Producer Jerry Encoe (SLAUGHTERHOUSE 2: DEATH METAL)

Slaughterhouse 2 Death Metal, 93min., USA
Directed by Rick Roessler
The story of the Cleavon and Remdog Bacon (last survivors of the infamous Bacon family of Lakeside, California of Slaughterhouse 1) are continuously being harassed by developer Mel Webber, wanting to snatch-up their property for a golf course/senior development. If that weren’t enough, a drug cartel is using the property as a drop-off point, millennial Pacific Crest Trail hikers think they have a right to it, and death metal fans regularly take it over for their out-of-control raves. All this unwanted activity severely disrupts the bacons “Wonder Jerky” business, and they have no choice but to declare war on everyone in order to, once and for all, put an end to it… Let the games begin!

https://www.instagram.com/slaughterhouse2themovie/

Get to know producer Jerry Encoe:

What motivated you to make this film?

Slaughterhouse 2 is a sequel to the original Slaughterhouse produced in 1986. As the original Slaughterhouse gained cult status, we toyed with the idea of a sequel. Of course, we encountered several problems planning the sequel. Number one, the first film was shot in San Diego down by the border. All of those locations are gone now. Three years ago while we were watching a show called “About San Diego,” an episode highlighted the Motor Transport Museum in Campo, California. At once we realize the potential of that location for the sequel. Campo is about 60 miles east of San Diego. It’s a small town with a population of 3000 people. Rick Roessler and I drove to Campo and visited the Motor Transport Museum. Seeing it in person, the location was far better than we had imagined. We met the docent of the museum, Brian Butler, and inquired about using the museum as our main location. As luck would have it, Bryan secured a role as one of the main actors in the film. We wrote the screenplay with Campo and the Motor Transport Museum in mind as the main locations in the film.

2. From the idea to the finished product, how long did it take for you to make this film?

It took approximately three years to produce this film from start to finish. That includes forming an LLC corporation, raising funds for the production of the film, editing and searching for a distributor for our film.

3. How would you describe your film in two words!?

Horror Comedy!

4. What was the biggest obstacle you faced in completing this film?

I would say there were two major obstacles that we faced in completing this film. First, it’s always very difficult to raise money for a feature film–especially for an independent horror feature. Slaughterhouse 2 is financed primarily through family and friends. Goal number one is to return to our investors 100% of their investment. Of course, when that happens, we are in the black and hope to do so soon.

Second, the most difficult obstacle was that we overestimated that we could shoot Slaughterhouse 2 in four weeks. We wound up going to Campo and shooting pick up shots with a small crew at least 10 times before completing the principal photography.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

Our initial reaction when watching the audience talking about our film we were pleased that they recognized the horror comedy aspect of the genre. Also, several of the audience members talked about the original Slaughterhouse film produced in 1986. They said that the sequel held true to the original film.

6. When did you realize that you wanted to make films?

When I was 12 years old, my parents got me an old used 8 mm film camera with a photo flood light bar. I filmed a lot of family events with that camera. That’s when I first became interested in becoming a filmmaker. I used to work at a film laboratory, Calvin Film Productions. The director, Robert Altman, got his start at Calvin film productions in the 1950s .I used to think that it was magic to process film and create images from it. With experience I realized it’s not magic, it’s a collaboration by very talented hard-working people.

7. What film have you seen the most in your life?

Quentin Tarantino’s,” Once Upon a Time in Hollywood.”

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

I would say the best thing that you could do to satisfy me and others is expediting the process of selection and notification to the festivals.

9. You submitted to the festival via Film Freeway. How has your experiences been working on the festival platform site?

This is my first experience with Film Freeway. I appreciate that it allows us to easily submit our film to multiple festivals. The cost is reasonable and hopefully, we will benefit from the recognition of our film from these festivals.

10. What is your favorite meal?

My favorite meal is fish tacos, rice and beans and a Margarita.

11. What is next for you? A new film?

Well, we are certainly not going to wait 36 years to make another sequel to Slaughterhouse.

We are busy marketing “Wonder Jerky,” a product mentioned in the film. We have trademarked the name of “Wonder Jerky” and are working on a trademark of the name “Slaughterhouse.”

