers has everyone wearing multiple hats and they all did such an amazing job.


I have to commend David Mitsch and Vera Stromsted for their costuming and make up skills because they are superb! Drue Pennella directed and edited The Destruction of Jane and he must’ve had a blast doing it. Drue got such great performances from Rob Eco, who plays Tarzan and Paul Pecorino as Jane. It was so much fun to watch them interact with one another.

Something I thought was a bit of filmmaking genius was the addition of going black and white and using these old time text cards, kind of what they used in silent films. It really helped sell the comedy as did the music!


All in all this is a quick, fun, well thought out story that will get you laughing. Be sure to stay for
the end credits too

Today’s PODCAST: FILMMAKER KATYA MOKOTO (A MOVEMENT DEEPER THAN DANCING)

LISTEN to the full podcast: https://www.wildsoundpodcast.com/the-film-podcast-by-wildsound/2024/6/12/ep-1248-filmmaker-katya-mokoto-a-movement-deeper-than-dancing

A MOVEMENT DEEPER THAN DANCING, 2min., France
Directed by Katya Mokoto
https://www.kitsuney.com/

Get to know the filmmaker:
It was a spur of the moment decision, we met through a mutual friend whom was convinced that we could do cool things together and voilà ! Production / filming wise 3 days, then post is always longer because when you work on a small budget you try to arrange your planning between paid job. But also the main thing was to find the right compositor for the music. And working with Axel was a first and great experience.

Subscribe to the podcast:

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Watch Today’s Film Festival: DOC Festival – Best of SOCIETY Films – June 21/22 event

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

Watch the Festival HERE: https://www.wildsound.ca/todays-film-festival/videos/june-21-society-docs

See the Full Lineup of Films:

IN THE GREY WILD, 16min,. USA
Directed by Nili Yosha
Youth experiencing homelessness write a song with Gabriel Kahane, Creative Chair of the Oregon Symphony and perform it with the entire 75 person Oregon Symphony Orchestra. The performance was at the Arlene Schnitzer Concert Hall on April 15, 2023.

http://outsidetheframe.org/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-grey

CANADA’S UNCHECKED RACISM, 6min., Canada
Directed by Zoe Davidson
Growing up as a non-white Canadian, you experience racism every day. What makes Toronto’s racism so unique, is that you almost don’t notice it.

https://www.zoeahdavidson.com/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-canadas-unchecked-racism

REMEMBERING CHINESE BACHELORS, 13min,. Canada
Directed by Daniel Chen
Canada’s 1923 Chinese Exclusion Act was a dark period in Canadian history. It lasted almost a quarter century and had a devastating impact on one community: the Chinese. Even after the law was repealed in 1947, the impact continued for years. This documentary explores the story of a group of Chinese for whom.

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-remembering

SOMETHING CHANGED IN THE ROOM, 15min,. USA
Directed by David Stubbs
Something Changed in the Room is the story of how music therapy helps patients with Parkinson’s Disease and Dementia transcend their condition, improving their daily lives.

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-something-changed-in-the-room

MAKE A MOVE, 20min., USA
Directed by Dalia Caudle
Make A Move is a docuseries about a national and international speed chess tournament with players from all walks of life and different levels of experience.

http://www.makeamovela.org/
https://www.instagram.com/make.a.move.la/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-make-a-move

Deadline Today: Toronto Documentary Feature & Short Film Festival

NEW OPTION: For limited time – Option to submit and garner an automatic acceptance of your film. Agenda is to create exposure for the filmmaker and their film!

Submit via FilmFreeway:

With that acceptance, you will receive an audience feedback video, plus 2 interviews (blog and podcast) to promote the filmmaker and film.

Since 2016, the FEEDBACK Film Festival has been showcasing the best of Documentary Short Films. We now will be showcasing a Documentary Film Festival every month in the heart of downtown Toronto at the Carlton Cinemas.

We have created a hybrid festival with 4 tiers to enhance your film and your festival experience. All accepted films receive all four tier options:

Tier #1 – Your film plays at a private festival event where the audience will record their comments/reactions to your film on their camera or phone, then we edit them and send you a promotional video. No matter what you will receive a promotional video of your film of people commenting on your film.

Tier #2 (optional) – We put up your film live on our FILM FESTIVAL APP for 24 hours and invite a select industry audience to watch it. With this system, some films have already received a distribution deal as many platforms are looking for solid feature and short documentaries. We can not guarantee anything of course but this has been very helpful to many in the past. (see testimonials below)

Then (Tier #3) we will send you a list of questions to answer for our blog interview that will promote you and your film. Then after that (Tier #4) we will set up a podcast interview on our popular ITunes show where will we chat with you about the process of how the film was made.

——

Deadline Today: SCREENPLAY Trailers

We are proud to announce SCREENPLAY TRAILERS.

Submit today; https://storypitches.com/screenplay-trailer-submissions/

We will make an engaging promotional video for your screenplay. A quick 30-150 second video that you can show to anyone right away, that tells what your screenplay is about and who you are.

For an example, here are recent SCREENPLAY TRAILERS to Watch:

https://vimeo.com/manage/videos/534718951

Submit today and we will have it completed in 2-3 weeks.

Email the festival at info@wildsound.ca

Or text the festival at 416-568-9046

If you have any questions. 

Short Film Review: Déjà Vu – Souls Never Die. Directed by Jean Frenette

Synopsis:

John is convinced he’s been on this planet for longer than his lifetime. This feeling of knowing more than what meets the eye troubles him deeply.

Review by Julie Sheppard:

“Déjà Vu –  Souls Never Die” is a riveting short film, taking the viewer down a far-reaching road of past lives. From the opening scene of the hustle and bustle of a big, modern city, to a quiet, meditative therapist’s office, to a majestic forest, the editing was top notch. These settings helped tell the narrative in such a profound way. It is the main character’s current existence in his mystifying present, his search for truth with his therapist, and his memories of a vivid past that drive this high-paced, exciting film. Each talented cast member plays a part in this puzzle, as the lead character finally understands his feelings of déjà vu. 

The dynamic cinematography was fearless in its scope, shooting from all angles, and the fight choreography was incredibly powerful and vicious – each clang of the metal blades took such energy and precision from the warriors – and the heightened sound effects were both startling and breathtaking. The fabulous soundtrack matched the intensity of this drama and would definitely hold its own to any major action blockbuster in the cinemas today.  

This was an immensely satisfying film all around, and it really challenges us to contemplate feelings of déjà vu in our own lives. Have we also been down our far-reaching roads before?