Filmmaker Sara Gonzalez (THE FEAST (For My Beloved Son))

The Feast (For My Beloved Son), 1min., Canada
Directed by Sara Gonzalez Lopez
A loving Mother cooks for her son, who is currently distressed by his father s disappearance. Once the feast is served, so are answers.

https://www.instagram.com/flishy_fix/

Get to know the filmmaker:

1. What motivated you to make this film?
I’ve always been fascinated by thrillers and how they manage to tell a deep message with its visuals. I wanted to experiment for my first time doing a film, so I dived into the experience! I was very motivated with the world and characters so it helped a lot with the troubles I had later on creating it! Also with the quote of “Art should comfort the disturbed and disturb the comfortable”, I wanted to try out thas theory.

2. From the idea to the finished product, how long did it take for you to make this film?
Since this was my graduation film, from the script to the end I only had around a year to make it on my own! I and some of my classmates agreed it wasn’t enough time for only one person to make a whole film but we managed in our own way! I’m just glad my film turned out to be a good success for the amount of work I had to deal with!

3. How would you describe your film in two words!?
A “Family Dinner” haha

4. What was the biggest obstacle you faced in completing this film?
Telling the story visually in only a minute (ignoring the credits). Since I started I kept referencing past winning films of my school and how they managed to create such rich storytelling in just a minute! So I tried to work extra hard to be able to find ways to tell and not confuse viewers with my film, especially since I also did not want any dialogue involved. I kept changing the script over 20 times actually hahaa, the first script was so much different than this it’s a bit funny. My teachers and friends’ feedbacks were a huge help with the end of this story!

5. What were your initial reactions when watching the audience talking about your film in the feedback video?
I was still very surprised I got selected, it made me very happy having reactions and feedback from more people! Everyone was saying different things, so it felt nice my film got understood in general and enough to form different opinions about it.

6. When did you realize that you wanted to make films?
Ever since I started my 2D animation program I wanted to make films! I love the art of visual storytelling and I really wish I can learn more and grow as an artist the more I make films in the future!

7. What film have you seen the most in your life?
I have seen Pan’s Labyrinth so many times in my life, it’s hard to count. I watch lots of films from Guillermo Del Toro and they are a key inspiration for most of my work!

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?
It’s my first time being involved in a film festival and so far I have had no complaints! I really enjoy the feedback given, if i had to pick a favorite thing about it.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?
It’s been interesting. At the beginning I was a bit lost since I wasn’t taught in school anything about entering our films into the festivals but it wasn’t too hard after a bit of digging.

10. What is your favorite meal?
Haha i don’t know if this is a question referring to the film but, I love rice mixed with tuna or pancakes!

11. What is next for you? A new film?
I’m seeking to try different mediums for storytelling in my art for now! I’m planning on making a comic then a game. Eittherway, what I know for sure is that I’ll go back to filmmaking in the future once I try the other mediums!

Today’s Podcast: Screenwriter Jane Dafoe (REWIRING JADE)

A fierce forty-something woman tries to escape traumatic memories by participating in the Ironman triathlon, only to be diagnosed with CFS. As her life unravels, she clings to an unlikely friend who helps and then hinders her journey to recovery.

Get to know the writer;

What is your screenplay about?

This film is centered around the protagonist Jade, a 40-something newly single woman who is very driven in her work life and with her athletic pursuits.

On the surface she appears to be chasing her dreams, but in reality, she is running away from a nightmare.

This film explores themes of how people cope with trauma. We’ve all seen stories about people who dive into counselling, others who self-medicate or those who sink into depression. In this story, the character doubles-down on pursuing her goals. We know that society celebrates and admires driven people. In this story Jade’s drive causes her life to unravel, and she sinks into a state of self-loathing.

This film also deals with themes of identity. Jade struggles with the loss of her identity because she defines herself by the things she does, not who she is at the core. Rewiring Jade explores the complex relationships Jade has with unlikely friends who both help and hinder her journey.

What motivated you to write this screenplay?

I struggled with a chronic illness for a decade and my recovery felt transformational. When I came out the other side, I was not the same person as before. Writing this script allowed me to process and release the traumatic memories, making it a cathartic experience! Adding unexpected humour to the story helped me take my power back from an experience that almost destroyed me.

This film is not literally about me – rather it is inspired by what I went through. While the characters are fictional, a few are inspired by a combination of real people and imaginative elements.

While snippets of the story mirror real events, the main similarity that aligns with my experience is how Jade felt in certain situations. I have also tried to be as realistic as possible about the impact of CFS, but it has been toned down for the film.

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https://www.instagram.com/wildsoundpod/

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Today’s Podcast: Screenwriter Nancy Lydia Kimmel (JOSH’S EMPLOYMENT AGENCY OF BROOKLYN)

Watch the screenplay reading: https://www.youtube.com/watch?v=bFc5CPBmoUg

In the dilapidated streets of Brooklyn, Josh runs a failing employment agency that’s haunted by three ghosts. Josh is reluctantly recruited by them to help solve a series of murders. Of Course, Death’s AKA-Al curiosity is piqued and decides he’s in too.

Get to know the writer:

What’s the screenplay about?

It”s about a guy by the name of Josh, who runs or attempts to run an employment agency in the rough side of Booklyn. Josh’s demeanor on the outside is mild mannered, however, there is another side to him that is better left buried. He is able to see ghosts, for whatever reason, and there are 3 living upstairs who are his friends. Mary, his secretary, likes Josh and although Josh doesn’t show it, he likes her too. The three ghosts, Jazmine, George and Detective O’Shaughnessy, frustrated with their ghost boredom ask Josh’s if they can help somehow solve the crime of the young girls who have gone missing or have been murdered. Reluctantly Josh agrees . As it turns out, Mary can also see ghosts as well to her surprise when she stumble unpon Josh and the ghosts upstairs. To make a long story short, they all embark on plan to save the missing girls, and death, AKA, Al, catches wind and decides to help them as a change of pace. Their adventures begin, Mary winds up getting kidnapped and almost dying, death takes a liking to Jazmine, the Columbian rebels, living under immigrations radar in the area come to help them as well as the Brooklyn Police department. Does everyone live happily ever after? Maybe not, as it turns out Mary works for hell, let me rephrase that, she is the queen of hell, and it’s her job not to let the dogooders do too much good and upset the balance of good and evil. But no one knows Mary’s ulterior motives expect maybe death, AKA, Al.

Subscribe to the podcast:

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Watch Today’s Festival: EXPERIMENTAL/DANCE/MUSIC Festival (encore from live screening)

Watch Festival: https://www.wildsound.ca/videos/encore-experimental-dance-and-music-festival

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 3 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

SEE THE LINEUP OF FILMS:


THE MOMENT, 7min., Poetry, Canada
Directed by Craig Wrobleski
A poem about resilience and strength as a path to peace. The film follows one woman’s extraordinary journey.


SPARE ME THE DECISION: NATION OF LANGUAGES, 3min., Dance, USA
Directed by Samuel Hart
A dance music video exploring the pull of longing and Self Isolation

https://www.samueljhart.com/
https://www.instagram.com/samuel.j.hart/


TAINTED, 11min., Experimental, Singapore
Directed by Ian Wee
In a world driven by corporate greed and unethical genetic experimentation, Darien, the pioneering human clone, finds himself obsolete against a superior 2nd Generation Clone, leading to his and his mentor’s targeting.

http://www.brightvoxelstudios.com/
https://www.facebook.com/profile.php?id=61551387412655
https://www.instagram.com/film_tainted/


REVENGE OF THE BLACK WIDOW, 4min,. Dance, USA
Directed by Joseph Le
A maidservant turned psycho leads a bloody rebellion against Tong gangsters in 1950s Chinatown, San Francisco.

https://teamredpro.shop/
https://www.facebook.com/teamredpro/
https://www.instagram.com/teamredpro/
https://www.instagram.com/josephle_art/


JEFF HILLIARD – MY FACE, 4min., Music VIdeo, USA
Directed by Jeff Hilliard
Powerful executive who has an interesting way to relieve stress through creative role-play.

https://instagram.com/jeffhilliard


F*CK TO THE BEAT, 4min,. Dance, USA
Directed by Robbie Blue
A DANCE FILM CHOREOGRAPHED AND DIRECTED BY ROBBIE BLUE

https://www.instagram.com/itsrobbiesworld


DARK CIRCLES, 5min., Poetry, USA
Directed by Suswana Chowdhury
“Dark Circles” is a surrealist short poetry film directed and produced by Suswana Chowdhury, and written by Jean-Sebastien Surena.

https://suswanachowdhury.com/
https://www.instagram.com/suswana_/


KITE, 6min., Dance, Canada
Directed by Jerry Trieus
A dancer on a mission to experience flight. The journey is disappointing and filled with challenges. The result is a transformation as the dance artist finds strength through perseverance and ultimately freedom.


STRING HEAD, 7min,. Experimental, USA
Directed by Matthew Vargas
A man in bed, after failing to fall asleep, is forcefully kept awake by String Head – an entity made of string that psychologically tortures him by wrapping him in a cocoon made from the deepest, darkest thoughts of his mind.

https://www.instagram.com/themattvegas2.0/


END GAME, 6min., Dance, Netherlands
Directed by Laurens Neels
Endgame explores the slow unraveling of a relationship through intimate, improvisational choreography. Two dancers move between passion and conflict, leaving unresolved tensions in their wake. As the cycle repeats, emerging obstacles turn their dance into a struggle to sustain.

https://www.instagram.com/laurens_neels/


THE BATH, 4min., Music Video, France
Directed by Oliver Conrad
Music Video for “Le BAIN” by MITCHUM about taking a bath.

https://www.instagram.com/olio_vergine/


SEQUOIA SPIRITS, 12min,. Dance, USA
Directed by Cherie Carson, David Creech
“Sequoia Spirits” is a playful vertical dance film which peers deep into the heart and soul of a Redwood Grove. Under the great canopy of California’s majestic coastal giants, we get a glimpse into the elements that bring life to the woods – fire, water and earth.

http://www.upswingaerialdance.org/
https://www.facebook.com/UpSwingAerialDanceCompany/
https://www.instagram.com/upswingaerial


Walk Off The Earth at Bud Stage 2024, 11min., Canada
Directed by Mike Onley
A behind the scenes look at a day in the life of Canadian rockstars Walk Off The Earth at Budweiser Gardens the day of their annual performance. We explore why the home-town show is so special to the band and fans alike, and what goes in to creating a spectacular show.

https://www.instagram.com/walkofftheearth/
https://www.instagram.com/mikeonley

New Film on the Platform: MEMORIAM, 2min., USA, Dance

Watch Film: https://www.wildsound.ca/videos/watch-memoriam

My dad passed away recently and I’ll be completely honest here, watching him die slowly from cancer is a hell I would not wish on my worst enemy.
Family and friends ask me how I am feeling, or how I am handling it all. In actuality, the emotions are too intense to verbalize.

The only way that I could come close to expressing how I am feeling was to make some art. So, I called some friends, we went to the forest, and we made this. Feel free to interpret it however you’d like. It’s exactly what I wanted to say.

Directed by Lyla Ruth

https://www.lylaruth.com/optin1625102595782

https://www.instagram.com/lylaruthofficial/

Today’s Writing Deadlines: March 27, 2025

Submit to these exciting festivals today. Festivals that offer feedback from the industry, plus performance videos.

MAGICAL REALISM Novel Festival:
https://fantasyscififestival.com/magical-realism-novel-festival/

Get FULL FEEDBACK on either the 1st chapter or entire novel book from our committee of professional writers and writing consultants. Get your novel performed by a professional actor at the festival.

NEW OPTION: Or, just submit for an actor performance reading transcript of your novel (any 5 pages of your book). Great way to promote the sales of your book if you’re already published.


ASIAN Screenplay Festival:
https://asianfeedbackfilmfestival.ca/asian-screenplay-festival/

This festival has a guaranteed 4-tier set up for each accepted script. (No matter what, all screenplays submitted receive FULL FEEDBACK on their work.)
1) Full Feedback on your script
2) Actors performance video reading of your script
3) Blog interview promotion.
4) Podcast interview on the Film Festival ITunes show


POLITICAL Short Story Festival:/b>
https://politicalfeedbackfestival.events/political-short-story-festival/

Submit your POLITICAL short story to the festival, and we will automatically have it performed by a professional actor and turned into a promotional video for yourself.